Biblioteca pentru toi copiii“ cuprinde cele mai preuite opere ale scriitorilor clasici ai literaturii romne i universale. Crile de neuitat ale copilriei sunt disponibile astzi si in format e-book.Capodoper a literaturii pentru copii i adolesceni, Robinson Crusoe rmne i astzi o carte fundamental a primelor lecturi. Creat n 1719, ea a legnat copilria multor generaii, fiind rspndit pe toate meridianele lumii. Jean-Jaques Rousseau considera romanul un excelent tratat de educaie, iar André Malraux l aaz pe nlimile atinse de Cervantes i de Dostoievski. Mereu vie, cartea lui Daniel Defoe ne nva s fim nelepi i curajoi, s sperm i s nvingem.“

Am ales cazul de ruptur n evoluia unor exponeni proemineni din literatura romn actual, ruptura care a dus fie la impas, fie la regenerare. Pentru termenii conflictului un factor hotrtor l-a constituit n condiiile date epoca n formele ei de constrngere i de emulaie. Sunt convins c n alte circumstane ecuaia ar fi avut componente diferite. Nu sugerez c ar fi obligatorie restrngerea n ilustrarea pe care o propun, s-ar mai fi putut aduga cu aceeai ndreptite, recunosc, i alte aplicaii. Analizele nu sunt exhaustive, ele insist asupra unui fenomen caracteristic. Deruta ivit la unii pe traseu, parial sau total, s-a articulat pe planul angajrii civice i al nchegrii estetice. Trebuie s remarc o diferen n abordare, deoarece unii din cei selectai (G. Clinescu, M. Preda) nu mai sunt n via, aadar pentru ei e exclus posibilitatea unei schimbri de destin. A survenit pentru toi necesitatea unei racordri la orizontul epocii moderne, la presiunea raporturilor de for, la nvala dogmatismului, la ansele unei sincronizri cu Europa. Imperios necesar a fost lepdarea de prejudecile naionaliste i provinciale, ieirea din comarul ideologiei i al somaiei dure.“ – S. Damian

Cu ani ?n urm?, Lyra Davis l?sa ?n urm? o lume de bog??ie ?i privilegii, precum ?i pe cei pe care ?i iubea cel mai mult ?n lume, incapabil? s? ?mpace a?tept?rile familiei sale cu n?zuin?ele propriei inimi s?lbatice. Acum duce o existen?? lini?tit? pe insula Capri, ?nv???nd s? e bucure cu adev?rat de via??, al?turi de b?rbatul pe care ?l consider? sufletul pereche.Fiica ei, Pell, acum ?n v?rst? de 16 ani, ?i sora ei mai mic?, Lucy, ?nc? ?i duc dorul mamei care le-a p?r?sit c?nd erau copii. Pell crede c? ?tie motivele pentru care Lyra le-a abandonat, ?i, dup? moartea tat?lui lor, va traversa lumea ca s? o g?seasc? pe mama pe care ?i-o aminte?te ?i s? afle adev?rurile ad?nc ascunse, pe care Lyra nu a putut s? le dezv?luie p?n? acum.Un albastru infinit este o poveste despre dragoste, familie ?i prietenie ?n vie?ile a dou? femei care se re?nt?lnesc ?n locul unde ?ncep visele – ?i unde se pot ?mplini ?n cele din urm?.

Un roman de excep?ie, cu o intrig? de prima m?n?. Un roman care se cite?te cu sufletul la gur?.

Ei desc?lecar? atunci am?ndoi??i se iau la lupt? ca doi juni eroi.Ochii tuturora cat? cu mirareLa Buzescu Preda ?i t?tarul mare.Ei se bat la raza stelei cei de foc Flac?rile-i albe pe-a lor zale joc.V?ntul r?core?te fruntea lor udat???i m?nia dulce sufletul le-mbat?. Ei se bat ?n spade – spadele se fr?ng;??i se iau la bra?e – se smucesc se str?ng.C?nd t?tarul scoate o secure mic?Si lovind pe Preda pav?za ?i stric?.Dar el cu m?ciuca astfel ?l loviInc?t deodat? c?zu ?i muri. Iar dup? aceasta oastea rom?neasc?Pleac? ?i ?nvinge horda t?t?rasc?. Dimitrie Bolintineanu - Preda Buzescu

