Cassian Maria Spiridon e un fervent al fragmentului liric, al concentratului capabil a fixa poezia. Spa?iul ?i timpul verbului se contrag astfel la minimalul semn al substan?ei, ungarettian urm?rite ?n sensul unor fugitive contacte ale universului l?untric cu cel exterior, ?nconjurate de magia t?cerii. Pe deasupra oric?rei dezvolt?ri, resim?ite ca parazitare, fragmentul e suveran ca loc privilegiat al poeziei. Dac? Paul Valery afirm? c? partea cea mai profund? a omului e pielea sa, ?n?elegem alarma nivelului senzorial, ?ncordarea sim?urilor ?n vederea ?ntegr?rii ?n real a fiin?ei. Se ajunge astfel la o poetic? a sim?urilor. Aceasta restaureaz? concretul ?n drepturile lui de atotputernic? imaginea a lumii. Cassian Maria Spiridon tr?ie?te liric prin concret, ?nlocuind sublimarea experien?elor sale suflete?ti printr-o decupare ghidat? de acuitatea contemplativ?. (Gheorghe Grigurcu)Pozi?ia individual? a unui Cassian Maria Spiridon, interiorizat, divizat ?i iscoditor (dup? o copil?rie frustrat?), comport? st?ri de opozi?ie, accente de orgoliu ?i tentative (e?uate) de ini?iere ?ntr-un umanism f?r? tenebre. Ca?iva dintre contemporanii s?i mai v?rstnici ?i sunt aproape. (…) Problematiz?nd, la modul ?nalt, d?nd prioritate cerebralit??ii ?i ?nc?dr?ndu-se axial ?n fluxul psiho-nevrotic al momentului sau, Cassian Maria Spiridon opune decorativismului ?i transparen?elor ?nsemnele unei vie?i interioare fr?m?ntate. Poezia sa, de un lirism ideizat, e jurnalul superior-ceremonios al unui melancolic de extrema luciditate. (Constantin Ciopraga)

Volumele de dialoguri (vor fi trei ?n total) socratice adun? convorbiri cu personalit??i ale culturii ?i literaturii na?ionale, realizate ?n libertate, ?ncepind cu 1990. Ele au fost publicate ?n diverse reviste, ?n principal ?Convorbiri literare“ ?i ?Poezia“, dar ?i ?n ?Dacia literar?“, ?Poesis“, ?Hyperion“ ?.a. Dialogurile se succed ?n ordinea apari?ie ?i reflect? fr?m?nt?rile culturale, literare, politice ale momentului, de interes peren ?i constant privind biografia artistic? a personalit??ii intervievate. Dialogurile sunt vii, atractive, instructive ?i mereu actuale prin problematic? abordat?. Participan?ii la acest veritabil banchet platonician din primul volum, Democra?ia oblig? idiotul sa stea al?turi de geniu (310 pagini), sunt: Petre ?u?ea, Ana Blandiana, Alexandru Zub, Ioan Alexandru, Dimitrie Gavrilean, Mihai Ursachi, Cezar Iv?nescu, Svetlana Paleologu-Matta, ?erban Cantacuzino, ?tefan Avadanei, Cristian Simionescu, Luca Pi?u, Lauren?iu Ulici, Corneliu ?tefanache, Ioana Cr?ciunescu, Paul Goma, Monica Lovinescu, Ilie Cleopa, George Astalos, Marin Mincu, Liviu Ioan Stoiciu, Dan M?nuc?, Costache Ol?reanu, Sorin Vieru, Gellu Dorian, Alex ?tef?nescu, Nicolae Manolescu, Ilie Constantin.

