Bad cop Jerry Broadfield didn't make any friends on the force when he volunteered to squeal to an ambitious d.a. about police corruption. Now he'saccused of murdering a call girl. Matthew Scudder doesn't think Broadfield's a killer, but the cops aren't about to help the unlicensed p.i. prove it -- and they may do a lot worse than just get in his way.

Goldy Schulz is thrilled to be catering a holiday breakfast feast for the staff of the Aspen Meadow Library. But little does she know that on the menu, alongside the Great Expectations Grapefruit, Chuzzlewit Cheese Pie, and Bleak House Bars, is a large helping of murder.While setting up at the library, Goldy spots a woman lurking in the stacks who bears a striking resemblance to Sandee Brisbane—the Sandee Brisbane who killed Goldy's ex-husband, the Jerk. But Sandee is supposed to be dead. Or so everyone believes.Goldy's suspicions mount when the body of Drew Wellington, a former district attorney, is found in a corner of the library with a map worth thousands of dollars stashed in his clothing. She's convinced that Sandee is involved.But the holiday madness is only just beginning for Goldy. Soon she's drawn into the dangerous, double-crossing world of high-end map dealing. And like the ghost of Christmas past, Sandee keeps making an appearance. Could she be out to prove that revenge is sweet?

Gold is the final and crowning achievement of the fifty-year career of science fiction's transcendent genius, the world-famous author who defined the field of science fiction for its practitioners, its millions of readers, and the world at large.The first section contains stories that range from the humorous to the profound, at the heart of which is the title story, "Gold," a moving and revealing drama about a writer who gambles everything on a chance at immortality: a gamble Asimov himself made -- and won. The second section contains the grand master's ruminations on the SF genre itself. And the final section is comprised of Asimov's thoughts on the craft and writing of science fiction.

Eating the Enlightenment offers a new perspective on the history of food, looking at writings about cuisine, diet, and food chemistry as a key to larger debates over the state of the nation in Old Regime France. Embracing a wide range of authors and scientific or medical practitioners-from physicians and poets to philosophes and playwrights-E. C. Spary demonstrates how public discussions of eating and drinking were used to articulate concerns about the state of civilization versus that of nature, about the effects of consumption upon the identities of individuals and nations, and about the proper form and practice of scholarship. En route, Spary devotes extensive attention to the manufacture, trade, and eating of foods, focusing upon coffee and liqueurs in particular, and also considers controversies over specific issues such as the chemistry of digestion and the nature of alcohol. Familiar figures such as Fontenelle, Diderot, and Rousseau appear alongside little-known individuals from the margins of the world of letters: the draughts-playing cafe owner Charles Manoury, the "e;Turkish envoy"e; Soliman Aga, and the natural philosopher Jacques Gautier d'Agoty. Equally entertaining and enlightening, Eating the Enlightenment will be an original contribution to discussions of the dissemination of knowledge and the nature of scientific authority.

When eight-year-old Lucrezia Orsina Vizzana (1590-1662) entered one of the preeminent convents in Bologna in 1598, she had no idea what cloistered life had in store for her. Thanks to clandestine instruction from a local maestro di cappella-and despite the church hierarchy's vehement opposition to all convent music-Vizzana became the star of the convent, composing works so thoroughly modern and expressive that a recent critic described them as "e;historical treasures."e; But at the very moment when Vizzana's works appeared in 1623-she would be the only Bolognese nun ever to publish her music-extraordinary troubles beset her and her fellow nuns, as episcopal authorities arrived to investigate anonymous allegations of sisterly improprieties with male members of their order.?Craig A. Monson retells the story of Vizzana and the nuns of Santa Cristina to elucidate the role that music played in the lives of these cloistered women. Gifted singers, instrumentalists, and composers, these nuns used music not only to forge links with the community beyond convent walls, but also to challenge and circumvent ecclesiastical authority. Monson explains how the sisters of Santa Cristina-refusing to accept what the church hierarchy called God's will and what the nuns perceived as a besmirching of their honor-fought back with words and music, and when these proved futile, with bricks, roof tiles, and stones. These women defied one Bolognese archbishop after another, cardinals in Rome, and even the pope himself, until threats of excommunication and abandonment by their families brought them to their knees twenty-five years later. By then, Santa Cristina's imaginative but frail composer literally had been driven mad by the conflict.?Monson's fascinating narrative relies heavily on the words of its various protagonists, on both sides of the cloister wall, who emerge vividly as imaginative, independent-minded, and not always sympathetic figures. In restoring the musically gifted Lucrezia Orsina Vizzana to history, Monson introduces readers to the full range of captivating characters who played their parts in seventeenth-century convent life.?

