Bjornstjerne Bjornson (1832 - 1910), the third man to ever win the Nobel Prize in Literature. However when considering the quality of his writing he is perhaps not as celebrated as he should be. Being also a Nobel Laureate in Literature, Bjornson has also been credited with many other impressive successes. These include writing the lyrics for the Norwegian national anthem, mastering all forms of literature; poetry, novels, short stories, essays and playwriting and being elevated to one of the Four Greats; the name for the classic Norwegian writers, others being Henrik Ibsen, Jonas Lie and Alexander Kielland. Here we look at one of his many plays. Much of his work was nearly as popular in his native Norway as Ibsen's and we now bring you these masterful works in English for you to compare. Our imprint Stage Door offers both Ibsen's and Bjornson's works in English.

Robert Greene was, by the best accounts available, born in Norwich in 1558 and baptised on July 11th.Greene is believed to have been a pupil at Norwich Grammar School and then attended Cambridge receiving his B.A. in 1580, and an M.A. in 1583. He then moved to London and began an extraordinary chapter in his life as a widely published author. His literary career began with the publication of the long romance, 'Mamillia', (1580). Greene's romances were written in a highly wrought style which reached its peak in 'Pandosto' (1588) and 'Menaphon' (1589). Short poems and songs incorporated in some of the romances attest to his ability as a lyric poet. In 1588, he was granted an MA from Oxford University, almost certainly as a courtesy degree. Thereafter he sometimes placed the phrase Utruisq. Academiae in Artibus Magister', "e;Master of Arts in both Universities"e; on the title page of his works.The lack of records hinders any complete biography of Greene but he did write an autobiography of sorts, but where the balance lies between facts and artistic licence is not clearly drawn. According to that autobiography 'The Repentance of Robert Greene', Greene is alleged to have written 'A Groatsworth of Wit Bought with a Million of Repentance' during the month prior to his death, including in it a letter to his wife asking her to forgive him and stating that he was sending their son back to her. His output was prolific. Between 1583 and 1592, he published more than twenty-five works in prose, becoming one of the first authors in England to support himself with his pen in an era when professional authorship was virtually unknown.In his 'coney-catching' pamphlets, Greene fashioned himself into a well-known public figure, narrating colourful inside stories of rakes and rascals duping young gentlemen and solid citizens out of their hard-earned money. These stories, told from the perspective of a repentant former rascal, have been considered autobiographical, and to incorporate many facts of Greene's own life thinly veiled as fiction. However, the alternate account suggests that Greene invented almost everything, merely displaying his undoubted skills as a writer.In addition to his prose works, Greene also wrote several plays, none of them published in his lifetime, including 'The Scottish History of James IV', 'Alphonsus', and his greatest popular success, 'Friar Bacon and Friar Bungay', as well as 'Orlando Furioso', based on Ludovico Ariosto's Orlando Furioso.His plays earned himself the title as one of the 'University Wits', a group that included George Peele, Thomas Nashe, and Christopher Marlowe.Robert Greene died 3rd September 1592.

Charles Dickens (1812-1870) is regarded by many readers and literary critics to be THE major English novelist of the Victorian Age. He is remembered today as the author of a series of weighty novels which have been translated into many languages and promoted to the rank of World Classics. The latter include, but are not limited to, The Adventures of Oliver Twist, A Tale of Two Cities, David Copperfield, A Christmas Carol, Hard Times, Great Expectations and The Old Curiosity Shop. His talents extended to many other forms including short stories, poetry, letters and his serial magazines. Of course being such a talent he also wrote plays. We are very pleased to present his fourth of four plays: The Lamplighter