Este un autoportret al cunoa?terii personale, un autoportret schi?at ?n timp real, sub ochii cititorului, pe m?sura ce Lara ia cuno?tin?? de st?rile emo?ionale prin care trece, ??i analizeaz? sentimentele, rezultatul posibilelor ac?iuni, analizeaz? deciziile pe care le ia, consecin?ele posibile. Dilema declarat? a Larei este: cum ?mpaci nevoia inimii pentru noutate, pentru tr?iri spontane, cu monotonia mariajului, chiar dac? acesta e fericit? Con?tiin?a sa este prins? ?ntre dragostea pentru so?ul cu care ?tie c? se potrive?te ca structur? ?i pe care ?l iube?te, ?i efervescen?a aventurii cu un alt b?rbat, care ?i furnizeaz? spontanul dup? care t?nje?te. Romanul se concentreaz? pe amant ?n mod deliberat. Lara este perfect con?tient? de r?ul pe care ?l produce celor trei personaje ?mplic?te: so?, amant, ?i ei ?ns??i. Perioada ?n care este creat ?i definitivat autoportretul sunt ultimii ai comunismului, anii ?n care priva?iunile impuse popula?iei sem?nau mai degrab? cu priva?iunile unui r?zboi. Cu toate acestea, eroina se concentreaz? cu ?nc?p???nare pe iubirea ei, pe mi?c?rile sufletului ei, refugiindu-se ?n tr?irile proprii ?i reu?ind astfel s? se salveze de autocomp?timire ?i s? supravie?uiasc? ?ntr-o aparent? normalitate.

Schlesak l combin pe Bakunin cu Marx i era sedus de modelul politic iugoslav. “Teoria tnrului Marx (preluat de la Hegel): realizarea i autorealizarea.“ Dictatura i aprea nc umana, aproape de o forma de realitate i de trirea autentic. Libertatea occidental ar fi creat doar un context amorf. n acest inacceptabil context, nu caut o ieire practic, optnd pentru una teoretic, teoria fiind suficient siei i dizlocnd tot restul. “Nu de soluii, ci de utopii, de ieiri, de asta avem nevoie.“ (dec. 1971) epeneag nu gndea diferit. i el definea contextul social i politic n termeni identici. Accepta i modelul iugoslav. i gsea calitatea de a fi joncional. “Iugoslavia poate juca rolul de punct de contact.“ Nu degeaba se spune: Historia magistr vitae! Istoria (realitatea, contextul) dicteaz modurile de a gndi, prea puin retrospectiv, vag proiectiv, ntr-un prezent tranzitoriu, amorf i (n)formal. La 12 august 1973, urma modelul ceh, “opoziie pe fa“ i-i schia corespondentului su un plan de colaborare.“Un eseu incitant despre unul dintre cei mai importani scriitori romni de expresie germana, stabilii n Italia.

Vrnd s fac un dar poeilor romni – de la care n tineree am primit inestimabile daruri, Nichita, Cezar, Grigore – am ndrznit o versiune romneasc a intraductibilelor i abstruselor poeme rilkeene. Mostre supreme ale unui discurs poetic somnambulic, desfidnd nu numai logica i sintaxa curent dar i cea poetic, aceste Elegii… sunt, cred eu, un vrf dac nu un monument al spiritualitii moderne europene. Sunt fericit ca limba romn a strmoilor mei i a marilor poei romni a primit i a putut cuprinde arta poetului austriac, ce se clatin i cuvnt ntr-un aer de o tensiune insuportabil, ntre Pindar i Holderlin, un monument de vrf inegalabil, cu siguran, al creaiei europene.“ (Nicolae Breban)

Titlul se refer? la ceea ce autorul c?r?ii consider? esen?a mitului faustic: surmontarea limitelor cunoa?terii ?i tenta?ia spre ceea ce exist? dincolo, necunoscutul sau imposibilul ?n ordinea normal? a lumii. Tenta?ia limitei ?i limita tenta?iei este o investigare critic? a ideilor ?i motivelor din perspectiva unui comparatism orientat spre filosofie ?i estetic?, pe care profesorul universitar clujean, Vasile Voia, l-a practicat consecvent ?n cariera sa.

Drept cadru general al discu?iei noastre propun o poetic? a traducerii. Dup? p?rerea mea, aceast? disciplin? – al c?rei teritoriu ?nc?lca (ba chiar ??nc?leca“) domeniile lingvisticii teoretice ?i aplicate, teoriei literaturii ?i crea?iei literare – se pliaz? pe modelul actului comunic?rii. Dup? cum se ?tie, actul respectiv implic? un produc?tor de mesaje, mesajul sau textul produs ?i un receptor sau lector (care arareori e unul cu totul pasiv; cel mai adesea el exercit? func?ia de interpret al mesajului ori textului).S? observ?m acum c? procesul traducerii este compus de fapt din dou? acte de comunicare ?nl?n?uite, dintre care primul se desf??oara ?n spa?iul limbii ?i culturii de plecare, adica al Limbii sursa, iar cel?lalt ?n sfera limbii ?i culturii de destina?ie, altfel spus a Limbii ?int?. Traduc?torul reprezint? veriga de leg?tura dintre cele dou? segmente, c?ci lui ?i incumb? at?t lectura ?i interpretarea textului surs?, c?t ?i producerea textului ?int?.