Allan H. Meltzer's monumental history of the Federal Reserve System tells the story of one of America's most influential but least understood public institutions. This first volume covers the period from the Federal Reserve's founding in 1913 through the Treasury-Federal Reserve Accord of 1951, which marked the beginning of a larger and greatly changed institution.To understand why the Federal Reserve acted as it did at key points in its history, Meltzer draws on meeting minutes, correspondence, and other internal documents (many made public only during the 1970s) to trace the reasoning behind its policy decisions. He explains, for instance, why the Federal Reserve remained passive throughout most of the economic decline that led to the Great Depression, and how the Board's actions helped to produce the deep recession of 1937 and 1938. He also highlights the impact on the institution of individuals such as Benjamin Strong, governor of the Federal Reserve Bank of New York in the 1920s, who played a key role in the adoption of a more active monetary policy by the Federal Reserve. Meltzer also examines the influence the Federal Reserve has had on international affairs, from attempts to build a new international financial system in the 1920s to the Bretton Woods Agreement of 1944 that established the International Monetary Fund and the World Bank, and the failure of the London Economic Conference of 1933.Written by one of the world's leading economists, this magisterial biography of the Federal Reserve and the people who helped shape it will interest economists, central bankers, historians, political scientists, policymakers, and anyone seeking a deep understanding of the institution that controls America's purse strings."e;It was 'an unprecedented orgy of extravagance, a mania for speculation, overextended business in nearly all lines and in every section of the country.' An Alan Greenspan rumination about the irrational exuberance of the late 1990sTry the 1920 annual report of the board of governors of the Federal Reserve. . . . To understand why the Fed acted as it did-at these critical moments and many others-would require years of study, poring over letters, the minutes of meetings and internal Fed documents. Such a task would naturally deter most scholars of economic history but not, thank goodness, Allan Meltzer."e;-Wall Street Journal"e;A seminal work that anyone interested in the inner workings of the U. S. central bank should read. A work that scholars will mine for years to come."e;-John M. Berry, Washington Post"e;An exceptionally clear story about why, as the ideas that actually informed policy evolved, things sometimes went well and sometimes went badly. . . . One can only hope that we do not have to wait too long for the second installment."e;-David Laidler, Journal of Economic Literature"e;A thorough narrative history of a high order. Meltzer's analysis is persuasive and acute. His work will stand for a generation as the benchmark history of the world's most powerful economic institution. It is an impressive, even awe-inspiring achievement."e;-Sir Howard Davies, Times Higher Education Supplement

In this new edition, Arthur Fine looks at Einstein's philosophy of science and develops his own views on realism. A new Afterword discusses the reaction to Fine's own theory."e;What really led Einstein . . . to renounce the new quantum orderFor those interested in this question, this book is compulsory reading."e;-Harvey R. Brown, American Journal of Physics"e;Fine has successfully combined a historical account of Einstein's philosophical views on quantum mechanics and a discussion of some of the philosophical problems associated with the interpretation of quantum theory with a discussion of some of the contemporary questions concerning realism and antirealism. . . . Clear, thoughtful, [and] well-written."e;-Allan Franklin, Annals of Science"e;Attempts, from Einstein's published works and unpublished correspondence, to piece together a coherent picture of 'Einstein realism.' Especially illuminating are the letters between Einstein and fellow realist Schrdinger, as the latter was composing his famous 'Schrdinger-Cat' paper."e;-Nick Herbert, New Scientist"e;Beautifully clear. . . . Fine's analysis is penetrating, his own results original and important. . . . The book is a splendid combination of new ways to think about quantum mechanics, about realism, and about Einstein's views of both."e;-Nancy Cartwright, Isis