John Fletcher was born in December, 1579 in Rye, Sussex. He was baptised on December 20th. As can be imagined details of much of his life and career have not survived and, accordingly, only a very brief indication of his life and works can be given. Young Fletcher appears at the very young age of eleven to have entered Corpus Christi College at Cambridge University in 1591. There are no records that he ever took a degree but there is some small evidence that he was being prepared for a career in the church. However what is clear is that this was soon abandoned as he joined the stream of people who would leave University and decamp to the more bohemian life of commercial theatre in London. The upbringing of the now teenage Fletcher and his seven siblings now passed to his paternal uncle, the poet and minor official Giles Fletcher. Giles, who had the patronage of the Earl of Essex may have been a liability rather than an advantage to the young Fletcher. With Essex involved in the failed rebellion against Elizabeth Giles was also tainted. By 1606 John Fletcher appears to have equipped himself with the talents to become a playwright. Initially this appears to have been for the Children of the Queen's Revels, then performing at the Blackfriars Theatre. Fletcher's early career was marked by one significant failure; The Faithful Shepherdess, his adaptation of Giovanni Battista Guarini's Il Pastor Fido, which was performed by the Blackfriars Children in 1608. By 1609, however, he had found his stride. With his collaborator John Beaumont, he wrote Philaster, which became a hit for the King's Men and began a profitable association between Fletcher and that company. Philaster appears also to have begun a trend for tragicomedy. By the middle of the 1610s, Fletcher's plays had achieved a popularity that rivalled Shakespeare's and cemented the pre-eminence of the King's Men in Jacobean London. After his frequent early collaborator John Beaumont's early death in 1616, Fletcher continued working, both singly and in collaboration, until his own death in 1625. By that time, he had produced, or had been credited with, close to fifty plays.

James Shirley was born in London in September 1596. His education was through a collection of England's finest establishments: Merchant Taylors' School, London, St John's College, Oxford, and St Catharine's College, Cambridge, where he took his B.A. degree in approximately 1618. He first published in 1618, a poem entitled Echo, or the Unfortunate Lovers. As with many artists of this period full details of his life and career are not recorded. Sources say that after graduating he became "e;a minister of God's word in or near St Albans."e; A conversion to the Catholic faith enabled him to become master of St Albans School from 1623-25. He wrote his first play, Love Tricks, or the School of Complement, which was licensed on February 10th, 1625. From the given date it would seem he wrote this whilst at St Albans but, after its production, he moved to London and to live in Gray's Inn. For the next two decades, he would write prolifically and with great quality, across a spectrum of thirty plays; through tragedies and comedies to tragicomedies as well as several books of poetry. Unfortunately, his talents were left to wither when Parliament passed the Puritan edict in 1642, forbidding all stage plays and closing the theatres. Most of his early plays were performed by Queen Henrietta's Men, the acting company for which Shirley was engaged as house dramatist. Shirley's sympathies lay with the King in battles with Parliament and he received marks of special favor from the Queen. He made a bitter attack on William Prynne, who had attacked the stage in Histriomastix, and, when in 1634 a special masque was presented at Whitehall by the gentlemen of the Inns of Court as a practical reply to Prynne, Shirley wrote the text-The Triumph of Peace. Shirley spent the years 1636 to 1640 in Ireland, under the patronage of the Earl of Kildare. Several of his plays were produced by his friend John Ogilby in Dublin in the first ever constructed Irish theatre; The Werburgh Street Theatre. During his years in Dublin he wrote The Doubtful Heir, The Royal Master, The Constant Maid, and St. Patrick for Ireland. In his absence from London, Queen Henrietta's Men sold off a dozen of his plays to the stationers, who naturally, enough published them. When Shirley returned to London in 1640, he finished with the Queen Henrietta's company and his final plays in London were acted by the King's Men. On the outbreak of the English Civil War Shirley served with the Earl of Newcastle. However when the King's fortunes began to decline he returned to London. There his friend Thomas Stanley gave him help and thereafter Shirley supported himself in the main by teaching and publishing some educational works under the Commonwealth. In addition to these he published during the period of dramatic eclipse four small volumes of poems and plays, in 1646, 1653, 1655, and 1659. It is said that he was "e;a drudge"e; for John Ogilby in his translations of Homer's Iliad and the Odyssey, and survived into the reign of Charles II, but, though some of his comedies were revived, his days as a playwright were over. His death, at age seventy, along with that of his wife, in 1666, is described as one of fright and exposure due to the Great Fire of London which had raged through parts of London from September 2nd to the 5th. He was buried at St Giles in the Fields, in London, on October 29th, 1666.

