High into air are the great New York buildings lifted by a ray whose source no telescope can find.It seemed only fitting and proper that the greatest of all leaps into space should start from Roosevelt Field, where so many great flights had begun and ended. Fliers whose names had rung—for a space—around the world, had landed here and been received by New York with all the pomp of visiting kings. Fliers had departed here for the lands of kings, to be received by them when their journeys were ended. Of course Lucian Jeter and Tema Eyer were disappointed that Franz Kress had beaten them out in the race to be first into the stratosphere above fifty-five thousand feet. There was a chance that Kress would fail, when it would be the turn of Jeter and Eyer. They didn't wish for his failure, of course. They were sports-men as well as scientists; but they were just human enough to anticipate the plaudits of the world which would be showered without stint upon the fliers who succeeded. The warship simply vanished into the night sky. "At least, Tema," said Jeter quietly, "we can look his ship over and see if there is anything about it that will suggest something to us. Of course, whether he succeeds or fails, we shall make the attempt as soon as we are ready.""Indeed, yes," replied Eyer. "For no man will ever fly so high that another may not fly even higher. Once planes are constructed of unlimited flying radius ... well, the universe is large and there should be no end of space fights for a long time."

Macbeth (full title The Tragedy of Macbeth) is a tragedy written by William Shakespeare, and is considered one of his darkest and most powerful works. Set in Scotland, the play dramatizes the corrosive psychological and political effects produced when evil is chosen as a way to fulfil the ambition for power. The play is believed to have been written between 1599 and 1606, and is most commonly dated 1606. The earliest account of a performance of what was probably Shakespeare's play is the Summer of 1606, when Simon Forman recorded seeing such a play at the Globe Theatre. Macbeth is Shakespeare's shortest tragedy, and tells the story of a brave Scottish general named Macbeth who receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the throne for himself. He is then wracked with guilt and paranoia, and he soon becomes a tyrannical ruler as he is forced to commit more and more murders to protect himself from enmity and suspicion. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of arrogance, madness, and death. The play opens amidst thunder and lightning, and the Three Witches decide that their next meeting shall be with Macbeth. In the following scene, a wounded sergeant reports to King Duncan of Scotland that his generals—Macbeth, who is the Thane of Glamis, and Banquo—have just defeated the allied forces of Norway and Ireland, who were led by the traitorous Macdonwald and the Thane of Cawdor. Macbeth, the King's kinsman, is praised for his bravery and fighting prowess.In the following scene, Macbeth and Banquo discuss the weather and their victory. As they wander onto a heath, the Three Witches enter and greet them with prophecies. Though Banquo challenges them first, they address Macbeth, hailing him as "Thane of Glamis," "Thane of Cawdor," and that he shall "be King hereafter." Macbeth appears to be stunned to silence. When Banquo asks of his own fortunes, the witches inform him that he will father a line of kings, though he himself will not be one. While the two men wonder at these pronouncements, the witches vanish, and another thane, Ross, arrives and informs Macbeth of his newly bestowed title: Thane of Cawdor, as the previous Thane of Cawdor shall be put to death for his traitorous activities. The first prophecy is thus fulfilled, and Macbeth immediately begins to harbour ambitions of becoming king.King Duncan welcomes and praises Macbeth and Banquo, and declares that he will spend the night at Macbeth's castle at Inverness; he also names his son Malcolm as his heir. Macbeth sends a message ahead to his wife, Lady Macbeth, telling her about the witches' prophecies. Lady Macbeth suffers none of her husband's uncertainty, and wishes him to murder Duncan in order to obtain kingship. When Macbeth arrives at Inverness, she overrides all of her husband's objections by challenging his manhood, and successfully persuades him to kill the king that very night. He and Lady Macbeth plan to get Duncan's two chamberlains drunk so that they will black out; the next morning they will blame the chamberlains for the murder. They will be defenseless, as they will remember nothing.While Duncan is asleep, Macbeth stabs him, despite his doubts and a number of supernatural portents, including a hallucination of a bloody dagger. He is so shaken that Lady Macbeth has to take charge. In accordance with her plan, she frames Duncan's sleeping servants for the murder by placing bloody daggers on them. Early the next morning, Lennox, a Scottish nobleman, and Macduff, the loyal Thane of Fife, arrive. A porter opens the gate and Macbeth leads them to the king's chamber, where Macduff discovers Duncan's body. ABOUT AUTHOR: William Shakespeare ( 1564 (baptised) – 1616) was an English poet, playwright and actor, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and a few other verses, the authorship of some of which is uncertain. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare was born and brought up in Stratford-upon-Avon. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613 at age 49, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his physic

