Selec?ie de Teodor Dun? ?O parte a criticii a socotit c? Mazilescu este un ?poet de limbaj?, elaborat, rafinat, atras de artificiu, nu cu scopul exacerb?rii retorice a limbajului, ci, din contr?, pentru configurarea unui minimalism poetic, prin distorsiuni sintactice, blancuri, omisiuni, ?ntreruperi etc. ce au rolul de a revela o insolitare suplimentar? a limbajului poetic. Eugen Negrici caracteriza lirica lui Mazilescu prin formula fericit?: ?o stilistic? a eschivei?. Virgil Mazilescu trebuie privit, ?ns?, nu doar ca un poet al limbajului, oric?t de ?ncifrat, ci ?i ca un poet al fiin?ei, cu un discurs liric ce are o miz? clar ontologic?, dispus? chiar ?ntr-un registru neoexpresionist, un discurs ce ?ncorporeaz? ?n sine ‘?marile teme? ale modernit??ii: moartea, nebunia, suferin?a, Poezia cu ?majuscul?? ?i care percepe ?mistica poeziei ca instrument de m?ntuire, gravitatea rostirii? (Mircea C?rt?rescu)’.“ – Iulian Boldea

Camil L. A. Camil este un alt nume. Persoana din spatele lui Camil L. A. Camil nu-?i asum? responsabilitatea celor scrise, de?i voi crede?i c? i-ar apar?ine de drept. ?Probabil”, g?nde?te acea persoan?, poeziile scrise de Camil L. A. Camil sunt retu?uri ?n trans?.” Eu nu sunt la?, dar nu mai ?tiu unde ?i c?nd am scris cele ce urmeaz?! S? fie uitarea singurul meu viciu?

O carte pe s?pt?m?n? reprezint? norma decent? pentru un critic de ?nt?mpinare, cu at?t mai mult cu c?t el mai scrie ?i studii sau eseuri, ??i duce copilul la ?coal?, plimb? c?inele pe trasee lungi, dinainte calculate, petrece mult timp printre studen?i la cursuri ?i seminarii, formeaz? oameni tineri ?i ?ncurajeaz? debuturi, fiind prezent c?teva ore zilnic ?i pe Internet, pentru a prelua comenzi de colaborare sau ca s? onoreze unele mai vechi, cu scaden?e ?n general respectate. Cartea de fa?? prezint? jum?tatea pedanta, disciplinat? a celui care a scris, ca un program personal de evaziune, Visul lupului de step?: 52 de texte, dedicate scriitorilor rom?ni, formeaz? aici un ?an ideal“ consacrat literaturii recente, compus din respect pentru munca altora, din admira?ie ?i entuziasm, dar ?i din responsabilitatea critic? a disocierilor lucide, tran?ante, atunci c?nd cazurile o impun. Practic?nd cu pl?cere cronica de ?nt?mpinare de mai bine de 30 de ani, autorul c?r?ii de fa?? ?tie prea bine c? nu laude a?teapt? ?n primul r?nd scriitorul rom?n din partea criticului s?u, ci ?n?elegerea obiectiv? a demersului literar ?i onestitate. ?n consecin??, se prea cuvine ca recenzentul s? r?m?n? un om marginal ?i s? priveasc? vedetele din penumbr?. ?n ultim? instan??, critica de ?nt?mpinare devine stil prin coregrafia subtil? a distan??rilor reciproce: a scriitorului de sine ?nsu?i prin intermediul criticului s?u, ?i a acestuia din urm? de propria sa fixa?ie, prin mijlocirea c?r?ilor mereu noi pe care le cite?te.

O edi?ie aniversar?, dedicat? unuia dintre cei mai mari creatori europeni, realizat? cu participarea unor importante personalit??i ale culturii rom?ne (Nicolae Balota, Eugen Simion, Nicolae Manolescu etc.); edi?ie special? ce con?ine o bogat? iconografie. Textele sunt menite s? omagieze o legend? vie a literaturii rom?ne – ctitor, al?turi de Liviu Rebreanu ?i Hortensia Papadat-Bengescu, al romanului modern.