The life of William Shakespeare, arguably the most significant figure in the Western literary canon, is relatively unknown. Shakespeare was born in Stratford-upon-Avon in 1565, possibly on the 23rd April, St. George's Day, and baptised there on 26th April. Little is known of his education and the first firm facts to his life relate to his marriage, aged 18, to Anne Hathaway, who was 26 and from the nearby village of Shottery. Anne gave birth to their first son six months later. Shakespeare's first play, The Comedy of Errors began a procession of real heavyweights that were to emanate from his pen in a career of just over twenty years in which 37 plays were written and his reputation forever established. This early skill was recognised by many and by 1594 the Lord Chamberlain's Men were performing his works. With the advantage of Shakespeare's progressive writing they rapidly became London's leading company of players, affording him more exposure and, following the death of Queen Elizabeth in 1603, a royal patent by the new king, James I, at which point they changed their name to the King's Men. By 1598, and despite efforts to pirate his work, Shakespeare's name was well known and had become a selling point in its own right on title pages. No plays are attributed to Shakespeare after 1613, and the last few plays he wrote before this time were in collaboration with other writers, one of whom is likely to be John Fletcher who succeeded him as the house playwright for the King's Men. William Shakespeare died two months later on April 23rd, 1616, survived by his wife, two daughters and a legacy of writing that none have since yet eclipsed.

Walt Disney Animation Studios' Big Hero 6 is the story of Hiro Hamada, a brilliant robotics prodigy who must foil a criminal plot that threatens to destroy the fast-paced, high-tech city of San Fransokyo. This new title in our popular The Art of series, published to coincide with the movie's U.S. release, features concept art from the film's creation—including sketches, storyboards, maquette sculpts, colorscripts, and much more—illuminated by quotes and interviews with the film's creators. Fans will love the behind-the-scenes insights into Disney's newest action comedy adventure.Copyright ?2014 Disney Enterprises, Inc. All rights reserved.

From an adventurous balloon ride above the clouds to a monster-filled metropolis, Academy Award(R)-winning director Pete Docter ("e;Monsters, Inc.,"e; "e;Up"e;) has taken audiences to unique and imaginative places. In Disney*;Pixar's original movie "e; Inside Out,"e; he will take us to the most extraordinary location of allinside the mind.Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions Joy, Fear, Anger, Disgust, and Sadness. The emotions live in Headquarters, the control center inside Riley's mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley's main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.In this groundbreaking and illuminating film, Pixar Animation Studios examines the extraordinary depths of the mind and the powers of emotion and imagination. The Art of Inside Out provides an exclusive look into the artistic exploration that went into the making of this vibrant film. Featuring concept artincluding sketches, collages, color scripts, and much moreand opening with a foreword by actress Amy Poehler and introduction by the film's writer and director Pete Docter, this is the ultimate behind-the-scenes experience of the making of this landmark film.Copyright 2015 Disney Enterprises, Inc. and Pixar. All rights reserved.

In Movie Title Typos, artist Austin Light removes just one letter from a well-known movie title to inspire a surprising and hilarious visual scenario. There's Obocop (a robotic police officer works through his PTSD by playing smooth jazz), T. (a boy meets a jewelry-clad alien who pities fools), Harry Otter, The Princess and the Fro, Finding Emo, Pup Fiction, and many more. A massive viral hit when he first posted sketches of the work online (1.2 million hits in the first 6 hours), Light has created new full-color illustrations for all, with the majority of the book's content never before seen on the Web. Here is a parallel universe glimpse at could-have-been films possibly betterdefinitely funnierthan the originals.

