Conservatorismul pragmatic, conservatorismul lui David Hume, Edmund Burke i, n secolul XX, al lui Michael Oakeshott, se deosebete profund de reacionarism i de ultraconservatorismul virulent. Un conservator pragmatic este un om care gndete fr mituri caluzitoare i fr adevruri absolute, ce confisc i paralizeaz inteligena; este un adversar, i nu un adept, al utopiilor inverse, care aspir la restaurarea trecutului. El este un adept al moderaiei i al gradualismului – nu pentru ca ar avea oroare de schimbrile profunde, ci pentru ca tie c nimic important, nrdcinat ntr-o form de via omeneasc, nu poate fi schimbat brusc. Se comite adesea o confuzie ntre conservatorismul pragmatic i radicalismul de dreapta. Dar este vorba de o eroare de neiertat, cci cele doua forme ale Dreptei se opun diametral: Ostilitatea fa de radicalism, ostilitatea nencetat, implacabil, este definiia esenial a conservatorismului (Robert Cecil, Marchiz de Salisbury). Au existat i n Romania figuri celebre apropiate conservatorismului pragmatic, spre exemplu P. P. Carp. ns, din pcate, tradiia autohton este dominat de radicalismul de dreapta, ilustrat (virulent) de Eminescu i (seren) de Maiorescu, iar ulterior de generaia rtcit: Nae Ionescu, Mircea Eliade, Cioran i Noica.“ (Adrian-Paul Iliescu)

Cartea este rezultatul anchetelor desf??urate ?n paginile revistei Contemporanul – anchete ce au abordat o problema delicat?, ocolit? de nu pu?ini c?rturari: ?Problema evreiasc?". Se pronun?? pe marginea acestei disputate teme actuale personalit??i ca, de pild?, Dumitru ?epeneag, Matei C?linescu, Ion Vianu, Irina Cajal, Ion Iano?i, Nicolae Breban, ?i nu pu?ini al?i importan?i actan?i ai vie?ii sociale, politice ?i culturale din Rom?nia de azi.Un manual indirect de istorie, cartea e destinata studen?ilor, elevilor, profesorilor, precum ?i publicului larg de cititori.

Cartea lui Dan Dungaciu se individualizeaza prin originalitatea metodei sale: logistica. Sociologia este, prin excelenta, o "stiinta de spate", cum ar spune logisticienii, adica o stiinta care serveste marilor incordari colective (ofensive sau defensive) pe o durata anumita. Dan Dungaciu propune, in acest sens, cel putin trei procedee de cercetare a sociologiei la scara unei epoci si a unei arii de civilizatie, cea europeana in acest caz: a) "centrele logistice ale gandirii sociale" (care sustin retelele sociologiei); b). "Harta logistica a sociologiei" (romanesti in acest caz); c). Seria teoriilor reprezentative pentru cateva dintre temele dominante ale sociologiei interbelice. Modelul lecturii dezvaluie o fata surprinzatoare a uneia dintre cele mai spectaculoase manifestari ale sociologiei in secolul XX: sociologia romaneasca interbelica. Istoria logistica a sociologiei romanesti reconstituie astfel una dintre secventele de mare tensiune creatoare ale dramei neamului romanesc in secolul al XX-lea, ceea ce face din cartea lui Dan Dungaciu una de exceptie.

Vreau s? cred c? drumul lui Eugenio Barba este cel ?n care ?nt?lne?te copacul de care at?rn? pe creanga cea mai de sus un m?r de aur ?i f?r? s? ?i pese de cei din jurul lui, de privirile lor arogante sau sc?nteind a dispre?, se ca??r? ?n copac, ?n plin? lumin? de zi, ?i culege m?rul. M?rul norocos al destinului. Curaj, perseveren??, credin?? de nezdruncinat ?n vocea l?untrului care mereu ?i ?opte?te drumul pe care s?-l urmeze, c?ci este drumul lui.Eugenio Barba, vizionar, reformator, artist, dramaturg-regizor, maestru, scriitor, ?n dramaturgia sa, ?n cuvintele sale imortalizate ?n reflec?ii asupra sensului ?i condi?iei artei teatrului ?i a artistului, ?n cercet?rile de natur? artistic? ?i ?tiin?ific?, ?n laboratorul de teatru, sesiunile ?colii Interna?ionale de Antropologie Teatral? forjeaz? un act artistic unificator prin coprezen?e ale contrariilor, ?ntrup?ri ale simultaneit??ilor, combin?ri temporale ?i spa?iale, dintre trecut ?i viitor, dintre Est ?i Vest, declan??nd ?o revolu?ie copernician? f?r? de care ?tiin?a teatrului de la sf?r?itul secolului XX ar fi incomprehensibil?“. (Diana Cozma)

