A collection of three plays by former Olympic Coach and best-selling author Tom McNab delving into the murky world of Olympic politics (1936: Berlin), the troubled mind of George Orwell (Orwell on Jura), and an imaginary meeting between the acclaimed director Orson Welles and infamous fellow filmmaker Leni Riefenstahl, who directed Hitler’s propaganda film The Triumph of the Will, and filmed the 1936 Olympic Games (Whisper in the Heart). Reviews On 1936: Berlin “A powerful, thought-provoking, richly rewarding piece of theatre.” ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?–What’sOnStage “There’s no doubt McNab has a fascinating story to tell... This battle of idealsand ambition is where the play takes flight, as McNab provocatively parallelsAmerica’s treatment of its black athletes, Jesse Owens included, with racismunder the Third Reich.” ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?– The Guardian About the Author Tom McNab is a leading figure in the sporting world, having won five titles in the Scottish triple jump and coached Greg Rutherford to a gold medal as a long jumper and the English rugby team to win silver in 1992. He was Technical Director on the film Chariots of Fire and has written several radio plays and novels including best seller Flanagan’s Run, with film rights sold to Disney. In 1982 he won the Scottish Novelist of the Year award. He has been a commentator for ITV and Channel 4, a freelance journalist for the Observer, Sunday Telegraph, Times and Independent.

This quick-read guide introduces the reader to ten of the most amazing bridges in the world. Including photographs of every bridge and a brief description of the history of the structure, this ebook has been specially formatted for today's e-readers.

First Class Phonics is a series of books designed to help children quickly become proficient readers and writers by using Synthetic Phonics, a high-quality teaching method recognised all over the world. In Synthetic Phonics, children focus on the skills that enable them to read and spell words accurately. It is essential that children develop the ability to hear, identify and manipulate individual sounds in order to read fluently.The eight books in the series provide a complete reading programme in which children are taught to recognise the importance of every sound they hear in the spoken word and learn to blend these sounds so that they can read words from the very beginning of the program.Children progress from blending simple single sounds in Book One to using digraphs (two letter sounds) and trigraphs (three letter sounds) in later books. In the earlier books children are taught one letter or letter group for each sound but are gradually introduced to different groups of letters that make the same sound as well as the different sounds that can be made from an identical group of letters.Children are also taught words that they cannot initially 'sound out' as 'tricky words' that are learnt by sight. As children learn the different sounds that a group of letters can make these words cease to be 'tricky words'.With lots of fun activities to reinforce learning in each book and a complete story in which children practice the skills they have learnt children quickly become fluent readers with a love for books.

Doomsday is here and the earth is suffering with each breath she takes. Whether it’s from the nuclear meltdown, the wrath of the Four Horsemen, a war with technology, or a consequence of our relationship with the planet, humanity is left buried and hiding, our bones exposed, our hearts beating somewhere in our freshly slit throats. This is a collection that strips away civilization and throws readers into the lives of its survivors. The poems inside are undelivered letters, tear-soaked whispers, and unanswered prayers. They are every worry you’ve had when your electricity went out, and every pit that grew in your stomach watching the news at night. They are tragedy and trauma, but they are also grief and fear, fear of who—or what—lives inside us once everything is taken away. These pages hold the teeth of monsters against the faded photographs of family and friends, and here, Wytovich is both plague doctor and midwife, both judge and jury, forever searching through severed limbs and exposed wires as she straddles the line evaluating what’s moral versus what’s necessary to survive. What’s clear though, is that the world is burning and we don’t remember who we are. So tell me: who will you become when it’s over? "Reading this collection is like dancing through Doomsday, intoxicated by the destructive, decadent truth of desire in our very mortality." --Saba Syed Razvi, author of?Heliophobia?and?In the Crocodile Gardens "Vivid, each word a weight on your tongue, these poems taste of metal and ash with a hint of spice, smoke. She reminds us the lucky ones die first, and those who remain must face the horrors of a world painted in blisters and fear." --Todd Keisling, author of?Ugly Little Things?and?Devil's Creek "Set in a post-apocalyptic world that at times seems all too near, Wytovich's poems conjure up frighteningly beautiful and uncomfortably prescient imagery." --Claire C. Holland, author of?I Am Not Your Final Girl "A surreal journey through an apocalyptic wasteland, a world that is terrifyingly reminiscent of our own even as the blare of evacuation alarms drowns out the sizzle of acid rain, smiling mannequins bear witness to a hundred thousand deaths, and "the forest floor grows femurs in the light of a skeletal moon."--Christa Carmen, author of?Something Borrowed, Something Blood-Soaked "Like a doomsday clock fast-forwarding to its final self-destruction, Wytovich's poetry will give you whiplash as you flip through page after page. The writing here is ugly yet beautiful. It reads like a disease greedily eating up vital organs. The apocalypse has arrived and it couldn't be more intoxicating!"--Max Booth III, author of?Carnivorous Lunar Activities

These writings are from a young woman who has had to face obsticles no person should have to. She has put her feelings into her writings for people going through similar experiences. Silent War gives readers an insight into Haleys life and and what she has been through. Pieces about teenage love, heartbreak, medical journeys, losing someone and much more these writings are all from the heart.

