Book-length study of the great playwright by a great novelist. According to Wikipedia: "Gilbert Keith Chesterton (1874 - 1936) was an influential English writer of the early 20th century. His prolific and diverse output included journalism, philosophy, poetry

Beide Teile von Goethes Faust, auf Deutsch. Nach Wikipedia: Johann Wolfgang von Goethe (1749 - 1832) war ein deutscher Schriftsteller und laut George Eliot "Deutschlands gr??ter Literat ... und der letzte wahre Universalgelehrte, der auf der Erde wandelte". [2] Goethes Werke erstrecken sich über die Felder von Poesie, Drama, Literatur, Theologie, Humanismus und Wissenschaft. Goethes Hauptwerk, das als einer der H?hepunkte der Weltliteratur gefeiert wird, ist das zweiteilige Drama Faust. [3] Zu Goethes anderen bekannten literarischen Werken geh?ren seine zahlreichen Gedichte, der Bildungsroman Wilhelm Meisters Lehramt und der Briefroman Die Leiden des jungen Werther. "

Brief biographies of Benjamin West, Sir Isaac Newton, Samuel Johnson, Oliver Cromwell, Benjamin Franklin, and Queen Christina. According to Wikipedia: "Nathaniel Hawthorne (born Nathaniel Hawthorne; July 4, 1804 – May 19, 1864) was an American novelist and short story writer."

Classic adventure novel by Jules Verne. According to Wikipedia: "Jules Gabriel Verne (February 8, 1828 – March 24, 1905) was a French author who pioneered the science-fiction genre. He is best known for his novels Journey to the Center of the Earth (written in 1864), From the Earth to the Moon (1865), Twenty Thousand Leagues Under the Sea (1869–1870), and Around the World in Eighty Days (1873). Verne wrote about space, air, and underwater travel before navigable aircraft and practical submarines were invented, and before any means of space travel had been devised. Consequently he is often referred to as the "Father of science fiction", along with H. G. Wells. Verne is the second most translated author of all time, only behind Agatha Christie with 4162 translations..."

Roman d'aventure classique, en fran?ais original. Selon Wikipédia: "Jules Gabriel Verne (8 février 1828 - 24 mars 1905) Quel auteur fran?ais pionnier du genre de la science-fiction." Il est surtout connu pour ses romans tels que Voyage au centre de la terre (1864), Vingt mille lieues sous la mer (1870), et autour du monde dans quatre-vingt jours (1873). Verne a écrit au sujet de l'espace, de l'air, et des sous-marins ont été inventés Verne, avec HG Wells, est souvent surnommé le ?père de la science-fiction?.

Roman d'aventure classique, en fran?ais original. Selon Wikipédia: ?Jules Gabriel Verne (8 février 1828 - 24 mars 1905) est un auteur fran?ais qui a été le pionnier du genre de la science-fiction, notamment des romans comme Voyage au centre de la terre (1864), Vingt mille lieues sous la mer (1870) et autour du monde en quatre-vingts jours (1873) Verne a écrit sur l'espace, l'air et les voyages sous-marins avant que les voyages aériens et les sous-marins pratiques soient inventés. Selon Index Translationum, il est le troisième auteur le plus traduit au monde, certains de ses livres ont été transformés en films ... Verne, avec HG Wells, est souvent surnommé le ?père de la science-fiction?

Classic adventure novel. According to Wikipedia: "Edward Sylvester Ellis (April 11, 1840 – June 20, 1916) was an American author who was born in Ohio and died at Cliff Island, Maine. Ellis was a teacher, school administrator, and journalist, but his most notable work was that that he performed as author of hundreds of dime novels that he produced under his name and a number of noms de plume. Notable works by Ellis include The Huge Hunter, or the Steam Man of the Prairies and Seth Jones, or the Captives of the Frontier. Internationally, Edward S. Ellis is probably best known for his Deerhunter novels widely read by young boys up to the 1950s (together with works by James Fenimore Cooper and Karl May). In the mid-1880s, after a fiction-writing career of some thirty years, Ellis eventually turned his pen to more serious works of biography, history, and persuasive writing."

