First published in 1903. Biographies of Balfour, Lord Salisbury, Lord Rosebery, Chamberlain, Labourchere, Morley, Burns, Hicks-Beach, Redmond,Harcourt, Bryce, Campbell-Bannerman, and the Earl of Aberdeen.

First published in 1880. According to Wikipedia: "The Anglo-Zulu War was fought in 1879 between the British Empire and the Zulu Kingdom. Following Lord Carnarvon's successful introduction of federation in Canada, it was thought that similar political effort, coupled with military campaigns, might succeed with the African kingdoms, tribal areas and Boer republics in South Africa. In 1874, Sir Henry Bartle Frere was sent to South Africa as High Commissioner for the British Empire to bring such plans into being. Among the obstacles were the presence of the independent states of the South African Republic and the Kingdom of Zululand and its army.[6] Frere, on his own initiative, without the approval of the British government[7][8] and with the intent of instigating a war with the Zulu, had presented an ultimatum on 11 December 1878, to the Zulu king Cetshwayo with which the Zulu king could not comply.[9] Cetshwayo did not comply and Bartle Frere sent Lord Chelmsford to invade Zululand.[10] The war is notable for several particularly bloody battles, including a stunning opening victory by the Zulu at Isandlwana, as well as for being a landmark in the timeline of imperialism in the region. The war eventually resulted in a British victory and the end of the Zulu nation's independence."

Based on research completed in 1997. Originally published by the Federal Research Division of the Library of Congress as part of the Country Studies/Area Handbook Series sponsored by the U.S. Department of the Army between 1986 and 1998. Each study offers a comprehensive description and analysis of the country or region's historical setting, geography, society, economy, political system, and foreign policy.

Originally published by the CIA, as an unclassified public document. Douglas MacEachin served as CIA's Deputy Director for Intelligence from 1993 to 1995 during his thirty-two year career at CIA. Mr. MacEachin was an officer-in-residence at Harvard University's John F. Kennedy School of Government, from 1995 to 1997, subsequently becoming a senior at the Kennedy School.

Excerpt from Memoirs of Extraordinary Popular Delusions. The essay begins: "The belief that disembodied spirits may be permitted to revisit this world, has its foundation upon that sublime hope of immortality, which is at once the chief solace and greatest triumph of our reason. Even if revelation did not teach us, we feel that we have that within us which shall never die; and all our experience of this life but makes us cling the more fondly to that one repaying hope. But in the early days of "little knowledge," this grand belief became the source of a whole train of superstitions, which, in their turn, became the fount from whence flowed a deluge of blood and horror. Europe, for a period of two centuries and a half, brooded upon the idea, not only that parted spirits walked the earth to meddle in the affairs of men, but that men had power to summon evil spirits to their aid to work woe upon their fellows. An epidemic terror seized upon the nations; no man thought himself secure, either in his person or possessions, from the machinations of the devil and his agents. Every calamity that befell him, he attributed to a witch."

Since Maidan in Kyiv and Russian presence in the Crimea, Ukraine has never been the same. In 2014, the country is deeply divided by the conflict imposed on the Ukrainians. But since nobody actually asked the nation, author Oleksandr Shyshko decided to take matters into his own hands and look for the answer to the ultimate question – who are the Ukrainians and what do they want. Shyshko spent his time researching the national identity of native Ukrainians, and as he went he stumbled on a discovery that led to yet another question – where is Ukraine going, the so-called Quo vadis? of the Ukrainian people. His findings and critical comments gave birth to this new book that is now for the first time being published in English. To Get Ukraine.

A profoundly influential figure in American psychology, William James (1842–1910) was also a philosopher of note, who used Charles S. Peirce's theories of pragmatism as a basis for his own conception of that influential philosophy. For James, this meant an emphasis on "radical empiricism" and the concept that the meaning of any idea — philosophical, political, social, or otherwise — has validity only in terms of its experiential and practical consequences. James propounded his theories of pragmatism in this book, one of the most important in American philosophy. In a sense, he wished to test competing systems of thought in the "marketplace of actual experience" to determine their validity, i.e. whether adopting a particular philosophical theory or way of looking at the world makes an actual difference in individual conduct or in how we perceive and react to the varieties of experience. In these pages, James not only makes a strong case for his own ideas, but mounts a powerful attack against the transcendental and rationalist tradition. For anyone interested in William James or the history of American philosophical thought, Pragmatism is an essential and thought provoking reference. In this handy, inexpensive edition, it will challenge and stimulate any thinking person.