Do you enjoy reading poetry? Are you looking for something out of the ordinary? A poem can affect our mood and make us see the world differently. It can convey a wealth of emotion in just a few short lines. The skill of the poet is in choosing the right words to get his message across and create a lasting impact on the reader so that they will want to revisit the poem time and again. The Awakening is a collection of poems that does just that. The poems in this book embrace the fantastical and dream-like nature of our world, telling stories of the search for contentment and ultimately redemption, as well as the darkness and confusion that may tempt and consume us along the way. Dip inside this book to discover poems about a range of experiences from love and loss and relationships, through compulsion and self-destruction and what it is that makes us human. If you like poetry, you are certain to want to add The Awakening to your collection.

A fascinating look at the life of the notorious criminal John 'Jack' Sheppard, the original 'Jack the Lad', believed to have been ghostwritten by the author of Robinson Crusoe, Daniel Defoe. Sheppard was active in early 18th century London, and became famous for escaping from jail no less than four times.

Are you a fan of royal wildchild Prince Harry? Do you know everything there is to know about the third in line to the throne? Then this is the book for you! In this easy-to-digest eBook are 101 facts about your favourite prince - do you know all of them?Test yourself and your friends with these handily-packaged facts easily organised into categories for maximum enjoyment. Sections include his upbringing, his army career, and of course information about his most controversial moments - including his now infamous Vegas party...

John Grote struggled to construct an intelligible account of philosophy at a time when radical change and sectarian conflict made understanding and clarity a rarity. This book answers three questions:* How did John Grote develop and contribute to modern Cambridge and British philosophy?* What is the significance of these contributions to modern philosophy in general and British Idealism and language philosophy in particular?* How were his ideas and his idealism incorporated into the modern philosophical tradition?Grote influenced his contemporaries, such as his students Henry Sidgwick and John Venn, in both style and content; he forged a brilliantly original philosophy of knowledge, ethics, politics and language, from a synthesis of the major British and European philosophies of his day; his social and political theory provide the origins of the 'new liberal' ideas later to reach their zenith in the writings of Green, Sidgwick, and Collingwood; he founded the 'Cambridge style' associated with Moore, Russell, Broad, McTaggart and Wittgenstein; and he was also a major influence on Oakeshott.

A fascinating early 20th Century look at the science of electricity, including some of the interesting and sometimes bizarre uses that early inventors found for the electrical force, such as Edison's electromagnetic pen (a very early form of photocopier), an instrument that could detect the level of starlight, and even (don't try this one at home kids!) a method for electro-plating lizards!

These 10 Geography Lesson plans cover the programs of study for Key Stage 1 Geography as set out in the National Curriculum and are based around the QCA topics 'Our school and the local area' and 'An Island Home' which studies a contrasting locality. Within each lesson are opportunities to develop geographical enquiry and skills through knowledge and understanding of places, patterns and processes, as well as development and change. Each lesson includes practical activities and as well as setting out lesson objectives and outcomes. The lesson plans also offer extension activities for cross-curricular work and ICT opportunities as well as assessment.

It lasted over 1,500 days and was without parallel. World War One threw the globe into a war of unprecedented horror, fought with terrifying new weapons, and of death on an industrial magnitude, a war that involved so many nations and reached into the very fabric of society. The war of 1914 – 1918 changed the world and shaped the twentieth century.The Clever Teens’ Guide to World War One covers all the major facts and events giving you a clear and straightforward overview: from the pre-war tensions, the assassination that sparked the war to its bloody conclusion four years later. Read about the huge battles on the Western Front, the Eastern Front, the war at sea and in the air, and the war in Africa and the Middle East. ?Ideal for your “clever teenager”.

Elenda Murphy needs change like she needs oxygen.Constant motion.Extreme adventure.Anything but standing still.Her heart always as restless as her mind.Then a shattered leg sends Elenda back to the bedrock of family.An enchanting tale of destiny and free will.

What if you met the love of your life - in a different world? In a quiet English town in 1811, there lives a clergyman’s daughter. Kind-hearted but impoverished, lively but plain, Miss Sophy Landon faces a future with few prospects. In the neighbouring realm of Aylfenhame, there lives Aubranael. Disfigured among the beauteous fae, his ruined face condemns him to a life lived alone. Their meeting changes everything. For Sophy will cross the border, and find a glimmer of a future beyond. Might there be a life, and a love, for her in the realm of the fae? For Aubranael, a chance encounter with Miss Landon turns his world upside down. Armed with the temporary gift of beauty, can he hope to win her heart? Pride and Prejudice meets Beauty and the Beast in this heart-warming tale of love, hope and magic.

