Das Rheingold, Die Walkre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century's most influential operas-and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk-the "e;total work of art"e;-famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner's strange theories on sexuality-like his ideas about erotic acoustics and the metaphysics of sexual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner's thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and eroticism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d'Albert, Schreker, and Strauss. For decades after Wagner's death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan's shadow.

In 1997, after General Motors shuttered a massive complex of factories in the gritty industrial city of Flint, Michigan, signs were placed around the empty facility reading, "e;Demolition Means Progress,"e; suggesting that the struggling metropolis could not move forward to greatness until the old plants met the wrecking ball. Much more than a trite corporate slogan, the phrase encapsulates the operating ethos of the nation's metropolitan leadership from at least the 1930s to the present. Throughout, the leaders of Flint and other municipalities repeatedly tried to revitalize their communities by demolishing outdated and inefficient structures and institutions and overseeing numerous urban renewal campaigns-many of which yielded only more impoverished and more divided metropolises. After decades of these efforts, the dawn of the twenty-first century found Flint one of the most racially segregated and economically polarized metropolitan areas in the nation.In one of the most comprehensive works yet written on the history of inequality and metropolitan development in modern America, Andrew R. Highsmith uses the case of Flint to explain how the perennial quest for urban renewal-even more than white flight, corporate abandonment, and other forces-contributed to mass suburbanization, racial and economic division, deindustrialization, and political fragmentation. Challenging much of the conventional wisdom about structural inequality and the roots of the nation's "e;urban crisis,"e; Demolition Means Progress shows in vivid detail how public policies and programs designed to revitalize the Flint area ultimately led to the hardening of social divisions.

Ground-breaking when first published in 1945, Black Metropolis remains a landmark study of race and urban life. Few studies since have been able to match its scope and magnitude, offering one of the most comprehensive looks at black life in America. Based on research conducted by Works Progress Administration field workers, it is a sweeping historical and sociological account of the people of Chicago's South Side from the 1840s through the 1930s. Its findings offer a comprehensive analysis of black migration, settlement, community structure, and black-white race relations in the first half of the twentieth century. It offers a dizzying and dynamic world filled with captivating people and startling revelations.A new foreword from sociologist Mary Pattillo places the study in modern context, updating the story with the current state of black communities in Chicago and the larger United States and exploring what this means for the future. As the country continues to struggle with race and our treatment of black lives, Black Metropolis continues to be a powerful contribution to the conversation.

The Critique of Pure Reason-Kant's First Critique-is one of the most studied texts in intellectual history, but as Alfredo Ferrarin points out in this radically original book, most of that study has focused only on very select parts. Likewise, Kant's oeuvre as a whole has been compartmentalized, the three Critiques held in rigid isolation from one another. Working against the standard reading of Kant that such compartmentalization has produced,?The Powers of Pure Reason?explores forgotten parts of the First Critique in order to find an exciting, new, and ultimately central set of concerns by which to read all of Kant's works. ?Ferrarin blows the dust off of two egregiously overlooked sections of the First Critique-the Transcendental Dialectic and the Doctrine of Method. There he discovers what he argues is the Critique's greatest achievement: a conception of the unity of reason and an exploration of the powers it has to reach beyond itself and legislate over the world. With this in mind, Ferrarin dismantles the common vision of Kant as a philosopher writing separately on epistemology, ethics, and aesthetics and natural teleology, showing that the three Critiques are united by this underlying theme: the autonomy and teleology of reason, its power and ends. The result is a refreshing new view of Kant, and of reason itself.

