Science fiction comes in many flavors. Technological advances not too far-fetched or far off. For better or worse. Humanity’s next great leap, from Earth to the solar system and beyond. And of course, what sorts of creatures and cultures await us among the stars. Jason A. Adams and Kari Kilgore explore these areas and more, each with their own unique voice and twists of imagination. Come along for the adventure, near and far, tomorrow and into the future! Includes The Sound of Murder, GS-304, Renovations, The Garbage Belt, and Sunlit Dispositions. The Sound of Murder Self-improvement can be deadly. Insurance agency programmer Dana Sanderson only wants peace and quiet at work. A desire her micromanaging boss somehow never respects. Then the investigation of a rash of suspicious natural death claims lands on Dana’s laptop. Failure means huge payouts for the company. Success means a huge bonus for her. Find out if Dana’s risks outweigh her rewards in this clever digital mystery. GS-304 Mighty explorers of the galaxy Portarr and Flandarr inspect a non-descript watery planet in G-Sector. What they discover changes their lives. GS-304, the specimen that refuses to be a subject. Join the intrepid adventurers as they discover a strange beast that conquers their hearts. Renovations Bob Henderson despises the modern world. Talking elevators. Automated cars. Smart phones that track every move, mood, and thought. The day his office building grows security cameras in the halls, Bob realizes the modern world might despise him right back. What happens when the network decides to search for itself? The Garbage Belt Looking for humans? Just look for the garbage. From bones to plastic to dead electronics, people rarely manage to clean up after themselves. Humanity takes a long time to learn how to manage limited resources, too. The rare and precious get lost with the useless and plentiful. Meet Gayle Simmons, pilot of the Treasure Hunt. Rare and precious, in her sights. Sunlit Dispositions Sometimes, only Alex will do. A space station just exploded, and the Sunlit Spirit Empire calls in Alex, Free Troubleshooter extraordinaire. No last name needed. Alex wades into the strange world of Sunlit Spirit intrigue, gamma blaster in hand. Join Alex as he learns the deceptions behind the Truth.

It’s summer vacation, the weather’s great, and all the kids are having fun outside. So where’s Greg Heffley? Inside his house, playing video games with the shades drawn. Greg, a self-confessed “indoor person,” is living out his ultimate summer fantasy: no responsibilities and no rules. But Greg’s mom has a different vision for an ideal summer . . . one packed with outdoor activities and “family togetherness.” Whose vision will win out? Or will a new addition to the Heffley family change everything? F&P level: T

2050. The global village has disintegrated. The Third World War, ending in a stalemate, has left the planet split between two hostile powers, each with a captive sphere of influence. The Atlantic Ocean has become an American sea. West Africa is a desert of failed states and anarchy, dotted with mines and oil rigs, stockaded and armed by U. S. corporations. From their island outpost of St. Thomas, the Americans dispatch expeditions of geologists and mining engineers into the dangerous interior of the Dark Continent to search for untapped mineral resources. One such expedition has gone missing. Ekem “Crash” Ferguson, born in the U.S. in 2008 of African parents and abandoned to the care of foster parents, is a Captain in the Marine Corps. His career blocked and his marriage failing, he accepts an offer to proceed to Ghana on a one-man mission to find the missing experts. Unknown to his handlers, he has another mission. His arrival in Africa is inauspicious: in a shack amongst the coconut palms he comes across two human skeletons. This is only the first incident in what turns out to be a journey of discovery and self-discovery. “Magnificently crafted political fiction.” Andre Vltchek, author of Aurora and Exposing the Lies of the Empire.

Called to a crime scene, caught in a pursuit that will change his life forever. Or end it. Chief Deputy Randall Steadman knows how to read people, making him tough to face in the interrogation room. He learns the hard way those tactics don't apply at the poker table. Watching the last of his money disappear in a pile of plastic chips, Steadman thinks it can’t get worse. Then new disaster strikes, spinning him off on a quest to catch a killer and protect an innocent girl, aided only by his new and untried partner, Detective Cory Frost. Extortion, a deadly volcano, and a triple homicide mark the beginning of a long and winding road for Steadman and Frost. If you like books by C.J. Box, Thomas Perry, and Jeffery Deaver, you’ve just found a new favorite in Steadman’s Blind!