Lucrarea abordeaz? cele mai relevante manifest?ri ale modernismului literar interbelic, propun?nd spre analiz? reprezentan?i ai poeziei (George Bacovia, Ion Barbu, Lucian Blaga, Ion Vinea, Ilarie Voronca, Tudor Arghezi), ai prozei (Anton Holban, Camil Petrescu, Max Blecher, Mircea Eliade), tendin?ele ?i mi?c?rile coagulate ?n jurul marilor reviste interbelice (Sbur?torul, Contimporanul, 75 H.P., Integral). Volumul se adreseaz? elevilor de liceu care doresc s?-?i aprofundeze cuno?tin?ele referitoare la una dintre cele mai importante v?rste literare rom?ne?ti, miz?nd ?i pe redescoperirea cititorului avizat, dornic s?-?i sus?in? punctele de vedere, s?-?i modeleze gustul estetic ?i s? descopere modele, ierarhii, valori.

Today the women at the festival are going to kill me for insulting them!' This bold statement by Euripides is the absurd premise upon which the whole play depends. The women are incensed by his plays' portrayal of the female sex as mad, murderous, and sexually depraved, and they are using the festival of the Thesmophoria (an annual fertility celebration dedicated to Demeter) as an opportunity to debate a suitable choice of revenge.

Take your first step to becoming a professional short fiction writer—Buy this book! In an engaging and conversational style, award-winning author Douglas Smith teaches you how to market and sell short stories—and much, much more. Even experienced writers will find value here as Smith takes you from your first sale to using your stories to build a writing career. CONTENTS: The Fundamentals: The different types of writers. The benefits of short fiction. Rights and licensing. Selling Your Stories: Knowing when it's ready. Choosing markets. Submitting stories. Avoiding mistakes. How editors select stories. Dealing with rejections. When to give up on a story. After a Sale: Contracts. Working with editors. What your first sale means. Dealing with reviews. A Writer's Magic Bakery: Selling reprints. Foreign markets. Audio markets. Selling a collection. The indie option. Becoming Established: Leveraging your stories. Discoverability and promotion. Career progression in short fiction. With an introduction by multi-award winning writer and editor, Kristine Kathryn Rusch. "We short story writers have needed a book like this for decades. ... It’s spectacular." —Kristine Kathryn Rusch, Award-winning Author & Editor “If you are the least bit interested in having a career as a fiction writer then I can tell you what to read: Douglas Smith’s Playing the Short Game: How to Market & Sell Short Fiction. From now on this is my go-to book for all things related to starting and maintaining my fiction writing career.” —Filip Wiltgren, The Guide to a Professional Writing Career

Much has been explored about Shakespeare and his life, but little is known about how this small-town boy with a grammar-school education came to pen masterworks like Hamlet and King Lear. In Meet William Shakespeare, playwright J. Ajlouny creates authentic and plausible explanations that answer centuries-old questions about the man and his work. The result is an educational and fun portrait of Shakespeare, as told by The Bard himself.