This series of nonfiction readers will grab a student's interest from the very first page! Designed with struggling readers in mind, these riveting 92-page books offer short chapters on significant disasters. Each chapter is its own mini-book, which includes a timeline, key terms, and interesting facts. Fascinating black and white photographs keep the pages turning. A bibliography encourages further topical reading. Disasters are inherently frightening, riveting, and involving. Grabbed straight from the headlines, these disasters leave tragedy, destruction, and years of anguish: London Bridge, The Morro Castle, Chicago, The Iroquois Theater, Australia's Bush Fires, The Station Nightclub, The West Burns, and more.

This series of nonfiction readers will grab a student's interest from the very first page! Designed with struggling readers in mind, these riveting 92-page books offer short chapters on significant disasters. Each chapter is its own mini-book, which includes a timeline, key terms, and interesting facts. Fascinating black and white photographs keep the pages turning. A bibliography encourages further topical reading. Disasters are inherently frightening, riveting, and involving. Grabbed straight from the headlines, these disasters leave tragedy, destruction, and years of anguish: Vesuvius, Krakatoa, Mount Pelee, Mount St. Helens, Mount Pinatubo, Hawaii's Gentle Giants, The World's Most Active Volcanoes, and more.

Discover the astonishing true stories--that will make readers laugh, cry, and gasp--behind the headlines: The Boston Massacre, Pearl Harbor, Kent State, Sarajevo, Pentagon, Cyber Attacks, and more. This series of nonfiction readers will grab a student's interest from the very first page! Designed with struggling readers in mind, these riveting books offer short chapters on high-interest headlines. Each chapter is its own mini-book, which includes a timeline, key terms, and interesting facts. Fascinating black and white photographs keep the pages turning. A bibliography encourages further topical reading.

Discover the astonishing true stories--that will make readers laugh, cry, and gasp--behind the headlines: Ace Pilot, Spy Plane, Flight 007, Dark Horse Six, Passenger Planes, Navy Seal Team 6, and more. This series of nonfiction readers will grab a student's interest from the very first page! Designed with struggling readers in mind, these riveting books offer short chapters on high-interest headlines. Each chapter is its own mini-book, which includes a timeline, key terms, and interesting facts. Fascinating black and white photographs keep the pages turning. A bibliography encourages further topical reading.

Discover the astonishing true stories--that will make readers laugh, cry, and gasp--behind the headlines: Balboa in a Barrel, Harriet Tubman, Brown Tree Snakes, Guzman in the Wheel, Deadly Truck Trip, Man Ships Himself, The Case of the Huanglongbing, and more. This series of nonfiction readers will grab a student's interest from the very first page! Designed with struggling readers in mind, these riveting books offer short chapters on high-interest headlines. Each chapter is its own mini-book, which includes a timeline, key terms, and interesting facts. Fascinating black and white photographs keep the pages turning. A bibliography encourages further topical reading.

Discover the astonishing true stories--that will make readers laugh, cry, and gasp--behind the headlines: The Triangle Shirtwaist Fire, A Sticky Mess, The Iron Curtain, The Kursk, The Quecreek Mine Flood, The Chilean Miners, and more. This series of nonfiction readers will grab a student's interest from the very first page! Designed with struggling readers in mind, these riveting books offer short chapters on high-interest headlines. Each chapter is its own mini-book, which includes a timeline, key terms, and interesting facts. Fascinating black and white photographs keep the pages turning. A bibliography encourages further topical reading.