Henrik Ibsen (20th March, 1828 - 23rd May, 1906) is often referred to as the father of realism and ranked just below Shakespeare as Europe's greatest ever playwright especially as his plays are performed most frequently throughout the world after Shakespeare's. Ibsen was Norwegian and although set his plays in Norway, he wrote them in Danish and lived mot of his professional life in Italy and Germany. His affect on the theatre is still evident today and shapes the distinction of plays being art as opposed to entertainment since he broke down all previous traditions and explored issues, developed characterisation, revealed uncomfortable truths, challenged assumptions and brokedown facades in ourselves as well as society. These factors are clearly demonstrated in the Master Builder which is about Halvard Solness, an incredibly successful builder whose success is due to a lucky series of events which he had conceived and wished for but not actually done anything to make happen. These fortuitous occurrences for him and misfortunes for his competitors makes Solness think that he is divinely blessed to allow him to build churches and that all his wishes will come true. He confides these beliefs to a young woman he originally met as a child and together they fantasise about this magic power. At the same time his wife is uninterested in his buildings but consumed with grief over the loss of her two sons. Solness is ultimately destroyed by this infatuation for the younger woman together with his belief in his own infallibility making this Ibsen work a realistic tragedy with a thought provoking moral to the tale.

The Clever Teens' Guide to The Russian RevolutionThe communist system unleashed by the Russian Revolution of 1917 was the greatest political experiment ever conducted. The revolution promised freedom from the shackles of imperialism, corruption and exploitation but until its collapse in 1991, the peoples of the vast Soviet empire endured 70 years of misguided socialism and totalitarianism.The Clever Teens’ Guide to the Russian Revolution covers all the major facts and events giving you a clear and straightforward overview: from the circumstances behind the rise of Lenin and the Bolsheviks, to the consequences of their struggle for a new socialist utopia.Ideal for your “clever teenager”.

At long last, this is the definitive Wet Hot American Summer book fans have been clamoring for! Screenwriters David Wain and Michael Showalter take pen to page and create a hilarious, behind-the-scenes annotated version of the original screenplay that launched a thousand Halloween costumes. They provide commentary on and insight into how and why they made the artistic decisions they did while writing and filming the movie that went on to become a true cult classic, as well as an ongoing Netflix series. The book will also feature reproduced ephemera from filming-photos, original (and scathing) reviews, AIM chat conversations, marked up script pages, and so much more. Written and curated by Wain and Showalter, this will be the must-have guide to all things Wet Hot.

After the tragic sinking of a cargo ship, one solitary lifeboat remains bobbing on the wild, blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a zebra with a broken leg, a female orang-utan - and a 450-pound Royal Bengal tiger. Since it was first published in 2002, Life of Pi has entered mainstream consciousness and remains one of the most extraordinary works of fiction in recent years. In October 2005 Canongate launched a competition with The Times to find an artist to illustrate Yann Martel's international bestseller. Soon the competition expanded as the Globe and Mail and The Age newspapers also launched a search in Canada and Australia. From thousands of entries, Croatian artist Tomislav Torjanac was chosen as the illustrator for this new edition of Life of Pi. Now readers can enjoy this extraordinary tale with his glorious colour illustrations.

Sidney C. Philips, an easygoing Alabama teenager, enlisted along with a friend. 'Manila John' Basilone was the son of immigrants who found happiness in the rough-and-ready life of a marine. Eugene B. Sledge watched his best friend and brother go off to war - and finally rebelled against his parents to follow them. 'Shifty' Shofner was the scion of a prominent family with a long record of military service. Ensign Vernon 'Mike' Micheel left the family farm to complete flight school. Between America's retreat from China in late 1941 and the moment that MacArthur's plane landed in Japan in August 1945, these five men fought many of the key battles of the war in the Pacific. Here, Hugh Ambrose focuses on their real-life experiences and those of their fellow servicemen, enhancing and expanding upon the story told in the HBO miniseries. Covering nearly four years of combat with unprecedented access to military records, letters, journals, memoirs, photographs and interviews, this volume offers a unique historical perspective on the war against Japan, from the debacle in Bataan to the miracle of Midway, the relentless vortex of Guadalcanal, the black terraces of Iwo Jima and the killing fields of Okinawa - and ultimately the triumphant yet uneasy return home. These are the true stories of the men who put their lives on the line for their country, who were dispatched to the other side of the world to fight an enemy who preferred suicide to surrender; men who suffered hardship and humiliation in POW camps; men who witnessed casualties among soldiers and civilians alike; and men whose medals came at a shocking price - a price paid in full by all.

