Un roman tulbur?tor despre via??, iubire ?i moarte.Unde se afl? via?a noastr? con?tient?? E posibil s? o transfer?m altcuiva? S? o p?str?m intact??Hope, Josh ?i Luke sunt trei studen?i la neuro?tiin?e, lega?i inseparabil printr-o priete?nie necondi?ionat? ?i o idee genial?.C?nd unul dintre ei ajunge pe moarte, hot?r?sc s? ?ncerce imposibilul ?i s?-?i pun? ?n practic? proiectul lor ie?it din comun.Emo?ionant, misterios ?i ?n acela?i timp plin de umor, Orizontul r?sturnat e o poveste de dragoste etern? cu un dez?nod?m?nt uluitor."Cea mai bun? carte a lui Marc Levy! Teribil de captivant?!" - Le Parisien

Pe Nicolae Breban l-am citit, din primul an de facultate, a?a cum i-am citit pe marii scriitori: de la primul la ultimul titlu. ?n cazul s?u, mai mult poate dec?t ?n al oric?rui alt romancier postbelic, acest exerci?iu de fidelitate este obligatoriu. Romanele sale nu sunt indiferente unul fa?? de altul, ci comunic?, toate, ?ntre ele, alc?tuind un sistem omogen, ?n care fiecare pies? este necesar? ?i contribuie la armonia ?ntregului. De altfel, Breban a avut ?nc? de la primele c?r?i ambi?ia operei monumentale, displ?c?ndu-i fragmentarismul ?i proiectele care ?ncep ambi?ios, dar sucomba levantin. Romanele care au ap?rut p?n? ?n 1990, dup? care cititorii s?i fideli de p?n? atunci ?nc? mai suspin? nostalgic, ?n care marile sale teme sunt clar delimitate, reprezint? un reper nu doar pentru literatura rom?n? a ultimei jum?t??i de secol, ci ?i pentru opera ulterioara a scriitorului. C?r?ile publicate ?n ultimii dou?zeci ?i ceva de ani pierd mult dac? sunt citite ??n sine“, f?r? a fi raportate la ?ntregul operei brebaniene. Mai mult dec?t ?nainte, scriitorul a ?nceput s? se ?ntoarc? din ce ?n ce mai des la propriile crea?ii, s? le lege ?ntr-un silogism epic nu ?ntotdeauna facil de sesizat. Cine nu proiecteaz? ?ns? personajele, cazurile contorsionate, ac?iunile din ultimele ispr?vi epice ale autorului la vechile sale realiz?ri pierde imaginea de ansamblu, pierde poate chiar ?i ?calea de acces“ c?tre nucleul acestei opere majore. (Bogdan Cre?u).Ai o imens? ?tabl? de ?ah“, care se ?nt?mpl? s? fie lumea, manevrat? de dou? sisteme aparent antagonice (dar care se ?n?eleg foarte bine, fiindc? au fost de aceea?i parte a frontului ?n r?zboi), c?rora li se subsumeaz? unele subsisteme cu interese colaterale (cum a fost Lumea a treia sau alian?a ??rilor nealiniate). Dincolo de milioanele de mici episoade locale sau regionale care coloreaza jocul, unde se consuma nevroze f?r? num?r ?i mistific?ri extrem de sofisticate, dou? mize profunde r?m?n mereu pe tabl?, estompate ca relevan?? sau voit obscurizate, pentru a nu le vedea adversarul: planetarizarea surselor de energie ?i necesitatea cre?rii unui sistem inovator de control informa?ional, din care va ie?i, ?n cele din urm?, lumea Internetului de azi. Adic?, daca ne g?ndim bine, chiar cele dou? domenii ?n care comuni?tii au fost pu?i s? piard? partida, intr?nd apoi ?n colaps sistemic ?i ?n insolven??. Aminti?i-v? de ce se spunea dup? '89: c? Ceau?escu a fost mefient fa?? de computere. N-a fost singurul, din lumea comunista. Q.e.d. (?tefan Borbely)