Om politic liberal mai pu?in cunoscut, Gheorghe D. Pallade a l?sat un jurnal care, de?i cuprinde o perioad? destul de scurt? ?n timp, 1 martie 1897 - 8 ianuarie 1898, ne va introduce ?n atmosfera extrem de fr?m?ntat? din interiorul Partidului Na?ional Liberal.S-a n?scut ?n anul 1858 la B?rlad, dintr-o familie ?nst?rit?. ?i-a f?cut studiile secundare ?i universitare ?n ?ar?, lu?ndu-?i licen?a ?n drept la Facultatea de drept a Universit??ii din Bucure?ti ?n anul 1880. Intr? ?n magistratur? p?n? ?n 1884 c?nd, particip?nd la alegeri este ales deputat pe listele Partidului Na?ional Liberal. Din acest moment via?a lui devine public? ?i intr? ?n v?ltoarea luptelor politice. ?n acela?i an, al?turi de C.A. Rosetti a sus?inut colegiul unic ?i libertatea absolut? a presei. De fapt a ?i fost colaborator al ziarului Rom?nul.Paginile de jurnal, de?i nu acoper? nici un an de zile, prezint? una din cele mai zbuciumate perioade al Partidului Na?ional Liberal. Subiective sau nu, paginile r?mase de la Gh.D. Pallade vin s? completeze istoria politic? a Rom?niei de la sf?r?itul secolului al XIX-lea.L?s?m pe seama cititorului s? analizeze jurnalul lui Gh.D. Pallade. Nou? nu ne r?m?ne dec?t s? ar?t?m c? am considerat ca notele s? fie c?t se poate de complete, persoanele ?i locurile fiind foarte numeroase, f?r? de care, chiar un cititor avizat nu s-ar descurca. Iat? de ce am recurs la solu?ia de a desp?r?i notele de indicele de nume. Trebuie, de asemenea, s? atragem aten?ia c? notele sunt a?ezate alfabetic, deoarece tot volumul ar fi fost prea ?nc?rcat de numere ?i cifre. Sper?m c? modesta noastr? contribu?ie prin editarea acestui jurnal s? ?mplineasc? un scurt moment din fr?m?ntata noastr? istorie politic? a Rom?niei de la sf?r?itul secolului al XIX-lea.

Cartea de Poezii a poetei confirm? un stil, o atitudine estetic? ?i o capacitate de a dep??i ?ngr?dirile presupuse de reactualizare a vechilor formule poetice. Claudia Voiculescu ??i asum? riscul de a p?rea demodat?, abord?nd ceea ce majoritatea poe?ilor din diverse genera?ii ori promo?ii, a respins, cel mai adesea din neputin??.Cred c? poezia Claudiei Voiculescu merit? aten?ia criticii ?i o mediatizare corespunz?toare. (Liviu Gr?soiu)Claudia Voiculescu ridic? forma fix? a rondelului la ?n?l?imi demne de orice competi?ie.... Este o poet? ?n al c?rei talent cred. (C.D. Zeletin)Poet? de ?nalt? for?? r?scolitoare, talent viguros cu cizel?ri de art? adev?rat? ?n ad?ncul substrat al cuv?ntului, vers pasional ?i cotropitor... (Pan. M. Vizirescu)Claudia Ilie, preoteas? ?ntru poezie... (Tudor George)Delicata poet? Claudia Ilie Voiculescu este o voce liric? de mare sensibilitate... (Dumitru Radu Popa)

