Once, Iola flew with a dragon. If she can become ambassadress to the dragons' realm, she might fly again, but first she must navigate life as an ordinary priestess. She’s wholly devoted to the dragons, but some of her fellow priestesses are dragon-blind and corrupt. Worse, they think that Iola’s devotions are actually just a sign of greed. The ambassadress returns from the dragons’ realm, too sick to fly again. Iola might have a chance to take her place, but her rival, Tiagasa, was raised in a prince's palace. Tiagasa thrives on political intrigue and gossip, and her lover is about to become governor of the city. Iola’s few friends and allies aren't much more savvy than she is. Still, they hope to persuade the new governor to make Iola ambassadress so that the temple cam be a true sanctuary of the dragons for a few years more.

The Seventh Man by Max Brand, tells part of the story of the larger-than-life western character, Dan Barry, known as “Whistling Dan,” and his alter-ego companions, Black Bart, the wolf-dog, and Satan, the indomitable black stallion. It’s also the story of Kate Cumberland and the incredible five-year-old daughter of Kate and Dan, Joan. We first see Dan as a gentle, caring man with a deep sense of fairness. But then, after six years of a peaceful life in their mountain cabin Dan, more feral than human, sets out to revenge an injustice by killing seven men. Ultimately, it is his devotion to his daughter and Kate’s love for the child that brings about the climax of the tale. Warning: don’t look for a typical cowboy story here – it’s far deeper and stronger than that.

A classic western from one of the masters of the genre.

Demersul Antoanetei Olteanu, reputat? traduc?toare de limba rus? ?iexpert? ?n istoria cultural? a Rusiei, se distinge at?t prin calitatea informa?iilor, adesea inedite, c?t ?i prin compozi?ia complex?, care ?mbin? viziunea sintetic? cu o perspectiv? transcultural? exersat?. Cartea se recomand? de la sine at?t cititorului profesionist, care g?se?te aici o serie de date altfel greu accesibile, c?t ?i celui interesat de istoria ?i cultura Europei ?n ansamblu. Dup? cum anun?? ?i subtitlul, lucrarea reconstituie o istorie cultural? a secolului al XIX-lea, realiz?nd, ?n fapt, o fresc? a uneia dintre cele mai captivante perioade din istoria Rusiei, cea imperial?. Datele prezentate acoper? practic toate Aspectele vie?ii politice, sociale, economice ?i culturale ale acestui interval de timp, marcat at?t de aura ?arilor, c?t ?i de nenum?ratele revolte populare. Tabloul evenimentelor majore este ?ntregit cu minu?ioase inventare de titluri nobiliare, cu date economice consemnate cu acribie, cu o expunere vie a panoramei cutumelor sociale, familiale ?i religioase, merg?nd de la modalit??ile de confec?ionare a juc?riilor sau a bijuteriilor p?n? la istorii ale ceaiului sau vodcii. Atmosfera epocii cap?t? un contur des?v?r?it prin citarea unor fragmente din lucr?ri ?tiin?ifice de referin??, din jurnalele de c?l?torie ?i din publicistica vremii, dar ?i din operele marilor scriitori ai vremii, ca Dostoievski, Gogol ?i Tolstoi. Se contureaz?, astfel, o imagine neconven?ional? a Rusiei, o na?iune confruntat? permanent cu tensiunea unei alegeri fundamentale, care pune ?n opozi?ie modelul str?in ?i inegalabila for?? intern?. Autoarei ?i revine meritul de a fi surprins aspectele esen?iale ale acestei tensiuni, cu ample ecouri ?n perioadamodern? ?i cu evidente efecte asupra mentalit??ii contemporane.

"Le bon père achevait de dire sa messe, quand on lui amena les prisonniers. C'était dans un coin sauvage des monts Arichulégui. Une roche éboulée, où un figuier géant enfon?ait sa tige tordue, formait une sorte d'autel recouvert – en guise de nappe – d'un étendard carliste aux franges d'argent."

"Samedi, soir de paye. Dans cette fin de journée, qui est en même temps une fin de semaine, on sent déjà le dimanche arriver. Tout le long du faubourg, ce sont des cris, des appels, des poussées à la porte des cabarets. Parmi cette foule d'ouvriers qui déborde du trottoir et suit la grande chaussée en pente, une petite ombre se h?te furtivement, remontant le faubourg en sens inverse."

Tarascon, mené par le glorieux Tartarin, entreprend de coloniser une ?le du bout du monde. Cette conquête se révèle malheureusement plus difficile que prévu, et le mental tarasconnais est bien affecté par les emb?ches rencontrées... Inspiré d'un histoire vraie, cette aventure de Tartarin est toujours aussi distrayante et nous procure un vrai rayon de soleil tarasconnais. Pour autant, elle montre un Tartarin désabusé et amer, abandonné par ses proches.