Exist? ?n activitatea publicistic? a lui Eminescu trei perioade distincte ?n cadrul c?rora putem fixa ?i c?teva momente mai semnificative pentru o problem? sau alta. Criteriul de baz? pe care ne ?ntemeiem ?n periodizarea noastr? ?l constituie schimb?rile intervenite ?n statutul personal al poetului ?n cursul activit??ii sale scriitorice?ti, schimb?ri care hot?r?sc ?n fond orientarea ?i caracterul ei. Publicistica eminescian? din prima perioad? se circumscrie ?ntre ianuarie 1870, c?nd public? primul articol, O scriere critic? ?n Albina din Pesta ?i mai 1876, c?nd intr? ?n redac?ia Curierului de Ia?i, foaia ie?ean?. Vom distinge aici o publicistic? a epocii studiilor universitare la Viena, c?nd Eminescu colaboreaz? la publica?iile rom?nilor din Imperiul austro-ungar ?i se situeaz? pe pozi?iile acestora ?n ap?rarea institu?iilor culturale, critic? dualismul ?i se afirm? ca un exponent al "tinerilor" ?n lupta pentru ?nf?ptuirea idealului de unitate na?ional? a poporului rom?n. Eminescu se manifest? ?n direc?ii multiple, de la articolul pe teme culturale la editorialul de orientare politic? ?i lansarea de apeluri c?tre public pentru solidaritatea na?ional?. Pozi?ia sa este a t?n?rului intelectual rom?n, ?nsufle?it de lupta poporului s?u ?i acest av?nt tineresc se reflect? ?i ?n publicistica sa. Acestei prime perioade se impune s?-i al?tur?m ?i un al doilea moment care coincide cu activitatea de bibliotecar la Biblioteca Central? din Ia?i. Activitatea publicistic? de acum este redus? ca extindere ?i are, ?n chip evident, caracter c?rtur?resc. Eminescu ?ine, tot acum, ?i conferin?a Influen?a austriac? asupra rom?nilor din Principate, ?n care sintetizeaz? ideile din articolele anterioare ?i din ?nsemn?rile din manuscrise ?i schi?eaz? un program pentru viitoarea sa activitate publicistic?. Perioada a doua a gazet?riei lui Eminescu o ?nscriem ?ntre 19 mai 1876, c?nd avem date sigure c? poetul intr? ca redactor la Curierul de Ia?i, ?i ultima s?pt?m?n? din octombrie 1877, c?nd p?r?se?te redac?ia foii ie?ene. Se produce acum o schimbare fundamental? ?n statutul personal al poetului, ?n sensul c? devine ziarist profesionist. Foaia ie?ean? era, pe de alt? parte, o publica?ie oficial?, cu o apari?ie de trei ori pe s?pt?m?n? ?i care rezerv? p?r?ii neoficiale, din cele patru pagini, una singur?. Concep?ia lui Eminescu despre menirea ziarelor este cea a ?nainta?ilor s?i Asachi, Kog?lniceanu, Alecsandri, Negruzzi, care f?ceau din publica?iile lor organe de pres? cu caracter enciclopedic. Pe acest drum merge ?i Eminescu ?i ?n acea singur? pagin? o unei foi oficiale face cronic? de politic? extern?, cronic? de politic? intern?, cronic? cultural?, cronic? dramatic? ?i artistic?. Nic?ieri ?n gazet?ria lui Eminescu nu se vede mai bine ca la Curierul de Ia?i ce poate realiza geniul cu mijloace materiale reduse ?i ?ntr-un spa?iu tipografic restr?ns. Activitatea publicistic? a poetului surprinde prin diversitatea problemelor abordate, prin seriozitatea ?i buna informare ?i prin modul de-a polemiza ?n chestiunile controversate. Aici, la Curierul de Ia?i – ?i nu la Timpul – ?l g?sim pe Eminescu cronicarul de politic? extern?, cronicarul cultural ?i cronicarul dramatic. Perioada a treia a gazet?riei lui Eminescu este cuprins? ?ntre octombrie 1877, data intr?rii ?n redac?ia Timpului, cotidianul bucure?tean, ?i iunie 1883, pr?bu?irea sa intelectual?. Aparent nu se schimb? nimic ?n statutul personal al poetului, de vreme ce trece ca ziarist profesionist de la foaia ie?ean? la cotidianul bucure?tean. ?i totu?i situa?ia nu se prezint? a?a. Poetul intr? ?n redac?ia Timpului, ca simplu redactor, cum era ?i I. Slavici, la chemarea c?ruia p?r?se?te foaia ie?ean?, trece apoi ?n fruntea ziarului, ca redactor-?ef, ca s? ocupe, ?n final, postul de prim-redactor. Eminescu ??i asum? sarcina, la intrarea ?n redac?ia Timpului, s? fac? cronica de politic? intern? ?i se ocup? cu intermiten?e de evenimentele interna?ionale ?i de mi?carea cultural?. Publicistica sa cunoa?te, sub aspectul diversit??ii, o ?ngustare evident? ?n raport cu cea de la foaia ie?ean?. Dar dac? la cotidianul bucure?tean nu ne ?nt?mpin? peisajul caleidoscopic din foaia ie?ean?, se impune aten?iei ?nc? din primele articole amplificarea discursului critic ?i verva polemic?. Publicistica eminescian? cunoa?te desf??urarea cea mai larg? ?ntre februarie 1880 ?i decembrie 1881. Acum Eminescu este redactor-?ef al cotidianului bucure?tean ?i ?l transform? ?n organ de pres? al orient?rii sale politice. Poetul sus?ine, ?n zeci de articole, primatul muncii ?n promovarea ?n ierarhia social?, ia ap?rarea "claselor pozitive" ?i critic? ?n termeni necru??tori "p?tura superpus?" ?i demagogia din via?a politic?. Eminescu p?r?se?te conducerea Timpului ?n ianuarie 1882, ca urmare a apropierii "sincerilor conservatori" de "sincerii liberali" ?i a form?rii "opozi?iei coalizate". Poetul trece r?spunderea conducerii ziarului lui Grigore G. P?ucescu, membru marcant al "opozi?iei coalizate" ?i r?m?ne prim-redac