True Blood, HBO's blockbuster paranormal drama, enthralls a diverse audience of 13 million viewers (and counting). Menus at the now famous Fangtasia and Merlotte's Bar and Grill play a key role in the series, providing sustenance for its human characters, evoking memories of a bygone life for its vampires, and serving as a powerful symbol for the desires and carnal needs the characters harbor. It's no wonder so many fans revel in at home parties inspired by the food on the series! With recipes from unforgettable scenes, each entertainingly introduced by True Blood's most compelling characters, these 85 authentic bayou country recipes and 150 plus photos from the series give fans a big taste of Bon Temps.

In Walt Disney Animation Studios upcoming film, Frozen, the fearless optimist Anna sets off on an epic journeyteaming up with rugged mountain man Kristoffto find her sister Elsa, whose icy powers have trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, Anna and Kristoff battle the elements in a race to save the kingdom. The Art of Frozen features concept art from the making of the filmincluding character studies and sculpts, color scripts, storyboards, and morealongside interviews with the film's artists about the making of this comedy-adventure. Disney

For many of us DH Lawrence was a schoolboy hero. Who can forget sniggering in class at the mention of Women In Love or Lady Chatterley's Lover? Lawrence was a talented if nomadic writer whose novels were passionately received, suppressed at times and generally at odds with Establishment values. This of course did not deter him. At his death in 1930 at the young age of 44 he was more often thought of as a pornographer but in the ensuing years he has come to be more rightly regarded as one of the most imaginative writers these shores have produced. As well as his novels and of course his poetry - he wrote in excess of 800 of them he was also a very talented playwright. These works have not been given quite the attention they deserve. Here we publish 'The Widowing of Mrs Holroyd.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over. Gilbert's sharp, funny words and Sullivan's deliciously lively and hummable tunes create a world that is distinctly British in view but has the world as its audience. Both men were exceptionally talented and gifted in their own right and wrote much, often with other partners, that still stands the test of time. However, together as a team they created Light or Comic Operas of a standard that have had no rivals equal to their standard, before or since. That's quite an achievement. To be recognised by the critics is one thing but their commercial success was incredible. The profits were astronomical, allowing for the building of their own purpose built theatre - The Savoy Theatre. Beginning with the first of their fourteen collaborations, Thespis in 1871 and travelling through many classics including The Sorcerer (1877), H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1885), The Gondoliers (1889) to their finale in 1896 with The Grand Duke, Gilbert & Sullivan created a legacy that is constantly revived and admired in theatres and other media to this very day.