Classic adventure novel. According to Wikipedia: "Edward Sylvester Ellis (April 11, 1840 – June 20, 1916) was an American author who was born in Ohio and died at Cliff Island, Maine. Ellis was a teacher, school administrator, and journalist, but his most notable work was that that he performed as author of hundreds of dime novels that he produced under his name and a number of noms de plume. Notable works by Ellis include The Huge Hunter, or the Steam Man of the Prairies and Seth Jones, or the Captives of the Frontier. Internationally, Edward S. Ellis is probably best known for his Deerhunter novels widely read by young boys up to the 1950s (together with works by James Fenimore Cooper and Karl May). In the mid-1880s, after a fiction-writing career of some thirty years, Ellis eventually turned his pen to more serious works of biography, history, and persuasive writing."

Classic adventure novel. According to Wikipedia: "Edward Sylvester Ellis (April 11, 1840 – June 20, 1916) was an American author who was born in Ohio and died at Cliff Island, Maine. Ellis was a teacher, school administrator, and journalist, but his most notable work was that that he performed as author of hundreds of dime novels that he produced under his name and a number of noms de plume. Notable works by Ellis include The Huge Hunter, or the Steam Man of the Prairies and Seth Jones, or the Captives of the Frontier. Internationally, Edward S. Ellis is probably best known for his Deerhunter novels widely read by young boys up to the 1950s (together with works by James Fenimore Cooper and Karl May). In the mid-1880s, after a fiction-writing career of some thirty years, Ellis eventually turned his pen to more serious works of biography, history, and persuasive writing."

Classic adventure novel. According to Wikipedia: "Jules Gabriel Verne (February 8, 1828-March 24, 1905) was a French author who pioneered the science-fiction genre. He is best known for novels such as Journey to the Center of the Earth (1864), Twenty Thousand Leagues under the Sea (1870), and Around the World in Eighty Days (1873). Verne wrote about space, air, and underwater travel before air travel and practical submarines were invented, and before practical means of space travel had been devised. He is the third most translated author in the world, according to Index Translationum. Some of his books have been made into films. Verne, along with H. G. Wells, is often popularly referred to as the "Father of Science Fiction"

Classic children's novel by the author of Anne of Green Gables. According to Wikipedia: "Lucy Maud Montgomery, (always called "Maud" by family and friends) and publicly known as L. M. Montgomery, (1874-1942) was a Canadian author, best known for a series of novels beginning with Anne of Green Gables, published in 1908. Anne of Green Gables was an immediate success. The central character, Anne, an orphaned girl, made Montgomery famous in her lifetime and gave her an international following. The first novel was followed by a series of sequels with Anne as the central character. The novels became the basis for the highly acclaimed 1985 CBC television miniseries, Anne of Green Gables and several other television movies and programs, including Road to Avonlea, which ran in Canada and the U.S. from 1990-1996."

Classic children's novel. According to Wikipedia: "Lucy Maud Montgomery, (always called "Maud" by family and friends) and publicly known as L. M. Montgomery, (1874-1942) was a Canadian author, best known for a series of novels beginning with Anne of Green Gables, published in 1908. Anne of Green Gables was an immediate success. The central character, Anne, an orphaned girl, made Montgomery famous in her lifetime and gave her an international following. The first novel was followed by a series of sequels with Anne as the central character. The novels became the basis for the highly acclaimed 1985 CBC television miniseries, Anne of Green Gables and several other television movies and programs, including Road to Avonlea, which ran in Canada and the U.S. from 1990-1996."