Το συγγραφικ? αυτ? ?ργο ε?ναι απ?σταγμα των ιδια?τερων συναισθηματικ?ν δεσμ?ν του συγγραφ?α με το εσ?τερο κομμ?τι τη? ψυχ?? του και τον αν?τερο φ?λακα ?γγελ? του, ?που ο ?διο? ο ?γγελο? μιλ? με σαφ?νεια και απαρ?μιλλη αγ?πη προ? αυτ?ν, μεταφ?ροντα? την ευλογ?α που συναντ? κανε?? στα κρυμμ?να καταπρ?σινα λιβ?δια του καρδιακο? πεδ?ου, ?που επ?ση? τα ροζ λουλο?δια επικρατο?ν. Ε?ναι πρ?γματι μια προσωπικ? μελ?τη γεμ?τη με πλο?σια συναισθ?ματα, ?που τι? ιερ?? στιγμ?? τη? σιωπ?? αναδ?ονται τα στοιχε?α του πυρ?να τη? ?παρξη? και αυτ? αντιμ?χονται την κ?λπικη προσωπικ?τητα, με νικηφ?ρα πορε?α την υπ?ρμαχο αγ?πη και τη συμπ?νια για κ?θε τι που υπ?ρχει σ?μερα. ?Μπορε? το σ?μερα να νικ?σει την εμμον? στο παρελθ?ν και το φευγι? στο μ?λλον?? ... Μα δεν υπ?ρχει τ?ποτε ?λλο παρ? μ?νο αυτ? η στιγμ? που διαβ?ζει? αυτ? την απλ? φρ?ση!!!... Υπ?ρχει? τ?ρα!!!...

Deja de lado lo que estás leyendo en la web sobre Elon Musk. Hay una cantidad de información más significativa que no se limita a hablar solo sobre su genio y sus logros. Este libro expone la vida que tuvo antes de llegar a los Estados Unidos y mira al ni?o que se encuentra en su interior, quien se abrió camino por sí solo, y literalmente pasó por los fuegos del infierno antes de obtener las oportunidades que deseaba.No cayó en la riqueza y no trabajó dentro de la escalera corporativa, sino que Elon conformó cada parte de su vida que puedes ver hoy. Algunas de las historias que encontrarás en este libro te sorprenderán, asombrarán y cambiarán la forma en que consideras tus propios desafíos. De llegar a un nuevo país con pocos dólares y no conocer a nadie, trabajar en granjas y limpiar los animales, hasta trabajar en el fuego de un horno tóxico. Lee sobre el hombre que está a punto de hacer que este planeta sea un lugar más seguro para vivir.Elon Musk es una inspiración para una generación porque representa muchos de los valores que definen a los Millennials de hoy y a los de la Generación X. Desde PayPal hasta Tesla, la fuerza impulsora que construyó estos íconos de la imaginación fue el deseo de hacer del mundo un lugar mejor para todos: y nunca se trató sobre el dinero. Este libro te da una mirada y un análisis más profundo de un hombre que desafía el molde tradicional de lo que es ser industrial, emprendedor y triunfador.

40 éves lettem. Bibliai értelemben – ha egy emberéletet 80 esztend?ben mérünk – eljutottam az élet felére. Ezért a cím: Félélet. 6 k?tet, kisregények sorozata után elgondolkodtam, miért is írok, hogyan jutottam el addig a pontig, amikor tollat vettem a kezembe. Végül ráj?ttem, és magam is meglep?dtem, hogy az els? nyomtatásban megjelent írásom 1996-ból való, ha innen indulok, akkor az életem felében írtam. Mindenfélét: verset, cikket, naplót, t?rténeteket. Ezekb?l állt ?ssze ez, az életem els? felét ?sszegz? k?tet. Nem változtattam a rég leírt szavakon, gondolatokon, akkor és ott jók voltak, ma is megfelelnek. Sokan kísértek az úton. K?sz?net jár mindazoknak, akiket illet, hogy eddig eljutottam. Indulok tovább. 2017. október 13. Csüll?g Ferenc