Fascinant – cea mai bun lucrare de istorie militar din ultimii ani i o analiz edificatoare a disputelor care continu s mocneasc amenintor i azi. O carte extraordinar sub toate aspectele." – The New York Times O relatare palpitant i revelatoare a uneia dintre cele mai zbuciumate i legendare perioade din istoria secolului al XX-lea – Revolta Arab i marele joc" secret de a controla Orientul Mijlociu. CARTE INCLUS PE LISTA CELOR MAI BUNE TITLURI ALE ANULUI DE New York Times Christian Science Monitor NPR Seattle Times St. Louis Dispatch Chicago Tribune American Library Association Bazat pe cercetri extinse i intense, munc asidu n arhive, Lawrence n Arabia aduce o nou perspectiv asupra modului n care s-a configurat lumea Orientului Mijlociu. Cu o aciune de proporii epice, portretizri expresive, accente critice n condamnarea distrugerilor provocate de comploturile coloniale europene, volumul surprinde strlucit felul n care nesbuina trecutului declaneaz suferina prezentului. Printre numeroasele istorii individuale din Primul Rzboi Mondial care vor fi povestite i repovestite n cadrul centenarelor commemorate ntre 2014 i 2018, cea a lui T.E. Lawrence iese n eviden… Cartea lui Anderson nu putea fi mai oportun. Acum, cnd atenia ntregii lumi se concentreaz asupra Siriei i Egiptului, este uluitor s priveti n urm cu o sut de ani i s vezi un tablou asemntor…. Apelnd la o distribuie bogat, Anderson reuete s exploreze haosul din Orientul Mijlociu de la nceputul secolului al XX-lea dintr-o varietate de perspective distincte i revelatoare totodat. O mrturie captivant, de o mare complexitate i profunzime. – The New York Times Book Review Vast, hipnotic i – s ndrznim s o spunem – cinematografic n detaliu, Lawrence n Arabia ilustreaz modul n care biografia i istoria se poteneaz reciproc. – The Wall Street Journal Absorbii de mcelul ce avea loc n traneele Europei n Primul Rzboi Mondial, combatanii occidentali acordau prea puin importan teatrului de lupt din Orientul Mijlociu. Ca urmare, conflictul de aici a fost influenat surprinztor de mult de o mn de aventurieri i ofieri de rang mrunt aflai departe de marile coridoare ale puterii: Curt Prüfer – universitar tern, ataat pe lng Ambasada German din Cairo, Aaron Aaronsohn – renumit agronom provenit din Romnia i sionist nflcrat. William Yale – descendent scptat al unei familii aristocratice americane. n centrul acestui cerc se afla Lawrence – la nceputul lui 1914, doar un arheolog care lucre la spturi prin deerturile Siriei. n 1917 ajunsese deja cea mai romantic figur din Primul Rzboi Mondial, luptndu-se att cu inamicii Marii Britanii, ct i cu propriul guvern pentru a-i transforma n realitate viziunea sa asupra destinului poporului arab. Drumurile ncruciate ale acestor patru personaje – intrigile pe care le-au pus la cale, btliile pe care le-au purtat, trdrile pe care le-au suferit sau le-au uneltit ei nii – oglindesc grandoarea, complexitatea i tragedia rzboiului din deert.

IN ancient times, when the city of Rome was at the height of its power and splendor, it was the custom, as it is in fact now with the inhabitants of wealthy capitals, for the principal families to possess, in addition to their city residences, rural villas for summer retreats, which they built in picturesque situations, at a little distance from the city, sometimes in the interior of the country, and sometimes upon the seashore. There were many attractive places of resort of this nature in the neighborhood of Rome. Among them was Antium.??The beauty and the salubrity of Antium made it a very attractive place of summer resort for the people of Rome; and in process of time, when the city attained to an advanced stage of opulence and luxury, the Roman noblemen built villas there, choosing situations, in some instances, upon the natural terraces and esplanades of the promontory, which looked off over the sea, and in others cool and secluded retreats in the valleys, on the land. It was in one of these villas that NERO was born.??NERO's father belonged to a family which had enjoyed for several generations a considerable degree of distinction among the Roman nobility, though known by a somewhat whimsical name. The family name was Brazenbeard, or, to speak more exactly, it was Aheno-barbus, which is the Latin equivalent for that word. ?

