Every year few millions of Americans start to study music. After one year 80% of them stop this studying. They are not talented enough? But what they are studying for whole year long. All music theory can be delivered for 30 minutes. In this book we deliver music theory in historical and logic succession demonstrating it on examples for playing piano and keyboards. This book really helps you.Every year few millions of Americans start to study music. After one year 80% of them stop this studying. They are not talented enough? But what they are studying for whole year long. All music theory can be delivered for 30 minutes. In this book we deliver music theory in historical and logic succession demonstrating it on examples for playing piano and keyboards. This book really helps you.

After almost two decades the first guide dedicated solely to the making of a found-footage film has arrived. In this book, you will be offered clear advice on how to write, direct and produce a quality found footage film. Advice coming from over half a dozen young filmmakers who are in post-production of their films as this book is being published. On Making a Found Footage Film is more than a how-to guide it is a call to refocus and redesign a genre of filmmaking. To take if from a sub-genre of horror films into comedy, action, suspense and straight drama. There is no limit to what the found-footage film can become in the hands of inventive new film-makers. Back in the 1970's the first true experiment in the genre of Found Footage, Cannibal Holocaust, shocked the world, but it would be the arrive of The Blair Witch Project in the year 1999 that would change the world of filmmaking forever. Since then this subgenre has grown in popularity if not quality. Films such as Paranormal Activity, Rec, Rec 2 and The Visit show that if done right these films can be both profitable and effective. This book features an interview with the film-makers behind Found Footage 3D a film that may again allow the genre to reach an entirely new audience. If you want a understand the basics of what goes into producing a Found Footage film this is the book to start with. I also invite you to take this genre to the next level by filming Comedies and Dramas along with Horror films. Anything is possible. Filmmaking is the art of recording dreams. If you can dream it then you can film it.

WANT TO LEARN THE INS AND OUTS OF VERTICAL GARDENING? Here Is A Preview Of What You'll Learn... Setting Up the Base You Need in Your Garden Working on the Maintenance of Your Vertical Garden Making Room for the Plants Picking Out the Right Plants Some Tips for Your Vertical Garden Much, Much, More!

You went to your first Contact Improvisation (C.I.) class, or a friend invited you to the weekly jam, and you’re captivated. Or perhaps, you’ve been dancing and investigating for years. What’s next? What discoveries await you in your dance? In 1972, Steve Paxton convened a group of athletes and dancers to research the principles of Contact Improvisation. Since then the form has matured into a worldwide, collaborative experiment with no central control. Everyone who enters adds their findings and permutations to this inherently unfinished dance form. Dancing Deeper Still is a sourcebook of essays on Contact Improvisation, a philosophical treatise, and a handbook. This compilation of 30 years of writings is meant to accompany and support your investigation as you discover new pathways and dynamics in your dancing. It includes chapters on: ·??????Contact Improvisation in performance ·??????Boundaries and sexuality ·??????Political activism ·??????Dancing while aging ·??????Expanded teaching research notes ·??????Advanced skills Whether you are the improviser who savors the slow rivers of sensation…or who delights in spontaneous acrobatics…or any of the bountiful realms in between, this book was written for you. Your discoveries enrich the community-held body of knowledge in our ever-evolving form. I invite you to dance deeper still. ? Martin Keogh dances, teaches, and researches Contact Improvisation. His love for the dance has taken him to 31 countries across six continents. Keogh was named a Fulbright Senior Specialist for his contribution to the development of the form. Martin spent time in monasteries in Japan and Korea and was the director of the Empty Gate Zen Center in Berkeley, CA before he discovered the world of dance. He is the author of: As Much Time as it Takes and the anthology: Hope Beneath Our Feet: Restoring Our Place in the Natural World. He lives with his family by the Salish Sea in British Columbia. martinkeogh.com

Shakespeare instructed by delighting. His comedies and tragedies contain more actual wisdom than the whole body of English learning. He is the teacher of all good – pity, generosity, true courage, love. His bright wit is cut out into little stars. This collection of Shakespeare tales includes: The Tempest, Much Ado About Nothing, Cymbeline. These timeless stories are retold in modern English retaining all key elements of Shakespeare's original storyline, characters and wisdoms.

London's recent history captured in dramatic form. Created from dozens of personal testimonies, this is the story of the changing face of work today. Surrey Docks in South-East London was once a thriving commercial hub, hosting some of the UK’s leading commercial brands, including Crosse & Blackwell, Sarson’s, Peek Freans and Lipton’s. These huge organisations created a myriad of jobs for local people, and the community prospered. But, with the decline of the docks in the 1970s, factories closed down or relocated, work patterns changed and redevelopment began. ‘From Docks to Desktops’ explores the fascinating story of how one community has survived the 21st-century challenges of urban change and renewal.