'Le Petit Chose' para?t en feuilleton en 1867. Daudet s'inspire des souvenirs d'une jeunesse douloureuse : humiliations à l'école, mépris pour le petit proven?al, expérience de répétiteur au collège et enfin coup de foudre pour une belle jeune femme. L'écrivain manifeste une tendresse, une pitié et un respect remarquables à l'égard des malchanceux et des déshérités de la vie.

Robert R. Provine p??e?te f?r? team? pe c?r?ri rareori b?tute de al?i oameni de ?tiin?? – ?n c?utarea sughi?urilor, tusei, c?scatului, str?nuturilor ?i a altor comportamente umane, aparent nedemne ?i de joas? spe??. De?i multe dintre activit??ile prezentate ?n Comportamente bizare sunt contagioase, ?n aceast? privin??, niciunul dintre ele nu ?ntrece c?scatul – p?n? ?i simpla citire a cuv?ntului ne poate face s?-i c?dem prad?. Chiar dac?, adesea, ?l privim ca pe un semn de somnolen?? sau plictiseal?, c?scatul ne ofer? indicii despre devoltarea socialit??ii ?i capacit??ii noastre de a empatiza cu ceilal?i. Implacabilul s?u mecanism de transmitere ne reaminte?te c?, uneori, suntem programa?i neurologic s? ne comport?m ca ni?te simple animale de turm? incon?tiente. ?Deschide?i cartea aceasta, care se bazeaz? pe cercet?ri serioase, dar care se cite?te ca un roman poli?ist, ?i descoperi?i lucruri pe care nici nu vi le-a?i fi imaginat vreodat? despre aceste comportamente.“ Frans de Waal, profesor la Universitatea Emory ?i autor al lucr?rii The Age of Empathy(2009)

Lucrarea inedit? a lui Nathan Belofsky se concentreaz? asupra ideilor ?i practicilor medicale acceptate de-a lungul veacurilor, pe scar? larg?, ale doctorilor reali, nu ale vracilor ?i aproape to?i doctorii men?iona?i erau figuri medicale importante ale acelor vremuri. Autorul prezint? c?teva dintre cele mai r?sp?ndite practici ?ocante sau ?ndoielnice din fiecare epoc?, ?ncep?nd cu Antichitatea ?i continu?nd cu Evul Mediu, Rena?terea, perioada modern? ?i secolul al XX-lea. Cartea se afl? sub semnul insolitului ?i readuce la via?a, ?ntr-o manier? narativ? ?i deseori umoristic?, momente mai pu?in cunoscute din istoria medicinei. ,,Cartea este o comoar? de fapte uluitoare.“Los Angeles Examiner

Texas was a huge wide place full of frontiersmen, ranchers, farmers, cowpokes, shiftless no-accounts, shootists, rascals, and politicians -- all of them blended together into a single state. The Rangers -- lawmen, Texas Rangers -- were outnumbered a thousand to one, and in one county -- Pecos county -- the law was all but helpless. Until Ranger Vaughn Steel went to Pecos, looking for revenge. . . .