WHEN children advance beyond the nursery age, no story is so wonderful as a true story. Fiction to them is never as appealing as fact. I have often been faced with the inquiry: whether or not a story is a true one. The look of gratification, when told that "it actually happened," was most satisfying to me as a story-teller.??The nearer a story is to the life and traditions of the child, the more eagerly it is attended. True stories about our own people, about our neighbors and friends, and about our own country at large, are more interesting than true stories of remote places and people. We naturally are interested in our own affairs, and the nearer they are to us the greater the interest we feel.??That history is just a long, thrilling story of the trials and triumphs of pioneers and patriots is well known to those who have had to do with the teaching of history to youthful minds. That the dry recital of political and governmental history does not interest children is also well known. History should be made vital, vibrant, and personal if we expect children to be stirred by its study.?To gratify the love of children for the dramatic and picturesque, to satisfy them with stories that are true, and to make them familiar with the great characters in the history of their own country, is the purpose of this volume.??It is hoped that through appeal to youthful love of adventure, this collection of stories, covering the entire range of American history, will stimulate the ambition and strengthen the patriotism of those young citizens whose education has been the constant concern of the author for many years.

New adaptation of 'Hamlet' for a modern black theatrical production. Remember me… Denmark, a Black Empire of modern England, where an intelligent young student discovers the world he once knew has crumbled. Implored to defend what is left of his father’s decaying legacy, Hamlet now faces the greatest moral challenge – to kill or not to kill. Directed by Jeffery Kissoon (RSC, National Theatre, Robert Lepage, Peter Hall and in Peter Brook’s seminal production of The Mahabharata) and adapted with Shakespeare’s text by award-winning playwright Mark Norfolk, this fast-moving version gets straight to the heart of a young man’s dilemma. This first all-black production of Hamlet in Britain makes a striking contribution to the Shakespeare 400 anniversary celebration. For ages 12+

A life of fascination, obsession and deep scientific curiosity. William Cavendish-Scott-Bentinck is an eccentric Nottinghamshire aristocrat whose imagination and curiosity know no bounds. This deceptively simple man struggles to come to terms with a world that is teeming with new knowledge, ill-founded opinion and?gossip. Why does he hide himself away? What is his fascination with tunnels? Will he ever unearth the secrets hidden in his memory? In a sequence of events that are often curious and frequently hilarious he reveals moments of surprising perception and wisdom. Nottingham Playhouse and ajtc have combined their talents to co-produce Nick Wood’s stage adaptation of Mick Jackson’s Booker Prize shortlisted novel. The result is a free-flowing, innovative performance which features live music and a specially commissioned score. The Underground Man is a delectable blend of fact and fiction in which the intriguing details of a complex life are richly explored through the vibrant imagination of a gentle soul.

YOU have heard of Homer, and of the two wonderful poems, the Iliad and the Odyssey, which bear his name. No one knows whether these poems were composed by Homer, or whether they are the work of many different poets. And, in fact, it matters very little about their authorship. Everybody agrees that they are the grandest poems ever sung or written or read in this world; and yet, how few persons, comparatively, have read them, or know any thing about them except at second-hand! ? Homer commences his story, not at the beginning, but "in the midst of things;" hence, when one starts out to read the Iliad without having made some special preparation beforehand, he finds it hard to understand, and is tempted, in despair, to stop at the end of the first book. Many people are, therefore, content to admire the great masterpiece of poetry and story-telling simply because others admire it, and not because they have any personal acquaintance with it.? Now, it is not my purpose to give you a "simplified version" of the Iliad or the Odyssey. There are already many such versions; but the best way for you, or any one else, to read Homer, is to read Homer. If you do not understand Greek, you can read him in one of the many English translations. You will find much of the spirit of the original in the translations by Bryant, by Lord Derby, and by old George Chapman, as well as in the admirable prose rendering by Butcher and Lang; but you can get none of it in any so-called simplified version.??My object in writing this "Story of the Golden Age" has been to pave the way, if I dare say it, to an enjoyable reading of Homer, either in translations or in the original. I have ta-ken the various legends relating to the causes of the Trojan war, and, by assuming certain privileges never yet denied to story-tellers, have woven all into one continuous narrative, ending where Homer's story begins. The hero of the Odyssey—a character not always to be admired or commended—is my hero. And, in telling the story of his boyhood and youth, I have taken the opportunity to repeat, for your enjoyment, some of the most beautiful of the old Greek myths. If I have, now and then, given them a coloring slightly different from the original, you will remember that such is the right of the story-teller, the poet, and the artist. The essential features of the stories remain unchanged. I have, all along, drawn freely from the old tragedians, and now and then from Homer himself; nor have I thought it necessary in every instance to mention authorities, or to apologize for an occasional close imitation of some of the best translations. The pictures of old Greek life have, in the main, been derived from the Iliad and the Odyssey, and will, I hope, help you to a better understanding of those poems when you come to make acquaintance directly with them.??Should you become interested in the "Story of the Golden Age," as it is here related, do not be disappointed by its somewhat abrupt ending; for you will find it continued by the master-poet of all ages, in a manner both inimitable and unapproachable. If you are pleased with the discourse of the porter at the gate, how much greater shall be your delight when you stand in the palace of the king, and hearken to the song of the royal minstrel! ?