Manualul redactorului. Introducere ?n teoria ?i practica edit?rii este descrierea clar? ?i concis? a unei ocupa?ii esen?iale ?n domeniul editorial. Adresat? ?n primul r?nd redactorilor specializa?i ?n carte nonfiction, lucrarea este structurat? ?n nou? capitole. Acestea trateaz?, pe r?nd, toate aspectele teoretice ?i practice pe care un redactor de carte aflat la ?nceput de carier? trebuie s? le cunoasc? pentru a-?i ?ndeplini ?n bune condi?ii sarcinile prev?zute ?n fi?a de post: multiplele ?n?elesuri ale termenului ?editor“, istoria concis? a edit?rii, domeniile generale ale c?r?ii de nonfic?iune, elementele componente ale unei c?r?i de nonfic?iune, personajele-cheie ale edit?rii ?i raporturile func?ionale dintre acestea, aspectele de etic? ?n rela?ia cu autorii, principiile de baz? ale legisla?iei rom?ne?ti ?n materie de drepturi de autor, etapele edit?rii ?i normele generale de editare prezentate sistematic, cu exemple concrete de tratare a unor situa?ii des ?nt?lnite ?n practica de zi cu zi (scrierea numelor proprii, scrierea numeralelor ?i a unit??ilor de m?sur?, folosirea abrevierilor, ?ntocmirea notelor ?i a bibliografiilor, ?ntocmirea indicilor de nume de persoane sau tematici, tratarea ilustra?iilor ?i a legendelor aferente etc.).

Povestea celui mai subestimat organ al corpuluiCheia unei vie?i mai s?n?toase ?i mai fericite se afl? ?n?untrul nostru.De?i intestinul este aproape la fel de important ca inima sau creierul, ?tim foarte pu?ine lucruri despre el. Giulia Enders ne arat? c?, departe de a fi doar acea parte utilitar? ?i – trebuie s? recunoa?tem – cam jenant? a corpului, a?a cum ne imagin?m, este unul dintre organele cele mai complexe, mai importante ?i chiar miraculoase ale anatomiei umane. Iar oamenii de ?tiin?? abia sunt pe cale s? descopere c?t de mult are acesta de oferit. Noi cercet?ri arat? c? bacteriile intestinale pot juca un rol ?ntr-o gam? larg? de afec?iuni, cum ar fi obezitatea, alergiile ?i Alzheimer.Pornind de la experien?a personal? a bolii care a inspirat munca ei de cercetare ?i continu?nd prin a explica totul de la fundamentele absorb?iei nutrimentelor la ultimele descoperiri ?tiin?ifice care leag? bacteriile intestinale de depresie, Enders a scris o carte de s?n?tate antrenant? ?i informativ?. ?armul discret al intestinului ne arat? f?r? t?gad? c? putem s? beneficiem cu to?ii de pe urma cunoa?terii minunatei lumi a func?ion?rii noastre interne.Mesajul autoarei este simplu: dac? ne trat?m bine intestinele, ?i ele ne vor trata le fel de bine. Dar cum ?i de ce trebuie s? facem asta? Putem afla citind aceast? surprinz?tor de agreabil? explorare a celui mai subestimat dintre organele noastre.?Cu entuziasm ?i un sim? al umorului foarte dezvoltat, Enders explic? tot ceea ce cititorii voiau ?i nu voiau s? ?tie despre intestinele lor... cartea aceasta sfideaz? plictiseala.“ – Publishers Weekly?Surprinz?tor, cartea se cite?te ca un thriller. Entuziasmul autoarei fa?? de subiectul tratat este contagios. Desenele alb-negru realizate de sora ei reu?esc s? aduc? un plus de informa?ii ?ntr-o manier? amuzant?. E ?mbucur?toare absen?a re?etelor ?i a limbajului tipic pentru c?r?ile de self-help.“ – Self Magazine

Povestea lui Andrei Mladin începe în anul 1983, când a ap?rut Atac în bibliotec?. Atunci cititorii au f?cut cuno?tin?? cu un tân?r jurnalist român glume?, dar ?i grav, în aparen?? superficial, dar tob? de carte ?i dedicat profesiei sale. Dup? ce îi ia un interviu unei violoniste celebre, Mihaela Comnoiu, el se treze?te implicat într-o situa?ie-limit?, descoperind un cadavru în biblioteca sa. La început, de fric?, Mladin eludeaz? mili?ia ?i se decide s? fac? propriile investiga?ii, devenind un detectiv f?r? voie. Treptat-treptat, descoper? c? în jurul lui s-a ?esut o conspira?ie care îi dore?te pieirea. Iste?imea ?i umorul care îl caracterizeaz? îl ajut? s? treac? prin întâmpl?ri periculoase ?i s? dezlege misterul. Totul se petrece într-un Bucure?ti în care sunt prezentate cozi la alimente, uleiul ?i zah?rul se dau pe cartel?, str?zile sunt luminate anemic, apa cald? nu curge la robinete, telefoanele sunt ascultate, cet??enii sunt supraveghea?i zi ?i noapte. Un ora? în care domne?te frica. ?i ast?zi unii se întreab? cum de a trecut de cenzur? un roman în care anchetatorul nu este un reprezentant al autorit??ilor ?i în care deseori se râde de cutumele unei epoci pe care propaganda o considera de „aur“. Dup? Atac în bibliotec? s-a realizat un film de-abia în 1992, scenariul din 1985 fiind respins de cenzura comunist?. Romanul a ap?rut în limba englez? în 2011, la editura londonez? Profusion (Attack in the Library), iar în 2015 în versiune francez?. „Atac în bibliotec? a reprezentat, la momentul lans?rii, o bomb? ale c?rei efecte au r?mas relevante ?i subversive pân? în ziua de azi.“ – Mike Phillips, scriitor britanic, laureat al premiului Silver Dagger acordat de CWA