John Webster is known primarily for his two Jacobean tragedies, The Duchess of Malfi and The White Devil. Much of the detail and chronology of his life that led to these two pivotal works is, however, unknown. His father, a carriage maker also named John Webster, married a blacksmith's daughter, Elizabeth Coates, on November 4th, 1577, and it is likely that Webster was born within a year or two in or near London. The family lived in St. Sepulchre's parish. Both his father and his uncle, Edward Webster, were Freemen of the Merchant Taylors' Company and Webster attended Merchant Taylors' School in Suffolk Lane, London. Some accounts say he began to study law but nothing is certain although there are some legal aspects to his later works to suggest this may have been so. By 1602, Webster was employed working as part of various teams of playwrights on history plays, though unfortunately most were never printed and therefore do not survive. These include a tragedy Caesar's Fall (written with Michael Drayton, Thomas Dekker, Thomas Middleton and Anthony Munday), and a collaboration with Thomas Dekker; Christmas Comes but Once a Year (1602). This factory line assembly of plays may seem rather odd to us today but plays then ran for much shorter durations and consequently a steady supply had to be assured. Webster's relationship with Dekker seems to have been a good one. Together they wrote Sir Thomas Wyatt, printed in 1607, although it is thought first performed in 1602 and two city comedies, Westward Ho! in 1604 and Northward Ho! in 1605. It seems Webster also adapted, in 1604, John Marston's The Malcontent for staging by the King's Men. On March 18th, 1606 Webster married the 17-year-old Sara Peniall at St Mary's Church, Islington. Sara was 7 months pregnant and marrying during Lent required the issuing of a special permit, hence the certainty of the date. Their first child, John, was baptised at the parish of St Dunstan-in-the-West on March 8th, 1606. Records show that on the death of a neighbour, who died in 1617, several bequests were made to the Webster family and it is therefore thought that other children were born to the couple. Despite his ability to write comedy, and to collaborate with others, Webster is remembered best for his sole authorship on two brooding English tragedies based on Italian sources. The White Devil, retells the intrigues involving Vittoria Accoramboni, an Italian woman assassinated at the age of 28. It was performed at the open-air Red Bull Theatre in 1612 but was unsuccessful, perhaps being too high brow for a working-class audience. In 1614 The Duchess of Malfi was first performed by the King's Men, most probably in the indoor Blackfriars Theatre and to a more high-brow audience. It proved to be more successful. The play Guise, based on French history, was also written but him but no text has survived. Webster wrote one more play on his own: The Devil's Law Case (c. 1617-1619), a tragicomedy. He continued to write thereafter but always in collaboration and usually city comedies; Anything for a Quiet Life (c. 1621), with Thomas Middleton, and A Cure for a Cuckold (c. 1624), with William Rowley. In 1624, he also co-wrote a topical play about a recent scandal, Keep the Widow Waking (with John Ford, Rowley and Dekker). The play itself is lost, although its plot is known from a court case. There is also some certainty that he contributed to the tragicomedy The Fair Maid of the Inn with John Fletcher, John Ford, and Phillip Massinger. His Appius and Virginia, was probably written with Thomas Heywood, and is of uncertain date. It is believed, mainly from Thomas Heywood's Hierarchie of the Blessed Angels (licensed 7 November 1634) that speaks of him in the past tense that John Webster had died at some point in that year of 1634.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over. Gilbert's sharp, funny words and Sullivan's deliciously lively and hummable tunes create a world that is distinctly British in view but has the world as its audience. Both men were exceptionally talented and gifted in their own right and wrote much, often with other partners, that still stands the test of time. However, together as a team they created Light or Comic Operas of a standard that have had no rivals equal to their standard, before or since. That's quite an achievement. To be recognised by the critics is one thing but their commercial success was incredible. The profits were astronomical, allowing for the building of their own purpose built theatre - The Savoy Theatre. Beginning with the first of their fourteen collaborations, Thespis in 1871 and travelling through many classics including The Sorcerer (1877), H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1885), The Gondoliers (1889) to their finale in 1896 with The Grand Duke, Gilbert & Sullivan created a legacy that is constantly revived and admired in theatres and other media to this very day.

John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. As a boy Dryden lived in the nearby village of Titchmarsh, Northamptonshire. In 1644 he was sent to Westminster School as a King's Scholar. Dryden obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year. Returning to London during The Protectorate, Dryden now obtained work with Cromwell's Secretary of State, John Thurloe. At Cromwell's funeral on 23 November 1658 Dryden was in the company of the Puritan poets John Milton and Andrew Marvell. The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. The start began later that year when Dryden published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death. With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric. With the re-opening of the theatres after the Puritan ban, Dryden began to also write plays. His first play, The Wild Gallant, appeared in 1663 but was not successful. From 1668 on he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income. In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London in 1666. It established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate (1668) and then historiographer royal (1670). This was truly the Age of Dryden, he was the foremost English Literary figure in Poetry, Plays, translations and other forms. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event. John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later.