Ca orice construc?ie solid?, ?i un sistem de g?ndire se pl?smuie?te pe structura unor con?cepte fundamentale cu func?ii vitaminizante pentru ?ntreaga desf??urare a g?ndului ?i pen?tru ?nchegarea lui ?ntr?o viziune articulat? ?i complex?, marcat? de cele dou? condi?ii indis?pensabile unui sistem: completitudinea ?i non?contradic?ia. ?i mai preciz?m, chiar cu riscul suspiciunii de banal, c? un sistem de g?ndire articulat nu las? ?i nu trebuie s? lase r?m??i?e sau componente necuprinse ?n ansamblu. C?ci un sistem incomplet, cu resturi sau componen?te r?mase ?n afara ?ntregului ??i pierde carac?teristica de sistem. S? preciz?m totu?i c? vorbim despre sis?tem ?ntr?un loc unde, nu doar c? lipse?te, dar a ?i fost repudiat cu o insisten?? repetat? ?i ?n?d?rjit?. Nu spun c? furia lui Cioran ?mpotriva ideii de sistem filosofic nu??i are ra?iunile ei, spun doar c? chiar acolo unde este t?g?duit?, o anumit? viziune de ansamblu asupra lumii este totu?i implicit?. Nu se poate vorbi despre parte, despre fragment f?r? s? se aib? ?n vede?re imaginea totului ?i felul cum o diviziune este a?ezat? ?n p?ntecul exist?rii. Ionel Necula

American poet and critic, Ezra Pound was a major figure of the modernist movement, whose poetry collections and development of Imagism advocated clarity, precision and economy of language. The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This comprehensive volume presents Pound’s early poetical works, with beautiful illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Pound's life and works * Concise introductions to the poetry collections and other works * Images of how the poetry books were first printed, giving your eReader a taste of the original texts * Rare poetry collections appearing in digital print for the first time * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Features the rare translations of ‘Noh’ Japanese dramas, first time in digital print * Includes a selection of Pound's non-fiction * Scholarly ordering of texts into chronological order and literary genres Please note: this is the most complete collection possible of Pound’s poetry in the US, due to copyright. When more texts enter the public domain, they will be added to the collection as a free update. Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Poetry Collections HILDA’S BOOK A LUME SPENTO A QUINZAINE FOR THIS YULE PERSONAE EXULTATIONS THE SPIRIT OF ROMANCE CANZONI THE SONNETS AND BALLATE OF GUIDO CAVALCANTI RIPOSTES CATHAY LUSTRA ARNAUT DANIEL PAVANNES AND DIVISIONS QUIA PAUPER AMAVI HUGH SELWYN MAUBERLEY UMBRA UNPUBLISHED VERSES The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Poetical Dramas ‘NOH’, OR, ACCOMPLISHMENT: A STUDY OF THE CLASSICAL STAGE OF JAPAN The Prose INSTIGATIONS OF EZRA POUND Translation of ‘THE NATURAL PHILOSOPHY OF LOVE’ by Remy de Gourmont Please visit www.delphiclassics.com to browse through our range of exciting titles

The novel follows three parallel stories of courtship and marriage and the decisions of three strong women: Alice Vavasor, her cousin Glencora Palliser, and her aunt Arabella Greenow. Early on, Alice asks the question: What should a woman do with her life? This theme repeats itself in the dilemmas faced by the other women in the novel. Lady Glencora and her husband Plantagenet Palliser recur in the remainder of the Palliser series.