Лето – прекрасное время для приготовления салатов! Вам понадобятся всего 5 ингредиентов и 5 минут! Для каждого салата приведено 5 вариантов. Заменив один ингредиент, вы получите новые необычные вкусы. Вы удивитесь, сколько новых салатов можно сделать из привычных овощей, сыра, мяса, рыбы! Каждый салат описан пошагово, готовые блюда показаны на фото. Воспользуйтесь рецептами из книги и приготовьте ?Цезарь? или ?Нисуаз?, салат с копченой курицей и черносливом или крабовый, шопский или азиатский салат. Leto – prekrasnoe vremja dlja prigotovlenija salatov! Vam ponadobjatsja vsego 5 ingredientov i 5 minut! Dlja kazhdogo salata privedeno 5 variantov. Zameniv odin ingredient, vy poluchite novye neobychnye vkusy. Vy udivites', skol'ko novyh salatov mozhno sdelat' iz privychnyh ovoshhej, syra, mjasa, ryby! Kazhdyj salat opisan poshagovo, gotovye bljuda pokazany na foto. Vospol'zujtes' receptami iz knigi i prigotov'te ?Cezar'? ili ?Nisuaz?, salat s kopchenoj kuricej i chernoslivom ili krabovyj, shopskij ili aziatskij salat.

The Metamorphosis (German: Die Verwandlung, also sometimes translated as The Transformation) is a novella by Franz Kafka, first published in 1915. It has been cited as one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the Western world. The story begins with a traveling salesman, Gregor Samsa, waking to find himself transformed (metamorphosed) into a large, monstrous insect-like creature. The cause of Samsa's transformation is never revealed, and Kafka never did give an explanation. The rest of Kafka's novella deals with Gregor's attempts to adjust to his new condition as he deals with being burdensome to his parents and sister, who are repulsed by the horrible, verminous creature Gregor has become. Part I: One day, Gregor Samsa, a traveling salesman, wakes up to find himself transformed into a "ungeheures Ungeziefer", literally "monstrous vermin", often interpreted as a giant bug or insect. He believes it is a dream, and reflects on how dreary life as a traveling salesman is. As he looks at the wall clock, he realizes he has overslept, and missed his train for work. He ponders on the consequences of this delay. Gregor becomes annoyed at how his boss never accepts excuses or explanations from any of his employees no matter how hard working they are, displaying an apparent lack of trusting abilities. Gregor's mother knocks on the door and he answers her. She is concerned for Gregor because he is late for work, which is unorthodox for Gregor. Gregor answers his mother and realizes that his voice has changed, but his answer is short so his mother does not notice the voice change. His sister, Grete, to whom he was very close, then whispers through the door and begs him to open the door. All his family members think that he is ill and ask him to open the door. He tries to get out of bed, but he is incapable of moving his body. While trying to move, he finds that his office manager, the chief clerk, has shown up to check on him. He finally rocks his body to the floor and calls out that he will open the door shortly.

Боли в руках, ногах, коленях периодически испытывают многие, а с возрастом болевые ощущения усиливаются. В этой книге представлена подробная информация о заболеваниях, которые становятся причиной неприятных симптомов. Вы вновь ощутите радость от движения без боли! ? Клинические симптомы, диагностика и лечение заболеваний: артрит, остеоартроз, синдром усталых ног, подагра и др. ? Народные методы лечения: настои, отвары, компрессы, ванны ? Лечебная гимнастика, массаж и самомассаж, рефлексо- и парафинотерапия ? Рецепты здорового питания ? Очищение организма и профилактика заболеваний ? ?Скорая помощь? для снятия боли. Boli v rukah, nogah, kolenjah periodicheski ispytyvajut mnogie, a s vozrastom bolevye oshhushhenija usilivajutsja. V jetoj knige predstavlena podrobnaja informacija o zabolevanijah, kotorye stanovjatsja prichinoj neprijatnyh simptomov. Vy vnov' oshhutite radost' ot dvizhenija bez boli! ? Klinicheskie simptomy, diagnostika i lechenie zabolevanij: artrit, osteoartroz, sindrom ustalyh nog, podagra i dr. ? Narodnye metody lechenija: nastoi, otvary, kompressy, vanny ? Lechebnaja gimnastika, massazh i samomassazh, reflekso- i parafinoterapija ? Recepty zdorovogo pitanija ? Ochishhenie organizma i profilaktika zabolevanij ? ?Skoraja pomoshh'? dlja snjatija boli.