A perennial bestseller in the wizarding world and one of the most popular books in the Hogwarts School library, Quidditch Through the Ages contains all you will ever need to know about the history, the rules - and the breaking of the rules - of the noble sport of Quidditch. Packed with fascinating facts, this definitive guide by the esteemed Quidditch writer Kennilworthy Whisp charts the game's history from its early origins in the medieval mists on Queerditch Marsh, through to the modern-day sport loved by so many wizard and Muggle families around the world. With comprehensive coverage of famous Quidditch teams, the commonest fouls, the development of racing brooms, and much more, this is a must-have sporting bible for all Harry Potter fans, Quidditch lovers and players, whether the weekend amateur or the seasoned Chudley Cannons season-ticket holder.At least 15% of the net retail price* of this eBook will be available to Comic Relief and Lumos Foundation for their work with children and young people to help them have a better life. 20% of these monies will be used by Comic Relief and 80% will be used by Lumos Foundation.Comic Relief is a registered charity in the UK with charity nos. 326568 (England/Wales) and SC039730 (Scotland). Lumos Foundation is a registered charity in the UK with no. 1112575.* The net retail price means the price paid by the consumer less applicable sales taxes

Three thrilling short stories of adventure among the stars: Node Of Thought A spaceship pilot on a solo mission between the stars begins to see visions of other people. Are they trace thoughts from others who’ve passed that way? It’s not just an academic question when the ship’s computer starts to obey commands that aren’t his. ? Marathon of the Devil In a death-defying marathon on a desert planet, Eli Marone has managed to get lost. It’s now a race for survival, especially when the barren world might not be so lifeless after all. ? The Rift Twenty-seven years after a reckless experiment created a vast rift across the galaxy, a survey ship’s crew encounters a being with strange abilities and an even stranger disability. What they learn will test every belief they’ve ever had. Praise for Scott Overton: “A storyteller of boundless skill…a writer to watch.” “A gifted wordsmith.”

Most sensible people avoid fire-breathing carnivores that prey on humans. But Jordan has built a career out of studying such legendary animals, creatures thought mythological until their reemergence in the world three decades ago. She and researchers like her believe that knowledge is the key to reclaiming the land they'd lost back then, when humanity retreated into designated safety zones.? But when the humans moved out, the legends moved in. They were the descendants of mythical heroes, inheriting the powers of their ancestors, and they weren't afraid of the monsters. Jordan never expected to run into a legend, but when a field expedition turns into a trap for her team, she realizes that one deliberately tried to kill her. It's a diplomatic nightmare the Roman authorities might happily sweep under the rug. But if Jordan doesn't figure out who attacked her and why, they could try again. Yet even if she does solve the mystery, what could one stubborn scientist possibly do to stop a powerful legend? Almost 7,000 words of bonus content included. Embark on this urban fantasy/post-apocalyptic adventure today!

Your child has an autism diagnosis. Now what??First, do no harm. Well, that’s a no-brainer, right??When your child receives an autism diagnosis, the research begins. You want to learn all that you can and find the best ways to help him or her.You will receive advice from specialists that makes sense to you - that fits with your life philosophy and with what you know of your child. You will receive advice that does not sit so well with you, the needs of your family and what you believe are the needs of your child.?Trust your instincts. You know your child the best and no one has his well-being at heart as much as you.Whether or not you feel prepared right now, you as the parent will be your child's primary therapist. You spend the most time with him and have the biggest impact on his life.?This book is for you. It's written by a parent who is also a special ed teacher, counselor, school psychologist, district consultant and autism consultant. The language won't require that you sit with a dictionary in your other hand but when you do find something that makes you want to research further, links and provided to help you with your search.Helping your autistic child be the best he can be is doable. It's within your reach and this is the book to guide you.

The gifts were innocent… at first.After a traumatic assault, Hannah Novak returns to her home-town hoping for a fresh start. However, when strange gifts turn up on her doorstep, and a stalker fixates on her, she discovers that Blackbridge isn’t the safe?haven it once was. With no family left to turn to, she’s forced to seek help from the broody new cop in town.Ryan Kilpatrick has travelled across the country to create a stable home for his young son, but being a police officer makes that hard. He doesn’t need Hannah’s problems added to his own, yet her courage and vulnerability awakens the protector in him.With time running out, can Hannah learn to trust again before it’s too late?Because this time, there are no second chances.