John Webster is known primarily for his two Jacobean tragedies, The Duchess of Malfi and The White Devil. Much of the detail and chronology of his life that led to these two pivotal works is, however, unknown. His father, a carriage maker also named John Webster, married a blacksmith's daughter, Elizabeth Coates, on November 4th, 1577, and it is likely that Webster was born within a year or two in or near London. The family lived in St. Sepulchre's parish. Both his father and his uncle, Edward Webster, were Freemen of the Merchant Taylors' Company and Webster attended Merchant Taylors' School in Suffolk Lane, London. Some accounts say he began to study law but nothing is certain although there are some legal aspects to his later works to suggest this may have been so. By 1602, Webster was employed working as part of various teams of playwrights on history plays, though unfortunately most were never printed and therefore do not survive. These include a tragedy Caesar's Fall (written with Michael Drayton, Thomas Dekker, Thomas Middleton and Anthony Munday), and a collaboration with Thomas Dekker; Christmas Comes but Once a Year (1602). This factory line assembly of plays may seem rather odd to us today but plays then ran for much shorter durations and consequently a steady supply had to be assured. Webster's relationship with Dekker seems to have been a good one. Together they wrote Sir Thomas Wyatt, printed in 1607, although it is thought first performed in 1602 and two city comedies, Westward Ho! in 1604 and Northward Ho! in 1605. It seems Webster also adapted, in 1604, John Marston's The Malcontent for staging by the King's Men. On March 18th, 1606 Webster married the 17-year-old Sara Peniall at St Mary's Church, Islington. Sara was 7 months pregnant and marrying during Lent required the issuing of a special permit, hence the certainty of the date. Their first child, John, was baptised at the parish of St Dunstan-in-the-West on March 8th, 1606. Records show that on the death of a neighbour, who died in 1617, several bequests were made to the Webster family and it is therefore thought that other children were born to the couple. Despite his ability to write comedy, and to collaborate with others, Webster is remembered best for his sole authorship on two brooding English tragedies based on Italian sources. The White Devil, retells the intrigues involving Vittoria Accoramboni, an Italian woman assassinated at the age of 28. It was performed at the open-air Red Bull Theatre in 1612 but was unsuccessful, perhaps being too high brow for a working-class audience. In 1614 The Duchess of Malfi was first performed by the King's Men, most probably in the indoor Blackfriars Theatre and to a more high-brow audience. It proved to be more successful. The play Guise, based on French history, was also written but him but no text has survived. Webster wrote one more play on his own: The Devil's Law Case (c. 1617-1619), a tragicomedy. He continued to write thereafter but always in collaboration and usually city comedies; Anything for a Quiet Life (c. 1621), with Thomas Middleton, and A Cure for a Cuckold (c. 1624), with William Rowley. In 1624, he also co-wrote a topical play about a recent scandal, Keep the Widow Waking (with John Ford, Rowley and Dekker). The play itself is lost, although its plot is known from a court case. There is also some certainty that he contributed to the tragicomedy The Fair Maid of the Inn with John Fletcher, John Ford, and Phillip Massinger. His Appius and Virginia, was probably written with Thomas Heywood, and is of uncertain date. It is believed, mainly from Thomas Heywood's Hierarchie of the Blessed Angels (licensed 7 November 1634) that speaks of him in the past tense that John Webster had died at some point in that year of 1634.