Velence, 1408. Velencében, a titkok és rejtélyek városában semmi nem az, aminek látszik, és senki nem az, akinek mutatja magát. B?báj és ármány, árulás és vesztegetés – bármilyen eszk?z bevethet? a gy?zelemért. Kül?n?sen akkor, amikor a bizánci és a német-római császár is szemet vet a szépséges Lady Giulietta di Millionira. Az sem akadály, hogy a h?lgynek már van egy nem mindennapi k?rülmények k?z?tt fogant gyermeke… A két uralkodó valódi célja a gazdag városállam megszerzése. Velence sorsa három ember kezében van. Egyikük a frissen lovaggá üt?tt Sir Tycho, az angyalarcú démon, a kegyetlen Assassini-harcos, aki megóvta a várost a mameluk támadóktól. Csak egyet nem tud elérni – hogy a n?, akit szeret, viszontszeresse. Tycho szenved a napfényt?l, irtózik a vízt?l, s nem beszélhet az ?t kínzó titkokról. Miért is mentené meg újra a gy?l?lt várost – hiszen így szerelmét is végleg elveszítené. Tycho szíve h?lgye, a mesésen gazdag Lady Giulietta a másik ember, aki eld?ntheti Velence sorsát. Anya és ?zvegy alig tizenhét évesen. Fiának mostohaapja a német-római császár egyik fia, s mindezek ellenére még sz?z… Társuk Rosalyn, a kolduslány ?rokonlelke” Tychónak, aki visszahozza ?t a sírból, hogy mindhárman sz?vetségre lépve megküzdjenek a német császár vérfarkasaival, szembeszálljanak a bizánci mágus s?tét er?ivel, és megmentsék a város – s vele Giuliettát a házasságtól…

A roast – vagyis a celebek égetése, cikizése, kikarikírozása – az amerikai tévénéz?k számára már régóta kedvelt m?faj, és a Showder Klub humoristáinak k?sz?nhet?en tavaly óta már hazánkban sem teljesen ismeretlen. S?t, az internetes kommentel?k – még ha nem is tudnak m?fajteremt? viselkedésükr?l – már régóta részt vesznek ismert emberek roastolásában… K?nyv formájában azonban eddig még nem hódított teret magának a m?faj. A nagy Roast k?nyv els?dleges célja az olvasó megnevettetése, szórakoztatása, és semmiképpen sem a gy?l?lk?dési kedv kiszolgálása, gerjesztése. A k?tet szerz?i épp ezért nem vállalnak k?z?sséget a neten névtelenül vádaskodókkal, hanem arcukat, nevüket vállalva, az irónia, a humor eszk?zeivel mutatnak rá egyes személyek, karakterek, jelenségek, kulturális termékek hibáira, fonákságaira. Ez a k?nyv tehát azért született, hogy a bosszantót mulatságossá tegye, hogy a g?rbe elé még g?rbébb tükr?t tartson, és hogy kreatív és változatos módon vessen fel olyan kérdéseket, témákat, amelyek nap mint nap foglalkoztatják a k?z?nséget.

Ugye milyen jó lenne, ha a férfiak félszavakból is kitalálnák a legtitkosabb vágyainkat, a mosolyunk pedig elégedettséggel t?ltené el ?ket? REGINA SWOBODA a N?i rafinériában arra a nem kis feladatra vállalkozott, hogy a k?zhelyeket és sablonos válaszokat elkerülve bebizonyítsa: mindez k?nny?szerrel lehetséges.

