Jane Austen's Lady Susan (1871) is an epistolary novella centering around the character of an attractive and flirtatious widow who is after a second marriage. Lady Susan Vernon is basically portrayed as a selfish villain and a conniving sociopath who engages in different schemes to realize her vicious ends. Her social life is marked by hypocrisy, manipulation and opportunism. She secretly despises all her liaisons. The reader gradually learns that she even looks down on her own daughter Frederica and considers her to be a sort of impediment for her. Throughout the narrative, Lady Susan does her utmost to get rid of her sixteen-year-old daughter by trying to find a wealthy husband for her. Moreover, she makes use of her seductive strategies to lure noble men who are often younger than her. Single men as well as married ones get entangled in her nets as the plot proceeds to its end. Although the resolution of the story is far from being disastrous for the unscrupulous Lady Susan, it still takes the form of moral rectification when Frederica develops an honest, romantic relationship with the warm gentleman Reginald de Courcy while her mother eventually marries after many a flirtatious adventure. We've also included a concise and informative biography of Jane's works and life at the end of the book. We hope it helps to give a little context and colour about how her life interacted with her art.

Henry Jones was born at Beaulieu, near Drogheda, County Louth, Ireland in 1721. His working life began when he was apprenticed to a bricklayer. Jones, however, was keen to better himself and studied hard in his private time. He fashioned some complimentary verses, addressed to the corporation of Drogheda and together with some lines 'On Mr. Pope's Death', managed to attract the attention of Lord-chief-justice Singleton, who lived at Beaulieu.In 1745 he obtained employment at the parliament house at Dublin. Jones, used the position to promote his literary talents and celebrated the arrival of Lord Chesterfield as lord-lieutenant of Ireland in a poem that was then presented to Chesterfield by Singleton. Chesterfield asked Jones to accompany him on his return to London in 1748. There, he and his friends helped Jones to publish, by subscription, 'Poems on Several Occasions' in 1749, which delivered a handsome profit for the young poet. Jones is though more noted as a dramatist and that, primarily, is due to his tragedy, 'The Earl of Essex' which he completed in 1752. Chesterfield introduced both the play and Jones to Colley Cibber, the Poet Laureate, who then introduced Jones to the manager of Covent Garden Theatre. Cibber would later attempt to secure the laureateship for Jones after his own death.'The Earl of Essex', after being revised by Chesterfield and Cibber, was premiered at Covent Garden on 21st Feb. 1753, and played for seventeen sold-out nights. It was a triumph, and was equally well received in Dublin and then later in the provinces. It brought Jones over GBP500, a large sum even by today's standards. The play was printed soon after its production, and eventually sold through four editions.The success, unfortunately, was to be the ruin of Jones. His drunken habits, indolence, raw manners, and harshly arrogant temper appalled most of his patrons who soon withdrew their support. However, he seemed adept at keeping on good terms with Chesterfield for some years longer, but at length even he gave up on the relationship when Jones borrowed money from his servant. Jones did continue to write and had made progress on a tragedy entitled 'Harold,' and, on that thin security, managed to raise money as an advance from booksellers. He was rather more successful in his revelries with the acting profession. Jones continued to be on friendly terms with many of the leading actors although in his often drunk state he would harangue the more minor actors as 'parrots', but he repaid them with puffs and panegyrics. His charm and ease with a few lines were valuable commodities.Whenever he was an inmate of sponging-houses he contrived to flatter any bailiff's daughter or wife with verses on their beauty or talents, and, in the process, secured himself more comfortable quarters than he perhaps deserved. Henry Jones died in the parish workhouse in April 1770.After his death, Reddish, the actor of Drury Lane, acquired Jones's manuscripts, which included 'Harold' and three acts of an unfinished tragedy, 'The Cave of Idra.' This was completed by Paul Hiffernan, and re-titled 'The Heroine of the Cave,' was produced for Reddish's benefit on 25th March 1774.

William Shakespeare was born in Stratford-upon-Avon in late April 1565 and baptised there on 26th April. He was one of eight children. Little is known about his life but what is evident is the enormous contribution he has made to world literature. His writing was progressive, magnificent in scope and breathtaking in execution. His plays and sonnets helped enable the English language to speak with a voice unmatched by any other. William Shakespeare died on April 23rd 1616, survived by his wife and two daughters. He was buried two days after his death in the chancel of the Holy Trinity Church. The epitaph on the slab which covers his grave includes the following passage, Good friend, for Jesus's sake forbear, To dig the dust enclosed here. Blessed me the man that spares these stones, And cursed be he that moves my bones. Here we publish his comedy from 1599 'Twelfth Night'.