In Walt Disney Animation Studios upcoming film, Frozen, the fearless optimist Anna sets off on an epic journeyteaming up with rugged mountain man Kristoffto find her sister Elsa, whose icy powers have trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, Anna and Kristoff battle the elements in a race to save the kingdom. The Art of Frozen features concept art from the making of the filmincluding character studies and sculpts, color scripts, storyboards, and morealongside interviews with the film's artists about the making of this comedy-adventure. Disney

John Marston was born to John and Maria Marston nee Guarsi, and baptised on October 7th, 1576 at Wardington, Oxfordshire.Marston entered Brasenose College, Oxford in 1592 and earned his BA in 1594. By 1595, he was in London, living in the Middle Temple. His interests were in poetry and play writing, although his father's will of 1599 hopes that he would not further pursue such vanities.His brief career in literature began with the fashionable genres of erotic epyllion and satire; erotic plays for boy actors to be performed before educated young men and members of the inns of court.In 1598, he published 'The Metamorphosis of Pigmalion's Image and Certaine Satyres', a book of poetry. He also published 'The Scourge of Villanie', in 1598. 'Histriomastix' regarded as his first play was produced 1599. It's performance kicked off an episode in literary history known as the War of the Theatres; a literary feud between Marston, Jonson and Dekker that lasted until 1602.However, the playwrights were later reconciled; Marston wrote a prefatory poem for Jonson's 'Sejanus' in 1605 and dedicated 'The Malcontent' to him. Beyond this episode Marston's career continued to gather both strength, assets and followers. In 1603, he became a shareholder in the Children of Blackfriars company. He wrote and produced two plays with the company. The first was 'The Malcontent' in 1603, his most famous play. His second was 'The Dutch Courtesan', a satire on lust and hypocrisy, in 1604-5.In 1605, he worked with George Chapman and Ben Jonson on 'Eastward Ho', a satire of popular taste and the vain imaginings of wealth to be found in the colony of Virginia.Marston took the theatre world by surprise when he gave up writing plays in 1609 at the age of thirty-three. He sold his shares in the company of Blackfriars. His departure from the literary scene may have been because of further offence he gave to the king. The king suspended performances at Blackfriars and had Marston imprisoned.On 24th September 1609 he was made a deacon and them a priest on 24th December 1609. In October 1616, Marston was assigned the living of Christchurch, Hampshire.He died (accounts vary) on either the 24th or 25th June 1634 in London and was buried in the Middle Temple Church.

For many of us DH Lawrence was a schoolboy hero. Who can forget sniggering in class at the mention of Women In Love or Lady Chatterley's Lover? Lawrence was a talented if nomadic writer whose novels were passionately received, suppressed at times and generally at odds with Establishment values. This of course did not deter him. At his death in 1930 at the young age of 44 he was more often thought of as a pornographer but in the ensuing years he has come to be more rightly regarded as one of the most imaginative writers these shores have produced. As well as his novels and of course his poetry - he wrote in excess of 800 of them he was also a very talented playwright. These works have not been given quite the attention they deserve. Here we publish 'The Widowing of Mrs Holroyd.

A family road trip is supposed to be a lot of fun . . . unless, of course, you’re the Heffleys. The journey starts off full of promise, then quickly takes several wrong turns. Gas station bathrooms, crazed seagulls, a fender bender, and a runaway pig—not exactly Greg Heffley’s idea of a good time. But even the worst road trip can turn into an adventure—and this is one the Heffleys won’t soon forget.

The third volume in the New York Times bestselling Wes Anderson Collection series showcases the best artwork from ';Bad Dads,' an annual exhibition of art inspired by the films of Wes Anderson. Curated by Spoke Art Gallery in San Francisco, ';Bad Dads' has continued to grow and progress as a dynamic group exhibition since its inaugural show in 2011, and has featured work from more than 400 artists from around the world. Those artworks range from paintings to sculptures to limited-edition screen prints and vary greatly in style, making for a diverse and lively show each year. Though each piece is distinct in its own right, the artworks' unifying element is the shared imagery and beloved characters from: Bottle Rocket Rushmore The Royal Tenenbaums The Life Aquatic with Steve Zissou The Darjeeling Limited Fantastic Mr. Fox Moonrise Kingdom The Grand Budapest Hotel The book features an original cover by graphic artist Max Dalton, a foreword by writer and director Wes Anderson himself, and an introduction by TV and movie critic Matt Zoller Seitz, author of the bestselling Wes Anderson Collectionbooks. A visual treasure trove, Bad Dads grants fans of Wes Anderson another creative avenue to explore his inspired worlds and movies. Also available from Matt Zoller Seitz: The Oliver Stone Experience, Mad Men Carousel, The Wes Anderson Collection: The Grand Budapest Hotel, and The Wes Anderson Collection.