Charles Dickens was born on 1812, in Portsea, England. His parents were middle-class, but they suffered financially as a result of living beyond their means. When Dickens was twelve years old, his family's dire straits forced him to quit school and work in a blacking factory, a place where shoe polish is made. Within weeks, his father was put in debtor's prison, where Dickens's mother and siblings eventually joined him. At this point, Dickens lived on his own and continued to work at the factory for several months. The horrific conditions in the factory haunted him for the rest of his life, as did the experience of temporary orphanhood. Apparently, Dickens never forgot the day when a more senior boy in the warehouse took it upon himself to instruct Dickens in how to do his work more efficiently. For Dickens, that instruction may have represented the first step toward his full integration into the misery and tedium of working-class life. The more senior boy's name was Bob Fagin. Dickens's residual resentment of him reached a fevered pitch in the characterization of the villain Fagin in Oliver Twist.??After inheriting some money, Dickens's father got out of prison and Charles returned to school. As a young adult, he worked as a law clerk and later as a journalist. His experience as a journalist kept him in close contact with the darker social conditions of the Industrial Revolution, and he grew disillusioned with the attempts of lawmakers to alleviate those conditions. A collection of semi-fictional sketches entitled Sketches by Boz earned him recognition as a writer. Dickens became famous and began to make money from his writing when he published his first novel, The Pickwick Papers, which was serialized in 1836 and published in book form the following year.??In 1837, the first installment of Oliver Twist appeared in the magazine Bentley’s Miscellany, which Dickens was then editing. It was accompanied by illustrations by George Cruikshank, which still accompany many editions of the novel today. Even at this early date, some critics accused Dickens of writing too quickly and too prolifically, since he was paid by the word for his serialized novels. Yet the passion behind Oliver Twist, animated in part by Dickens’s own childhood experiences and in part by his outrage at the living conditions of the poor that he had witnessed as a journalist, touched his contemporary readers. Greatly successful, the novel was a thinly veiled protest against the Poor Law of 1834.??In 1836, Dickens married Catherine Hogarth, but after twenty years of marriage and ten children, he fell in love with Ellen Ternan, an actress many years his junior. Soon after, Dickens and his wife separated, ending a long series of marital difficulties. Dickens remained a prolific writer to the end of his life, and his novels—among them Great Expectations, A Tale of Two Cities, A Christmas Carol, David Copperfield, and Bleak House—continued to earn critical and popular acclaim. He died of a stroke in 1870, at the age of 58, leaving The Mystery of Edwin Drood unfinished.??The Poor Laws: Oliver Twist’s Social Commentary?Oliver Twist opens with a bitter invective directed at the nineteenth-century English Poor Laws. These laws were a distorted manifestation of the Victorian middle class’s emphasis on the virtues of hard work. England in the 1830s was rapidly undergoing a transformation from an agricultural, rural economy to an urban, industrial nation. The growing middle class had achieved an economic influence equal to, if not greater than, that of the British aristocracy.??In the 1830s, the middle class clamored for a share of political power with the landed gentry, bringing about a restructuring of the voting system. Parliament passed the Reform Act, which granted the right to vote to previously disenfranchised middle-class citizens. This desire gave rise to the Evangelical religious movement and inspired sweeping economic and political change.

This fourth novel of Boothby's Dr. Nikola series reveals that Nikola has discovered all of the facts necessary to extend a human being's life. He has studied science and magic secrets of Tibetan monks. He explains: ?"It has been a long and tedious search, but such labour only makes success the sweeter. The machinery is now prepared; all that remains is to fit the various parts together. In six months' time, if all goes well, I will have a man walking upon this earth who, under certain conditions, shall live a thousand years."??To assist him, he hires a destitute young physician, who explains his predicament: ?"As ill luck would have it, however, I had got into the wrong set, and before I had been two years in the hospital was over head and ears in such a quagmire of debt and difficulties that it looked as if nothing but an absolute miracle co-uld serve to extricate me." ?That miracle seems to have come to him in the person of Dr. Nikola.??The nefarious and wealthy Nikola has purchased a remote castle in the north of England, where the seclusion will allow him and his new assistant and Nikola's deaf-mute malformed Chinese servant to conduct his grand experiment on a human subject. ? AUTHOR: Guy Newell Boothby was an Australian novelist and writer, born in Adelaide, son of Thomas Wilde Boothby, who for a time was a member of the South Australian Legislative Assembly. Guy Boothby's grandfather was Benjamin Boothby (1803-1868), judge of the supreme court of South Australia from 1853 to 1867. When Boothby was six, he traveled to England with his mother. Around 1890, he took the position of private secretary to the mayor of Adelaide, Australia, but was not content with the work due to little opportunity for advancement. He turned to his writing talents, writing librettos for 2 comic operas and stories about Australian life. Boothby moved back to the United Kingdom in 1894. He wrote over 50 books in the course of a decade, before dying of pneumonia in Bournemouth. Some of Boothby's earlier works were non-fiction, but later he turned to writing novels. He was once well known for his series of five novels about Doctor Nikola, an occultist anti-hero seeking immortality and world domination.