Автор – лауреат Пултцервсько прем Понад 60 тижнв у списку бестселерв The New York Times Входить до довгого списку рейтингу Financial Times Як звички впливают на життя Як, змнивши лише один шаблон поведнки, рзн люди змогли досягти успху: стати директором, придбати будинок, пробгти марафон В основу ц книжки лягли нтерв’ю з трьома сотнями науковцв директорв пдпримств, дослдження, проведен в десятках компанй. Проаналзувавши все це, автор зрозумв, як кожна людина може контролювати сво звички, щоб досягти успху. Дзнавшись, як створюються та руйнуються звички, ви зможете перебудувати шаблони поведнки, як соб забажате. Ви зрозумте, як змусити себе не палити, менше сти, займатися спортом, не кричати на близьких, ефективнше працювати. Avtor – laureat Pultcervs'ko prem Ponad 60 tizhnv u spisku bestselerv The New York Times Vhodit' do dovgogo spisku rejtingu Financial Times Jak zvichki vplivajut na zhittja Jak, zmnivshi lishe odin shablon povednki, rzn ljudi zmogli dosjagti usphu: stati direktorom, pridbati budinok, probgti marafon V osnovu c knizhki ljagli nterv’ju z tr'oma sotnjami naukovcv direktorv pdprimstv, dosldzhennja, proveden v desjatkah kompanj. Proanalzuvavshi vse ce, avtor zrozumv, jak kozhna ljudina mozhe kontroljuvati svo zvichki, shhob dosjagti usphu. Dznavshis', jak stvorjujut'sja ta rujnujut'sja zvichki, vi zmozhete perebuduvati shabloni povednki, jak sob zabazhate. Vi zrozumte, jak zmusiti sebe ne paliti, menshe sti, zajmatisja sportom, ne krichati na bliz'kih, efektivnshe pracjuvati.

Видано 45 мовами! Донна Тартт — лауреат Пул?тцер?всько? прем?? № 1 у списку 100 видатних книжок за верс??ю The New York Times Отямившись п?сля вибуху в музе?, тринадцятир?чний Тео ще не розум??, що там, п?д уламками, залишилися його мат?р ? його дитинство. Пробираючись до виходу, повз кам?ння та т?ла, в?н п?дбира? безц?нну картину фламандського майстра, яку так любила його мати. Дивний старий, вмираючи, в?дда? йому свого персня та просить винести картину зв?дси... Тео буде кидати ?з родини в родину, ?з Нью-Йорка до Амстердама, ?з глибин в?дчаю до ейфор??. Викрадений ?Щиголь? стане його прокляттям та над??ю на порятунок... Vidano 45 movami! Donna Tartt — laureat Pul?tcer?vs'ko? prem?? № 1 u spisku 100 vidatnih knizhok za vers??ju The New York Times Otjamivshis' p?slja vibuhu v muze?, trinadcjatir?chnij Teo shhe ne rozum??, shho tam, p?d ulamkami, zalishilisja jogo mat?r ? jogo ditinstvo. Probirajuchis' do vihodu, povz kam?nnja ta t?la, v?n p?dbira? bezc?nnu kartinu flamands'kogo majstra, jaku tak ljubila jogo mati. Divnij starij, vmirajuchi, v?dda? jomu svogo persnja ta prosit' vinesti kartinu zv?dsi... Teo bude kidati ?z rodini v rodinu, ?z N'ju-Jorka do Amsterdama, ?z glibin v?dchaju do ejfor??. Vikradenij ?Shhigol'? stane jogo prokljattjam ta nad??ju na porjatunok...