You Can Grow Your Own Orchids, Yes You Can! You're probably already thinking to yourself If I have to read a book to grow a flower in a pot, why should I bother?! Yeah, I know –but to be honest, there are a lot of excellent things that come with being able to master at least growing one successful pot of orchids. For one thing, they're gorgeous! Who wouldn't want to say, "Yeah, I grew those…"? Damn right you would! Being a badass indoor gardener is one thing, but tackling tropical plants like orchids is a feat unto itself. It's an artform. Think about it for a second. Most of us do not live in the climate conducive to these beauties just thriving on their own in the wild. Anyone who already actively grows and nurtures any species of orchid knows that you've got to climate control that environment like you wouldn't believe. It's not just about that, but you also must watch other factors too. It's an extremely rewarding yet very challenging experience. In addition, there are so many different species of orchid out there that you can safely assume that each plant you grow is going to be unique to itself. You can get some that you know will definitely be the same color, size or general shape, but we all know that there are so many things unique to each plant. How many flower spikes you end up with after the first blooms dissipate, how many leaves you have, how tall it grows and so many other things are all going to be different. The cool thing is that with the right know-how, you can nurture one potted orchid for years before you have to kiss it goodbye. In fact, you might keep them growing for almost a decade without even realizing it if you can take care them properly. It will also bolster your confidence when it comes to indoor gardening. You might have never planted anything outside, but you can throw these puppies in a pot and watch them go for forever if you follow a few key pointers and stay on top of their care. You just need to lovingly embrace the hobby and be patient with the process. Heck, you could have a whole atrium or sunroom full of tropical flowers by the time you're finished fooling around with different kinds –and there are a lot of them! Just imagine the possibilities… In this book, you're going to learn all about how to start off on the right foot with one of the cantankerous ones: orchids. So get out your gloves, grab a bag of potting mix, start jotting down supplies on a notepad, and get growing!

WANT TO LEARN THE INS AND OUTS OF ORCHID GROWING FOR BEGINNERS? Here Is A Preview Of What You'll Learn... Why Should I Grow Orchids? What My Orchid Needs Important Growing Requirements for Your Orchids Re-potting Your Orchids Propagation to Help Grow More Orchids Much, Much, More!

WANT TO LEARN THE INS AND OUTS OF GARDENING FOR BEGINNERS? Here Is A Preview Of What You'll Learn About Container Gardening... Getting the Containers for Your Garden Creating a Good Environment for the Container Plants Choosing the Right Time to Plant The Best Plants to Grow in Your Container Garden Tips for Helping Your Plants to Thrive Much, Much, More! Here Is A Preview Of What You'll Learn About Greenhouse Gardening... Setting Up a Greenhouse Garden Growing Plants in Your Greenhouse Ways to Control the Climate in the Greenhouse Some of the Best Planting Methods in the Greenhouse How to Get Rid of the Pests Much, Much, More! Here Is A Preview Of What You'll Learn About Vertical Gardening... Setting Up the Base You Need in Your Garden Working on the Maintenance of Your Vertical Garden Making Room for the Plants Picking Out the Right Plants Some Tips for Your Vertical Garden Much, Much, More!