This book explains how to plan, write and publish a book so that you are seen as 'the one' in the eyes of your potential clients. One of the best ways to show off your expertise, is to write a book - you can then use this as a fantastic marketing tool to get people into your sales funnel and attract higher paying clients. This book takes you through the entire process, from getting your plan into place, to writing and publishing your book. It may seem like a complicated process, but when you know how, it's actually quite simple. With a step by step plan, plus handy resources to help you along the way, you'll have your book written in no time.

Charity Royall is eighteen, bored with life in the small town of North Dormer. While working at the library, Charity meets visiting architect Lucius Harney and they become friends. Will their growing closeness lead to a happy marriage? Charity was born in an impoverished mountain community and her life is complicated by Mr. Royall who intruded into her bedroom when she was seventeen and later urged her to marry him. Lucius starts an affair with Charity Royall, all the while hiding the fact that he is engaged to society girl Annabel Balch.

The Western Front, running from the Belgian coast in the north to the Swiss border in the south, was to prove the decisive battlefront of World War I. It was where the great powers of Germany, France and the British Empire concentrated the bulk of their military might, and it was where many believed the war would be settled before Christmas 1914. The German General Staff realised the dangers of fighting a two-front war against both France and Russia simultaneously. They sought to knock the French out of the war quickly, making a rapid advance on Paris through neutral Belgium – the infamous 'Schlieffen Plan'. After desperate delaying actions fought by the French and British armies, the German hope for swift victory in the West was thwarted by their defeat at the First Battle of the Marne. Following a 'Race to the Sea' – where each side sought to outflank the other, culminating in the battles of First Ypres and the Yser – the Western Front settled down into a pattern of trench warfare that would remain little changed until 1917. The year 1915 proved one of frustration for the Allies as attack after attack – in Champagne, at Neuve Chapelle, Festubert and Loos – all failed to pierce the German defensive lines. To break the deadlock, a joint Allied offensive was planned for 1916 with simultaneous attacks against the Central Powers to take place in all the European theatres. This planned major effort was pre-empted by the German assault on the fortress city of Verdun, intended to bleed the French Army dry. The joint Somme offensive thus became a largely British and Imperial affair to relieve the pressure on their French allies. The blooding of Kitchener's volunteer New Army on the first day of the Somme has become a byword for the slaughter on the Western Front. By the year's end, it was clear there would be no easy victory for either side. With the aid of over 300 photographs, complemented by full-colour maps, The Western Front 1914–1916 provides a detailed guide to the background and conduct of the conflict on the Western Front in the first half of the war, up to and including the Battles of the Somme and Verdun.

A group of women, led by the wise and redoubtable Praxagora, has decided that the women of Athens must convince the men to give them control of the city, as they are convinced they can do a better job. Disguised as men, the women sneak into the assembly and command the majority of votes needed to carry their series of revolutionary proposals, even convincing some of the men to vote for it on the grounds that it is the only thing they have not tried.

With grime music and Guyanese folk stories, Joseph Barnes-Phillip's semi-autobiographical story is a comic, tragic and honest portrayal of becoming a man. The story follows Rayleigh as he negotiates the tensions of growing up and taking responsibility – to his pregnant girlfriend, to his sick mother, to his church, to the multi-cultural community he grew up in and somewhere in the mix to himself. When the euphoric highs of teenage life in south London collide with his mum's terminal illness, all Rayleigh wants to do it watch anime in his pants and eat indomie. Love, life and masculinity meet head-on as Rayleigh tries to find his feet, torn between the new girl in his life and being there for his mum, while trying not to make the same mistakes as his dad.

The Seagull is one of the best ever dramas about the theatre, yet on the very first opening night it was a famous failure. The play triumphed later in Stanislavski's production and became one of the greatest events in the history of Russian theatre and one of the greatest new developments in the history of world drama.

A watchman on top of the house, reporting that he has been lying restless there like a dog for a year, for so rules the expectant manly-willed heart of a woman (that woman being Clytemnestra awaiting the return of her husband, who has arranged that mountaintop beacons give the signal when Troy has fallen). He laments the fortunes of the house, but promises to keep silent: 'A huge ox has stepped onto my tongue.' However, when Agamemnon returns, he brings with him Cassandra, the enslaved daughter of the Trojan king, Priam, and a priestess of Apollo, as his concubine, further angering Clytemnestra.