The grandfather of Nell Trent wants to make sure his granddaughter is provided for when he dies. His memory of his daughter’s suffering and premature death gives him a fear of poverty. This obsession results in his financial and physical ruin. Nell and her grandfather flee and embark on a journey that has no destination. For Nell, all she wants is a peaceful existence with enough to subsist on.??They come across many interesting people in their travels and are often met with the kindness of strangers. Yet, underneath an animated and colorful world, they also encounter the bleak reality of the industrial age. From simple villages and fields of flowers, they cross into a dirty city full of mass unemployment and plague victims—where children die from starvation and are left on the curb.??The story isn’t just about Nell and her grandfather, but the people who are connected to them directly or indirectly. There is Richard Swiveller, a careless young man who is a friend of Nell’s plotting brother, who wants Swiveller to marry Nell for the fortune he thinks she has. Daniel Quilp, the malicious dwarf, has a vendetta against the grandfather—who was the one person who managed to fool him. There is honest Kit, who finds himself the victim of spite of people he never harmed. Kit desires to help Nell, whoM he worships as a personal angel that has always inspired the best in him. The mysterious Bevis Marks, who is a generous patron to some and an enemy to others, also has his own reasons for finding Nell and her grandfather.??Unique to this book, unlike Dickens other works, is a fairy tale quality to the story. It is certainly a book of contrasts: the purity of Nell compared to the sadistic depravity of Quilp, fresh air and scenic villages to the polluted, stone covered city, etc. Even people’s reactions to the book revealed a stark contrast. At first, Nell Trent was praised as the most perfect Dickens character. Later, she was ridiculed and criticized by many well-known people like Oscar Wilde. While characters in other Dickens books are moving towards a better future, Nell and her grandfather are fleeing their life—and their story is moving towards an ending.??The Old Curiosity Shop was inspired by a personal tragedy in Dickens life. Nell Trent is based on the seventeen year old sister-in-law of Dickens who lived with him and whom he was fond of. The girl collapsed and died suddenly after the family had come home from the theater, probably due to undiagnosed heart disease. The story is a time capsule—full of references of popular songs, literature, and scandals of the period. As to be expected of a Dickens novel, there is social commentary on the plight of the poor. The Old Curiosity Shop delves into the unknown world of freak shows and other traveling entertainers—showing a magical world, yet one with a dark underside to it.

Pachamama Peaches a is a collection of poetry and prose about life. The poems explore femininity, friendship, relationships, nature, beauty and art imitating life. Each poem serves an individual purpose that is subject to the minds of each reader.

In a tale of sand, songs, survival and untimely erections, it takes a trek along the Australian coastline for Benjamin Allmon to find himself, and the true key to happiness. It is 2006. After more than a decade trying to make it in the music industry, singer-songwriter Ben is getting desperate. As his former bandmates settle into sensible careers he gives it one last shot and records his debut album. The only problem – how to promote it?? In homage to the Deep South bluesmen who walked and played their way to Chicago, he decides to trek 1000 kilometres of Australian coastline. Kissing his girlfriend goodbye, he sets off with a guitar, a sleeping bag and a heroic miscalculation of what he’s getting into.? Beset by bushfires, dingoes, and septuagenarian nudists, fame seems to forever be over the horizon. Penniless and lost, the tour soon becomes a matter of survival instead of climbing the charts. Through his encounters with the people you only meet when walking slow and sleeping rough, Ben realises that what he wanted at the outset has changed enormously.