The first public orphanage in America, the Charleston Orphan House saw to the welfare and education of thousands of children from poor white families in the urban South. From wealthy benefactors to the families who sought its assistance to the artisans and merchants who relied on its charges as apprentices, the Orphan House was a critical component of the city's social fabric. By bringing together white citizens from all levels of society, it also played a powerful political role in maintaining the prevailing social order.?John E. Murray tells the story of the Charleston Orphan House for the first time through the words of those who lived there or had family members who did. Through their letters and petitions, the book follows the families from the events and decisions that led them to the Charleston Orphan House through the children's time spent there to, in a few cases, their later adult lives. What these accounts reveal are families struggling to maintain ties after catastrophic loss and to preserve bonds with children who no longer lived under their roofs.?An intimate glimpse into the lives of the white poor in early American history, The Charleston Orphan House is moreover an illuminating look at social welfare provision in the antebellum South.

Rereading the Fossil Record presents the first-ever historical account of the origin, rise, and importance of paleobiology, from the mid-nineteenth century to the late 1980s.?Drawing on a wealth of archival material, David Sepkoski shows how the movement was conceived and promoted by a small but influential group of paleontologists and examines the intellectual, disciplinary, and political dynamics involved in the ascendency of paleobiology. By tracing the role of computer technology, large databases, and quantitative analytical methods in the emergence of paleobiology, this book also offers insight into the growing prominence and centrality of data-driven approaches in recent science.

The authority of poetry varies from one period to another, from one culture to another. For Robert von Hallberg, the authority of lyric poetry has three sources: religious affirmation, the social institutions of those who speak the idioms from which particular poems are made, and the extraordinary cognition generated by the formal and musical resources of poems. Lyric Powers helps students, poets, and general readers to recognize the pleasures and understand the ambitions of lyric poetry.To explain why a reader might prefer one kind of poem to another, von Hallberg analyzes-beyond the political and intellectual significance of poems-the musicality of both lyric poetry and popular song, including that of Tin Pan Alley and doo-wop. He shows that poets have distinctive intellectual resources-not just rhetorical resources-for examining their subjects, and that the power of poetic language to generalize, not particularize, is what justly deserves a critic's attention.The first book in more than a decade from this respected critic, Lyric Powers will be celebrated as a genuine event by readers of poetry and literary criticism.

From Galileo, who used the hollow stalks of grass to demonstrate the idea that peripherally located construction materials provide most of the resistance to bending forces, to Leonardo da Vinci, whose illustrations of the parachute are alleged to be based on his study of the dandelion's pappus and the maple tree's samara, many of our greatest physicists, mathematicians, and engineers have learned much from studying plants.?A symbiotic relationship between botany and the fields of physics, mathematics, engineering, and chemistry continues today, as is revealed in Plant Physics. The result of a long-term collaboration between plant evolutionary biologist Karl J. Niklas and physicist Hanns-Christof Spatz, Plant Physics presents a detailed account of the principles of classical physics, evolutionary theory, and plant biology in order to explain the complex interrelationships among plant form, function, environment, and evolutionary history. Covering a wide range of topics-from the development and evolution of the basic plant body and the ecology of aquatic unicellular plants to mathematical treatments of light attenuation through tree canopies and the movement of water through plants' roots, stems, and leaves-Plant Physics is destined to inspire students and professionals alike to traverse disciplinary membranes.

Once Out of Nature offers an original interpretation of Augustine's theory of time and embodiment. Andrea Nightingale draws on philosophy, sociology, literary theory, and social history to analyze Augustine's conception of temporality, eternity, and the human and transhuman condition.?In Nightingale's view, the notion of embodiment illuminates a set of problems much larger than the body itself: it captures the human experience of being an embodied soul dwelling on earth. In Augustine's writings, humans live both in and out of nature-exiled from Eden and punished by mortality, they are "e;resident aliens"e; on earth. While the human body is subject to earthly time, the human mind is governed by what Nightingale calls psychic time. For the human psyche always stretches away from the present moment-where the physical body persists-into memories and expectations. As Nightingale explains, while the body is present in the here and now, the psyche cannot experience self-presence. Thus, for Augustine, the human being dwells in two distinct time zones, in earthly time and in psychic time. The human self, then, is a moving target.?Adam, Eve, and the resurrected saints, by contrast, live outside of time and nature: these transhumans dwell in an everlasting present.?Nightingale connects Augustine's views to contemporary debates about transhumans and suggests that Augustine's thought reflects our own ambivalent relationship with our bodies and the earth. Once Out of Nature offers a compelling invitation to ponder the boundaries of the human.

