以马克斯·舍勒与儒家尤其是心学的相关描述为中心，本研究澄清了我们个人与人格间的体验，旨在促对情感、价值与德性深而全面的理解。本书细致地分析了关键道德情感（如同情-爱、羞恶、恭敬、信任）以及它们与儒家核心价值德性（如仁、义、礼、信）的关联。心的秩序被展示为情感秩序，而非逻辑或理性秩序。基于对“心有其理”之具体内容的阐发，本书希望推道德认知与道德实践，并推动现象学、中国哲学、跨文化诠释学、心理学等领域的研究与发展。

《文化文本》为国家社科基金项目的论文辑刊，由叶舒宪、李继凯主编。本辑主题是文学人类学视野中的中国大传统与大历史，以及与之相关的理论探索、田野调查、实例分析、深度书评。本书收录的文章多为手资料，观鲜明，论证严谨，从当下中外相关的学术新潮之双向视角，通过知识结构上的对照与反观，达到一种追求知己知彼的权衡。

本书是一部用历史唯物主义观专题研究20世纪下半叶以来西方社会及思想文化界“空间化转向”现象的哲学论著。在相当一段时间内，历史唯物主义与空间是互不相干的：当人们讨论空间问题时，社会历史是在视野之外的；而在人们思考历史问题时，空间又消失了。这就需要我们首先从空间观与历史观彻底统一的角度，把空间问题提升为“空间化”问题。一方面把空间动态化地理解为历史发生的前提与结果，另一方面把历史具体化地理解为具有持存性、共存性形态的社会空间关系存在。其次，把空间化问题从一个哲学范畴与社会理论问题提升为历史唯物主义的当代特征与核心课题。 本书首先从讨论历史唯物主义视野中的空间化概念问题手，而从空间化视野把握当代人类社会特别是资本主义全球化、城市化与国家的“再区域化”发展的趋势与特征等问题。着重探讨历史唯物主义的空间化理论来源与基础问题，并专题性与个案性地研究西方马克思主义的空间化理论。后集中讨论空间化视野中的现实哲学问题，包括城市哲学问题与中国道路的空间化历史与逻辑等问题。

本书是关于电影音乐美学本质的经典论述，也是对20世纪文化工业批判的理论经典，从电影配乐实践的具体问题，到社会学和美学分析，都深而透彻。阿多诺考察了电影和音乐、自然音响和人工合成声音之间的关系，同时探究了新的文化政治可能性。

中国生命的学问，从来就紧扣着体会与实践，务求当下之对应。《论语》之所以迷人，也正因那里头的生命对应，处处鲜活。薛仁明谈孔子，对应书名，讲的是个“喜”字，如实对应，又随缘欢喜。《孔子随喜》，谈的是两千五百年前的孔门话语，对应的则是这个时代。《论语》是既往，更是当下。 《孔子随喜》是薛仁明代表作，此次由中华书局增订出版，力图将古往今来宏大的虚构的孔子转变为私人的情感和具体的民间解读，把早已概念化的孔子描述成如此有趣、清新、通达且生机活泼的寻常人物，通过薛仁明所看到的那个亲切的孔子，读来令人神清气爽、趣味盎然且气象万千。

犹太哲学史（修订版）（上、下卷）

《论语》是中国春秋时期一部语录体散文集，主要记录孔子及其弟子的言行。它较为集中地反映了孔子的思想。由孔子弟子及再传弟子编纂而成。全书共20篇、492章，首创“语录体”。是中国重要的儒家典籍，对中国文化影响至深。

【内容简介】 本书梳理了第二国际、早期西方马克思主义、法兰克福学派、后马克思主义等学派对历史唯物主义的主要范畴、基本原理、逻辑体系的理解、反思、重构、修正和补充意见，对其进行系统分析和评价，并提出对我国历史唯物主义理论研究与理论体系建构的意见和建议。本书是*部对马恩之后的理论家对历史唯物主义的解读进行系统梳理的学术著作，具有首创意义和重要的学术价值，对于我国历史唯物主义理论研究和理论体系建构具有重要学术参考价值。

本书探讨以《论语》为基础的儒学思想何以蕴含互联网高科技与互联网经济的核心DNA，并在此基础上揭示儒学与互联网的同源问题。古儒学代表的农业文明与网络儒学代表的信息文明之间存在否定之否定的“隔代遗传”规律，技术网络、经济网络与人际网络的三位一体，这为儒学在比工业文明更高的文明层次上重新阐释提供了基础。