ntmplri reale despre oamenii i experienele care aduc linite sufleteasc i bucurie femeilor Cu toii avem de nfruntat adversiti din cnd n cnd. Cu toii suntem uneori triti. Cu toii suntem cteodat prea ocupai, prea mulumii de noi nine sau prea apsai de povara propriilor probleme ca s mai apreciem lucrurile pozitive din vieile noastre. Colecia Poveti adevrate“ i aduce cazuri reale, ntmplri din viaa unor oameni obinuii, ce ne vorbesc despre curaj i buntate, despre binecuvntrile i miracolele vieii, amintindu-ne c nu suntem singuri, c putem rzbate chiar i n cele mai ntunecate zile, c nc exist buntate n lume. O nmormntare i o coresponden prin e-mail readuc mpreun dup zeci de ani o familie nstrinat de divor. S mplineti patruzeci de ani nu nseamn renunarea la orice scop n via, ci poate fi momentul n care s ncepi a avea grij i de tine, nu doar de familia ta. Dup multe lecii dureroase, vei descoperi c este mai bine s fii tu nsi dect s ncerci a fi Iubita Perfect. 42 de ntmplri adevrate despre dragoste, prietenie i puterea femeilor de a merge mai departe.

Vrei s? afli secretul suprem al s?n?t??ii ?i al frumuse?ii? Nu-l c?uta ?n cutia cu medicamente, caut?-l aici!Apel?nd la doar c?teva schimb?ri de regim alimentar:vei ob?ine o str?lucire tinereasc? a pieliivei sc?pa de acnee, petele de pe ten ?i ridurivei avea un p?r cu un luciu s?n?tos ?i unghii tarite vei descotorosi de kilogramele ?n plus ?i nu vei mai calcula niciodat? caloriile!?Nu-mi place s? ?in diet?. ?mi place s? m?n?nc s?n?tos ?i tocmai ?n asta const? filosofia lui Kim. E genial?.“ – Drew BarrymoreKimberly Snyder, nutri?ionist? ?i expert? ?n ?nfrumuse?are, este cunoscut? ?n lumea celebrit??ilor din industria divertismentu-lui, pe care le ajut? s? arate excep?ional. Acum ai ?i tu posibilitatea s? beneficiezi de tratamentul vedetelor.Kim avea probleme cu p?rul aspru, st?ri de disconfort fizic ?i o burtic? ?nc?p???nat?, p?n? c?nd a ?nceput s? c?l?toreasc? prin lume ?i a aflat secrete ale frumuse?ii vechi de c?nd lumea.Astfel a descoperit c? ceea ce m?n?nci constituie cel mai bun produs pentru frumuse?e ?i a elaborat un program de anvergur? care cur??? organismul de toxine astfel ?nc?t s? po?i ar?ta splendid ?i s? te sim?i minunat.?Cartea lui Kimberly Snyder este o lectur? obligatorie, care scoate ?n eviden?? importan?a introducerii ?n alimenta?ie a c?t mai multor legume ?i fructe. Ea ?i ?nva?? pe cititori cum s? valorifice la maximum ceea ce m?n?nc?.“ – Dr. Mehmet Oz