We sailed from Peru, (where we had continued for the space of one whole year) for China and Japan, by the South Sea; taking with us victuals for twelve months; and had good winds from the east, though soft and weak, for five months space, and more. But the wind came about, and settled in the west for many days, so as we could make little or no way, and were sometime in purpose to turn back. But then again there arose strong and great winds from the south, with a point east, which carried us up (for all that we could do) towards the north; by which time our victuals failed us, though we had made good spare of them. So that finding ourselves, in the midst of the greatest wilderness of waters in the world, without victuals, we gave ourselves for lost men and prepared for death. Yet we did lift up our hearts and voices to God above, who showeth his wonders in the deep, beseeching him of his mercy, that as in the beginning he discovered the face of the deep, and brought forth dry land, so he would now discover land to us, that we might not perish. And it came to pass that the next day about evening we saw within a kenning before us, towards the north, as it were thick clouds, which did put us in some hope of land; knowing how that part of the South Sea was utterly unknown; and might have islands, or continents, that hitherto were not come to light. Wherefore we bent our course thither, where we saw the appearance of land, all that night; and in the dawning of the next day, we might plainly discern that it was a land; flat to our sight, and full of boscage; which made it show the more dark. And after an hour and a half's sailing, we entered into a good haven, being the port of a fair city; not great indeed, but well built, and that gave a pleasant view from the sea: and we thinking every minute long, till we were on land, came close to the shore, and offered to land. But straightways we saw divers of the people, with bastons in their hands (as it were) forbidding us to land; yet without any cries of fierceness, but only as warning us off, by signs that they made. Whereupon being not a little discomforted, we were advising with ourselves, what we should do. During which time, there made forth to us a small boat, with about eight persons in it; whereof one of them had in his hand a tipstaff of a yellow cane, tipped at both ends with blue, who came aboard our ship, without any show of distrust at all. And when he saw one of our number, present himself somewhat before the rest, he drew forth a little scroll of parchment (somewhat yellower than our parchment, and shining like the leaves of writing tables, but otherwise soft and flexible,) and delivered it to our foremost man. In which scroll were written in ancient Hebrew, and in ancient Greek, and in good Latin of the school, and in Spanish, these words: Land ye not, none of you; and provide to be gone from this coast, within sixteen days, except you have further time given you. Meanwhile, if you want fresh water or victuals, or help for your sick, or that your ship needeth repairs, write down your wants, and you shall have that, which belongeth to mercy. This scroll was signed with a stamp of cherubim: wings, not spread, but hanging downwards; and by them a cross. This being delivered, the officer returned, and left only a servant with us to receive our answer. F. BACON About Author: Francis Bacon, 1561 – 1626), was an English philosopher, statesman, scientist, jurist, orator, essayist, and author. He served both as Attorney General and Lord Chancellor of England. After his death, he remained extremely influential through his works, especially as philosophical advocate and practitioner of the scientific method during the scientific revolution.Bacon has been called the father of empiricism. His works established and popularised inductive methodologies for scientific inquiry, often called the Baconian method, or simply the scientific method. His demand for a planned procedure of investigating all things natural marked a new turn in the rhetorical and theoretical framework for science, much of which still surrounds conceptions of proper methodology today.Bacon was knighted in 1603, and created Baron Verulam in 1618 and Viscount St. Alban in 1621; as he died without heirs, both peerages became extinct upon his death. He famously died of pneumonia, contracted while studying the effects of freezing on the preservation of meat. The succession of James I brought Bacon into greater favour. He was knighted in 1603. In another shrewd move, Bacon wrote his Apologies in defence of his proceedings in the case of Essex, as Essex had favoured James to succeed to the throne. The following year, during the course of the uneventful first parliament session, Bacon married Alice Barnham. In June 1607 he was at last rewarded with the office of solicitor general. The following year, he began working as the Clerkship of the Star Chamber. Despite a generous income, old debts still co

Underground* *The author of the diary and the diary itself are, of course, imaginary. Nevertheless it is clear that such persons as the writer of these notes not only may, but positively must, exist in our society, when we consider the circumstances in the midst of which our society is formed. I have tried to expose to the view of the public more distinctly than is commonly done, one of the characters of the recent past. He is one of the representatives of a generation still living. In this fragment, entitled "Underground," this person introduces himself and his views, and, as it were, tries to explain the causes owing to which he has made his appearance and was bound to make his appearance in our midst. In the second fragment there are added the actual notes of this person concerning certain events in his life.--AUTHOR'S NOTE. II am a sick man.... I am a spiteful man. I am an unattractive man. I believe my liver is diseased. However, I know nothing at all about my disease, and do not know for certain what ails me. I don't consult a doctor for it, and never have, though I have a respect for medicine and doctors. Besides, I am extremely superstitious, sufficiently so to respect medicine, anyway (I am well-educated enough not to be superstitious, but I am superstitious). No, I refuse to consult a doctor from spite. That you probably will not understand. Well, I understand it, though. Of course, I can't explain who it is precisely that I am mortifying in this case by my spite: I am perfectly well aware that I cannot "pay out" the doctors by not consulting them; I know better than anyone that by all this I am only injuring myself and no one else. But still, if I don't consult a doctor it is from spite. My liver is bad, well--let it get worse! I have been going on like that for a long time--twenty years. Now I am forty. I used to be in the government service, but am no longer. I was a spiteful official. I was rude and took pleasure in being so. I did not take bribes, you see, so I was bound to find a recompense in that, at least. (A poor jest, but I will not scratch it out. I wrote it thinking it would sound very witty; but now that I have seen myself that I only wanted to show off in a despicable way, I will not scratch it out on purpose!) When petitioners used to come for information to the table at which I sat, I used to grind my teeth at them, and felt intense enjoyment when I succeeded in making anybody unhappy. I almost did succeed. For the most part they were all timid people--of course, they were petitioners. But of the uppish ones there was one officer in particular I could not endure. He simply would not be humble, and clanked his sword in a disgusting way. I carried on a feud with him for eighteen months over that sword. At last I got the better of him. He left off clanking it. That happened in my youth, though. But do you know, gentlemen, what was the chief point about my spite? Why, the whole point, the real sting of it lay in the fact that continually, even in the moment of the acutest spleen, I was inwardly conscious with shame that I was not only not a spiteful but not even an embittered man, that I was simply scaring sparrows at random and amusing myself by it. I might foam at the mouth, but bring me a doll to play with, give me a cup of tea with sugar in it, and maybe I should be appeased. I might even be genuinely touched, though probably I should grind my teeth at myself afterwards and lie awake at night with shame for months after. That was my way.