Writers Editors Critics (WEC) An International Biannual Refereed Journal of English Language and Literature Volume 7 Number 1 (March 2017) ISSN: 2231 - 198X RESEARCH PAPERS The Confessional Voice and Rebellious Cry of Kamala Das as Visualized in her Poetical Works: A Brief Analysis - S. Chelliah The Philosopher-Scientist A. P. J. Abdul Kalam and his World View: A Study - J. Pamela Artificial Intelligence and the Instrumental Marvellous in Isaac Asimov's Foundation Novels - Lekshmi R. Nair Return to Wholeness: The Landscape of Willa Cather's O Pioneers! - Vikas Bhardwaj Nation and Identity Defined through Bodies: A Study of Bapsi Sidhwa's Ice Candy Man - Sonia Soni Ramesh K. Srivastava's "Under the Lamp": A Study - Shipra G. Vashishtha Reinventing Roots in Esther David's Book of Rachel - Giftsy Dorcas E. A Critical Reading of Authentic Existence in Claude Mckay's Banana Bottom - S. Khethzi Kerena "Write My Son, Write": An Aesthetic and Spiritual Reflection of World by K V Dominic - Laxmi R. Chaughaan Nandini's Sita: A Deep Dive to Every Woman's Journey - Arti Chandel Lives on Pyre: A Socio-realistic Portrayal in D.C. Chambial's The Cargoes of the Bleeding Hearts - Parthajit Ghosh& Dr. Madhu Kamra An Evolution of His Demography: A Socio-cultural Flow in the Fictional World of Manoj Das - Suresh Bera & Somali Gupta Maya Angelou's Shaker, Why Don't You Sing?: a Paroxysm of Confession - Ishita Pramanik & Dr. Shukla Banerjee REVIEW ARTICLES Eco-critical Perspectives in K. V. Dominic & Pamela Jeyaraju's (eds.) Environmental Literature: Research Papers and Poems - S. Barathi T. V. Reddy's Melting Melodies: An Analysis - P. Bayapa Reddy Critical Evaluation of T. V. Reddy's Melting Melodies - Dwarakanath H. Kabadi BOOK REVIEWS T. V. Reddy's Golden Veil: A Collection of Poems - Patricia Prime Ramesh K. Srivastava's My Father's Bad Boy--An Autobiography - Smita Das O. P. Arora's Whispers in the Wilderness: A Collection of Poems - Patricia Prime Vijay Kumar Roy's Realm of Beauty and Truth: A Collection of Poems - Sugandha Agarwal GENERAL ESSAYS Regional Integration in South Asia: A Nepalese Perspective - Shreedhar Gautam Role of Information Library Network (INFLIBNET) in Checking Plagiarism in Indian Universities - P. K. Suresh Kumar Sojourn in Forests - Ramesh Chandra Mukhopadhyaya The Commonplace Economic Thoughts of a Seventy Five Years Old Lady - Mousumi Ghosh INTERVIEW Conversation with Subodh Sarkar - Jaydeep Sarangi SHORT STORIES Perils of Simplicity - Ramesh K. Srivastava The Melody Queen - Jayanti M. Dalal (Trans. Dr. Rajshree Parthivv Trivedi) A Strange Reunion --- Chandramoni Narayanaswamy Is Human Life Precious than Animal's? - K. V. Dominic Psychological Effect - Manas Bakshi POEMS Regain the Vision - T. V. Reddy Down the Memory Lane - T. V. Reddy Memories - T. V. Reddy Patiently I Saw - D. C. Chambia

Peek inside the mind one of Contemporary India's most influential poets Inside this book you'll find Dr. Ramesh Chandra Mukhopadhyaya, one of the most erudite philosopher-critics of India, brilliantly evaluating his compatriot English poet K.V. Dominic. Among the contemporary English poets of India, Dr. K.V. Dominic has established an unchallengeable position of his own. Through his poetry collections Winged Reason, Write Son, Write, Multicultural Symphony, Contemporary Concerns and Beyond, and K.V. Dominic: Essential Readings and Study Guide, Dominic has beautifully portrayed themes of environmental, social, political, and humanitarian concerns. Mukhopadhyaya, with his unique style, critically and philosophically studies not only Dominic's poetry, but also the poet himself as a person with his background of family, town, state, and country. Being a master of Indian as well as western philosophy, Mukhopadhyaya digs out the philosophic thoughts lying hidden in many of the poems. In addition, his depth in English and Sanskrit literature has enabled him to make comparisons of Dominic's poems to those of the legends. "Dominic's poetry reflects India. This is the base of the study by Mukhopadhyaya who has taught literature and authored books. He finds Dominic's poetry irresistible. I add that Mukhopadyaya's book is enlightening and also irresistible. His study is a compassionate painting of Dominic's poetry with the shades that are eternal." --Dr. Stephen Gill, Canadian poet and novelist "Dr. Mukhopadhyaya's critique is a remarkable contribution to Dominic's poetry, as it is systematically written with philosophical explications and comparisons to great legends as well as classical poets of the East and the West. Indeed an important addition to the existing works on this major literary figure." --Dr. Rob Harle, Australian poet, author and artist "More than merely an analysis of Dominic's poems, this book is an insight into the vibrant philosophy experienced by the Indian mind that has amalgamated both the perennial bliss and the painful vicissitudes of life to foster sublime and universal notions of life. As the volume reveals the personality of the poet, it invites attention to the authenticity of the impersonal theory of poetry." --Dr. S. Kumaran, Indian critic, scholar and academician, author of Philosophical Musings for a Meaningful Life: An Analysis of K.V. Dominic's Poems Learn more at www.profkvdominic.com From Modern History Press www.ModernHistoryPress.com