在现实生活中，强调情商已成为一种潮流，情商似乎成为了衡量一个人成功与否的一把标尺，然而我们是否应该让情商在人际关系中占据过于显赫的位置呢？或许这值得我们去思考。虽然情商对人际关系关系有帮助，但过度强调，有可能忽略个体情感深度的培养。心理学提醒我们：走上情商主义的道路，是以真实情感的表达与深度关系的交往作为代价的。                                          本书呼唤读者超越世人对普遍情商论的认知，深探讨自我成功更为深刻之处。作者以深厚的心理学专业知识，激发读者勇敢地面对自己，放下过度的情商标杆，走一个认可自我、释放光彩的心灵之境，甚至在人际关系和追求成功的旅途中，找到更为深层次的内心平衡。此外，书中还加了一些真实案例和情感洞察，帮助读者探索真实内在的力量，找到自己的光辉核心。与其盲目追逐情商，不如激发真我光华。

《正念的奇迹》是由一行禅师写给一位友人的长信整理而来，是其经典作品，也是具有实操性的修学 指南，在中国乃至全球范围内拥有广泛的读者。核心内容是一个非常重要的概念：正念。什么是正念呢？ 一行禅师说，正念就是指对“当下的实相保有觉知”， 即要清醒地知道自己在想什么、说什么、做什么，而 不是对自己的言行举止毫不觉察，任意妄为。也就是说，要关注此刻正在做的事情和心灵感受。书中由此 衍生出的活在当下、专注工作等理念，对于消除快节 奏时代普遍存在的焦虑心理、帮助大家管理自己的负 面情绪富有积极作用。

Charles Sanders Peirce (1839-1914) este o figur? important? a filosofiei secolului XIX ?i unul dintre prefa?atorii principalelor curente de g?ndire din secolul XX, fiind considerat fondatorul pragmatismului american. Cele dou? eseuri prezentate aici, primele din seria cunoscut? sub numele Ilustr?ri ale logicii ?tiin?ei, sunt reprezentative pentru opera sa, caracterizat? de profunzimi ?i subtilit??i specifice unui g?nditor care beneficiaz? ?i de preg?tirea unui om de ?tiin?a.Cu toate c? sunt uneori pur abstracte, observa?iile privitoare la convingeri ?i idei r?m?n, indiferent de sistem, puncte principale de sprijin pentru distinc?ia ?ntre g?ndirea s?n?toas? ?i cea viciat?.“ Este groaznic s? vezi cum o singur? idee neclar?, o singur? formul? f?r? ?n?eles, care se furi?eaz? ?n capul unui t?n?r, va ac?iona uneori ca un obstacol de materie inert? ?ntr-o arter?, ?mpiedic?nd circula?ia ?n creier ?i condamn?ndu-?i victima spre ofilire ?n plenitudinea vigorii intelectuale ?i ?n mijlocul abunden?ei intelectuale.“ - Charles Sanders Peirce

Critic erudit ?i pamfletar de for??, Paul Zarifopol (1874-1934) a fost un fin observator al omului ?i al fibrei care alc?tuie?te ?es?turile sociale profunde. Volumul de fa?? cuprinde eseuri care au r?mas de o actualitate acut?, chiar ?i la aproape un secol dup? ce au fost scrise.Coroziv ?i doct, discursul aduce ?n fa?a cititorului concepte esen?iale pentru morala ?i politica mai mult sau mai pu?in balcanice ale Rom?niei interbelice. Lumina ?n care ne sunt prezentate tipul politic ?i geniul organizator, de pild?, ne ofer? at?t senza?ia unei glacia?iuni temporale, c?t ?i pe aceea a unei familiarit??i inefabile.

Are femeia vreun rol ?n evolu?ia spiritual? a b?rbatului? Ce anume, ?n iubire ?i ?n erotism, declan?eaz? intui?ii ?i tr?iri care dep??esc datul, ordinarul, norma? Otto Weininger, un g?nditor catalogat drept misogin ?i antisemit, repune ?n discu?ie opera Peer Gynt al lui Ibsen, st?ruind asupra temelor sale favorite: superioritatea masculinului, asociat spiritului, fa?? cu femininul, asociat instinctualit??ii oarbe, lipsite de spirit, de perspectiv?, deci ?i de valoare. Aforistica acestui autor, deopotriv? prezent? ?n volumul de fa??, abordeaz? problematica sadismului ?i a masochismului, imoralitatea dus? p?n? la ilegalitate ?i crim?, culmin?nd cu – sau decurg?nd din – p?catul originar.