In these times of ours, though concerning the exact year there is no need to be precise, a boat of dirty and disreputable appearance, with two figures in it, floated on the Thames, between Southwark bridge which is of iron, and London Bridge which is of stone, as an autumn evening was closing in. The figures in this boat were those of a strong man with ragged grizzled hair and a sun-browned face, and a dark girl of nineteen or twenty, sufficiently like him to be recognizable as his daughter. The girl rowed, pulling a pair of sculls very easily; the man, with the rudder-lines slack in his hands, and his hands loose in his waistband, kept an eager look out. He had no net, hook, or line, and he could not be a fisherman; his boat had no cushion for a sitter, no paint, no inscription, no appliance beyond a rusty boathook and a coil of rope, and he could not be a waterman; his boat was too crazy and too small to take in cargo for delivery, and he could not be a lighterman or river-carrier; there was no clue to what he looked for, but he looked for something, with a most intent and searching gaze. The tide, which had turned an hour before, was running down, and his eyes watched every little race and eddy in its broad sweep, as the boat made slight head-way against it, or drove stern foremost before it, according as he directed his daughter by a movement of his head. She watched his face as earnestly as he watched the river. But, in the intensity of her look there was a touch of dread or horror. Allied to the bottom of the river rather than the surface, by reason of the slime and ooze with which it was covered, and its sodden state, this boat and the two figures in it obviously were doing something that they often did, and were seeking what they often sought. Half savage as the man showed, with no covering on his matted head, with his brown arms bare to between the elbow and the shoulder, with the loose knot of a looser kerchief lying low on his bare breast in a wilderness of beard and whisker, with such dress as he wore seeming to be made out of the mud that begrimed his boat, still there was a business-like usage in his steady gaze. So with every lithe action of the girl, with every turn of her wrist, perhaps most of all with her look of dread or horror; they were things of usage. 'Keep her out, Lizzie. Tide runs strong here. Keep her well afore the sweep of it.' Trusting to the girl's skill and making no use of the rudder, he eyed the coming tide with an absorbed attention. So the girl eyed him. But, it happened now, that a slant of light from the setting sun glanced into the bottom of the boat, and, touching a rotten stain there which bore some resemblance to the outline of a muffled human form, coloured it as though with diluted blood. This caught the girl's eye, and she shivered. 'What ails you?' said the man, immediately aware of it, though so intent on the advancing waters; 'I see nothing afloat.' The red light was gone, the shudder was gone, and his gaze, which had come back to the boat for a moment, travelled away again. Wheresoever the strong tide met with an impediment, his gaze paused for an instant. At every mooring-chain and rope, at every stationery boat or barge that split the current into a broad-arrowhead, at the offsets from the piers of Southwark Bridge, at the paddles of the river steamboats as they beat the filthy water, at the floating logs of timber lashed together lying off certain wharves, his shining eyes darted a hungry look. After a darkening hour or so, suddenly the rudder-lines tightened in his hold, and he steered hard towards the Surrey shore. Always watching his face, the girl instantly answered to the action in her sculling; presently the boat swung round, quivered as from a sudden jerk, and the upper half of the man was stretched out over the stern.

Цветные вазочки разных форм, ажурные конфетницы, эффектные корзинки и практичные шкатулки – все это сможет связать и начинающая, и опытная мастерица! ? Вазочка из разноцветных вязаных листьев ? Ажурная корзинка в форме кувшинки ? Ваза в виде античной амфоры ? Конфетницы в форме бабочки и в технике фриформ и др. Понятные пошаговые инструкции, схемы и советы сделают процесс вязания приятным и увлекательным.Cvetnye vazochki raznyh form, azhurnye konfetnicy, jeffektnye korzinki i praktichnye shkatulki – vse jeto smozhet svjazat' i nachinajushhaja, i opytnaja masterica! ? Vazochka iz raznocvetnyh vjazanyh list'ev ? Azhurnaja korzinka v forme kuvshinki ? Vaza v vide antichnoj amfory ? Konfetnicy v forme babochki i v tehnike friform i dr. Ponjatnye poshagovye instrukcii, shemy i sovety sdelajut process vjazanija prijatnym i uvlekatel'nym.