Karinthy legismertebb, legnépszer?bb m?ve mindmáig az ?gy írtok ti. Ez a m? hozta meg számára az ismertséget, ezzel a k?nyvével aratta els? igazi, nagy sikerét. A kávéházi játékokból, nemzedéktársainak kigúnyolásából alakult karikatúrasorozat id?vel tudatos enciklopédiává b?vült, s nemcsak a magyar szerz?k arcképcsarnoka teljesedett ki, hanem világirodalmi és m?faji tematikával is gazdagodott. Máig ható sikerének titka, hogy Karinthy a célba vett írói egyéniség egész karakterét, az alkotói modor és modorosság torzképét rajzolta meg. K?tetünk a Még mindig így írtok ti méltán híres gy?jteményén túl a korabeli lapokban megjelent k?zlések legjobb gúnyrajzait is tartalmazza.

THIS is the true story of Menie and Monnie and their two little dogs, Nip and Tup.Menie and Monnie are twins, and they live far away in the North, near the very edge.They are five years old. Menie is the boy, and Monnie is the girl. But you cannot tell which is Menie and which is Monnie,—not even if you look ever so hard at their pictures!That is because they dress alike.When they are a little way off even their own mother can't always tell. And if she can't, who canSometimes the twins almost get mixed up about it themselves. And then it is very hard to know which is Nip and which is Tup, because the little dogs are twins too.Nobody was surprised that the little dogs were twins, because dogs often are.But everybody in the whole village where Menie and Monnie live was simply astonished to see twin babies!They had never known of any before in their whole lives.Old Akla, the Angakok, or Medicine Man of the village, shook his head when he heard about them. He said, "Such a thing never happened here before. Seals and human beings never have twins! There's magic in this."The name of the twins' father was Kesshoo. If you say it fast it sounds just like a sneeze.Their mother's name was Koolee. Kesshoo and Koolee, and Menie and Monnie, and Nip and Tup, all live together in the cold Arctic winter in a little stone hut, called an "igloo."In the summer they live in a tent, which they call a "tupik." The winters are very long and cold, and what do you think! They have one night there that is four whole months long!For four long months, while we are having Thanksgiving, and Christmas, and even Lincoln's Birthday, the twins never once see the sun!