n Oslo-ul anilor ’90, ntro toamn prelungit n var indian, Will, un tnr scenarist plin de idei, dar neapreciat de productori, triete de patru ani mpreun cu iubita lui, Cathrin, art director ntro agenie de publicitate. Pentru a scpa de plictiseala care ncepe si bntuie, Cathrin iniiaz un joc erotic primejdios: cu pretextul c vor s-i cumpere o locuin, viziteaz case i apartamente, n care, ascunzndu-se de ochii agenilor imobiliari, renvie pasiunea primilor ani. Totul pare s se rezolve, Will semneaz un contract - e drept, pentru filme interzise minorilor, dar dispariia lui Cathrin d totul peste cap, calmul lund nfiarea unui thriller ce te ine cu sufletul la gur.

Iat?o pe fiica regelui troian Priam, vestita profet? Casandra, sosind ?n fa?a por?ilor cet??ii Micene ?n carul cu prizonieri al eroului grec Agamemnon. ?tie c? va fi ucis? ?nainte de asfin?itul soarelui ?i ??i rememoreaz? via?a, o existen?? excep?ional? pentru o femeie a acelor vremuri, ce culmineaz? ?n momente de o intensitate ?i un dramatism emo?ionant. Christa Wolf imagineaz? biografia fascinant? a unei figuri feminine at?t de controversate din mitologia antic?, reu?ind s? ne fac? s? o sim?im ca pe o contemporan? a noastr?.?

A regény Jókai munkásságának ahhoz a Fekete gyémántokkal megkezdett irányzatához kapcsolódik, melyben a modern ?nagyvilági” életet kívánta ábrázolni. A m? szerkezetileg két lazán ?sszefügg? részre tagolódik. Az els?, A ?tegnap” 1848-49-ben játszódik. F?h?se Illavai Ferenc, igazi Jókai alak: csúnya, de rettenthetetlenül bátor, m?velt, szerény, okos és jóságos. Gyámfiát és egyben unoka?ccsét, Opatovszky Kornélt t?bbsz?r kimenti kül?nféle halálos veszedelmekb?l, noha méltatlan rá, hogy ?r?k?séül megtartsa. Nagy szolgálatot tesz a gróf Tarnaváry családnak, életüket és vagyonukat is megmenti…. A második rész, A ?ma”: az 1860-as évek eleje, a Schmerling-korszak. Mind az Opatovszky-, mind a Tarnaváry-birtok t?nkrement az oktalan spekulációban és az egymással vívott harcban… A regény b?velkedik az izgalmas fordulatokban, ezért szerkezeti és jellemzési gyengéi ellenére kit?n? olvasmány.

Snt fericit de aceast regsire n literatur a lui InimRea, cum snt bucuros c, din ntmplare, i-am fost cumva un martor privilegiat, publicnd acum aproape patru ani n Timpul primele pagini din Cas pe pmnt i susinnd publicarea celor Cteva idei despre fericire la Editura T. Iar acum, Adenium i reediteaz unul din romanele deja publicate, care va fi, cum am scris deja c sper, urmat de altele. Cum nc mai trim n era Navigatorului, i urez lui InimRea vnt bun la pup!“ – Liviu Antonesei

Karinthy legismertebb, legnépszer?bb m?ve mindmáig az ?gy írtok ti. Ez a m? hozta meg számára az ismertséget, ezzel a k?nyvével aratta els? igazi, nagy sikerét. A kávéházi játékokból, nemzedéktársainak kigúnyolásából alakult karikatúrasorozat id?vel tudatos enciklopédiává b?vült, s nemcsak a magyar szerz?k arcképcsarnoka teljesedett ki, hanem világirodalmi és m?faji tematikával is gazdagodott. Máig ható sikerének titka, hogy Karinthy a célba vett írói egyéniség egész karakterét, az alkotói modor és modorosság torzképét rajzolta meg. K?tetünk a Még mindig így írtok ti méltán híres gy?jteményén túl a korabeli lapokban megjelent k?zlések legjobb gúnyrajzait is tartalmazza.

