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Some guides to a subject could more or less be written by any expert in that field, but a small minority are unique creations of a rare individual who has their own view. Unfortunately most of the latter types of guides fail to be good general guides. Verity's genius makes him the exception. This book is arranged in chronological chapters that trace the evolution of poetry as an art form. At the same time, each chapter gives a most practical explanation of how that aspect of poetry that it covers works and why. The book is immensely readable, hugely informative, and adds to the ability of the reader to enjoy and to create poetry. It is a classic.' "Epictetus" (Amazon review) 'The great merit of Verity's approach is that he quotes lavishly throughout, not only from the poems themselves, but also from a variety of critics' LIBRARY REVIEWS 'Of his first book of sonnets Kingsley Amis wrote ‘They belong within the corpus of English poetry’ Excerpts of Interview with Kenneth Verity on The Vanessa Phelps BBC Radio programme on June 2009 on the News Page (off the Home page) 'The amount of reading which underpins this book is breathtaking. The great merit of Verity's approach is that he quotes lavishly throughout, not only from the poems themselves, but also from a variety of critics ... The chapter on poetry's figurative element is a model of lucid definition and telling illustration, showing how many layers of meaning may lie behind a single word' LIBRARY REVIEWS The author writes:'The intention of this book is to examine and analyse the essential nature of the phenomenon we call poetry; to seek an understanding of the power this art form exerts over mind and heart; to comprehend its potency; and to explain its perennial ability to command the respect of mankind'. Almost a library in one volume, this unusual book, written by an accomplished poet, examines the 4000 years old phenomenon of poetry. Combining history, literature and philosophy, it explains the underlying power of this art form and how its effect is exerted over human hearts and understanding. Since the Greeks at least, poetry has been accorded pre-eminence in the arts. Poetry’s aesthetic supremacy and inhering mystery has made it the foremost form of expression when human beings need to say something important in a special way. Poetry has been defined as the best words in the best order. In poetry, the author suggests, the eternal intersects the everyday – it has been said that poetry is the language in which man explores his own amazement. He shows how poetry has provided a vehicle for inspiration and fresh ways of thinking and interpreting the perennial questions of the human race. The author makes clear that poetry ‘works’ because it acknowledges the universality of human psychology, and because it unites emotion with reason and tempers imagination with understanding. Over 200 poets from both East and West are quoted, and the work of 10 master poets is critically analysed and assessed. The major factors involved in translating poetry are discussed, particularly the difficulty of conveying the meaning without losing the spirit. The central features of inspiration and creativity are elucidated. The unbroken stream of poetry carries resonances of the growth and decay of civilisations, the vicissitudes of wars, the effects of migrations and trading, the influences of religious belief. The author considers, from his own experience, that poetry remains peerless in evaluating and articulating the riches of the human spirit.

Michael Bond was born in Newbury, Berkshire on 13 January 1926 and educated at Presentation College, Reading. He served in the Royal Air Force and the British Army before working as a cameraman for BBC TV for 19 years. In 2015, Michael was awarded a CBE for his services to children’s literature, to add to the OBE he received in 1997. Michael died in 2017, leaving behind one of the great literary legacies of our time.

Bing and his friend are playing hide and seek in this charming book based on the hit TV series. Playing hide and seek is lots of fun, but should Bing have joined the toilet train before he decided to hide? Oh dear. Don’t worry Bing, it’s no big thing!

Join Bing and his friends in the first story book of the amazing new TV series Bing! Bing and Flop are making a banana smoothie. When Bing loses his carrot it somehow ends up in the blender. That’s when he discovers that you can mix things up, but you can’t always mix them back down again! Making a smoothie - it’s a Bing thing!

This is a Christmas themed best seller about Lily and her beloved Blue Kangaroo! It's Christmas Eve, and Lily is excitedly wondering if Father Christmas will come. She has made cards for everyone, helped to decorate the house and put presents under the tree. "This one is just for you, Blue Kangaroo!" she says. "Just for me!" thinks Blue Kangaroo. But Blue Kangaroo doesn't have a present for Lily, and he lies awake worrying. Is there anyone who might be able to help?

Fancy Nancy is back in this magical new story about little girls’ favourite dolls… and not so favourite little sisters! When Fancy Nancy’s little sister JoJo gives Nancy’s favourite doll a tattoo, Fancy Nancy is livid (that’s fancy for tres angry and upset)! Even worse, it’s in permanent marker – that means it will NEVER come off! When Mum suggests a fancy doll party to make Nancy feel better, Nancy is excited to accept. But what if the doll drama is far from over? A new story in this bestselling series, about the love little girls feel for their favourite dolls – and favourite sisters!

Ted Dewan grew up in Massachusetts where he became a science teacher, but moved to London in 1988, making a living from drawing and playing the accordion. His picture book, Crispin, the Pig Who Had It All, won the Blue Peter Award and was an Honour book for the Kate Greenaway Award. The Bing books were first published in 2003. Ted and his wife, author/illustrator Helen Cooper, live in Oxford.

Bing and Flop have taken Hoppity Voosh to the park. But Hoppity gets forgotten. Can Bing find his favouritest ever toy again? With a wonderful story plus stickers too, this book is a delight for all Bing fans. Finding Hoppity… it’s a Bing thing!

The perfect introduction to the Master. One hundred and thirty-five years after his death, Richard Wagner’s music dramas stand at the centre of the culture of classical music. They have never been more popular, nor so violently controversial and divisive. As a man, he was a walking contradiction: aggressive, flirtatious, disciplined, capricious, heroic, visionary and poisonously anti-Semitic. His ten great mature masterpieces constitute an unmatched body of work, created against a backdrop of poverty, revolution, violent controversy, critical contempt and hysterical hero-worship. His work often dealt with myth, but his own life had the character of a fable. At one point, in his early fifties, desperately poor after a life of heroic productivity, he had four lengthy operas written with no hope of seeing them done, when, as if in a fairy-tale, he was rescued by a beautiful young king with limitless wealth. When one of those works, Tristan and Isolde, was at last performed, it revolutionised classical music at a stroke. Wagner went on to create The Ring of the Nibelung: a vast epic in four massive segments, ushering gods and dwarves, heroes and thugs, dragons and rainbows onto the stage. This was the apotheosis of German art as he saw it, so extreme in its demands that he had to train a generation of singers and players to perform it, and erect a custom-built theatre to house it. Wagner died, exhausted, after creating one final piece – Parsifal – that seems to point to an even more radical new future for music. Simon Callow plunges the reader headlong into Wagner’s world, examining the intellectual and artistic climate in which Wagner, a composer like no other who ever lived, extreme in everything, creator of perhaps the most sublime and most troubling body of work in the history of music.

Emma studied art at the Royal College of Art. She has worked as a freelancer for magazines, publishers and advertising agencies as well as teaching art for several years, but now dedicates most of her time to children’s books.

Judith Kerr was born in Berlin, the daughter of a distinguished German writer. She left Germany with her family in 1933 to escape from the Nazis and they arrived in England in 1936, having spent the intervening years in Switzerland and France.She was married to the writer Nigel Kneale. Their daughter Tacy is an artist, and their son Matthew is an acclaimednovelist. In 2012, Judith was awarded an OBE for her services to children’s literature and Holocaust education.

Emma Chichester Clark studied at the Royal College of Art. She has worked as a freelancer for magazines, publishers and advertising agencies as well as teaching art for several years, but now dedicates most of her time to children’s books. She lives and works in London.