告别碎片式阅读，从阅读经典开始。“最经典英语文库”系列丛书(15辑)共15册：《虹》《无意识幻想曲》《邦斯舅舅》《米德尔马契》《十年以后》《贝尔武夫(英国史诗)》《人性论》《褐衣男子》《九三年》《莎士比亚传》《夜与日》《雅各的房间》《铁面人》《契诃夫短篇小说精选集》《首相绑架案》。

Born in a prison and removed from his drug-dependent mother, rejection is all that 7-year-old Alex knows. When Cathy is asked to foster little Alex, aged 7, her immediate reaction is: Why can’t he stay with his present carers for the last month? He’s already had many moves since coming into care as a toddler and he’ll only be with her a short while before he goes to live with his permanent adoptive family. But the present carers are expecting a baby and the foster mother isn’t coping, so Alex goes to live with Cathy. He settles easily and is very much looking forward to having a forever family of his own. The introductions and move to his adoptive family go well. But Alex is only with them for a week when problems begin. What happens next is both shocking and upsetting, and calls into question the whole adoption process.

A TELEGRAPH BOOK OF THE YEAR A NEW STATESMAN BOOK OF THE YEAR A story at once extremely strange and entirely familiar – about families, innocence, art and love. This hugely enjoyable, totally unforgettable memoir is a classic in the making. ‘My aunt called our two families the Mighty Franks. But, she said, you and I, Lovey, are a thing apart. The two of us have pulled our wagons up to a secret campsite. We know how lucky we are. We’re the most fortunate people in the world to have found each other, isn’t it so?’ Michael Frank’s upbringing was unusual to say the least. His aunt was his father’s sister and his uncle his mother’s brother. The two couples lived blocks apart in the hills of LA, with both grandmothers in an apartment together nearby. Most unusual of all was his aunt, ‘Hankie’: a beauty with violet eyelids and leaves fastened in her hair, a woman who thought that conformity was death, a Hollywood screenwriter spinning seductive fantasies. With no children of her own, Hankie took a particular shine to Michael, taking him on Antiquing excursions, telling him about ‘the very last drop of her innermost self’, holding him in her orbit in unpredictable ways. This love complicated the delicate balance of the wider family and changed Michael’s life forever.

From the winner of the Nobel Prize for Literature, a compelling account of her return to the land in which she grew up.

Henry Stuart’s life is the last great forgotten Jacobean tale. Shadowed by the gravity of the Thirty Years’ War and the huge changes taking place across Europe in seventeenth-century society, economy, politics and empire, his life was visually and verbally gorgeous. NOW THE SUBJECT OF BBC2 DOCUMENTARY The Best King We Never Had Henry Stuart, Prince of Wales was once the hope of Britain. Eldest son to James VI of Scotland, James I of England, Henry was the epitome of heroic Renaissance princely virtue, his life set against a period about as rich and momentous as any. Educated to rule, Henry was interested in everything. His court was awash with leading artists, musicians, writers and composers such as Ben Jonson and Inigo Jones. He founded a royal art collection of European breadth, amassed a vast collection of priceless books, led grand renovations of royal palaces and mounted operatic, highly politicised masques. But his ambitions were even greater. He embraced cutting-edge science, funded telescopes and automata, was patron of the North West Passage Company and wanted to sail through the barriers of the known world to explore new continents. He reviewed and modernised Britain’s naval and military capacity and in his advocacy for the colonisation of North America he helped to transform the world. At his death aged only eighteen, and considering himself to be as much a European as British, he was preparing to stake his claim to be the next leader of Protestant Christendom in the struggle to resist a resurgent militant Catholicism. In this rich and lively book, Sarah Fraser seeks to restore Henry to his place in history. Set against the bloody traumas of the Thirty Years’ War, the writing of the King James Bible, the Gunpowder Plot and the dark tragedies pouring from Shakespeare’s quill, Henry’s life is the last great forgotten Jacobean tale: the story of a man who, had he lived, might have saved Britain from King Charles I, his spaniels and the Civil War with its appalling loss of life his misrule engendered.