The Storm Strikes Iris Rutherford’s paintings scare most people. Especially the strange ones. Even in her hometown of Maple Ridge, Virginia, her own peculiar magic makes her an outsider in a town full of them. Then Iris meets Gena Wallace, the first to understand. To see the visions, joyful and nightmarish, even before Iris sees. Will they survive as Iris’s nightmares come true? An excerpt from Into the Storm: “Did I say which this happens in?” Iris shivered as she stared at the painting. “Maple Ridge or Wolf Branch?” “No, honey, you didn’t,” Gena said. “Same with the one with the prison a couple of days ago. I couldn’t tell which. But I think you’re right. It’s one or the other.” “I don’t know what to do.” Iris paced back and forth, looking at all of the true images, growing stranger and more upsetting as the months passed. “If we go up there with food riots just a few hours away, we might not ever get back. I don’t know what the hell the two of us could do about this anyway.” “How long since you’ve heard from your parents?” Gena caught Iris’s hand, then pulled her into a hug. “The phones have been out for the last couple of weeks.” Iris? let out her breath in a rush, trying not to cry. “They had it pretty bad over the winter. Trees probably took out the phone lines. Maybe the power lines too.” “That’s not what you’re dreaming,” Gena said. “Nothing as simple as trees. Something’s wrong. Those three paintings go together.” “We just have to figure out why.”

Mt. Rainier erupts, isolating crushed down-and-outer, Riley Forte, with a serial killer. Riley must fight to hang on to the one thing she has left—her life, and the one thing she needs to turn it around—redemption. Fans of Jeffery Deaver, Lisa Gardner, and Peter Robinson will be captivated by this page-turner. If you like a gripping, suspenseful tale, grab your copy and prepare to burn the midnight oil!

A Haunting Legacy John and Branwen face challenges as a couple—his violent past and her unwanted pregnancy. Just when life threatens to overwhelm them, Branwen receives an offer of help from an unlikely source. Now, John must face his lifelong fears to find the strength to fight an ancient power and save Branwen from her family legacy. But first, John and Branwen must stop hiding things—from each other and from themselves—and learn to face the truth, no matter their fear of the consequences. A haunting fantasy story about the lasting power of family legacy. A page-turning tale of love and sacrifice. An excerpt from Hand Me Downs: John was in the grips of an insistent memory that wouldn’t let him rest. Whenever an upsetting memory caught at him like this, especially from his difficult seventeenth year, John had learned long ago it was best not to resist. Something inside was going to have its way with him. Fighting would only make it worse. This particular memory hadn’t demanded his attention for so long. Until tonight, he’d dared hope he was done with this one. The odd solitude of an overnight flight was preferable to a huge family gathering for this sort of ordeal, and certainly better than the twisted filter of his nightmares. At least while he was awake, he knew the worst night of his life was when he’d at last started to take control and change the course he was on. His dreaming life gave him no such relief.

The fight to save British magick rages on — and it’s taking the Society’s beleaguered champions away from Home. Far, far away, to worlds long lost; worlds no one could ever have imagined existed. Dangers and mysteries abound, which is way up Ves’s street. Jay isn’t quite so sure. Severed as they are from the Society’s support, will magick’s unlikely heroes make it Home unscathed? It’ll be fine. After all, these lost magickal domains are the Society’s ultimate dream. What could possibly be so bad about that? The Society for Magickal Heritage battles modern decay in three thrilling new Modern Magick adventures: The Fifth Britain, Royalty and Ruin, and Music and Misadventure.

Philip Massinger was baptized at St. Thomas's in Salisbury on November 24th, 1583.Massinger is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated there, was a member of parliament, and attached to the household of Henry Herbert, 2nd Earl of Pembroke. The Earl was later seen as a potential patron for Massinger.He left Oxford in 1606 without a degree. His father had died in 1603, and accounts suggest that Massinger was left with no financial support this, together with rumours that he had converted to Catholicism, meant the next stage of his career needed to provide an income.Massinger went to London to make his living as a dramatist, but he is only recorded as author some fifteen years later, when The Virgin Martyr (1621) is given as the work of Massinger and Thomas Dekker.During those early years as a playwright he wrote for the Elizabethan stage entrepreneur, Philip Henslowe. It was a difficult existence. Poverty was always close and there was constant pleading for advance payments on forthcoming works merely to survive.After Henslowe died in 1616 Massinger and John Fletcher began to write primarily for the King's Men and Massinger would write regularly for them until his death.The tone of the dedications in later plays suggests evidence of his continued poverty. In the preface of The Maid of Honour (1632) he wrote, addressing Sir Francis Foljambe and Sir Thomas Bland: "e;I had not to this time subsisted, but that I was supported by your frequent courtesies and favours."e;The prologue to The Guardian (1633) refers to two unsuccessful plays and two years of silence, when the author feared he had lost popular favour although, from the little evidence that survives, it also seems he had involved some of his plays with political characters which would have cast shadows upon England's alliances.Philip Massinger died suddenly at his house near the Globe Theatre on March 17th, 1640. He was buried the next day in the churchyard of St. Saviour's, Southwark, on March 18th, 1640. In the entry in the parish register he is described as a "e;stranger,"e; which, however, implies nothing more than that he belonged to another parish.