In FEBRUARY, together, Sergeant Femi Kolawole and investigative journalist Chioma Okafor solves Emeka's Valentine-day murder, and on doing so, Chioma is exposed to Femi's heroic personality, which makes her eventually fall in love with him.The Plot:Chioma Okafor, a young investigative journalist, is pressured by her over-ambitious mother into an unwanted romantic relationship with Uche, a young sophisticated university lecturer. Chioma yields to her mother’s pressure, hoping she would eventually fall in love with Uche as her mother assured, but she never did. On a Valentine date with Uche, Chioma gets a glimpse of what her relationship has been missing, as she feels love for the first time with Emeka, a handsome stranger who’s unfortunately expecting a baby with Amara, a girl who Uche used to date in university. Uche turns a relationship that he intended to blow up into an engagement on Valentine's day, into a blood bath before midnight. Chioma who survives the near-death experience, narrates her Valentine dilemma to Femi, a clever Police Sergeant. The Twist:Everybody thinks Uche died that night, but a strange text message sent from Chioma’s phone to Emeka, triggers a series of twisted events, which proves that the jealous and malicious Uche is still alive and in the wind, and that the life of Chioma is hanging down by a thin thread. The ultimate question is: 'Since Uche is alive, then who is the man laying lifeless in the mortuary?' Chioma is certainly not pleased with the answer. Femi forcefully becomes Chioma’s personal bodyguard, while he hunts down Uche, an innocent-looking man who Femi had met a day ago and poorly judged. Follow Femi as he uncovers this intriguing murder mystery that nobody even knew happened.The Play:The screenplay starts with a scene of a couple whose faces aren’t revealed to the screen, laying MOTIONLESS in a wrecked car, covered in their own blood, and ends in a conference room, as Chioma calls Femi to tell him how she feels about him.FEBRUARY is a unique blend of romance, comedy, suspense, and adventure. A beautifully crafted story of love, jealousy, betrayal, conspiracy, and ambition.

The playwright J. M. Synge was a key figure in the Irish Literary Revival and was one of the co-founders of the Abbey Theatre. Today he is best known for his controversial play ‘The Playboy of the Western World’, which caused riots in Dublin during its opening run. Synge's writings are chiefly concerned with the world of the Roman Catholic peasants of rural Ireland and with what he saw as the essential paganism of their world view. He was a poetic dramatist of great power, whose modern plays are celebrated for their sophisticated craftsmanship. For the first time in digital publishing, this eBook presents Synge’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Synge’s life and works* Concise introductions to the plays* All 6 plays, with individual contents tables* Images of how the books were first published, giving your eReader a taste of the original texts* Excellent formatting of the texts* Rare poetry available in no other collection* Includes Synge’s prose, featuring many essays and reviews– available in no other collection* Features two biographies, including Yeats’ seminal work ‘Synge and the Ireland of His Time’ – discover Synge’s literary life* Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The PlaysIn the Shadow of the GlenRiders to the SeaThe Well of the SaintsThe Playboy of the Western WorldThe Tinker’s WeddingDeirdre of the Sorrows The Poetry CollectionsCollected Poems The ProseThe Aran IslandsIn Wicklow and West KerryMiscellaneous Essays and Reviews The BiographiesSynge and the Ireland of His Time by W. B. YeatsBrief Biography of John Millington Synge by William Kirkpatrick Magee Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks

This Tribeca Press edition includes the full original text as well as exclusive images exclusive to this edition and an easy to use interactive table of contents.

Il Principe (The Prince) is a political treatise by the Florentine public servant and political theorist Niccolò Machiavelli. Originally called De Principatibus (About Principalities), it was written in 1513, but not published until 1532, five years after Machiavelli's death. The treatise is not representative of the work published during his lifetime, but it is the most remembered, and the work responsible for bringing "Machiavellian" into wide usage as a pejorative term. It has also been suggested by some critics that the piece is, in fact, a satire.