Kilogramele ?n plus: avantaje ?i dezavantaje Descoperi?i ?tiin?a din spatele paradoxului obezit??ii ?i modul ?n care pute?i ob?ine s?n?tatea maxim?, mai degrab? dec?t greutatea minim?! Nu trece nicio zi f?r? s? ne g?ndim la ?gr?sime”. Suntem asalta?i de mesaje care ne avertizeaz? c? tr?im ?ntr-o societate ?n care mai mult de dou? treimi dintre indivizi sunt supraponderali sau obezi. C?r?ile, revistele ?i articolele online ne ?nva?? cum s? sc?p?m de kilogramele ?n plus ca s? ne bucur?m de o s?n?tate mai bun?. Produsele alimentare sunt promovate prin sublinierea con?inutului caloric redus. Nu e de mirare c? cei mai mul?i dintre noi credeau c? longevitatea depinde de men?inerea unui indice de mas? corporal? normal. P?n? la apari?ia acestei lucr?ri revolu?ionare... Cu ajutorul bestsellerului ?Paradoxul obezit??ii” ve?i descoperi c? pute?i fi ?n acela?i timp gras, ?ntr-o form? bun? ?i foarte s?n?tos. Aceast? teorie este sus?inut? de rezultatele uimitoare ale cercet?rilor efectuate ?n ultimii 10 ani: persoanele supraponderale ?i chiar moderat obeze cu anumite boli cronice – boli de inim? sau cancer – tr?iesc adeseori mai mult ?i au o via?? mai bun? dec?t persoanele cu greutate normal? care se confrunt? cu acelea?i afec?iuni. Cardiologul Carl Lavie ne explic? de ce avem nevoie de gr?sime, cum contribuie la procesele vie?ii ?i care este modalitatea prin care ne ofer? combustibil suplimentar ?n lupta cu boala. Ne sunt dezv?luite ?i motivele pentru care unele persoane care par slabe ?i cu un fizic de invidiat pot suferi totu?i de afec?iuni metabolice, cum ar fi diabetul zaharat de tip 2 – a?a-numitul ?paradox al suple?ei”. Am ajuns at?t de preocupa?i de obezitate, folosind-o ca argument pentru a ?ncadra problemele de s?n?tate, ?nc?t trecem cu vederea alte cauze posibile ale bolii. Informa?iile inovatoare din aceast? carte le vor schimba viziunea despre gr?sime ?i ce ?nseamn? s? fii s?n?tos at?t celor care ?ncearc? s? nu se ?mboln?veasc?, c?t ?i bolnavilor care tr?iesc cu o afec?iune de durat?. Ea se adreseaz? ?n egal? m?sur? celor tineri ?i supli, ci ?i persoanelor mai ?n v?rst? care se lupt? cu acele ?nc?p???nate kilograme ?n plus. Este o carte pentru oamenii care se consider? ?n form?, dar ?i pentru cei care prefer? un stil de via?? mai sedentar.

Dave and his mum are all set to take a train when there is an announcement that the next train heads to a strange destination, Wonderland.? Mum goes to make an enquiry?and Dave takes the train by himself. On the train he find a magic shoes that?takes him on an adventure which he was not fully prepared for.

Single father Kevin O’Donnell would do anything to give his daughter Holly a stable life—including leave the Air Force and take a job working at Knight and Day Flight Tours in charming Jupiter Point, California. After his wild daredevil past, he’s sworn off relationships until Holly turns eighteen. Just three more years. No problem; he’s got this under control. Until a chance encounter with a smart, sassy bombshell—who just happens to be his new boss’s sister. Since her father’s unsolved murder, Cassie Knight has spent over a decade on the road with her mother, memories chasing the fragile woman from town to town…or so Cassie thought. Only after returning to Jupiter Point does she learn something—or someone—all too real triggered their life on the run. Now, with her brother closing in on their father’s killer, Cassie’s free to pursue her own happiness for the first time. Enter smart, sexy, funny Kevin O’Donnell.Of course they’ll have to keep it light. There’s a big off-limits sign on Kevin’s heart, and Cassie’s ready to hit the road the minute her father’s killer is found. She can do light—no problem. But she didn’t count on their sizzling chemistry…Holly’s suddenly odd behavior…and a killer who’s more cunning than the Knight family ever suspected. Too hot to handle? There’s only one way to find out.

A standalone Jupiter Point novella...Comic book artist Mia Grant is fleeing from her ex-boyfriend when she stumbles across a cabin in the woods, where she finds the last thing she expected--a kidnapping victim. Extra bonus that he's the exceptionally attractive Aiden Knight.Aiden has no idea why he was snatched off his college campus and brought to this wilderness cabin, but he suspects it has to do with the hunt for his father's killer. For now, he has a bigger worry--helping his gorgeous rescuer escape her nasty ex, who's still hot on her trail.Add in a thunderstorm and a white-knuckle wildlife encounter, and Aiden and Mia can hardly be blamed when the simmering attraction between them explodes into fiery passion.Years later, back in Jupiter Point ... was their raw hunger the real deal? Or will the slightly older and wiser couple chalk up the adrenaline-filled bliss to just one hot night?

Saya tidak percaya akan cinta. Cinta hanya sebuah omong kosong. Buktinya saat kakak memberikannya emas dan mutiara. Dia langsung?meninggalkanku. Putri kaisar kerajaan Xi Ying Yue Cinta itu menyakitkan. Saya akan menutup hati saya. Untuk apa harus?mengambil? Ratu? Sedangkan saya sudah memiliki keturunan. Apalagi luka?di wajah saya mengerikan. Wanita mana yang akan jatuh cinta denganku? Semua wanita hanya pemuas malamku yang dingin. Kaisar kerajaan Chun Dua orang yang memiliki luka. Berkali-kali bertemu. Apakah jodoh atau sudah kehendak yang kuasa kita harus bersatu?. ? pertemuan #1 itu hanya kebetulan pertemuan #2 artinya kamu jodohku pertemuan #3 kupastikan dia milikku