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Odysseia'n?n MO 800 ila 600 y?llar? aras?nda yaz?ld??? dü?ünülmektedir. Manzum eser ?lyada'n?n devam? niteli?indedir ve Yunan kahraman Odysseus'un Truva'n?n dü?ü?ünden sonra vatan? ?thaka'ya yapt??? maceralarla dolu uzun yolculu?u anlat?r. 10 y?l süren sava?tan sonra Odysseus'un ?thaka'ya d?nmesi 10 y?l?n? al?r, ve bu 20 y?ll?k uzakl???nda o?lu Telema?hus ve kar?s? Penelope ülkeyi y?netmek ve Penelope ile evlenerek (Odysseus'un oldu?u iddia edilmektedir) ?thaka'n?n hükümdar? olmak isteyen bir grup soylu ile mücadele etmek zorundad?rlar. ?iir Bat? edebiyat?n?n ve kültürünün temel eserlerinden say?l?r, ve antik Yunan kültürüne ???k tutan en ?nemli kaynaklardan biridir. Odysseia, Truva'n?n dü?mesinden 10 y?l sonra Odysseus'un ?thaca'ya evine d?nünceye kadar maceralar?n? anlat?r. ?lyada 10 y?l süren Truva Sava??, Odysseia, 10 y?l boyunca Odysseus'un ba??ndan ge?enlerden ibarettir. ?lyada, bir olay?, Odysseia ise bir ki?inin destan?n? anlat?r. Truva Destan?nda olaylar birbirini izleyecek ?ekilde anlat?l?r. Halbuki, Odysseia'da olaylar an?lar, geriye d?nü?ler, atlamalarla canland?r?l?r. Bat? dillerindeki Ulysses'nin türedi?i Latince Ulyxes, yi?idin bir Yunan leh?esinden al?nm?? ad?d?r. Odysseus (Ulysses, Ulis), kuzeybat? Yunanistan k?y?lar?n?n kar??s?nda bulunan ?thaca (?thaka, ?thake) adas?nda do?du. Babas?n?n ad? Learthes, anas?n?n ad? Antikleia idi. Yalan dolanda usta Autolykos'un k?z? olan Antikleia'n?n Learthes ile evlenmeden ?nce S?syphos ile yatt???, Odysseus'un bu birle?meden do?du?u da s?ylenir. Odysseus'un gen?li?i, Akhilleus'unki gibi hekim Kheiron'un yan?nda ge?ti. Birgün Odysseus, dedesi Autolykos'a konuk olarak gitti. Orada bir yaban domuzu av?na kat?ld? ve baca??ndan yaraland?. ??te, Truva Sava?? sona erdikten sonra, bir 10 y?l daha türlü maceralar ge?irerek ?thake'ye d?ndü?ünde, dad??? Eurykleia taraf?ndan ya?l? Odysseus'un tan?nmas?n? sa?layacak yara izi, bu yara izidir. Truva Sava??na kat?lmadan ?nce Odysseus, ?thake taht?na ??kt? ve kral oldu. Babas? Learthes'in o?lunu tahta nas?l ge?irdi?i pek anlat?lmaz. Ama kral olunca bir e? se?mesi olayl? oldu. Hemen dünyan?n en güzel k?z? Helena'ya talip oldu ama güzel k?z?n taliplilerinin ?oklu?undan ürkerek ondan vazge?ip, Helena'n?n babas?n?n karde?i ?karios'un k?z? Penelope'u (Penelopeia) istedi. Tyndereos'un ise akl? karmakar???k oldu?undan Odysseus'un bu yakla??m?n? ?nce be?enmedi. Odysseus ise Penelope'u almak i?in ?art?n? s?yledi. Tyndereos'u dü?tü?ü durumdan kurtaracak, buldu?u ??zümle kimse aras?nda kavga olmayacakt?. Bu arada Tyndereos'un k?z?n? türlü prensler, krallar ve sava???lar istiyorlar, türlü hediyeler g?nderiyorlard?. Tyndereos da onlar?n kalplerini k?r?p bir felakete yol a?mamaya ?al???yordu. Sonunda Tyndereos, Penelope'u vermeye raz? olunca Odysseus fikrini s?yledi: Kocas?n? Helena kendisi se?sin ama her kimi se?erse di?er tüm talipliler bunu sorun etmeyecek ve Helena'n?n kendine se?ece?i kocaya her zaman arka ??kmaya ant i?ecekti. Tyndareos, fikri be?endi ve i? k?z?n se?imine b?rak?ld?. ?karios ?nce herkesi yemin etmeye ?a??rd?. Herkes yemin etti, Odysseus dahil. Dünyan?n en güzel k?z? Helena, kocas? olarak Agamemnon'un karde?i Menelaos'u se?ti. Herkes karara sayg? duydu ve kabul etti. Herkes?e edilen bu yemin, ileride on y?l sürecek olan "Truva Sava??"na yol a?acakt?.

"A Daughter of the Snows" is Jack London's first novel. The novel features a strong female heroine, Frona Welse. Frona was born into a wealthy family and educated at Stanford but she takes to the Yukon trail after upsetting her father and his wealthy community of friends with her out-spoken ways and her innocent friendship with the town's prostitute. "All ready, Miss Welse, though I'm sorry we can't spare one of the steamer's boats." Frona Welse arose with alacrity and came to the first officer's side. "We're so busy," he explained, "and gold-rushers are such perishable freight, at least—" "I understand," she interrupted, "and I, too, am behaving as though I were perishable. And I am sorry for the trouble I am giving you, but—but—" She turned quickly and pointed to the shore. "Do you see that big log-house Between the clump of pines and the river I was born there." "Guess I'd be in a hurry myself," he muttered, sympathetically, as he piloted her along the crowded deck.Everybody was in everybody else's way; nor was there one who failed to proclaim it at the top of his lungs. A thousand gold-seekers were clamoring for the immediate landing of their outfits. Each hatchway gaped wide open, and from the lower depths the shrieking donkey-engines were hurrying the misassorted outfits skyward. On either side of the steamer, rows of scows received the flying cargo, and on each of these scows a sweating mob of men charged the descending slings and heaved bales and boxes about in frantic search. Men waved shipping receipts and shouted over the steamer-rails to them. Sometimes two and three identified the same article, and war arose. The "two-circle" and the "circle-and-dot" brands caused endless jangling, while every whipsaw discovered a dozen claimants. "The purser insists that he is going mad," the first officer said, as he helped Frona Welse down the gangway to the landing stage, "and the freight clerks have turned the cargo over to the passengers and quit work. But we're not so unlucky as the Star of Bethlehem," he reassured her, pointing to a steamship at anchor a quarter of a mile away. "Half of her passengers have pack-horses for Skaguay and White Pass, and the other half are bound over the Chilcoot. So they've mutinied and everything's at a standstill." "Hey, you!" he cried, beckoning to a Whitehall which hovered discreetly on the outer rim of the floating confusion. A tiny launch, pulling heroically at a huge tow-barge, attempted to pass between; but the boatman shot nervily across her bow, and just as he was clear, unfortunately, caught a crab. This slewed the boat around and brought it to a stop. "Watch out!" the first officer shouted. ABOUT AUTHOR: John Griffith "Jack" London (born John Griffith Chaney, January 12, 1876 – November 22, 1916) was an American author, journalist, and social activist, Authors of; "The Pearls of Parlay" and "The Heathen", and of the San Francisco Bay area in The Sea Wolf. And also; as his dystopian novel The Iron Heel, his non-fiction exposé The People of the Abyss, and The War of the Classes.