Classic collection of essays. Introductory Remarks on the Importance of Orthodoxy, On the Negative Spirit, On Mr. Rudyard Kipling and Making the World Small, Mr. Bernard Shaw, Mr. H. G. Wells and the Giants, Christmas and the Esthetes, Omar and the Sacred Vine, The Mildness of the Yellow Press, The Moods of Mr. George Moore, On Sandals and Simplicity, Science and the Savages, Paganism and Mr. Lowes Dickinson, Celts and Celtophiles, On Certain Modern Writers and the Institution of the Family, and On Smart Novelists and the Smart Set, On Mr. McCabe and a Divine Frivolity, On the Wit of Whistler, The Fallacy of the Young Nation, Slum Novelists and the Slums, and Concluding Remarks on the Importance of Orthodoxy. According to Wikipedia: "Gilbert Keith Chesterton (29 May 1874 – 14 June 1936) was an influential English writer of the early 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction. Chesterton has been called the "prince of paradox." Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out."

Classic collection of satirical essays, including The Feminine Mind, The War Between the Sexes, Marriage, Woman Sufrage, and The New Age. The Introduction begins: "As a professional critic of life and letters, my principal business in the world is that of manufacturing platitudes for tomorrow, which is to say, ideas so novel that they will be instantly rejected as insane and outrageous by all right thinking men, and so apposite and sound that they will eventually conquer that instinctive opposition, and force themselves into the traditional wisdom of the race."

THE history, the features, and the most famous examples of European architecture, during a period extending from the rise of the Gothic, or pointed, style in the twelfth century to the general depression which overtook the Renaissance style at the close of the eighteenth, form the subject of this little volume. I have endeavoured to adopt as free and simple a mode of treatment as is compatible with the accurate statement of at least the outlines of so very technical a subject. Though it is to be hoped that many professional students of architecture will find this hand-book serviceable to them in their elementary studies, it has been my principal endeavour to adapt it to the requirements of those who are preparing for the professional pursuit of the sister arts, and of that large and happily increasing number of students who pursue the fine arts as a necessary part of a complete liberal education, and who know that a solid and comprehensive acquaintance with art, especially if joined to some skill in the use of the pencil, the brush, the modelling tool, or the etching needle, will open sources of pleasure and interest of the most refined description. The broad facts of all art history; the principles which underlie each of the fine arts; and the most precious or most noteworthy examples of each, ought to be familiar to every art student, whatever special branch he may follow. Beyond these limits I have not attempted to carry this account of Gothic and Renaissance architecture; within them I have endeavoured to make the work as complete as the space at my disposal permitted. THE architecture generally known as Gothic, but often described as Christian Pointed, prevailed throughout Europe to the exclusion of every rival for upwards of three centuries; and it is to be met with, more or less, during two others. Speaking broadly, it may be said that its origin took place in the twelfth century, that the thirteenth was the period of its development, the fourteenth that of its perfection, and the fifteenth that of its decline; while many examples of its employment occur in the sixteenth. In the following chapters the principal changes in the features of buildings which occurred during the progress of the style in England will be described. Subsequently, the manner in which the different stages of development were reached in different countries will be given; for architecture passed through very nearly the same phases in all European nations, though not quite simultaneously. It must be understood that through the whole Gothic period, growth or at least change was going on; the transitions from one stage to another were only periods of more rapid change than usual. The whole process may be illustrated by the progress of a language. If, for instance, we compare round-arched architecture in the eleventh century to the Anglo-Saxon form of speech of the time of Alfred the Great, and the architecture of the twelfth century to the English of Chaucer, that of the thirteenth will correspond to the richer language of Shakespeare, that of the fourteenth to the highly polished language of Addison and Pope, and that of the fifteenth to the English of our own day. We can thus obtain an apt parallel to the gradual change and growth which went on in architecture; and we shall find that the oneness of the language in the former case, and of the architecture in the latter, was maintained throughout. For an account of the Christian round-arched architecture which preceded Gothic, the reader is referred to the companion volume in this series. Here it will be only necessary briefly to review the circumstances which went before the appearance of the pointed styles.