Writers Editors Critics (WEC) An International Biannual Refereed Journal of English Language and Literature Volume 7, Number 2 (September 2017) ISSN: 2231-198X RESEARCH ARTICLES Sharan Speaks: Colours of Resistance and Emancipation on the White Paper - Jaydeep Sarangi Kahlil Gibran's The Prophet: An Appraisal of Life Skills - S. Kumaran Analyzing Intertextuality in Paulo Coelho's Manuscript Found in Accra - Joji John Panicker Multicultural Ideologies in the Select Poems of K. V. Dominic: A Rendition of Poetic Insight - Parthajit Ghosh Confrontation of Democracy and Religion-Centred Politics Intriguing Khushwant Singh's India in The End of India - Sreedevi R and Raichel M. Sylus Pangs of Lacerated Psyche--An Analysis of Ramesh K. Srivastava's My Father's Bad Boy: An Autobiography - Smita Das Poetry and its impact on status quo: The case of poems by Ethiopian students in the 1960s - Tesfaye Dagnew Gebrehiwot Tracing Spirituality in a Feminist Context in Khushwant Singh's I Shall Not Hear the Nightingale - Kanchan Mehta A Study of the Radicalism of Daniel Defoe in the Novel Robinson Crusoe - Iman Abdullah Al Mahdi A Socio-Psychological Analysis of Anita Desai's Baumgartner's Bombay - Atul Rasika Moudgil Conflicts between the Conscious and Unconscious mind in Shashi Deshpande's Strangers to Ourselves - M. Durga Devi Bio-Diversity and Deep Commitment: A Deep-Ecological Study of Bengali Dalit Poetry - Sibasis Jana A Canadian Asset: Mavis Gallant Celebrated For Her Style and Technique - M. Revathi REVIEW ARTICLES T. V. Reddy's Insightful Survey of Indo-English Poetry - Manas Bakshi Effusion of Emotions in Manas Bakshi's Parnassus of Revival - S. Barathi An Economic Perspective of K V Dominic's Short Story "Who is Responsible?" - Mousumi Ghosh Seeing Beyond Seeing: Ecstatic Epiphanies, Uncanny Realizations and Ultimate Transformation in Alexander Raju's And Still Plays The Abyssinian Damsel on her Dulcimer - Kavitha Gopalakrishnan Jacinta: A Pioneer Tribal Poet in Hindi -Fr. Varghese Paul, SJ BOOK REVIEWS O. P. Arora's Heartbeats of Silence: A Collection of Poems - Anisha Ghosh (Paul) Natalia Molebatsi and Tiziana Pers, Elephant Woman Song - Jaydeep Sarangi Jaydeep Sarangi's To Whom I Return Each Day - Patricia Prime SHORT STORIES A Memorable Present - Ramesh K. Srivastava Vanity Fair - T. V. Reddy A Hartal Safari in God's Own Country - K. V. Dominic A Change for the Better - Chandramoni Narayanaswamy As You Sow - Manas Bakshi In the Light of Anamika's Thought - Sabita Chakrabarti Another dawn ... another day... 164 - Molly Joseph POEMS How to Tear away the Self - D. C. Chambial Sitas and Savitris - D. C. Chambial The Chameleon - O. P. Arora I Walked through the Forest - O. P. Arora When I Was Thirteen - O. P. Arora Taking it from Nature - Manas Bakshi Caution - Manas Bakshi In Search of New Hues - Ketaki Datta No Bullets for No Cause - Ketaki Datta Peace Bombed to Doom - Ketaki Datta Poetry - Rajiv Khandelwal Miser - Rajiv Khandelwal Standing Alone - Rajiv Khandelwal A Hymn - Ramesh Chandra Mukhopadhyaya Life Touches - Molly Joseph The Cart - Rita De A Seat - Rita De Learn more at www.ProfKVDominic.com