Half way up the side of a tall tree there was a round hole in the trunk. The hole was lined with soft, dried leaves, and bits of white, fluffy cotton, from the milkweed plant. And, if you looked very carefully at the hole, you might see, peering from it, a little head, like that of a very small kitten, and a pair of very bright eyes.??But it was not a kitten that looked from the little hole in the trunk of the tree. Kitties can climb trees, but they do not like to live in them. They would rather have a warm place behind the stove, with a nice saucer of milk.??Now if I tell you that the little creatures who lived in this hole-nest had big, fluffy tails, and that they could sit up on their hind legs, and eat nuts, I am sure you can guess what they were.??Squirrels! That’s it! In the nest, half way up the big tree in the woods, lived a family of gray squirrels, and I am going to tell you about them, or, rather, more particularly, about one of the little girl squirrels whose name was Slicko.

In studying these Lessons please remember 3 points:— 1. Not one useless or superfluous sentence is written. Every word is full of meaning. They are highly condensed. Think deeply over them. 2. They are meant as a practical supplement to the 'Spiritual Consciousness,' 'Soul-Force' and 'Inner Forces.' Studied side by side, these lessons will yield a great deal of benefit. You are expected to think hard and long. 3. Let none expect speedy or miraculous results. All spiritual training calls for infinite patience and?deep reverence unto the Guru. Constant rise and fall accompanies all progress. CONCENTRATION AND THOUGHT-CONTROL. Student! Your life is your own. You have only yourself to thank for what you are, have been and will be. Take your present into your own hand. Consciously shape out of it your future. Direct your forces along lines of study and endeavour that have the strongest attraction for you. Such attraction is the indication of need. It is the hand pointing out your Life-purpose. What your heart desires earnestly and clamours for incessantly is attracted to you out of the invisible supply, i.e., the means, the environments, the right sort of persons, books and thought-forces are drawn to you and then you are expected to work out your desire. This is in perfect accord with the great Law of Attraction. Some call it God: since it answers all sincere prayers. Prayer, remember, is the sincere desire of the heart. I take it that you hunger for Truth and Spiritual Growth—else you and I would not be here. The instructions given you hereunder are meant to give you a strong body and a strong will. They will also tend to your Soul-Unfoldment. Talk not of them. Keep your mouth closed. Be serious, earnest and thoughtful. Then work at them confidently and with perseverance. Do not be daunted by apparent failures. Failure is the stepping-stone to Success. He fails who gives up a thing in final despair. Go on, I say. You will improve from the very first day, and in a short time you will be another man. All the leaders of humanity, past or present, have studied and investigated with tireless zeal along the special lines and, in Spiritual culture, you must do the same. But you must have health, a strong will and a steady brain, and I will enable you to have these positively.?

Внеобычноммире,которыйсостоитизсовокупностейнародныхсказок, мифовилегендживётдевушкапоимениЛисяИнь-лучшаяученицамастера КунгФу,мечтающаястатьсильнейшиммастеромнасвете. ОднаждыгероинеприходитписьмосприглашениемпоучаствоватьвТысячелетнем турнире-битве,средисамыхвеликолепныхдевушекнавсёмбеломсвете.Но неожиданноподаренныйдругомдревнийартефактпревращаетдевушкувпарня. Чтобыизбавитьсяотпроклятия,онаотправляетсявдлинноепутешествиепо опасномуитаинственномумиру.