This eBook features the unabridged text of ‘Cousin Betty by Honoré de Balzac - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Collected Works of Honoré de Balzac’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Balzac includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Cousin Betty by Honoré de Balzac - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Balzac’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the text Please visit www.delphiclassics.com to learn more about our wide range of titles

This eBook features the unabridged text of ‘The Captive by Marcel Proust - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Marcel Proust’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Proust includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Captive by Marcel Proust - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Proust’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the text Please visit www.delphiclassics.com to learn more about our wide range of titles

This eBook features the unabridged text of ‘The Dolliver Romance by Nathaniel Hawthorne - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Nathaniel Hawthorne’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Hawthorne includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Dolliver Romance by Nathaniel Hawthorne - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Hawthorne’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the text Please visit www.delphiclassics.com to learn more about our wide range of titles

This eBook features the unabridged text of ‘The Touchstone by Edith Wharton - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Edith Wharton’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Wharton includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Touchstone by Edith Wharton - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Wharton’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the text Please visit www.delphiclassics.com to learn more about our wide range of titles

Uncle Tom's Cabin is a hugely influential story written by Harriet Beecher Stowe, a Connecticut-born teacher at the Hartford Female Academy and an active abolitionist. Stowe featured the character of Uncle Tom, a long-suffering black slave around whom the stories of other characters revolve. The sentimental novel depicts the reality of slavery while also asserting that Christian love can overcome something as destructive as enslavement of fellow human beings.

What is the meaning and purpose of life?’ ?This is, perhaps, the most important question that has ever been asked.? Throughout the ages, philosophers have considered it to be the most fundamental question.? Scientists, historians, philosophers, writers, psychologists and the common man all wrestle with the question at some point in their lives.? ‘Why do we eat?’ ?‘Why do we sleep?’ ?‘Why do we work?’ ?The answers we would get to these questions would be similar.? ‘I eat to live.’ ?‘I sleep to rest.’ ?‘I work to support myself and my family.’ ?But when it comes to what the purpose of life is, people are confused.? We see their confusion by the type of answers we receive.? Youths may say, "I live for booze and bikinis."? The middle aged professional might say, "I live to save enough for a comfortable retirement."? The old man would probably say, "I’ve been asking why I’m here most of my life.? If there’s a purpose, I don’t care anymore." ?And perhaps the most common answer will be, "I really don’t know!" How, then, do you discover the purpose of life? ?We basically have two options.? The first is to let ‘human reason’ - the celebrated achievement of the Enlightenment - guide us.? After all, the Enlightenment gave us modern science based on careful observation of the natural world.? But have post-Enlightenment philosophers figured it out? ?Camus described life as "absurd"; Sartre spoke of "anguish, abandonment and despair." ?To these Existentialists, life has no meaning. Islam is the response to humanity’s search for meaning.? The purpose of creation for all men and women for all times has been one: to know and worship God. The Quran teaches us that every human being is born conscious of God, "(Remember) when your Lord extracted from the loins of Adam’s children their descendants and made them testify [saying]: ‘Am I not your Lord?’ ?They said: ‘Yes, we testify to it.’ ?(This was) in case you say on the Day of Judgment: ‘We were unaware of this.’ ?Or you say: ‘It was our ancestors who worshipped others besides God and we are only their descendants.? Will you then destroy us for what those liars did?’"(Quran 7:172-173) The Prophet of Islam teaches us that God created this primordial need in human nature at the time Adam was made.? God took a covenant from Adam when He created him.? God extracted all of Adam’s descendants who were yet to be born, generation after generation, spread them out, and took a covenant from them.? He addressed their souls directly, making them bear witness that He was their Lord.? Since God made all human beings swear to His Lordship when He created Adam, this oath is imprinted on the human soul even before it enters the fetus, and so a child is born with a natural belief in the Oneness of God.? This natural belief is called fitra in Arabic.