"Where ocean bathes earth's footstool these sea-bowersBedeck its solid wavelets: wise was heWho blended shore with deep, with seaweed flowers,And Naiads' rivulets with Nereids' sea." Strictly speaking the peninsula on which the city stands is of the form of a trapezium. It juts out into the sea, beating back as it were the fierce waves of the Bosphorus, and forcing them to turn aside from their straight course and widen into the Sea of Marmora, which the ancients called the Propontis, narrowing again as it forces its way between the near banks of the Hellespont, which rise abrupt and arid from the European side, and slope gently away in Asia to the foot of Mount Ida. Northwards there is the little bay of the Golden Horn, an arm as it were of the Bosphorus, into which run the streams which the Turks call the Sweet Waters of Europe. The mouth of the harbour is no more than five hundred yards across. The Greeks of the Empire spanned it by a chain, supported here and there on wooden piles, fragments of which still remain in the Armoury that was once the church of S. Irene. Within is safe anchorage in one of the finest harbours of the world. South of the Golden Horn, on the narrow tongue of land—narrow it seems as seen from the hills of the northern shore—is the city of Constantine and his successors in empire, seated, like the old Rome, on seven hills, and surrounded on three sides by sea, on the fourth by the still splendid, though shattered, medi?val walls. Northwards are the two towns, now linked together, of Pera and Galata, that look back only to the trading settlements of the Middle Ages.The single spot united, as Gibbon puts it, the prospects of beauty, of safety, and of wealth: and in a masterly description that great historian has collected the features which made the position, "formed by Nature for the centre and capital of a great monarchy," attractive to the first colonists, and evident to Constantine as the centre where he could best combine and command the power of the Eastern half of his mighty Empire. Byzantium Before Constantine.It is impossible to approach Constantinople without seeing the beauty and the wonder of its site. Whether you pass rapidly down the Bosphorus, between banks crowned with towers and houses and mosques, that stretch away hither and thither to distant hills, now bleak, now crowned with dark cypress groves; or up from the Sea of Marmora, watching the dome of S. Sophia that glitters above the closely packed houses, till you turn the point which brings you to the Golden Horn, crowded with shipping and bright with the flags of many nations; or even if you come overland by the sandy wastes along the shore, looking across the deep blue of the sea to the islands and the snow-crowned mountains of Asia, till you break through the crumbling wall within sight of the Golden Gate, and find yourself at a step deep in the relics of the middle ages; you cannot fail to wonder at the splendour of the view which meets your eyes. Sea, sunlight, the quaint houses that stand close upon the water's edge, the white palaces, the crowded quays, and the crowning glory of the Eastern domes and the medi?val walls—these are the elements that combine to impress, and the impression is never lost. Often as you may see again the approach to the imperial city, its splendour and dignity and the exquisite beauty of colour and light will exert their old charm, and as you put foot in the New Rome you will feel all the glamour of the days that are gone by.

Classic mystery/detective novel. According to Wikipedia: "Ernest William Hornung (June 7, 1866 – March 22, 1921)... was an English author, most famous for writing the Raffles series of novels about a gentleman thief in late Victorian London. Hornung was the third son of John Peter Hornung, a Hungarian, and was born in Middlesbrough, England. He was educated at Uppingham School during some of the later years of its great headmaster, Edward Thring. He spent most of his life in England and France, but in 1884 left for Australia and stayed for two years where he working as a tutor at Mossgiel station. Although his Australian experience had been so short, it coloured most of his literary work from A Bride from the Bush published in 1899, to Old Offenders and a few Old Scores, which appeared after his death. He returned from Australia in 1886, and married Constance ("Connie") Doyle (1868-1924), the sister of Sir Arthur Conan Doyle in 1893. Hornung published the poems Bond and Free and Wooden Crosses in The Times. The character of A. J. Raffles, a "gentleman thief", first appeared in Cassell's Magazine in 1898 and the stories were later collected as The Amateur Cracksman (1899). Other titles in the series include The Black Mask (1901), A Thief in the Night (1905), and the full-length novel Mr. Justice Raffles (1909). He also co-wrote the play Raffles, The Amateur Cracksman with Eugene Presbrey in 1903."