All the peoples of the world have preserved myths and legends about a secret government which rules everything invisibly, making the most important decisions for humanity according to the just Laws of the Cosmos. This world government is Shambhala the Resplendent, headed by the Great Lord, who was once known all over the world as Prester John, a mysterious king of the East. Although this hidden government has little in common with earthly regimes, it still offered its help to leaders of different countries often. The acceptance of this higher assistance would bring these countries unprecedented flourishing, while its rejection would result in their inevitable decline. So what does the Hierarchy of Light, this biblical Jacob’s Ladder connecting the Earth and Heaven, represent? According to what laws does it rule in the Universe and on our planet? And how can you become a colleague of the Hierarchy? In Book 5 of The Teaching of the Heart series, the Lord of Love and Compassion, the Supreme Head of the Hierarchy on our planet, will tell you about the Teachers who guide life on the Earth and oppose the forces of darkness. He will help you comprehend one of the most fundamental and immutable laws of all creation: the Law of Hierarchy. In addition, in the book’s pages you will learn about an innermost link between the Teachers and their disciples and also how you yourself can come closer to the Hierarchy of Light and become its loyal colleague. The clear realization of the Hierarchy of Light will enable you to accelerate your spiritual ascent and attain the Higher Leadership, which will guide and protect you in all the righteous undertakings that you do for the good of all humanity. Will your heart accept the Supreme Guidance?

ngerii i rsu-plnsu reprezint un caleidoscop de proze scurte, diverse ca registru narativ i plasament tipologic, realiste sau misterioase n explorarea unor universuri afective imprevizibile n dezvoltarea ideaiei. n mare, e aici ceea ce s-ar numi Active Fictions Show. Naraiunile sunt de un laconism galo-latin, dar, n anumite pasaje, sintagme, discursuri ceva mai ample, dndu-i drumul“ spre o fantazare lingvistic, verbocreatorie, sau cvasiverbocreatorie, n descrierea existenei uor surdinizate, interiorizate, spre vis, spre supra-realitate a posibilitii noastre de a ne imagina cu ochii nchii, mijii sau chiar larg deschii. n diversitatea textelor s-ar ntmpla parc o multipl deschidere de ui, dar i plasare de antene pentru captarea semnalelor din psihocosmicitatea existenei n fantastic, n basm (intelectual, modern), n vis. E o concomiten (i interaciune) a cercetrii prin art i a intuiiei, a veridicului i a inefabilului. Leo Butnaru este un diavol cu barb care scapr din copite de sidef la mijloc de ru i de bine, adic ntr-o lume din scoar de mr domnesc plutind pe creasta valurilor ce le nal Prutul. Se vrea gladiator de destine, dar nu tie s i-l pzeasc pe al su, ceea ce nseamn c este un poet adevrat.Leo, ridic vslele i las vntul s te poarte spre limanul Nistrului romnesc, spre Delta uimirilor ce le adun Europa lng Ceatalul Ismail, spre misterele Carpailor. (Fnu Neagu) Dei tritor n lumea Prutului de dincolo, Leo aparine organic literaturii romne. Ai spune c triete la Bucureti, Rduti sau Rmnicu Srat... (Mihail Glanu)

ansa jocului i comunicrii cu necuvnttoarele“ – animale, psri, peti i alte lighioane, graie sensibilitii, mrinimiei, intuiiei, aduce copiilor foloase existeniale, recunoscute de psihologi, pedagogi, puericultori, artiti, savani, recent chiar de politicieni europeni verzi“ ce susin importana relaionrii omului cu Natura, calitile ei formative i estetice, aportul ei de vitalitate, echilibru, normalitate. Cartea de fa se refer, prin mijloacele poeziei i desenului – apte adesea a fi nelese mai uor de cei mici, dect de maturi – la bogia subiectelor vizuale i afective naturale, ce nc ne stau la dispoziie, alturi de lumea artificial pe care ne-o completeaz. Poezioare i imagini reformuleaz virtual un univers slbatic diminuat ct s ncap n raftul bibliotecii, n viziunea sever a printelui grijuliu, circumspect fa de orice pericole din planul fizic, dar mai ales n orizontul deschis al legitimei investigaii infantile. Strofele scrise n limbile romn, englez, francez dau un plus de universalitate unui ndemn generic: Admirai i iubii animalele!