Orestes arrives at the grave of his father, accompanied by his cousin Pylades, the son of the king of Phocis, where he has grown up in exile; he places two locks of his hair on the tomb. Orestes and Pylades hide as Electra, Orestes' sister, arrives at the grave accompanied by a chorus of elderly slave women (the libation bearers of the title) to pour libations on Agamemnon's grave; they have been sent by Clytemnestra in an effort to ward off harm. Just as the ritual ends, Electra spots a lock of hair on the tomb which she recognizes as similar to her own; subsequently she sees two sets of footprints, one of which has proportions similar to hers. At this point Orestes and Pylades emerge from their hiding place and Orestes gradually convinces her of his identity.

The Persians takes place in Susa, which at the time was one of the capitals of the Persian Empire, and opens with a chorus of old men of Susa, who are soon joined by the Queen Mother, Atossa, as they await news of her son King Xerxes' expedition against the Greeks. Expressing her anxiety and unease, Atossa narrates what is probably the first dream sequence in European theatre.

The Knights is a satire on political and social life in 5th-century BC Athens, the characters are drawn from real life and Cleon is clearly intended to be the villain. However it is also an allegory, the characters are figures of fantasy and the villain in this context is Paphlagonian, a comic monstrosity responsible for almost everything that's wrong with the world.

Insights into Education presents the educational philosophy of J. Krishnamurti in an easy to use, topic-based format. It is a practical handbook that comes alive when used as an introduction to group investigation and dialogue. What it offers to teachers everywhere is an inroad into the many matters of concern with which they are faced on a daily basis. That we cannot continue as we have been doing, with rote-learning, fact-finding, and a modicum of analysis as the building blocks of education, is obvious to anyone who is at all concerned with teaching and learning in a world with accelerating technological advancement, alienation, and despair. It is these very issues that are tackled here, sometimes implicitly but always at depth. What Krishnamurti proposes, and here discloses, is a different approach to learning altogether, one that distinguishes itself radically from what we normally understand by that term: the accumulation of knowledge, with its application and testing. By narrowing down our understanding to the pragmatic and the measurable, we forfeit the opportunity to probe deeply and to awaken intelligence in our students and in ourselves. What is meant by intelligence in this context is not the capacity to memorize and measure, but that subtler ability to see the whole which comes alive in a human being when he/she sees the limits of the measurable. To awaken this intelligence is the goal of education.

Environmental Degradation and Dryland Agro-Technologies in Northwest China” is a documentation of past and present research, training and extension experiences on: environmental degradation; conservation farming systems; water and nutrient management options; soil and water management technologies and training; soil erosion control; dryland agriculture and soil erosion; soil fertility and crop production; drought and soil water use, demonstration of ecologically sustainable agriculture; and dissemination of farming system technologies in the arid and semi-arid lands of Northwest China. These concerns are expounded on both from the national (China) and Regional (Loess Plateau) perspectives. The information provided herein was obtained through a review of all relevant literature and firsthand consultations/discussions undertaken by the author with professors and local research scientists, technicians and farmers in Northwest China. The facts and figures presented are based on their experiences of many years. This publication does provide valuable scientific information on the status of environmental degradation and dryland agro-technologies within Northwest China that are either traditional or newly developed through scientific research at various relevant Institutions such as NWAU, NWISWC and Regional Academies of Agricultural Sciences such as SAAS, GAAS, NAAF and QAAF. There are lessons to be learnt and plausible remedial conservation measures to be adopted elsewhere from these experiences in Northwest China.

"The Spanish Tragedy", or "Hieronimo" is Mad Again is an Elizabethan tragedy written by Thomas Kyd between 1582 and 1592. Highly popular and influential in its time, The Spanish Tragedy established a new genre in English theatre, the revenge play or revenge tragedy. Its plot contains several violent murders and includes as one of its characters a personification of Revenge. "The Spanish Tragedy "was often referred to (or parodied) in works written by other Elizabethan playwrights, including William Shakespeare, Ben Jonson, and Christopher Marlowe. Many elements of The Spanish Tragedy, such as the play-within-a-play used to trap a murderer and a ghost intent on vengeance, appear in Shakespeare's Hamlet. (Thomas Kyd is frequently proposed as the author of the hypothetical Ur-Hamlet that may have been one of Shakespeare's primary sources for Hamlet.)