American cities are constantly being built and rebuilt, resulting in ever-changing skylines and neighborhoods. While the dynamic urban landscapes of New York, Boston, and Chicago have been widely studied, there is much to be gleaned from west coast cities, especially in California, where the migration boom at the end of the nineteenth century permanently changed the urban fabric of these newly diverse, plural metropolises.In?A City for Children, Marta Gutman focuses on the use and adaptive reuse of everyday buildings in Oakland, California, to make the city a better place for children. She introduces us to the women who were determined to mitigate the burdens placed on working-class families by an indifferent industrial capitalist economy. Often without the financial means to build from scratch, women did not tend to conceive of urban land as a blank slate to be wiped clean for development. Instead, Gutman shows how, over and over, women turned private houses in Oakland into orphanages, kindergartens, settlement houses, and day care centers, and in the process built the charitable landscape-a network of places that was critical for the betterment of children, families, and public life.The industrial landscape of Oakland, riddled with the effects of social inequalities and racial prejudices, is not a neutral backdrop in Gutman's story but an active player. Spanning one hundred years of history,?A City for Children?provides a compelling model for building urban institutions and demonstrates that children, women, charity, and incremental construction, renovations, alterations, additions, and repurposed structures are central to the understanding of modern cities.

Although Martin Heidegger is nearly as notorious as Friedrich Nietzsche for embracing the death of God, the philosopher himself acknowledged that Christianity accompanied him at every stage of his career. In Heidegger's Confessions, Ryan Coyne isolates a crucially important player in this story: Saint Augustine. Uncovering the significance of Saint Augustine in Heidegger's philosophy, he details the complex and conflicted ways in which Heidegger paradoxically sought to define himself against the Christian tradition while at the same time making use of its resources.?Coyne first examines the role of Augustine in Heidegger's early period and the development of his magnum opus, Being and Time. He then goes on to show that Heidegger owed an abiding debt to Augustine even following his own rise as a secular philosopher, tracing his early encounters with theological texts through to his late thoughts and writings. Bringing a fresh and unexpected perspective to bear on Heidegger's profoundly influential critique of modern metaphysics, Coyne traces a larger lineage between religious and theological discourse and continental philosophy.

In eighteenth- and nineteenth-century Britain, books of travel and exploration were much more than simply the printed experiences of intrepid authors. They were works of both artistry and industry-products of the complex, and often contested, relationships between authors and editors, publishers and printers. These books captivated the reading public and played a vital role in creating new geographical truths. In an age of global wonder and of expanding empires, there was no publisher more renowned for its travel books than the House of John Murray.Drawing on detailed examination of the John Murray Archive of manu*s, images, and the firm's correspondence with its many authors-a list that included such illustrious explorers and scientists as Charles Darwin and Charles Lyell, and literary giants like Jane Austen, Lord Byron, and Sir Walter Scott-Travels into Print considers how journeys of exploration became published accounts and how travelers sought to demonstrate the faithfulness of their written testimony and to secure their personal credibility. This fascinating study in historical geography and book history takes modern readers on a journey into the nature of exploration, the production of authority in published travel narratives, and the creation of geographical authorship-a journey bound together by the unifying force of a world-leading publisher.

The fact that Paul Klee (1879-1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered-until now. In?Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee's works from the 1910s and 1920s.Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written. Through his unique approach, he subverted forms of modernist painting that were generally seen to threaten slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in the early twentieth century, Bourneuf shows how Klee reconceptualized abstraction at a key moment in its development.

Genetic science is about to radically alter our lives. Sooner than you can imagine, human beings will be capable of diagnosing their own illnesses, designating the sex of their children, even designing the food they eat -- all as easily as using a cell phone. Now is the time for every one of us to take control of our DNA, and one man is uniquely qualified to show us how: Glenn McGee, bioethicist at the University of Pennsylvania, pioneer in the study of "home genetics," and the acknowledged wunderkind of the exciting world found at the nexus of life science and computer technology.One of the most respected authorities in the field of genomics -- the study of the genetic "software" inside plants, animals, and us -- McGee takes us on an eye-opening journey behind the headlines and into the heart of this formidable cutting-edge science. Probing the far-ranging ethical and legal implications of genomic research, McGee tackles its most controversial and hotly debated aspects -- from patenting your DNA to genetic engineering at the supermarket -- and explodes unnecessary fears about this wondrous new knowledge.We live in a brave new world. Beyond Genetics provides us with the knowledge we need to take the right steps forward into tomorrow ... and beyond.