Торты с сюрпризом сделают ваш праздник незабываемым! Их ароматная середина подарит в разрезе цветы из творожного теста, радужное сердце с цедрой лайма, милых шоколадных кошек, ежевичное омбре и даже признание в любви! Торты просты в приготовлении. Эффектные приемы работы с различными видами теста, наполнителями из цедры, орехов, кусочков желе и шоколадных капель, начинками и специальными трафаретами превращают обычный рецепт в кулинарный шедевр.Torty s sjurprizom sdelajut vash prazdnik nezabyvaemym! Ih aromatnaja seredina podarit v razreze cvety iz tvorozhnogo testa, raduzhnoe serdce s cedroj lajma, milyh shokoladnyh koshek, ezhevichnoe ombre i dazhe priznanie v ljubvi! Torty prosty v prigotovlenii. Jeffektnye priemy raboty s razlichnymi vidami testa, napolniteljami iz cedry, orehov, kusochkov zhele i shokoladnyh kapel', nachinkami i special'nymi trafaretami prevrashhajut obychnyj recept v kulinarnyj shedevr.

Чортова дванадцятка — досить змстовна й влучна характеристика збрки жахв за редакцю неперевершеного Ствена Джонса! Пд одню обкладинкою збран 12 гостроцкавих оповдань менитих майстрв горору. Дж. Гаррс, К. Ньюман, М. рей, Р. Кемпбелл та нш гарантують вам безсонну нч в атмосфер тамничост й мстики… Подейкують, що в паризькому Театр Жаху влаштовують кривав вистави. Тридцятидвохрчна Кейт Рд пдбралася надто близько до розгадки… (Гньоль) Вдомий актор Даррен Ловр на пку популярност… був, аж доки не розгнвав вдьму! (Забуття)Chortova dvanadcjatka — dosit' zmstovna j vluchna harakteristika zbrki zhahv za redakcju neperevershenogo Stvena Dzhonsa! Pd odnju obkladinkoju zbran 12 gostrockavih opovdan' menitih majstrv gororu. Dzh. Garrs, K. N'juman, M. rej, R. Kempbell ta nsh garantujut' vam bezsonnu nch v atmosfer tamnichost j mstiki… Podejkujut', shho v pariz'komu Teatr Zhahu vlashtovujut' krivav vistavi. Tridcjatidvohrchna Kejt Rd pdbralasja nadto bliz'ko do rozgadki… (Gn'ol') Vdomij aktor Darren Lovr na pku populjarnost… buv, azh doki ne rozgnvav vd'mu! (Zabuttja)

1. The architect should be equipped with knowledge of many branches of study and varied kinds of learning, for it is by his judgement that all work done by the other arts is put to test. This knowledge is the child of practice and theory. Practice is the continuous and regular exercise of employment where manual work is done with any necessary material according to the design of a drawing. Theory, on the other hand, is the ability to demonstrate and explain the productions of dexterity on the principles of proportion. 2. It follows, therefore, that architects who have aimed at acquiring manual skill without scholarship have never been able to reach a position of authority to correspond to their pains, while those who relied only upon theories and scholarship were obviously hunting the shadow, not the substance. But those who have a thorough knowledge of both, like men armed at all points, have the sooner attained their object and carried authority with them. 3. In all matters, but particularly in architecture, there are these two points:—the thing signified, and that which gives it its significance. That which is signified is the subject of which we may be speaking; and that which gives significance is a demonstration on scientific principles. It appears, then, that one who professes himself an architect should be well versed in both directions. He ought, therefore, to be both naturally gifted and amenable to instruction. Neither natural ability without instruction nor instruction without natural ability can make the perfect artist. Let him be educated, skilful with the pencil, instructed in geometry, know much history, have followed the philosophers with attention, understand music, have some knowledge of medicine, know the opinions of the jurists, and be acquainted with astronomy and the theory of the heavens. 4. The reasons for all this are as follows. An architect ought to be an educated man so as to leave a more lasting remembrance in his treatises. Secondly, he must have a knowledge of drawing so that he can readily make sketches to show the appearance of the work which he proposes. Geometry, also, is of much assistance in architecture, and in particular it teaches us the use of the rule and compasses, by which especially we acquire readiness in making plans for buildings in their grounds, and rightly apply the square, the level, and the plummet. By means of optics, again, the light in buildings can be drawn from fixed quarters of the sky. It is true that it is by arithmetic that the total cost of buildings is calculated and measurements are computed, but difficult questions involving symmetry are solved by means of geometrical theories and methods. 5. A wide knowledge of history is requisite because, among the ornamental parts of an architect's design for a work, there are many the underlying idea of whose employment he should be able to explain toGree inquirers. For instance, suppose him to set up the marble statues of women in long robes, called Caryatides, to take the place of columns, with the mutules and coronas placed directly above their heads, he will give the following explanation to his questioners. Caryae, a state in Peloponnesus, sided with the Persian enemies against Greece; later the Greeks, having gloriously won their freedom by victory in the war, made common cause and declared war against the people of Caryae. They took the town, killed the men, abandoned the State to desolation, and carried off their wives into slavery, without permitting them, however, to lay aside the long robes and other marks of their rank as married women, so that they might be obliged not only to march in the triumph but to appear forever after as a type of slavery, burdened with the weight of their shame and so making atonement for their State. Hence, the architects of the time designed for public buildings statues of these women, placed so as to carry a load..