Wimpy Kid Just Got a Lot Cheesier Now you can enjoy the bestselling Diary of a Wimpy Kid series in a whole new way with this Special CHEESIEST Edition! Relive your favorite moments from the book that started it all, with this collectible version printed on premium paper and with a bold new design. You'll never look at Greg, Rowley, Manny, Rodrick, and Fregley the same way again. This Special CHEESIEST Edition is a must-have for longtime fans of the series and new readers alike. But before you open this book, you might want to cross your fingers-you wouldn't want to get the Cheese Touch!

From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, "e;some Grand Unified Theory of Coen-ness."e; The book combines critical text-biography, close film analysis, and enlightening interviews with key Coen collaborators-with a visual aesthetic that honors the Coens' singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers' oeuvre.

Edgar Rice Burroughs was born on September 1, 1875, in Chicago, Illinois. His early career was unremarkable. After failing to enter West Point he enlisted in the 7th Calvary but was discharged after heart problems were diagnosed. A series of short term jobs gave no indication as to a career path but finally, in 1911, married and with two young children, he turned his hand to writing. He aimed his works squarely at the very popular pulp serial magazines. His first effort 'Under The Moons Of Mars' ran in Munsey's Magazine in 1912 under the pseudonym Norman Bean. With its success he began writing full time. A continuing theme of his work was to develop series so that each character had ample opportunities to return in sequels. John Carter was in the Mars series and there was another on Venus and one on Pellucidar among others. But perhaps the best known is Tarzan. Indeed Burroughs wanted so much to capitalise upon the brand that he introduced a syndicated Tarzan comic strip, movies and merchandise. He purchased a large ranch north of Los Angeles, California, which he named "e;Tarzana."e; The surrounding communities outside the ranch voted in 1927 to adopt the name as their own. By 1932 Burroughs set up his own company to print his own books. Here we publish the second in the Barsoom series and its enduring hero John Carter 'The Gods of Mars'. Another cultural classic.

Thomas Patrick Betterton was born around 1635 in London.As can be understood exact records of much of his early life do not exist.We know he was apprenticed to John Holden, Sir William Davenant's publisher, and later John Rhodes, a bookseller, whose previous career was that of wardrobe-keeper at the Blackfriars Theatre. In 1659, Rhodes obtained a license to set up a company of players at the Cockpit Theatre in Drury Lane; and when the theatre re-opened the following year Betterton made his first stage appearance.By all accounts he was talented and was soon performing the leads. In 1661 a new theatre opened in Lincoln's Inn Fields. Davenant, the patentee of the Duke's Company, engaged Betterton and Rhodes's company to perform his 'The Siege of Rhodes'. Betterton was by now a public favourite and a royal favourite and keen on improving the presentation of plays and the management of theatres. Charles II sent him to Paris to examine stage improvements and then introduced the shifting scenes that replaced the tapestry backgrounds of English theatre.In 1662 Betterton married the actress Mary Saunderson. She and Betterton played opposite each other in a production of Hamlet' she played Ophelia, to his Hamlet. They were also invited to teach the children from noble and royal families to perform John Crowne's 'Calisto', 1675, in the last Stuart court Masque.Betterton was taller than average, athletic, with a strong rather melodious voice which was wonderfully dexterious. His repertory included Shakespearian roles, in versions adapted by Davenant, Dryden, Shadwell and Nahum Tate. In them his performances were praised. He played Lear opposite Elizabeth Barry's Cordelia in Tate's modified version of Shakespeare's 'King Lear'. Betterton was also the author of several popular adaptations.After Davenant's death in 1668, Betterton was the manager and director of the Duke's Company, and from the merger of London's two theatre companies in 1682, he continued these functions in the new United Company. However, in 1695, as this theatrical monopoly worsened conditions of the actors they all walked out. They set up a co-operative company in Lincoln's Inn Fields under Betterton's leadership. The first production was the premiere of Congreve's 'Love for Love' with Betterton as Valentine and Anne Bracegirdle as Angelica. After several years, audiences dwindled, profits fell and Betterton now older and stricken with gout decided to retire from the stage. At his benefit performance, where he again played Valentine in 'Love for Love, the profits are said to have been over GBP500.Betterton's career behind the stage was almost transformative. He invented new stage machines at Dorset Garden Theatre, transposed 'The Prophetess' into an opera, and introduced French singers and dancers to the Restoration stage. He also built the first permanent theatre fully equipped with Italianate machinery. Additionally, he invested in remodeling the tennis court in the Lincoln's Inn Fields and built a new theatre there. His salary was now topped up by a small "e;rent"e; fees for each performance played there.Betterton worked with all of the most significant playwrights of his age and performed with the first generation of English actresses. It is said that Betterton had more than 120 different roles at his command from heroic drama, Jonsonian comedy, comedies of manners, tragicomedies by Beaumont and Fletcher, and tragedies, comedies and histories by Shakespeare. At the age of seventy-five, he claimed, "e;He was yet learning to be an actor."e; Three days before his death at seventy-five, he made his last appearance on the stage in 1710, as Melantius in 'The Maid's Tragedy'. Thomas Betterton died on April 28th 1710. He was buried in Westminster Abbey.