One of the greatest works of philosophy, political theory, and literature ever produced, Plato’s Republic has shaped Western thought for thousands of years, and remains as relevant today as when it was written during the fourth century B.C.Republic begins by posing a central question: "What is justice, and why should we be just, especially when the wicked often seem happier and more successful?" For Plato, the answer lies with the ways people, groups, and institutions organize and behave. A brilliant inquiry into the problems of constructing the perfect state, and the roles education, the arts, family, and religion should play in our lives, Republic employs picturesque settings, sharply outlined characters, and conversational dialogue to drive home the philosopher’s often provocative arguments.Highly regarded as one of the most accurate renderings of Plato's Republic that has yet been published, this widely acclaimed work is the first strictly literal translation of a timeless classic. This Special Collector's Edition includes a new introduction by Prof. Colin Kant, PH.D, a noted Platonian and Socratic scholar.

Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton (1608–1674). The first version, published in 1667, consisted of ten books with over ten thousand lines of verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's Aeneid) with minor revisions throughout and a note on the versification. It is considered by critics to be Milton's "major work", and helped solidify his reputation as one of the greatest English poets of his time. The poem concerns the Biblical story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Milton's purpose, stated in Book I, is to "justify the ways of God to men" Short Summary:The poem is separated into twelve "books" or sections, the lengths of which vary greatly (the longest is Book IX, with 1,189 lines, and the shortest Book VII, with 640). The Arguments at the head of each book were added in subsequent imprints of the first edition. Originally published in ten books, a fully "Revised and Augmented" edition reorganized into twelve books was issued in 1674, and this is the edition generally used today. The poem follows the epic tradition of starting in medias res (Latin for in the midst of things), the background story being recounted later.Milton's story has two narrative arcs, one about Satan (Lucifer) and the other following Adam and Eve. It begins after Satan and the other rebel angels have been defeated and banished to Hell, or, as it is also called in the poem, Tartarus. In Pand?monium, Satan employs his rhetorical skill to organise his followers; he is aided by Mammon and Beelzebub. Belial and Moloch are also present. At the end of the debate, Satan volunteers to poison the newly created Earth and God's new and most favoured creation, Mankind. He braves the dangers of the Abyss alone in a manner reminiscent of Odysseus or Aeneas. After an arduous traversal of the Chaos outside Hell, he enters God's new material World, and later the Garden of Eden. At several points in the poem, an Angelic War over Heaven is recounted from different perspectives. Satan's rebellion follows the epic convention of large-scale warfare. The battles between the faithful angels and Satan's forces take place over three days. At the final battle, the Son of God single-handedly defeats the entire legion of angelic rebels and banishes them from Heaven. Following this purge, God creates the World, culminating in his creation of Adam and Eve. While God gave Adam and Eve total freedom and power to rule over all creation, He gave them one explicit command: not to eat from the Tree of the knowledge of good and evil on penalty of death.

南怀瑾先生的著述涉及儒、释、道等中国传统文化经典，他常以经史合参的讲述方式、生动幽默语言，结合古今中外历史人文典故，结合当下的日常生活，引领新世代的人们直入文化的核心智慧，让读者更乐于了解历史人文的博大精深。本套装收录东方出版社已出版的南怀瑾作品。