Cunoa?te-te pe tine ?nsu?i Aceast? inscrip?ie reliefat? pe frontonul templului lui Apolo din Delfi a devenit principiul fundamental al filosofiei lui Socrate. Remarc?m de altfel c? majoritatea religiilor ?i ?nv???turilor antice ne ?ndeamn? c?tre aceea?i cunoa?tere fundamental?. ?Cunoa?te-te pe tine ?nsu?i!” s-a transformat ?ntr-o maxim? ?i un ?ndemn de urmat pentru majoritatea oamenilor, fiecare urm?ndu-?i propria cale. Ce ?nseamn? s? ne cunoa?tem? Ce suntem noi ?n realitate ?i ce este de (re)cunoscut referitor la fiin?a noastr?? Care este numitorul comun al tuturor ac?iunilor noastre? Care este aspira?ia l?untric? a fiec?ruia dintre noi, pentru ce facem tot ce facem ?i care este natura adev?ratei fericiri? Toat? c?utarea noastr? se rezum? la un lucru foarte simplu: g?sirea propriei identit??i. Poate fi adev?rata noastr? identitate o stare, o manifestare sau o experien??? Toate acestea sunt trec?toare, astfel c? dac? am fi fost una din ele, am fi disp?rut odat? cu ea. Nimic din ceea ce este supus schimb?rii, nimic din ceea ce apare ?i dispare nu poate constitui esen?a noastr?. Ceea ce suntem ?n realitate este permanent aici, percep?nd schimb?rile, apari?iile ?i dispari?iile experien?elor ?i a obiectelor din ele.

THE ARABIAN NIGHTS “THE ORIENT MAGIC” The Talking Bird, The Singing Tree, and the Golden WaterThe Story of the Fisherman and the GenieThe History of the Young King of the Black IslesThe Story of Gulnare of the SeaThe Story of Aladdin; Or, the Wonderful LampThe Story of Prince AgibThe Story of the City of BrassThe Story of Ali Baba and the Forty ThievesThe History of Codadad and His BrothersThe Story of Sinbad the Voyager The Talking Bird:It will be sufficient to break off a branch and carry it to plant in your gardenThe Fisherman and the GenieThe smoke ascended to the clouds, and extending itself along the sea and upon the shore formed a great mist The Young King of the Black IslesWhen he came to this part of his narrative the young king could not restrain his tearsGulnare of the SeaAnd she proceeded to burn perfume and repeat spells until the sea foamed and was agitatedAladdinAt the same time the earth, trembling, opened just before the magician, and uncovered a stone, laid horizontally, with a brass ring fixed into the middlePrince AgibAnd when the boat came to me I found in it a man of brass, with a tablet of lead upon his breast, engraven with names and talismans Prince AgibAt the approach of evening I opened the first closet and, entering it, found a mansion like paradiseThe City of BrassAnd when they had ascended that mountain they saw a city than which eyes had not beheld any greaterThe Story of Ali Baba and the Forty ThievesCassim ... was so alarmed at the danger he was in that the more he endeavoured to remember the word Sesame the more his memory was confoundedThe History of Codadad and His BrothersAs it drew near we saw ten or twelve armed pirates appear on the deckSecond Voyage of SinbadThe spot where she left me was encompassed on all sides by mountains that seemed to reach above the clouds, and so steep that there was no possibility of getting out of the valleyThird Voyage of SinbadHaving finished his repast, he returned to his porch, where he lay and fell asleep, snoring louder than thunder.. Little excuse is needed, perhaps, for any fresh selection from the famous "Tales of a Thousand and One Nights," provided it be representative enough, and worthy enough, to enlist a new army of youthful readers. Of the two hundred and sixty-four bewildering, unparalleled stories, the true lover can hardly spare one, yet there must always be favourites, even among these. We have chosen some of the most delightful, in our opinion; some, too, that chanced to appeal particularly to the genius of the artist. If, enticed by our choice and the beauty of the pictures, we manage to attract a few thousand more true lovers to the fountain-book, we shall have served our humble turn. The only real danger lies in neglecting it, in rearing a child who does not know it and has never fallen under its spell. You remember Maimoune, in the story of Prince Camaralzaman, and what she said to Danhasch, the genie who had just arrived from the farthest limits of China? "Be sure thou tellest me nothing but what is true or I shall clip thy wings!" This is what the modern child sometimes says to the genies of literature, and his own wings are too often clipped in consequence."The Empire of the Fairies is no more. Reason has banished them from ev'ry shore;Steam has outstripped their dragons and their cars,Gas has eclipsed their glow-worms and their stars."?douard Laboulaye says in his introduction to Nouveaux Contes Bleus: "Mothers who love your children, do not set them too soon to the study of history; let them dream while they are young.