Alexander Pope Complete Works World's Best Collection This is the world’s best Alexander Pope collection, including the most complete set of Pope’s works available plus many free bonus materials. Alexander Pope Alexander Pope was an 18th-century English poet, best known for his satirical verse and for his translation of Homer. After Shakespeare and Tennyson, he is the third-most frequently quoted writer in The Oxford Dictionary of Quotations. The ‘Must-Have’ Complete Collection In this irresistible collection you get a full set of Pope’s work, All his poems, All his plays, All his legendary translations, Famous satires, Rarities and all his other works. Plus a bonus biography. Works Included: An Essay On Criticism An Essay On Man Moral Essays To Several Persons Satires Poems?Including: The Rape Of The LockOde On Solitude The Temple Of Fame Translations From Ovid Sappho To Phaon The Dying Christian To His Soul Elegy To The Memory Of An Unfortunate Lady Messiah To A Lady, With The Temple Of Fame The Looking-Glass Poems Suggested By Gulliver Epitaphs On Two Lovers Struck Dead By Lightning Universal Prayer Longer Works?Including: The Dunciad The Iliad The Odyssey Three Hours After Marriage Your Free Special Bonus Alexander Pope Biography - a full length biography about Pope’s intriguing and fascinating life. Get This Collection Right Now This is the best Pope collection you can get, so get it now and start enjoying and being inspired by his world like never before!

Tenta?ia magnific?rii excesive a valorilor autohtone compor?t? nu pu?ine primejdii. Pe cele, mai ales, de a suscita acuza?ii de ?protocronism“, de etnocentrism, de ?localit?“, de p??unism sau ?esprit de clocher“, de ignorare a tabloului mondial al evolu?iilor ?n domeniul vizat, acuza?ii care, e adev?rat, pot fi drepte sau ne?drepte: criteriul r?m?ne legat de o chestiune de relativizare ?i de dozaj, deci de proced?ri ?nzestrate prin excelen?? cu o foarte firav? voca?ie consensual?. Am mai evocat, cu alt prilej – vorbind despre romanele lui D. ?epeneag, pe care nu le socoteam inferioare celor ale nobelizatului Claude Simon – de riscul reedit?rii sindromului ?Notre grand Arghiropoulos“, ironizat (cu simpatie, totu?i!) de E. Lovinescu ?n Aquaforte. Tot c?ut?nd, ?ns?, s? evit?m acest risc, ajungem s? ne expunem altuia: cel de a subaprecia, ?n pofida evi?den?ei, un num?r, deloc mic, de valori certe ale literaturii noastre postbelice. Nicolae B?rna

Su historia es diferente a la de las otras personas exitosas en la historia. Su ética laboral es conocida, pero a la vez diferente. ?Qué hay en él que lo hace un súper triunfador? ?Qué lo hace conducir intensamente hacia sus objetivos? ?Por qué puede convertir una idea en un éxito sorprendente? Léelo, y descúbrelo. La necesidad de comprender a los que triunfan más allá de nuestra propia imaginación es inherente a todos nosotros. El deseo innato es impulsado por nuestra profunda y subyacente necesidad de encontrar mejores formas para lograr nuestros objetivos, comprender nuestros sue?os y elevarnos hasta lograr nuestros desafíos.?Este libro trata sobre los eventos subyacentes de Jeff Bezos y las formas en que influyeron en su vida, además de conocer la forma en que respondió y los usó para su beneficio. El libro no pretende conocer las fibras que componen el contenido de su corazón; ningún hombre puede saberlo. Pero lo que hace es encadenar múltiples eventos y ver las sombras que proyecta.Todo eso es descrito para que usted pueda encontrar los elementos que podrían ser su semilla, logro y grandeza. La historia de Bezos traza el camino desde que fue joven, observa sus acciones y logros, y descifra la existencia de su mayor logro, Amazon, de una manera que refleja su carácter, intelecto y educación.