Among the notable books of later times-we may say, without exaggeration, of all time--must be reckoned The Confessions of Jean Jacques Rousseau. It deals with leading personages and transactions of a momentous epoch, when absolutism and feudalism were rallying for their last struggle against the modern spirit, chiefly represented by Voltaire, the Encyclopedists, and Rousseau himself--a struggle to which, after many fierce intestine quarrels and sanguinary wars throughout Europe and America, has succeeded the prevalence of those more tolerant and rational principles by which the statesmen of our own day are actuated. On these matters, however, it is not our province to enlarge; nor is it necessary to furnish any detailed account of our author's political, religious, and philosophic axioms and systems, his paradoxes and his errors in logic: these have been so long and so exhaustively disputed over by contending factions that little is left for even the most assiduous gleaner in the field. The inquirer will find, in Mr. John Money's excellent work, the opinions of Rousseau reviewed succinctly and impartially. The 'Contrat Social', the 'Lattres Ecrites de la Montagne', and other treatises that once aroused fierce controversy, may therefore be left in the repose to which they have long been consigned, so far as the mass of mankind is concerned, though they must always form part of the library of the politician and the historian. One prefers to turn to the man Rousseau as he paints himself in the remarkable work before us. That the task which he undertook in offering to show himself--as Persius puts it--'Intus et in cute', to posterity, exceeded his powers, is a trite criticism; like all human enterprises, his purpose was only imperfectly fulfilled; but this circumstance in no way lessens the attractive qualities of his book, not only for the student of history or psychology, but for the intelligent man of the world. Its startling frankness gives it a peculiar interest wanting in most other autobiographies. Many censors have elected to sit in judgment on the failings of this strangely constituted being, and some have pronounced upon him very severe sentences. Let it be said once for all that his faults and mistakes were generally due to causes over which he had but little control, such as a defective education, a too acute sensitiveness, which engendered suspicion of his fellows, irresolution, an overstrained sense of honour and independence, and an obstinate refusal to take advice from those who really wished to befriend him; nor should it be forgotten that he was afflicted during the greater part of his life with an incurable disease. Lord Byron had a soul near akin to Rousseau's, whose writings naturally made a deep impression on the poet's mind, and probably had an influence on his conduct and modes of thought: In some stanzas of 'Childe Harold' this sympathy is expressed with truth and power; especially is the weakness of the Swiss philosopher's character summed up in the following admirable lines: "Here the self-torturing sophist, wild Rousseau, The apostle of affliction, he who threw Enchantment over passion, and from woe Wrung overwhelming eloquence, first drew The breath which made him wretched; yet he knew How to make madness beautiful, and cast O'er erring deeds and thoughts a heavenly hue Of words, like sunbeams, dazzling as they passed The eyes, which o'er them shed tears feelingly and fast. "His life was one long war with self-sought foes, Or friends by him self-banished; for his mind Had grown Suspicion's sanctuary, and chose, For its own cruel sacrifice, the kind, 'Gainst whom he raged with fury strange and blind. But he was frenzied,-wherefore, who may know? Since cause might be which skill could never find; But he was frenzied by disease or woe To that worst pitch of all, which wears a reasoning show."

Sri Krsna számtalan univerzum vitathatatlan Ura, akit korlátlan er?, gazdagság, hírnév, tudás és lemondás jellemez, ám ezek az ?r?kké diadalmas energiák csupán részben  tárják fel ?t. Végtelen dics?ségét csak az ismerheti meg, aki elb?v?l? szépségénél keres menedéket, ?sszes t?bbi fenséges tulajdonsága forrásánál, melynek páratlan transzcendentális teste ad otthont. Szépségének legf?bb jellemz?je az a mindenek f?l?tt álló édes íz, ami t?mény kivonata mindennek, ami édes. Minden édes dolgot túlszárnyal, és nem más, mint az édes íz megízlelésének képessége. Sri Krsna édes természete finom arany sugárzásként ragyog át transzcendentális testén. Govinda páratlanul gy?ny?r? testének legszebb és legédesebb része ragyogó arca. ?des hold-arcán rejtélyes mosolya a legédesebb, az az arcáról ragyogó ezüst holdsugár, ami nektárral árasztja el a világot. Mosolyának sugárzása nélkül keser? lenne a cukor, savanyú a méz, és a nektárnak sem lenne íze. Amikor mosolyának holdsugara elvegyül teste ragyogásával, a kett? együtt a kámfor aromájára emlékeztet. Ez a kámfor aztán ajkán keresztül a fuvolába kerül, ahonnan megfoghatatlan hangvibrációként t?r el?, és er?nek erejével rabul ejti azoknak az elméjét, akik hallják. Ahogy a szavak gondolatok mondanivalóját hordozzák, ahogy a gondolatok a szemben tükr?z?dnek, ahogy egy mosoly a szív érzelmeir?l árulkodik, úgy a fuvola hangja Sri Krsna szépségét viszi a fül?n keresztül a szív templomának oltárára.

《中庸》乃儒家经典之一，是有关人生哲学之书，是修己用世的*道德标准，是指导人们行人生时间的理论教科书。中庸》的核心是中庸之道，即忠恕之道，其行为准则是：“君惠臣忠”“父慈子孝”“夫义妇顺”“兄友弟恭”“朋友有信”，从而达到“中庸”的和谐境界。

本书坚持马克思主义社会历史观的基本观和基本原理，在存在论的高度上阐释了马克思的生产、劳动、资本、现代和历史等概念。主要内容包括：历史唯物主义是科学的历史观、人类社会和自然界、生产力和生产关系、经济基础和上层建筑、社会意识、科学及其在社会历史中的地位和作用等。