In offering this study to a public accustomed only to the unquestioning acceptance of the home as something perfect, holy, quite above discussion, a word of explanation is needed. First, let it be clearly and definitely stated, the purpose of this book is to maintain and improve the home. Criticism there is, deep and thorough; but not with the intention of robbing us of one essential element of home life—rather of saving us from conditions not only unessential, but gravely detrimental to home life. Every human being should have a home; the single person his or her home; and the family their home. The home should offer to the individual rest, peace, quiet, comfort, health, and that degree of personal expression requisite; and these conditions should be maintained by the best methods of the time. The home should be to the child a place of happiness and true development; to the adult a place of happiness and that beautiful reinforcement of the spirit needed by the world's workers. We are here to perform our best service to society, and to find our best individual growth and expression; a right home is essential to both these uses. The place of childhood's glowing memories, of youth's ideals, of the calm satisfaction of mature life, of peaceful shelter for the aged; this is not attacked, this we shall not lose, but gain more universally. What is here asserted is that our real home life is clogged and injured by a number of conditions which are not necessary, which are directly inimical to the home; and that we shall do well to lay these aside. As to the element of sanctity—that which is really sacred can bear examination, no darkened room is needed for real miracles; mystery and shadow belong to jugglers, not to the truth. The home is a human institution. All human institutions are open to improvement. This specially dear and ancient one, however, we have successfully kept shut, and so it has not improved as have some others.

Iustopia este o insul?-stat ?n care forma de guvern?m?nt este iusocra?ia, bazat? pe suprema?ia Legii. De aceea, pre?edintele Cur?ii Supreme de Justi?ie este ?i pre?edintele Iustopiei. C?nd Lidia Staicu, cea care ocup? aceste dou? func?ii este ?antajat?, Robi Ciobanu (avocat ?n Societatea de avocatur? ?Ciobanii ?n Rob? ?i Asocia?ii“, dar ?i redactor ?ef al e-tabloidului de scandal juridic ?L’oierii“) ?mpreun? cu echipa lui sunt angaja?i s? o apere pe presupusa ?antajist?. De aici ?ncep adev?ratele problemele ale lui Robi ?i ale echipei sale. Vor renun?a la cauz? c?nd vor fi pu?i ?n situa?ia s? aleag? ?ntre L’oierii ?i client?? Vor crede ?n varianta clientei? Care va fi solu?ia final? dat? de Ma?in?ria Justi?iei Iustopiene?

Exerci?ii de Traducere gramatical? ?i Teste pentru examenele de admitere ?i orele de englez?, cu rezolvare.

A felh?k f?l?tt minden más. Még a szerelem is. Ki tudná ezt a legjobban, ha nem a négy légiutas-kísér?: a Szende, a Szórakozott, a D?g és a Sárm?r? Anna, Szonja, Dia és Dani – akiknek barátsága akkor kezd?d?tt, amikor mindannyian kezd?ként csatlakoztak az Air Budapest csapatához – mostanra igazi profivá váltak: átéltek majdnem katasztrófával végz?d? repül?utat és fedélzeti temetést, volt részük távol-keleti szexkalandokban és dermeszt? kultúrsokkban, megbirkóztak kihívó utasokkal és féltékeny kollégákkal. Sok mindent láttak, és még t?bbet tanultak. De vajon eleget-e ahhoz, hogy megtalálják a boldogságot? A Légikisasszonyok folytatásában továbbkísérhetjük az elválaszthatatlan négyes sorsát: mik?zben Anna még most sem hajlandó szembenézni a démonaival, Szonja álomesküv?r?l álmodozik, és ezzel majdnem kockára teszi a j?v?jét, Dia pedig újabban már nemcsak a ?Szexisten” becenévre hallgató rejtélyes utassal, hanem egy egész vízilabdacsapattal csalja egyébként kiváló férjnek ígérkez?, h?séges udvarlóját. ?s végül ott van Dani, aki saját múltja titkainak felkutatására indul – ám ezzel olyan útra lép, amelyr?l senki sem tudhatja, pontosan hová vezet…

What do Nightcreatures do? They fly from the South to the North. They tell stories in English on the way. They draw what you cannot see. They make friends. Don't you want to join them?