Maria Rybakova’s Gnedich captures the reader’s attention in its first stanzas with a striking allusion to Homeric Greece: “The rage that killed so many/the wretched rage of Achilles/who knew that he would perish/ that he would perish young. This is a novel-in-verse about the first Russian translator of the Iliad, the romantic poet and librarian Nikolai Gnedich (1784-1833). Since Gnedich spent almost his entire life translating Homer’s epic poem, Maria Rybakova has chosen verse as the most appropriate stylistic means in recreating his life. To the English-speaking world, this genre of poetic biography is best exemplified by Ruth Padel’s Darwin – A Life in Poems. Like the Iliad itself, the novel consists of twelve Songs or Cantos, and covers the life of Gnedich from his childhood to his death. It depicts the lives of Gnedich and his best friend, the poet Batyushkov, who is slowly losing his sanity, and incorporates motifs from their poetry, from Homer’s epics, and from Greek mythology, as well as magnificent images of imperial Russia and the Homeric world. The space of the novel covers snowy Russian villages, aristocratic St. Petersburg salons, magnificent Italian landscapes, and the austere Greece of Homer’s heroes. Rybakova conjures a fittingly romantic vision of the dramatic lives of Gnedich and his best friend. A major part of the novel is the moving correspondence between the two poets. Philosophical reflections on the fate of the individual are intertwined with poignant stanzas devoted to the great but unhappy love to the tragic actress Ekaterina Semyonova that consumed Gnedich. The novel culminates in Batyushkov’s final breakdown in the lunatic asylum and Gnedich’s ruminations on Russia’s tragic future fate. The poetic language of Gnedich is refined: it combines the clarity of Rybakova’s syllabic verses and the sophistication of her metaphors with distinct, novelistic depictions of certain landscapes, people, and their interactions. The novel is spectacularly designed: Rybakova’s style resembles a movie projection with stop-cards at the key moments in Gnedich’s life, his long conversations with his friend, and particular striking sceneries. It creates a novelistic effect on the tale about Gnedich’s life, spanning over twenty years. The narrative is often interrupted by streams of consciousness and reminiscence by its main heroes. At the same time, it continues the traditions of Russian classic literature with its attention to detail and the psychology of the characters. A significant part of the novel is dedicated to the description of Gnedich’s friendship with Konstantin Batyushkov, a talented poet of the Pushkin epoch. Gnedich, disfigured by a childhood disease, was a librarian at the Imperial Library in St. Petersburg and became famous through his translation of the Illiad. Batyushkov, an officer of the Russian Imperial court who participated in military campaigns, as well as one of the best poets of the beginning of the 19th century, went through deep crisis and mental illness. The friendship between the two becomes one of the themes within the novel. Rybakova builds the novel-in-verse’s plot around Gnedich’s translation of the Illiad into Russian. The narrative progresses from the adult Gnedich’s recollection of his childhood in a small country estate in Ukraine in the first Song, his illness and discovery of the magnificent Greek epic about the siege of the Troy that changed his life forever, to the completion of his work on his translation as a final victory over his life’s circumstances. The titanic work on the translation continued for almost twenty-two years (1807-29).

“It would be hard to imagine Russian poetry in the last half century without Lydia Grigorieva,” writes eminent Russian poet and critic Konstantin Kedrov. Grigorieva is a uniquely individual voice, bucking the trends of modernist poetry to create her own distinctive and beguiling body of poetry. Her work draws on her own remarkable life to create startlingly arresting images and metaphors, full of beauty and power, from her series that emerged from her Arctic childhood, to the troubles that beset Ukraine. Her range of influences is wide, and Beethoven, Freud, Sylvia Plath and Byron all appear in her poems as well as more familiar Russian images. At the heart of Grigorieva’s poetry is what she calls its ‘musicality’ – her firm belief in the power of rhyme and rhythm in creating a poetic experience. In this first major collection of her work in English, English poet John Farndon, working with Grigorieva and co-translator Olga Nakston, has recreated this musicality in English so that English readers might experience for the first time what makes her work so revered in her Russian homeland. Translated by John Farndon with Olga Nakston. Maxim Hodak - Максим Ходак (Publisher), Max Mendor - Макс Мендор (Director), Ksenia Papazova (Managing Editor).

Chipul cotropit pe partea dreapt de urmrile unei intervenii chirurgicale pstreaz, n mare, farmecul i drzenia. Prul strns n cretet i barba abundent te-ar trimite cu gndul la marii pontifi hiperboreeni sau la preoii taoiti, dac vioiciunea i gesticulaia nu te-ar opri la timp. tie multe, dar mrturisete puine. Viaa l-a fcut prudent. Cine i va dezvlui spiritul profund Poetul i savantul nu au fcut niciodat concesii. Nici omul nu are pe contiin fapte grandilocvent-regretabile, dei a stat sub vremi, iar ideologia marxist i-a fcut pe muli s-i ascund spiritul critic.“ – Gheorghe Postelnicu