Traditionally, women share their secrets with their hairdressers. But what about their manicurists, masseurs, chi gong teachers, and tattoo artistsIn Damage Control, women wax poetic about the experts and gurus who help them love themselves, sharing stories of everything from friendships born in the make-up chair to the utter dismay of a truly horrible haircut. Minnie Driver finally meets a Frenchman who understands her hair . . . and tries to teach her not to hate it.Marian Keyes remembers the blow-dry that pushed her over the edge.Francesca Lia Block tells the ugly story of the plastic surgeon who promised to make her beautiful.Rose McGowan explains why it's harder to be depressed when you're glamorous . . . and shows how it takes a village to transform from mere mortal to movie star.Witty and wise, Damage Control is an intimate, sometimes dark, look at our experiences with the professionals who pluck, prod, and pamper every inch of our bodies and a reminder why we surrender ourselves to their (hopefully) very capable hands.

He came to mainstream prominence as a machine more human than his creators in Blade Runner, terrified us as a hitchhiker bent on his own death and the death of anyone who got in his way in The Hitcher, and unforgettably portrayed a lonely king roaming the night as a wolf and pining for the love of a hawk during the day in Ladyhawke. Rutger Hauer has dazzled audiences for years with his creepy, inspiring, and villainous portrayals of everyone from a cold-blooded terrorist in Nighthawks to a blind martial arts master in Blind Fury, but his movie career was nothing compared to his real-life adventures of riding horses, sword fighting, and leaving home at fifteen to scrub decks on a freighter and explore the world.From poverty to working with a traveling theater troupe to his breakout European performance in Turkish Delight and working with legendary directors such as Paul Verhoeven (RoboCop and Basic Instinct) and Ridley Scott (Alien and Gladiator), Hauer has collected All Those Moments here.

An insider's view of the most successful show in the history of TV, 60 Minutes. The most popular TV show in America isn't American Idol, and it's not Survivor. Month in, month out, the most–watched program in America is 60 Minutes, drawing a staggering 25 million viewers in an average week. For its entire 34–year history, 60 Minutes was the brainchild (and personal fiefdom) of Don Hewitt, the take–no–prisoners visionary who hustled the show into being and kept it afloat with a mixture of chutzpah, tough talk, scheming, and journalistic savvy. But now that Hewitt is 80 and grudgingly considering retirement, the show's direction is increasingly up for grabs, and the transition will surely be marked by some serious fireworks. As author David Blum provides a fly–on–the–wall perspective on the show's upheavals, he'll also trace its past; although the show has aired some 5,000 pieces and has made household names of Mike Wallace, Ed Bradley, Leslie Stahl, and Morley Safer, much of the backstage story––the passionate pursuit of stories, the behind–the–scenes wrangling, and the stars' prima donnish behavior––has gone untold. With full access to the producers, stars, and executives, Blum will give readers an unprecedented view of the personalities and events that have shaped 60 Minutes – and a new perspective on how current events become news.