Roman classique d'abord publié en 1848, dans le fran?ais original. Selon Wikipédia: "La Tentation de Saint Antoine" est un livre que l'auteur fran?ais Gustave Flaubert a pratiquement travaillé toute sa vie, en trois versions qu'il a achevées en 1849, 1856 (extraits publiés au même temps) et 1872 avant de publier la version finale en 1874. Il prend comme sujet la fameuse tentation de Saint Antoine le Grand dans le désert égyptien, un thème souvent repris dans l'art médiéval et moderne. Il raconte une nuit dans la vie d'Anthony le Grand, où Anthony est confronté à de grandes tentations, et il a été inspiré par la peinture qu'il a vue au palais Balbi à Gênes. Madame Bovary, que Flaubert considérait son chef-d'?uvre.

Classic novel for children, one of Burnett's best known books. Sara Crewe, a pupil at Miss Minchin's London school, is left in poverty when her father dies, but is later rescued by a mysterious benefactor. According to Wikipedia: "Frances Hodgson Burnett, ( 1849 - 1924) was an English–American playwright and author. She is best known for her children's stories, in particular The Secret Garden, A Little Princess, and Little Lord Fauntleroy. Born Frances Eliza Hodgson in Cheetham Hill, Manchester, her father died in 1854, and the family had to endure poverty and squalor in the Victorian slums of Manchester. Following the death of her mother in 1867, an 18-year-old Frances was now the head of a family of four younger siblings. She turned to writing to support them all, with a first story published in Godey's Lady's Book in 1868. Soon after she was being published regularly in Godey's, Scribner's Monthly, Peterson's Ladies' Magazine and Harper's Bazaar. Her main writing talent was combining realistic detail of working-class life with a romantic plot. Her first novel was published in 1877; That Lass o' Lowrie's was a story of Lancashire life. After moving with her husband to Washington, D.C., Burnett wrote the novels Haworth's (1879), Louisiana (1880), A Fair Barbarian (1881), and Through One Administration (1883), as well as a play, Esmeralda (1881), written with William Gillette...Her later works include Sara Crewe (1888) - later rewritten as A Little Princess (1905); The Lady of Quality (1896) - considered one of the best of her plays; and The Secret Garden (1909), the children's novel for which she is probably best known today. The Lost Prince was published in 1915..."

Classic novel for children. According to Wikipedia: "Edith Nesbit (married name Edith Bland; 15 August 1858 – 4 May 1924) was an English author and poet whose children's works were published under the name of E. Nesbit. She wrote or collaborated on over 60 books of fiction for children, several of which have been adapted for film and television. She was also a political activist and co-founded the Fabian Society, a precursor to the modern Labour Party.... Nesbit published approximately 40 books for children, both novels and collections of stories. Collaborating with others, she published almost as many more. According to her biographer Julia Briggs, Nesbit was "the first modern writer for children": "(Nesbit) helped to reverse the great tradition of children's literature inaugurated by [Lewis] Carroll, [George] MacDonald and Kenneth Grahame, in turning away from their secondary worlds to the tough truths to be won from encounters with things-as-they-are, previously the province of adult novels." Briggs also credits Nesbit with having invented the children's adventure story. Among Nesbit's best-known books are The Story of the Treasure Seekers (1898) and The Wouldbegoods (1899), which both recount stories about the Bastables, a middle class family that has fallen on relatively hard times. Her children's writing also included numerous plays and collections of verse. She created an innovative body of work that combined realistic, contemporary children in real-world settings with magical objects and adventures and sometimes travel to fantastic worlds."

Die Hirtin und der Schornsteinfeger Die Helden des M?rchens sind Porzellanfiguren: eine Hirtin, ein Schornsteinfeger und ein alter? Chinese, der will, dass die hübsche Hirtin einen geschnitzten Feldwebel heiratet. Das M?dchen ist damit nicht einverstanden, weil sein kleines Herz schon lange für den?? Schornsteinfeger schl?gt. Was passiert weiter?? Das k?nnt ihr hier erfahren. Die Erz?hlung ist sch?n und farbig illustriert.