El Principito habita un pequeísimo asteroide, que comparte con una flor caprichosa y tres volcanes. Pero tiene “problemas” con la flor y empieza a experimentar la soledad. Hasta que decide abandonar el planeta en busca de un amigo. Buscando esa amistad recorre varios planetas, habitados sucesivamente por un rey, un vanidoso, un borracho, un hombre de negocios, un farolero, un geógrafo… El concepto de “seriedad” que tienen estas “personas mayores” le deja perplejo y confuso. Prosiguiendo su búsqueda llega al planeta Tierra, pero, en su enorme extensión y vaciedad, siente más que nunca la soledad. Una serpiente le da su versión pesimista sobre los hombres y lo poco que se puede esperar de ellos. Tampoco el zorro contribuye a mejorar su opinión, pero en cambio le ensea el modo de hacerse amigos: hay que crear lazos, hay que dejarse “domesticar”. Y al final le regala su secreto: “Sólo se ve bien con el corazón. Lo esencial es invisible a los ojos”. De pronto el Principito se da cuenta de que su flor le ha “domesticado” y decide regresar a su planeta valiéndose de los medios expeditivos que le ofrece la serpiente. Y es entonces cuando entra en contacto con el aviador, también el hombre habrá encontrado un amigo… Cuando yo tenía seis aos vi en un libro sobre la selva virgen que se titulaba "Historias vividas", una magnífica lámina. Representaba una serpiente boa que se tragaba a una fiera. Esta es la copia del dibujo.En el libro se afirmaba: "La serpiente boa se traga su presa entera, sin masticarla. Luego ya no puede moverse y duerme durante los seis meses que dura su digestión". Reflexioné mucho en ese momento sobre las aventuras de la jungla y a mi vez logré trazar con un lápiz de colores mi primer dibujo. Mi dibujo número uno era de esta manera: Enseé mi obra de arte a las personas mayores y les pregunté si mi dibujo les daba miedo.-por qué habría de asustar un sombrero - me respondieron.Mi dibujo no representaba un sombrero. Representaba una serpiente boa que digiere un elefante. Dibujé entonces el interior de la serpiente boa a fin de que las personas mayores pudieran comprender. Siempre estas personas tienen necesidad de explicaciones. Mi dibujo número dos era así: Las personas mayores me aconsejaron abandonar el dibujo de serpientes boas, ya fueran abiertas o cerradas, y poner más interés en la geografía, la historia, el cálculo y la gramática. De esta manera a la edad de seis aos abandoné una magnífica carrera de pintor. Había quedado desilusionado por el fracaso de mis dibujos número uno y número dos. Las personas mayores nunca pueden comprender algo por sí solas y es muy aburrido para los nios tener que darles una y otra vez explicaciones.

n irul romanelor de mai trziu, dar mai cu seam n Viaa la ar […], n care temperamentul lui stilistic ajunge la formele unui clasicism plin de msur i claritate, Duiliu Zamfirescu renun n cea mai mare parte la manierismul trecutului. Analistul naturalist al strilor sufleteti struie, ba chiar se dezvolt n el, fr s mai simt nevoia apelului la nomenclatura i dialectica tiinei. Lirismul capt o pedal grav i simpl, i reflecia general ader parc mai adnc la impresia direct. […] Numeroase sunt pasagiile Vieii la ar n care amnuntul realist, umoristic sau graios, d via i adevr tablourilor.[…] ntocmai ca mai toi scriitorii realiti romni, pn cnd un Alexandru Macedonski cucerete sectoare noi ale artei descriptive, Duiliu Zamfirescu este mai ales un pictor al omului i al peisagiului, mai mult dect al lucrurilor i al interioarelor, care apar totui uneori n paginile lui. Remarcabil este apoi sub pana autorului Vieii la ar sau Tnase Scatiu pictura strilor de mulime, cu atta vreme nainte ca L. Rebreanu s dezvolte larg posibilitile acestui motiv. Vrednic de atenie este i evocarea vieii interioare, cu afundri ntr-o lume de imagini construite dup alte legi dect acele ale ateniei voluntare […]. Caracterul att de modern al procedeului nu poate scpa nimnui i el alctuiete punctul cel mai naintat al artei de analist a lui Duiliu Zamfirescu, atent la enigmele vieii sufleteti.“ – Tudor Vianu