In 1896 JM Synge met W. B. Yeats, who encouraged Synge to live for a while in the Aran Islands and then return to Dublin and devote himself to creative work. In 1897 Synge suffered his first attack of Hodgkin's disease, a form of untreatable cancer at the time, and also had an enlarged gland removed from his neck. In 1898, he spent his first summer on the Aran Islands and then continued for the next five collecting stories and folklore and perfecting his Irish but continued to live in Paris for the rest of the year. During this period, Synge wrote his first play, When The Moon Has Set. In 1903, Synge left Paris and moved to London. He had written two one-act plays, Riders to the Sea and The Shadow of the Glen the previous year. The Shadow of the Glen was performed at the Molesworth Hall in October 1903. Riders to the Sea was performed at the same venue in February the following year. The play widely regarded as his masterpiece, The Playboy of the Western World, was first performed in the Abbey on 26 January 1907. The comedy attracted a hostile reaction from the Irish public and thereafter a riot ensued. Described as "e;an unmitigated, protracted libel upon Irish peasant men, and worse still upon Irish girlhood"e;. Yeats returned from Scotland to address the crowd on the second night, and decided to call in the police. Press opinion soon turned against the rioters and the protests petered out. Synge died of Hodgkin's disease just weeks short of his 38th birthday on March 24th 1909 trying to complete his last play, Deirdre Of The Sorrows. He was buried in Mount Jerome Graveyard, Dublin.

The reality is that little is known of Aristophanes actual life but eleven of his forty plays survive intact and upon those rest his deserved reputation as the Father of Comedy or, The Prince of Ancient Comedy. Accounts agree that he was born sometime between 456BC and 446 BC. Many cities claim the honor of his birthplace and the most probable story makes him the son of Philippus of gina, and therefore only an adopted citizen of Athens, a distinction which, at times could be cruel, though he was raised and educated in Athens. His plays are said to recreate the life of ancient Athens more realistically than any other author could. Intellectually his powers of ridicule were feared by his influential contemporaries; Plato himself singled out Aristophanes' play The Clouds as a slander that contributed to the trial and condemning to death of Socrates and although other satirical playwrights had also caricatured the philosopher his carried the most weight. His now lost play, The Babylonians, was denounced by the demagogue Cleon as a slander against the Athenian polis. Aristophanes seems to have taken this criticism to heart and thereafter caricatured Cleon mercilessly in his subsequent plays, especially The Knights. His life and playwriting years were undoubtedly long though again accounts as to the year of his death vary quite widely. What can be certain is that his legacy of surviving plays is in effect both a treasured legacy but also in itself the only surviving texts of Ancient Greek comedy.