Partenerul este asemenea unei oglinzi, iar ?n oglind? ni se reveleaz? solu?ia. ?ntr-o rela?ie nu se petrece nimic ?nt?mpl?tor, deoarece fiin?a pe care ai atras-o ?n via?a ta face parte din planul vie?ii tale. Ceea ce spune sau nu, ceea ce g?nde?te sau simte, modul ?n care se comport? ??i oglindesc for?ele energetice l?untrice care ??i ghideaz? via?a ?i rela?ia. Prin intermediul principiului oglinzii vei fi capabil s? descifrezi tiparele incon?tiente. Dac? ?n?elegi ce a ac?ionat p?n? acum ?n fundal, vei atrage transform?ri benefice ?n via?a ta.? Blocajele suflete?ti vor disp?rea, iar ?n fi nal se poate petrece ceea ce dou? fiin?e umane privesc drept cea mai ?nalt? fericire comun?: o iubire eliberat? ?i profund ?mplinitoare, pentru fiin?a iubit? ?i pentru tine ?nsu?i. Cartea de fa?? este asemenea unui program practic, menit s? vindece blocajele rela?ionale, s? aduc? o profund? cunoa?tere de sine ?i s? ofere posibilitatea dob?ndirii unei reale eliber?ri interioare. ??n rela?ii nu exist? noroc sau ghinion. Exist? doar iubire ?i tipare ascunse. Iar dincolo de tipare te a?teapt? ?mplinire ?i libertate.”

After the publication of "The Wonderful Wizard of OZ" I began to receive letters from children, telling me of their pleasure in reading the story and asking me to "write something more" about the Scarecrow and the Tin Woodman. At first I considered these little letters, frank and earnest though they were, in the light of pretty compliments; but the letters continued to come during succeeding months, and even years. Finally I promised one little girl, who made a long journey to see me and prefer her request,—and she is a "Dorothy," by the way—that when a thousand little girls had written me a thousand little letters asking for the Scarecrow and the Tin Woodman I would write the book, Either little Dorothy was a fairy in disguise, and waved her magic wand, or the success of the stage production of "The Wizard of OZ" made new friends for the story, For the thousand letters reached their destination long since—and many more followed them. ? ?And now, although pleading guilty to long delay, I have kept my promise in this book. L. FRANK BAUM., Chicago, June, 1904 To those excellent good fellows and comedians David C. Montgomery and Frank A. Stone whose clever personations of the Tin Woodman and the Scarecrow have delighted thousands of children throughout the land, this book is gratefully dedicated by THE AUTHOR Chapter 1 Tip Manufactures a Pumpkinhead ??In the Country of the Gillikins, which is at the North of the Land of Oz, lived a youth called Tip. There was more to his name than that, for old Mombi often declared that his whole name was Tippetarius; but no one was expected to say such a long word when "Tip" would do just as well. This boy remembered nothing of his parents, for he had been brought when quite young to be reared by the old wom-an known as Mombi, whose reputation, I am sorry to say, was none of the best. For the Gillikin people had reason to suspect her of indulging in magical arts, and therefore hesi-tated to associate with her. Mombi was not exactly a Witch, because the Good Witch who ruled that part of the Land of Oz had forbidden any oth-er Witch to exist in her dominions. So Tip's guardian, how-ever much she might aspire to working magic, realized it was unlawful to be more than a Sorceress, or at most a Wizardess. ? Tip was made to carry wood from the forest, that the old woman might boil her pot. He also worked in the corn-fields, hoeing and husking; and he fed the pigs and milked the four-horned cow that was Mombi's especial pride... ? ABOUT AUTHOR: Lyman Frank Baum (May 15, 1856–May 6, 1919) was an American author, actor, and independent filmmaker best known as the creator, along with illustrator W. W. Denslow, of one of the most popular books ever written in American children's literature, The Wonderful Wizard of Oz, better known today as simply The Wizard of Oz. He wrote thirteen sequels, nine other fantasy novels, and a plethora of other works, and made numerous attempts to bring his works to the stage and screen.? Other Books of Author: The Wonderful Wizard of Oz (1900) Dorothy and the Wizard in Oz (1908) American Fairy Tales (1901) The Emerald City of Oz (1910) Ozma of Oz (1907) The Lost Princess of Oz (1917) Glinda of Oz (1920) The Road to Oz (1909) Tik-Tok of Oz (1914)

The Trial (German: Der Process) is a novel by Franz Kafka about a character named Josef K., who awakens one morning and, for reasons never revealed, is arrested and prosecuted for an unspecified crime. According to Kafka's friend Max Brod, the author never finished the novel and wrote in his will that it was to be destroyed. After his death, Brod went against Kafka's wishes and edited The Trial into what he felt was a coherent novel and had it published in 1925.