Poemele lui Marius Aldea sunt inteligent-fanteziste i dau o senzaie de prospeime, dei refolosete, frecvent, i mijloace de seducie inventate de Nichita Stnescu, Emil Brumaru, Mircea Dinescu. Marius Aldea are o plcere de a scrie care face ca tot ce mprumut s devin al lui.“ – Alex tefnescu Marius tefan Aldea face parte din plutonul tinerilor poei crora li se flfie de generaia imediat anterioar, ns nu li se deloc de generaiile vechi. Vd i prevd o promoie de poei lucizi i cultivai printre care compozitorul Simfoniei frnei va strluci. Pentru c are umor, deci i permite s fie cinic, i pentru c izbutete nite metafore trsnite, dar fluente, nu rscutate. Apoi ochiul su este flmnd i precis, nu hoinrete pe firmament pn se ntoarce cu albul n sus. Viteza, claritatea i subtilitatea artei lui monteaz un spectacol inteligent – un deliciu pentru durii ca el, care, de fapt, ascund un suflet sensibil n spatele rictusului sceptic. Un romantic de factur excelent este Marius, adic dintre aceia cu witz, care muc tot, iar apoi se muc pe ei nii. Irezistibil poezia asta ca un roman scris la col de strad de un designer care tie exact ce vrea de la manechinele lui.“ – Felix Nicolau Marius tefan Aldea are atta energie poetic, nct exist riscul s supratensioneze Sistemul Naional de Distribuie a Literaturii. Dar cum SNDL nu exist dect n imaginaia noastr, nu v rmne, dragi cititori, dect s v conectai singuri la aceast surs de energie. E simplu: deschidei cartea lui Marius i citii puin. Dac nu suntei purttori de mnui izolante i cizme de cauciuc, ar trebui ca n secunda a doua s fii scuturai zdravn, iar minile s vi se ncleteze pe carte. E doar unul dintre efectele pe care l are poezia bun asupra omului.“ – Robert erban

Cafeaua fierbinte coboar i urc n acelai timp, ceaca se umple, pereii rotunzi se nclzesc, Tante Dante (din prun) simte cldura i se trezete, Nea Tza simte n nri aburul cafelei i deschide ochii, midiile snt deja fierbini, Tante Dante ateapt cuminte, n prun, s fie servit. De ani de zile, n fiecare diminea, mblnzitorul privete amuzat cum cafeaua fierbinte readuce la via imaginea inscripionat pe ceaca de cafea, mblnzitorul privete cum, simind cldura cafelei, Tante Dante i Nea Tza ncep s se mite de fiecare dat dup acelai scenariu, adresndu-i din fotografia aceea fierbinte aceleai cuvinte, de ani i ani de zile:— Bun dimineaa, Tante Dante!— Bune midii, Nea Tza!“

O sut? cincizeci de mii la peluze e una dintre cele mai puternice c?r?i scrise ?n perioada postsocialist?. E o carte care, la fel ca ?i Tratat de Tanatofobie sau ?oboloniada (de Steliana Grama) va bulversa, cu siguran??, clasamentele literaturii contemporane. Doar c?, spre deosebire de celelalte dou? c?r?i, tragem n?dejdea c? cei care fac critic? literar? nu vor str?mba din nas ?i o vor citi acum. Iar dac? acest lucru nu se va ?nt?mpla, suntem siguri c? peste ani se va g?si cineva care o va descoperi ?i o va aprecia la justa valoare. (Dumitru Crudu)Diana Iepure e o poet? matur? ?i complet?, textele ei sunt scrise bine ?i controlate, iar cartea unitar? adun? ?i formeaz? o lume proprie, ceea ce e foarte important pentru un poet, o lume contradictorie ?n raport cu titlul c?r?ii. Un experiment interesant, cu r?d?cini ad?nci ?n .md, care m? face curios ?n leg?tur? cu urm?torul proiect al Dianei Iepure. (Mihail Vakulovski)Poezii ca ni?te scrisorele sau file de jurnal simulat adolescentin. Cele mai bune mostre, ?lefuite ?i frizate exact c?t s? nu par? prea aranjate, sunt parc? inspirate de noua sinceritate sau, ?i mai bine, de experien?ele holistice, intime ale performatismului. Diana Iepure este valoroas? pentru c? reu?e?te s? scape influen?elor. Uneori, e bine ca poe?ii s? stea mai mult ?n cas?, s? c?nte la pian, s? vad? c?t mai rar al?i poe?i. (Felix Nicolau)