When looking at how trauma is represented in literature and the arts, we tend to focus on the weight of the past. In this book, Amir Eshel suggests that this retrospective gaze has trapped us in a search for reason in the madness of the twentieth century's catastrophes at the expense of literature's prospective vision. Considering several key literary works, Eshel argues in Futurity that by grappling with watershed events of modernity, these works display a future-centric engagement with the past that opens up the present to new political, cultural, and ethical possibilities-what he calls futurity.?Bringing together postwar German, Israeli, and Anglo-American literature, Eshel traces a shared trajectory of futurity in world literature. He begins by examining German works of fiction and the debates they spurred over the future character of Germany's public sphere. Turning to literary works by Jewish-Israeli writers as they revisit Israel's political birth, he shows how these stories inspired a powerful reconsideration of Israel's identity. Eshel then discusses post-1989 literature-from Ian McEwan's Black Dogs to J. M. Coetzee's Diary of a Bad Year-revealing how these books turn to events like World War II and the Iraq War not simply to make sense of the past but to contemplate the political and intellectual horizon that emerged after 1989. Bringing to light how reflections on the past create tools for the future, Futurity reminds us of the numerous possibilities literature holds for grappling with the challenges of both today and tomorrow.

From the outset of Napoleon's career, the charismatic Corsican was compared to mythic heroes of antiquity like Achilles, and even today he remains the apotheosis of French glory, a value deeply embedded in the country's history. From this angle, the Napoleonic era can be viewed as the final chapter in the battle of the Ancients and Moderns. In this book, Robert Morrissey presents a literary and cultural history of glory and its development in France and explores the "e;economy of glory"e; Napoleon sought to implement in an attempt to heal the divide between the Old Regime and the Revolution. ?Examining how Napoleon saw glory as a means of escaping the impasse of Revolutionary ideas of radical egalitarianism, Morrissey illustrates the challenge the leader faced in reconciling the antagonistic values of virtue and self-interest, heroism and equality. He reveals that the economy of glory was both egalitarian, creating the possibility of an aristocracy based on merit rather than wealth, and traditional, being deeply embedded in the history of aristocratic chivalry and the monarchy-making it the heart of Napoleon's politics of fusion. Going beyond Napoleon, Morrissey considers how figures of French romanticism such as Chateaubriand, Balzac, and Hugo constantly reevaluated this legacy of glory and its consequences for modernity. Available for the first time in English, The Economy of Glory is a sophisticated and beautifully written addition to French history.

All living things on earth-from individual species to entire ecosystems-have evolved through time, and evolution is the acknowledged framework of modern biology. Yet many areas of biology have moved from a focus on evolution to much narrower perspectives.Daniel R. Brooks and Deborah A. McLennan argue that it is impossible to comprehend the nature of life on earth unless evolution-the history of organisms-is restored to a central position in research. They demonstrate how the phylogenetic approach can be integrated with ecological and behavioral studies to produce a richer and more complete picture of evolution. Clearly setting out the conceptual, methodological, and empirical foundations of their research program, Brooks and McLennan show how scientists can use it to unravel the evolutionary history of virtually any characteristic of any living thing, from behaviors to ecosystems. They illustrate and test their approach with examples drawn from a wide variety of species and habitats.The Nature of Diversity provides a powerful new tool for understanding, documenting, and preserving the world's biodiversity. It is an essential book for biologists working in evolution, ecology, behavior, conservation, and systematics. The argument in The Nature of Diversity greatly expands upon and refines the arguments made in the authors' previous book Phylogeny, Ecology, and Behavior.