Como todas las mananas, el marques de Torrebianca salio tarde de su dormitorio, mostrando cierta inquietud ante la bandeja de plata con cartas y periodicos que el ayuda de camara habia dejado sobre la mesa de su biblioteca. Cuando los sellos de los sobres eran extranjeros, parecia contento, como si acabase de librarse de un peligro. Si las cartas eran de Paris, fruncia el ceno, preparandose a una lectura abundante en sinsabores y humillaciones. Ademas, el membrete impreso en muchas de ellas le anunciaba de antemano la personalidad de tenaces acreedores, haciendole adivinar su contenido. Su esposa, llamada ?la bella Elena?, por una hermosura indiscutible, que sus amigas empezaban a considerar historica a causa de su exagerada duracion, recibia con mas serenidad estas cartas, como si toda su existencia la hubiese pasado entre deudas y reclamaciones. El tenia una concepcion mas anticuada del honor, creyendo que es preferible no contraer deudas, y cuando se contraen, hay que pagarlas. ? AUTOR: Vicente Blasco Ibanez nacio el 29 de enero de 1867 en Valencia (Espana). Era hijo de Ramona Ibanez y del comerciante Gaspar Blanco. Estudio Derecho en la Universidad de Valencia. Participo en la politica uniendose al Partido Republicano". En 1894 fundo el periodico El pueblo. En el ano 1896, fue detenido y condenado a varios meses de prision. En 1889 contrajo matrimonio con Maria Blasco del Cacho, hija del magistrado Rafael Blasco y Moreno. Cuando subio al poder Canovas del Castillo, el escritor se exilio brevemente en la ciudad de Paris. Fue un autor vinculado en muchos aspectos al naturalismo frances. Por otra parte, la explicita intencion politicosocial de algunas de las novelas de Blasco Ibanez, aunada al escaso bagaje intelectual del autor, lo mantuvo alejado de los representantes de la Generacion del 98. Murio el 28 de enero de 1928 en Menton (Francia)a los 60 anos. Entre sus titulos destacan: "Arroz y Tartana" (1894), "La Barraca" (1898), "Entre Naranjos (1900), "Canas y Barro" (1902), "La Horda" (1905), "Sangre y Arena" (1908) o "Los Cuatro Jinetes Del Apocalipsis" (1916).

THE story of Cleopatra is a story of crime. It is a narrative of the course and the consequences of unlawful love. In her strange and romantic history we see this passion portrayed with the most complete and graphic fidelity in all its influences and effects; its uncontrollable impulses, its intoxicating joys, its reckless and mad career, and the dreadful remorse and ultimate despair and ruin in which it always and inevitably ends.??Cleopatra was by birth an Egyptian; by ancestry and descent she was a Greek. Thus, while Alexandria and the delta of the Nile formed the scene of the most im-portant events and incidents of her history, it was the blood of Macedon which flowed in her veins. Her character and action are marked by the genius, the courage, the originality, and the impulsiveness pertaining to the stock from which she sprung. The events of her history, on the other hand, and the peculiar character of her adventures, her sufferings, and her sins, were determined by the circumstances with which she was surrounded, and the influences which were brought to bear upon her in the soft and voluptuous clime where the scenes of her early life were laid..??Egypt has always been considered as physically the most remarkable country on the globe. It is a long and narrow valley of verdure and fruitfulness, completely insulated from the rest of the habitable world. It is more completely insulated, in fact, than any literal island could be, inasmuch as deserts are more impassable than seas. The very existence of Egypt is a most extraordinary phenomenon. If we could but soar with the wings of an eagle into the air, and look down upon the scene, so as to observe the operation of that grand and yet simple process by which this long and wonderful valley, teeming so profusely with animal and vegetable life, has been formed, and is annually revivified and renewed, in the midst of surrounding wastes of silence, desolation, and death, we should gaze upon it with never-ceasing admiration and pleasure. We have not the wings of the eagle, but the generalizations of science furnish us with a sort of substitute for them. The long series of patient, careful, and sagacious observations, which have been continued now for two thousand years, bring us results, by means of which, through our powers of mental conception, we may take a comprehensive survey of the whole scene, analo-gous, in some respects, to that which direct and actual vision would afford us, if we could look down upon it from the eagle's point of view. It is, however, so-mewhat humiliating to our pride of intellect to reflect that long-continued philosophical investigations and learned scientific research are, in such a case as this, after all, in some sense, only a sort of substitute for wings. A human mind connected with a pair of eagle's wings would have solved the mystery of Egypt in a week; whereas science, philosophy, and research, confined to the surface of the ground, have been occupied for twenty centuries in accomplishing the undertaking.