Beat the Pros at Their Own Game All too often, you learn about good stocks far too late to profit from the information. By the time you actually buy a stock, professional investors have already been there, bought the stock, driven up the price, and are just waiting to unload it at an inflated price.All That's About to Change. . . .In Ahead of the Market, Mitch Zacks shows investors how they can spot stocks that are poised to take off long before the rest of the crowd learns about them. HowBy unlocking the gems of priceless information buried in Wall Street's often self-serving research. Ahead of the Market is the first book, ever, that enables you to profitably use the analyst stock research for which Wall Street firms pay more than one billion dollars annually. Many investors have rightly felt misled in the past by analysts who continued to hype stocks as prices plummeted. You may have even concluded that Wall Street research is totally worthless. But it's not.In Ahead of the Market, Mitch Zacks shows that analysts actually provide a wealth of market-moving information that can generate exceptional returns if interpreted correctly.The key is to use the research produced by Wall Street analysts the same way the professional money managers do.Pioneered by the firm Zacks Investment Research and based on more than twenty years of intensive analysis, the investment strategies revealed in this book are indeed the same ones used by successful professional investors everywhere.In these pages you will learn how to form an investment plan by locating stocks that are poised for price appreciation and avoiding stocks heading for a fall. Zacks shows how you could have prevented being burned when the recent bubble burst, if you had known how to use analyst research correctly and teaches you the rules of the research game so you will not fall victim the next time around. In sum, this book is your guide to picking the right stock at the right time.Mitch Zacks's groundbreaking research provides new insights and new strategies to: Use revisions to analysts' earnings estimates to predict the rise and fall of stock prices Interpret the real meaning behind analysts' stock recommendations Employ the "cockroach" phenomenon and other methodologies to predict earnings surprises before they occur Determine how to react when a company reports earnings and how to profit from "post-earnings announcement drift" Understand and profit from "analyst creep" the reason that earnings estimate revisions occur incrementally over time Avoid being duped by the games that companies play with their earnings reportsWhether the economy is healthy or stalled, whether the market is up or down, by focusing on the strategies contained in this book you will always come out ahead. Well-picked individual stocks will always carry the day. Now with Ahead of the Market, you will finally have the same tools institutional investors have and will be able to find great stocks in any market environment.

In his arms she found the greatest joy she'd ever known . . . but his heart belonged to another. Can her love make their marriage real before their time together ends forever?

As teenagers, Raine Beaumont and Joseph Colorado tasted the joys of first love, until her father's lies destroyed their fragile bond. Now, twelve years later, Raine receives news that will take her back to her hometown of Oracle, Arizona, where she will face her lost love again.Haunted by the memory of the boy she once adored, Raine was not prepared for the mysterious, seductive man before her. For deep in Joseph's eyes lies a power that binds him to his Apache heritage, a power that promises to heal all wounds and restore long lost dreams . . . and love.

She was unmarried, untouched and almost thirty, but novelist Amanda Briars wasn't about to greet her next birthday without making love to a man. When he appeared at her door, she believed he was her gift to herself, hired for one night of passion. Unforgettably handsome, irresistibly virile, he tempted her in ways she never thought possible...but something stopped him from completely fulfilling her dream.Jack Delvin's determination to possess Amanda became greater when she discovered his true identity. But gently-bred Amanda craved respectability more than she admitted, while Jack, the cast-off son of a nobleman and London's most notorious businessman, refused to live by society's rules. Yet when fate conspired for them to marry, their worlds collided with a passionate force neither had expected...but both soon craved.

Lesson #1: Never Tempt a Lady Become a brideNever! Lady Marianne Shelton has come to London to experience life, and marriage is not part of her plan. To finance her independent future, the pretty country miss pens a series of anonymous stories. Soon they are the talk of the ton-and only she knows that her wicked hero is based on none other than bold, brash Thomas Effington, the future Duke of Roxborough.Lesson #2: Never Deny a Marquess, Thomas has been thrust into le of Marianne's protector. When she threatens to experience life with the first willing rogue to come along, he decides the best recourse is to tutor her himself. And when he accidentally compromises her honor, he's willing to accept their only recourse: a wedding. Marianne claims she wants no part of marriage, but her intoxicating allure and disarming willingness make her irresistible. And now Thomas is determined to teach her a lesson: that true love will last forever.