IN ancient times, when the city of Rome was at the height of its power and splendor, it was the custom, as it is in fact now with the inhabitants of wealthy capitals, for the principal families to possess, in addition to their city residences, rural villas for summer retreats, which they built in picturesque situations, at a little distance from the city, sometimes in the interior of the country, and sometimes upon the seashore. There were many attractive places of resort of this nature in the neighborhood of Rome. Among them was Antium.??The beauty and the salubrity of Antium made it a very attractive place of summer resort for the people of Rome; and in process of time, when the city attained to an advanced stage of opulence and luxury, the Roman noblemen built villas there, choosing situations, in some instances, upon the natural terraces and esplanades of the promontory, which looked off over the sea, and in others cool and secluded retreats in the valleys, on the land. It was in one of these villas that NERO was born.??NERO's father belonged to a family which had enjoyed for several generations a considerable degree of distinction among the Roman nobility, though known by a somewhat whimsical name. The family name was Brazenbeard, or, to speak more exactly, it was Aheno-barbus, which is the Latin equivalent for that word. ?

"The Colour Out of Space" is a first-person narrative written from the perspective of an unnamed surveyor from Boston. In order to prepare for the construction of a new reservoir in Massachusetts, he surveys a rural area that is to be flooded near Lovecraft's fictional town of Arkham. He comes across a mysterious patch of land, an abandoned five-acre farmstead, which is completely devoid of all life.

YOU have heard of Homer, and of the two wonderful poems, the Iliad and the Odyssey, which bear his name. No one knows whether these poems were composed by Homer, or whether they are the work of many different poets. And, in fact, it matters very little about their authorship. Everybody agrees that they are the grandest poems ever sung or written or read in this world; and yet, how few persons, comparatively, have read them, or know any thing about them except at second-hand! ? Homer commences his story, not at the beginning, but "in the midst of things;" hence, when one starts out to read the Iliad without having made some special preparation beforehand, he finds it hard to understand, and is tempted, in despair, to stop at the end of the first book. Many people are, therefore, content to admire the great masterpiece of poetry and story-telling simply because others admire it, and not because they have any personal acquaintance with it.? Now, it is not my purpose to give you a "simplified version" of the Iliad or the Odyssey. There are already many such versions; but the best way for you, or any one else, to read Homer, is to read Homer. If you do not understand Greek, you can read him in one of the many English translations. You will find much of the spirit of the original in the translations by Bryant, by Lord Derby, and by old George Chapman, as well as in the admirable prose rendering by Butcher and Lang; but you can get none of it in any so-called simplified version.??My object in writing this "Story of the Golden Age" has been to pave the way, if I dare say it, to an enjoyable reading of Homer, either in translations or in the original. I have ta-ken the various legends relating to the causes of the Trojan war, and, by assuming certain privileges never yet denied to story-tellers, have woven all into one continuous narrative, ending where Homer's story begins. The hero of the Odyssey—a character not always to be admired or commended—is my hero. And, in telling the story of his boyhood and youth, I have taken the opportunity to repeat, for your enjoyment, some of the most beautiful of the old Greek myths. If I have, now and then, given them a coloring slightly different from the original, you will remember that such is the right of the story-teller, the poet, and the artist. The essential features of the stories remain unchanged. I have, all along, drawn freely from the old tragedians, and now and then from Homer himself; nor have I thought it necessary in every instance to mention authorities, or to apologize for an occasional close imitation of some of the best translations. The pictures of old Greek life have, in the main, been derived from the Iliad and the Odyssey, and will, I hope, help you to a better understanding of those poems when you come to make acquaintance directly with them.??Should you become interested in the "Story of the Golden Age," as it is here related, do not be disappointed by its somewhat abrupt ending; for you will find it continued by the master-poet of all ages, in a manner both inimitable and unapproachable. If you are pleased with the discourse of the porter at the gate, how much greater shall be your delight when you stand in the palace of the king, and hearken to the song of the royal minstrel! ?

"The Book" is an unfinished short story by American horror fiction writer H. P. Lovecraft, believed to have been written in late 1933. It was first published in the journal Leaves in 1938, after Lovecraft's death. In the story fragment, the narrator is given an ancient book by a strange bookseller, and when he takes it home and examines it, weird and sinister events ensue.

The Code of Hammurabi (Codex Hammurabi) is a well-preserved ancient law code, created ca. 1790 BC (middle chronology) in ancient Babylon. It was enacted by the sixth Babylonian king, Hammurabi. One nearly complete example of the Code survives today, inscribed on a seven foot, four inch tall basalt stele in the Akkadian language in the cuneiform script. One of the first written codes of law in recorded history. These laws were written on a stone tablet standing over eight feet tall (2.4 meters) that was found in 1901.