This exquisite novel tells the story of one of the most compelling heroines in modern literature--Emma Bovary. A bored provincial housewife, abandons her husband to pursue the libertine Rodolphe in a desperate love affair. A succès de scandale in its day, Madame Bovary remains a powerful and scintillating novel.A brilliant psychological portrait, Madame Bovary searingly depicts the human mind in search of transcendence.?The novel is considered Flaubert's masterpiece, as well as a seminal work of realism and one of the most influential novels ever written.

Huckleberry Finn is a wonderful story filled with adventure and unforgettable characters that no one who has read it will ever forget.?The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about twenty years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism.

"A Doll's House" is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. List of characters of the Book: ? ? Nora Helmer – wife of Torvald, mother of three, living out the ideal of the 19th century wife, but leaves her family at the end of the play. ? ? Torvald Helmer – Nora's husband, a newly promoted bank manager, suffocates but professes to be enamoured of his wife. ? ? Dr. Rank – Rich family friend, who is secretly in love with Nora. He is terminally ill, and it is implied that his "tuberculosis of the spine" originates from a venereal disease contracted by his father. ? ? Kristine Linde – Nora's old school friend, widowed, seeking employment (named Kristine in the original Norwegian text). ? ? Nils Krogstad – Employee at Torvald's bank, single father, pushed to desperation. A supposed scoundrel, he is revealed to be a long-lost lover of Kristine. ? ? The Children – Ivar, Bobby and Emmy? ? Anne Marie – Nora's former nanny, now cares for the children.? ? Helene – The Helmers' maid? ? The Porter – Delivers a Christmas Tree to the Helmer household at the beginning of the play. We must come to a final settlement, Torvald. During eight whole years. . . We have never exchanged one serious word about serious things.Nora, in Ibsen's A Doll's House (1879) ABOUT AUTHOR: Henrik Johan Ibsen (Norwegian; 20 March 1828 – 23 May 1906) was a major 19th-century Norwegian playwright, theatre director, and poet. He is often referred to as "the father of realism" and is one of the founders of Modernism in theatre.?

"When Jesus arrives, Hades bids his servants to bolt and lock the doors, but to no avail; Jesus shatters the gates and enters. He seizes Satan and binds him in iron chains, then consigning him into Hades’s keeping until the second coming. Jesus next turns his attention to the patriarchs. He raises up Adam, along with all the prophets and the saints. Together, they all depart up out of Hades, and ascend into Paradise.) The “Harrowing of Hell” portion of that Gospel was widely circulated in other compilations of religious literature, most notably in the Golden Legend of the lives of the saints, compiled by Jacob of Voragine in the 13th century." The literary versions of the “Harrowing of Hell” in turn gave rise to many works of art, including the “mystery play” tradition of medieval religious drama. Most commonly, however, people would learn about Jesus’s descent into the underworld from the artwork which decorated the churches and cathedrals of Europe. A Dialogue in Hades, this illlustrated version of the book, gives a many perspective to the readers, With WELL ILLUSTRATIONS BY MURAT UKRAY {E-KITAP PROJESI}..

Ce ve?i g?si ?n aceast? carte? Ve?i g?si ?nt?mpl?ri ?i pove?ti care seam?n? izbitor cu cele pe care le vedem ?n corpora?ii. Ve?i reg?si lucruri familiare, lucruri care v? plac, dar ?i lucruri care ?i vor pune pe g?nduri pe corporati?ti. Ve?i reg?si pove?ti despre situa?ii zilnice, colegii de birou, colegii de la alte birouri. ?i, nu ?n ultimul r?nd, v? ve?i reg?si pe fiecare dintre voi. De ce s? cump?ra?i o carte care v? poveste?te ceva ce tr?i?i zilnic? Poate pentru c? modul ?n care se poveste?te o s? v? plac? ?i o s? v? captiveze, pentru faptul c? e ca ?i cum cineva v-ar fi citit g?ndurile, pentru faptul c? doar vre?i s? v? sim?i?i bine descoperind mediul corporatist. Este o carte dedicat?, ?n principal, corpora?iilor ?i oamenilor care lucreaz? ?n ele, adic? despre noi, corporati?tii. ?ntr-un ton optimist ?i, sper, amuzant.