Nothing can prepare criminal attorney Bennie Rosato for her new client, Alice Connolly, who bears an uncanny physical resemblance to her and tells her, "Pleased to meet you. I'm your twin." But Bennie grew up an only child. She doesn't have a twin. Or does sheBennie takes on the woman's defense in a murder case and plunges into the mystery of the murder—as well as the secret of her own identity. Not until the verdict is in will she finally learn the truth.

It is a secret that has been hidden for more than a half century. . . . The clues have been scattered across the globe. Now someone has begun to piece them together—and the future of the world depends on his being stopped in time.In Maryland, a vicious gang breaks into the National Cryptologic Museum and steals a Nazi Enigma machine. In a London hospital, an Auschwitz survivor is murdered in his bed, his killers making off with a macabre trophy—his severed left arm. In Prague, a seemingly worthless painting is stolen from a synagogue. Three cities. Three puzzling thefts. Could there possibly be a connection?When former art thief Tom Kirk is first asked to investigate, the Prague theft certainly seems unremarkable enough—until the stolen painting turns up alongside the amputated human arm. As Tom digs deeper into the past, both items appear to be elements in an elaborate trail of clues laid down in the dying days of the Third Reich by a secret order of SS knights—clues that stretch from the remote mountains of Idaho to the snowy streets of St. Petersburg and ultimately lead to a fabled treasure lost in the ashes of war.Spurred on by the sinister light of the Black Sun emblem, ghosts from his past, and the poisonous manipulations of a deadly enemy, Tom finds himself trapped in a situation where the greatest prize of all is life itself—and not just his own. . . .

Angel Goodeboy is a perfect angel . . . You can almost picture a halo over his head! He even wears a T-shirt that says "Mommy's Little Angel."Bernie Bridges is horrified when Mrs. Heinie makes him share his room with Angel. She wants Angel's goodness to rub off on Bernie. But wait a minute—when no teachers are watching, Angel is no angel!The little sneak takes over Bernie's room. He steals away Bernie's friends. He charms Bernie's girlfriend. Everyone loves Angel—even Bernie's pets! There's only one way for Bernie to rule the school again. He's got to get rid of this kid! But how do you get rid of an angel?

Bernie Bridges has always dreamed about going to PPP—the exclusive Preppy Prep Prep school. All the kids at PPP are rich, rich, rich! And if there is one thing that Bernie loves it's money, money, money!But how will Bernie get to PPPAll he and his buddies have to do is win the National School Make-a-Great-Invention Contest, and off they go to PPP for a week to compete in the final round. There's just one problem—their best ideas are a Hamster on a Stick and a light-up comb! With a little scheming and a lot of luck, Bernie and his guys manage to win their school contest. But when they get to Preppy Prep Prep, Bernie must come up with yet another invention—this one cleverer than the first. No sweat! But the filthy rich PPP kids are smarter and sneakier than any kid at Rotten School.Has Bernie finally met his match?

Hey! Where Is Everyone?That's what Bernie Bridges wants to know when he can't find any of his friends. Everyone has disappeared! And when he finally does find them, they're acting really weird. For instance, his shy friend Chipmunk thinks he is a fearless warrior, and football star Jennifer Ecch thinks she is a princess. What is going onSoon Bernie realizes that everyone at Rotten School is acting! They are all playing parts in a big battle. A battle between the Dum Diddys and the Knighty Knight Knights. But it's not a real fight. It's a video game called Wungo Warriors—and everyone has to pay that spoiled rich kid Sherman Oaks to play.Bernie can't let Sherman get away with this. He has a plan to outsmart Sherman—by bringing the Wungo Warriors to life! What Bernie doesn't know, though, is that a real-life battle between the Dum Diddys and the Knighty Knight Knights could shut down Rotten School forever.

Chipmunk is so shy...He inhales when he sneezes!He even blushes when he's asleep!He plays guitar in the closet so he won't disturb anyone.But he just may be the best rock 'n' roll guitarist of all time! And Bernie Bridges needs him to win the annual Talent Contest for Rotten House. Bernie will do anything to keep the prize away from Sherman Oaks and his pals at Nyce House.Can Chipmunk conquer his stage fright and win?Or -- when Bernie pushes him onstage, will it be Shake, Rattle, and HURL?!