Kate Hardy is an award-winning author of more than 80 books for Harlequin Mills & Boon. Her novel 'Breakfast at Giovanni's' won the RNA Romance Prize in 2008 and her novel 'Bound by a Baby' won the RoNA Rose Prize (formerly Romance Prize) in 2014; she's been shortlisted six more times for the award, as well as for two Romantic Times awards. She lives in Norwich in the east of England with her husband, two children, a springer spaniel called Archie, and too many books to count. She's a bit of a nerd who loves music, cinema, the theatre, history and cooking (which is why she has to go to the gym five times a week), and adores anything Italian. She loves doing research, particularly if it's hands-on and means experimenting with cooking. Reviewers say that her books are full of warmth, heart and charm - and also that you'll learn something new and interesting from them! Kate also writes bestselling local history books under the name of Pamela Brooks.

For fans of Lorna Sage and Paula Fox, a unique memoir from Irma Kurtz, the acclaimed author of 'The Great American Bus Ride' and internationally renowned agony aunt. "A girl of indisputable gifts, she should of course use them someday to make a beautiful home and raise a family in elegant surroundings!" School psychologist's report on Irma Kurtz, 1950. In 1954 eighteen-year-old Irma Kurtz left New Jersey to travel across Europe, intent on transforming herself and changing the world. She looked to the Old World for an alternative destiny to that mapped out by the traditional expectations at home. On her post-war Grand Tour she found what she believed in: Art and Culture and Beauty and Love, and some horror as a Jewish girl encountering the seat of much of her family's destruction. Years later, sifting through a cardboard box filled with memories at her mother's house, she rediscovered the journal of her first journey, the one that marked the beginning of a life of writing and living abroad. Gripped by intense recollections of sailing across the Atlantic, and intrigued by the exuberant remarks of her adventurous younger self, she decided to leave her London home and retrace her footsteps, this time with herself as a guide. Testing her theory that older women are invisible, Kurtz's journey is peppered with acute observations of human behaviour, not to mention some sharp advice for her ghostly travel companion, a teenager who thinks she knows it all, yet is blind to what lies ahead of her. Part-memoir, part-travelogue, this unique book contrasts the experience of two very different travellers, offering an insight into what has endured, and what has been lost, in the life of one woman and the altered environment of Europe at the dawn of a new millennium. Beautifully written, moving and funny, Then Again is time-travel at its best, revealing the pains and pleasures of growing older and wiser.

A combination of wit and heartbreak in a memoir of a life intertwined with an obsession with film. A Fever Pitch for cinema lovers. 'This book will consider the influence of movies on one life, the interaction of celluloid fantasy and the growth of a personality. It's not just a film buff's record of his enthusiasm's. It's about how some films do, weirdly, change your life.' Beginning with his first cinema outing, The Mutiny on the Bounty, and tracing his passion through his growing up years to adulthood, Walsh will weave together his own life experiences with his rapturous dependence on key moments in film. He will write a funny, personal, loving account of the magic and drama of the silver screen and its ultimate, all-encompassing power to become larger than (real) life.

Experienced foster carer, Rosie Lewis, takes on the heart-breaking case of Megan, a baby born with a drug addiction and a cleft palate. Addicted to drugs from birth because of her mother’s substance abuse during pregnancy, new-born Megan is taken into Rosie’s loving care. Rosie is supposed to help Megan find her new permanent home, but it turns out that Megan has already found her ‘forever mummy’ in Rosie. Rosie grows incredibly attached to Megan and applies to adopt her, but the system refuses her in favour of a young couple and Rosie is devastated. Against all her instincts, Rosie does her job and prepares Megan for her new ‘forever family’, but everything about Megan leaving feels wrong. When Rosie learns a few months later that Megan’s adoption has broken down, she is saddened but also filled with hope – will this little girl be allowed to return to her true ‘forever home’?

Experienced foster carer, Rosie Lewis, takes on the heart-breaking case of Megan, a baby born with a drug addiction and a cleft palate. Addicted to drugs from birth because of her mother’s substance abuse during pregnancy, new-born Megan is taken into Rosie’s loving care. Rosie is supposed to help Megan find her new permanent home, but it turns out that Megan has already found her ‘forever mummy’ in Rosie. Rosie grows incredibly attached to Megan and applies to adopt her, but the system refuses her in favour of a young couple and Rosie is devastated. Against all her instincts, Rosie does her job and prepares Megan for her new ‘forever family’, but everything about Megan leaving feels wrong. When Rosie learns a few months later that Megan’s adoption has broken down, she is saddened but also filled with hope – will this little girl be allowed to return to her true ‘forever home’?