James Shirley was born in London in September 1596. His education was through a collection of England's finest establishments: Merchant Taylors' School, London, St John's College, Oxford, and St Catharine's College, Cambridge, where he took his B.A. degree in approximately 1618. He first published in 1618, a poem entitled Echo, or the Unfortunate Lovers. As with many artists of this period full details of his life and career are not recorded. Sources say that after graduating he became "e;a minister of God's word in or near St Albans."e; A conversion to the Catholic faith enabled him to become master of St Albans School from 1623-25. He wrote his first play, Love Tricks, or the School of Complement, which was licensed on February 10th, 1625. From the given date it would seem he wrote this whilst at St Albans but, after its production, he moved to London and to live in Gray's Inn. For the next two decades, he would write prolifically and with great quality, across a spectrum of thirty plays; through tragedies and comedies to tragicomedies as well as several books of poetry. Unfortunately, his talents were left to wither when Parliament passed the Puritan edict in 1642, forbidding all stage plays and closing the theatres. Most of his early plays were performed by Queen Henrietta's Men, the acting company for which Shirley was engaged as house dramatist. Shirley's sympathies lay with the King in battles with Parliament and he received marks of special favor from the Queen. He made a bitter attack on William Prynne, who had attacked the stage in Histriomastix, and, when in 1634 a special masque was presented at Whitehall by the gentlemen of the Inns of Court as a practical reply to Prynne, Shirley wrote the text-The Triumph of Peace. Shirley spent the years 1636 to 1640 in Ireland, under the patronage of the Earl of Kildare. Several of his plays were produced by his friend John Ogilby in Dublin in the first ever constructed Irish theatre; The Werburgh Street Theatre. During his years in Dublin he wrote The Doubtful Heir, The Royal Master, The Constant Maid, and St. Patrick for Ireland. In his absence from London, Queen Henrietta's Men sold off a dozen of his plays to the stationers, who naturally, enough published them. When Shirley returned to London in 1640, he finished with the Queen Henrietta's company and his final plays in London were acted by the King's Men. On the outbreak of the English Civil War Shirley served with the Earl of Newcastle. However when the King's fortunes began to decline he returned to London. There his friend Thomas Stanley gave him help and thereafter Shirley supported himself in the main by teaching and publishing some educational works under the Commonwealth. In addition to these he published during the period of dramatic eclipse four small volumes of poems and plays, in 1646, 1653, 1655, and 1659. It is said that he was "e;a drudge"e; for John Ogilby in his translations of Homer's Iliad and the Odyssey, and survived into the reign of Charles II, but, though some of his comedies were revived, his days as a playwright were over. His death, at age seventy, along with that of his wife, in 1666, is described as one of fright and exposure due to the Great Fire of London which had raged through parts of London from September 2nd to the 5th. He was buried at St Giles in the Fields, in London, on October 29th, 1666.

Henrik Ibsen (20th March, 1828 - 23rd May, 1906) is often referred to as the father of realism and ranked just below Shakespeare as Europe's greatest ever playwright especially as his plays are performed most frequently throughout the world after Shakespeare's. He was Norwegian and although set his plays in Norway, he wrote them in Danish and lived most of his professional life in Italy and Germany. His affect on the theatre is still evident today and shapes the distinction of plays being art as opposed to entertainment since he broke down all previous traditions and explored issues, developed characterisation, revealed uncomfortable truths, challenged assumptions and brokedown facades in ourselves as well as society. These factors are clearly demonstrated in When We Dead Awaken which centres around celebrated sculptor Arnold Rubek whose fame rests with his great work "e;The Day of the Resurrection"e; which he sculpted when he was younger. The model for this piece had been Irene and although he had feelings for her, he moved on and married Maia. He feels his creativity has dwindled and Irene might be able to unleash this again. Irene appears mysteriously and perceives her modelling for his work as the epitome of her life and therefore is now dead to any other experiences and has lost any respect for the sanctity of life. Ibsen's exploration of artistic intensity and integrity through this powerful relationship with its pervading images of stone demonstrates a passion for life that is unable to be realised and gives the play an ironic conclusion that is a must read.