He would take her as his bride...but could she give her heart in return?When Egan MacBain takes beautiful Glenda MacKay as his bride, it appears that he's done so for the noblest of reasons. In truth, he has vowed at last to claim the woman he's always loved--yet once lost--to another man. But the rugged Highlander is determined to keep his passion hidden while he woos her with his gentle caress and wicked kisses. For he will not have an unwilling wife and will only show his tenderness once she is tamed.Although Glenda has agreed to the marriage, she's only done so to gain the protection of Egan's name. Yet this young widow of the once-powerful clan MacKay never expected that vows of love would leave her lips again, nor did she believe she'd ever hold any man so dear. But suddenly she finds herself succumbing to the strong, silent warrior who fills her with trepidations and a fevered, forbidden yearning to fulfill his wicked promise of the love--and the child--she aches for in the depths of the soul.

Bright, attractive, and both from good families, University of Texas college student Colton Pitonyak and vibrant redhead Jennifer Cave had the world at their beckoning. Cave, an ex-cheerleader, had just landed an exciting new job, while a big-money scholarship to UT's prestigious business school lured Pitonyak to Austin. Yet the former altar boy had a dark, unpredictable streak, one that ensnared him in the perilous underworld of drugs and guns. When Jennifer failed to show up for work on August 18, 2005, her mother became frightened. Sharon Cave's search led to Colton's West Campus apartment, where Jennifer's family discovered a scene worthy of the grisliest horror movie. Meanwhile, Colton Pitonyak was nowhere to be found.A Descent Into Hell is the gripping true story of one of the most brutal slayings in UT history and the wild "Bonnie and Clyde-like" flight from justice of a cold-blooded young killer and his would-be girlfriend, who claimed that her unquestioning allegiance to Pitonyak was "just the way I roll."

New York Times bestselling author Barbara Delinsky shares her special magic in this poignant tale, first published in 1983, of past mistakes and second chances.It's been eight years since Sara McCray has seen her ex-husband, Jeff Parker, after she fled their San Francisco mansion and stifling life controlled by his domineering mother. But the naive young bride has returned a confident woman with her own business. Jeff, too, has changed. Since his mother's death he's become his own man, masterfully in control of the family business and estate.When they meet, the strong attraction that brought them together long ago is reawakened. But when Jeff asks Sara to stay, his offer has little to do with romance. Now Sara must decide: Does she dare be just a business partner with a man she's never stopped lovingOr does she turn her back on what may be her one chance for happiness?

THE PROTECTOR From the moment Heath Masters lays eyes on Meredith Kenyon, he knows there's something mysterious in this pretty woman's past. True, she seems like a good mother to her little daughter, but as local sheriff Heath has seen his share of liars ... and Meredith is certainly hiding something. But though his romantic gestures are met with suspicion, Heath can't help but be drawn to his vulnerable new neighbor. He doesn't entirely trust her, but he sure does want to kiss her THE WOMAN ON THE RUNAbout to lose her child in a devastating childcustody case, Meredith transformed herseIf from urbanwidow to small town mom, escaping the clutches of her abusive late husband'smanipulative father. Fleeing across America, she ran stright into the armsof the lonely lawman. Heath's persistence melts her misgivings, making her wonder if she could overcome her traumatic former life. But could his love protect her from her past--now and foreve?rTHE PROTECTORFrom the moment Heath Masters lays eyes on Meredith Kenyon, he knows theres something mysterious in this pretty womans past. True, she seems like a good mother to her little daughter, but as local sheriff Heath has seen his share of liars. . .and Meredith is certainly hiding something, But through his romantic gestures are met with suspicion, Heath cant help but be drawn to his vulnerable new neighbor. He doesnt entirely trust her, but he sure does want to kiss her.THE WOMAN ON THE RUINAbout to lose her child in a devastating child custody case, Meredith transformed herself from urban widow to small town mom, escaping the clutches of her abusive late husbands manipulative father. Fleeing across America, she ran straight into the arms of the lonely lawman. Heaths persistence melts her misgivings, making her wonder if she could overcome her traumatic former life. But could his love protect her from her past--now and forever?