The moving true story of a little girl with Asperger syndrome, controlled and abused by the one person she called her friend. Taylor had always struggled to make friends – she felt ‘different’. Taylor never knew her father and her mother wasn’t around much. She just didn’t understand people, and was alone and scared much of the time. That was until, aged just 11, an older married man called Tom befriended her. She loved having someone who would talk to her, listen to her, a protector. But when he moved away a few months later she was easy prey to the gang of drug dealers and petty criminals who groomed and abused her, using her as a form of currency to appease their debtors and amuse their friends. Increasingly isolated and desperate, it began to look as though the pattern of Taylor's life had been set – until she started to fight back, determined to build a safe future for herself, however long it took.

The moving true story of a little girl with Asperger syndrome, controlled and abused by the one person she called her friend. Taylor had always struggled to make friends – she felt ‘different’. Taylor never knew her father and her mother wasn’t around much. She just didn’t understand people, and was alone and scared much of the time. That was until, aged just 11, an older married man called Tom befriended her. She loved having someone who would talk to her, listen to her, a protector. But when he moved away a few months later she was easy prey to the gang of drug dealers and petty criminals who groomed and abused her, using her as a form of currency to appease their debtors and amuse their friends. Increasingly isolated and desperate, it began to look as though the pattern of Taylor's life had been set – until she started to fight back, determined to build a safe future for herself, however long it took.

It’s late on Friday night when Casey’s mobile starts to ring. She is expecting it to be her daughter Riley. But it isn’t Riley. It’s a woman from the Emergency Duty Team. So begins Casey and Mike’s latest fostering challenge – a fifteen-year-old girl called Keeley who’s run away from her long-term foster home 25 miles away. The Jonathan Ross Show has just started when Casey gets the call. She thinks it will be Riley – telling her that her favourite actor is going to be on TV. But it’s something far more urgent: a fifteen-year-old girl who has run away from her foster family and accused her foster father of sexual abuse. The family deny in vehemently, but such an allegation can never be taken lightly, so a new home must be found for Keeley. Keeley is polite, but she’s sharp, and she has all the hallmarks of a child who has been in the system a long time, and knows how to play it. Whether the allegation is true or not, Casey knows there will be no winners here. If it is true, then a young girl’s life has been torn asunder. If not, then the heartache for the family will only be surpassed by the bleak outlook for Keeley. In the short term, it’s a case of providing a safe, supportive home for a vulnerable child. But with the dangerous world of the internet at her disposal, it seems this strong-minded youngster has her own ideas of where that safe place should be…

The explosive sequel to #1 Sunday Times bestseller Bad Blood. Set 18 years later, Hidden Sin is the story of Joey, his girlfriend Paula and Rasta Mo, the man he is to discover is his dad. Joey Parker is a young man with big dreams. Almost eighteen, he’s desperate to escape the shackles of his window cleaning round, so when’s offered the chance to try out as a drummer in a local Blondie tribute band he jumps at the chance. But it isn’t just the music that moves him. It’s also the fact that Paula Foster is the lead singer. The daughter of his mum’s old mate, Josie, she was once a childhood friend. They’ve not seen each other in years, and their mutual attraction is immediate. Meanwhile, notorious local drug overlord, Rasta Mo, has recently returned to Bradford after a spell inside and years in Marbella. He is instantly enamored with the good-looking drummer he discovers is his son. He decides that his new club is in need of a house band – and so begins his attempts to woo him. This book charts a journey between two men into a future neither visualized. And, in Joey’s case, into a dangerous criminal world he’s never known. And, while his mother and step-father can only look on in horror as Joey potentially becomes the one thing she’s always dreaded – his father’s son. Joey is oblivious to who Mo is. The truth has always been hidden from him. All he cares about is that his and Paula’s dreams are all starting to come true. But will the cost of achieving them be too high to pay?

Cruel To Be Kind is the true story of Max, aged 6. He is fostered by Cathy while his mother is in hospital with complications from type 2 diabetes. Cruel To Be Kind is the true story of Max, aged 6. He is fostered by Cathy while his mother is in hospital with complications from type 2 diabetes. Fostering Max gets off to a bad start when his mother, Caz, complains and threatens Cathy even before Max has moved in. Cathy and her family are shocked when they first meet Max. But his social worker isn’t the only one in denial; his whole family are too.

Cruel To Be Kind is the true story of Max, aged 6. He is fostered by Cathy while his mother is in hospital with complications from type 2 diabetes. Cruel To Be Kind is the true story of Max, aged 6. He is fostered by Cathy while his mother is in hospital with complications from type 2 diabetes. Fostering Max gets off to a bad start when his mother, Caz, complains and threatens Cathy even before Max has moved in. Cathy and her family are shocked when they first meet Max. But his social worker isn’t the only one in denial; his whole family are too.

Forex Trading 1-4: Book 1

Estate Planning for Authors