This volume collects the complete works of Edgar Allan Poe (Wikipedia). It started out as a restructuring and reformatting of the 1903 “Raven Edition” of his works—and then it grew.I have rearranged the texts according to genres in the order of first publications (though still using the later revised versions). I added all the stories, poems, essays, and some miscellanea that were missing in the “Raven Edition”. Thus, you’ll find in this collection: THE TALESMetzengerstein, The Duc de L’Omelette, A Tale of Jerusalem, Loss of Breath, Bon-Bon, Ms. Found in a Bottle, The Assignation, Berenice, Morella, Lionizing, The Unparalleled Adventures of One Hans Pfaal, King Pest, Shadow—A Parable, Four Beasts in One—The Homo-Cameleopard, Mystification, Silence—A Fable, Ligeia, How to Write a Blackwood Article, A Predicament, The Devil in the Belfry, The Man that Was Used Up, The Fall of the House of Usher, William Wilson, The Conversation of Eiros and Charmion, Why the Little Frenchman Wears his Hand in a Sling, The Business Man, The Man of the Crowd, The Murders in the Rue Morgue, A Descent into the Maelstr?m, The Island of the Fay, The Colloquy of Monos and Una, Never Bet the Devil Your Head, Eleonora, Three Sundays in a Week, The Oval Portrait, The Masque of the Red Death, The Landscape Garden, The Mystery of Marie Rogêt, The Pit and the Pendulum, The Tell-Tale Heart, The Gold-Bug, The Black Cat, Diddling, The Spectacles, A Tale of the Ragged Mountains, The Premature Burial, Mesmeric Revelation, The Oblong Box, The Angel of the Odd, Thou Art the Man, The Literary Life of Thingum Bob, Esq, The Purloined Letter, The Thousand-and-Second Tale of Scheherazade, Some Words with a Mummy, The Power of Words, The Imp of the Perverse, The System of Doctor Tarr and Professor Fether, The Facts in the Case of M. Valdemar, The Sphinx, The Cask of Amontillado, The Domain of Arnheim, Mellonta Tauta, Hop-Frog, Von Kempelen and his Discovery, X-ing a Paragrab, Landor’s Cottage.THE POEMSPoetry, O, Tempora! O, Mores!, Tamerlane, Song, Dreams, Spirits of the Dead, Evening Star, Imitation, Stanzas, A Dream, The Happiest Day, The Lake —— to ——, To Margaret, Alone, Sonnet—to Science, Al Aaraaf, Romance, To ——, To the River——, To M——, Fairy-Land, To Isaac Lea, An Acrostic, Elizabeth, To Helen, Israfel, The City in the Sea, The Sleeper, A P?an, The Valley of Unrest, Enigma, Fanny, The Coliseum, Serenade, To One in Paradise, Hymn, May Queen Ode, Spiritual Song, Latin Hymn, Bridal Ballad, To Zante, The Haunted Palace, Silence, Lines On Joe Locke, The Conqueror Worm, Lenore, A Campaign Song, Dream-Land, Impromptu. To Kate Carol, To F——, Eulalie, Epigram for Wall Street, The Raven, The Divine Right of Kings, To Frances S. Osgood, A Valentine, Beloved Physician, Deep in Earth, To Marie Louise (Shew), Ulalume, Lines on Ale, To Marie Louise (Shew), An Enigma, To Helen, A Dream within a Dream, Eldorado, For Annie, To My Mother, Annabel Lee, The Bells.THE NOVELSNarrative of A. Gordon Pym, The Journal of Julius Rodman.THE ESSAYSPal?stine, Maelzel’s Chess-Player, Letter to B——, American Novel-Writing, The Capitol at Washington, Instinct vs Reason—A Black Cat, The Philosophy of Furniture, Morning on the Wissahiccon, Some Account of Stonehenge, The Giant’s Dance, A Druidical Ruin in England, A Few Words on Secret Writing, Exordium, Harper’s Ferry, The Balloon-Hoax, Byron and Miss Chaworth, Pay of American Authors, Some Secrets of the Magazine Prison-House, Anastatic Printing, Street-Paving, American Poetry, The Philosophy of Composition, A Few Words on Etiquette, Eureka: A Prose Poem, The Rationale of Verse, The Poetic Principle.THE MISCELLANEAAutography, Pinakidia, Literary Small Talk, Intemperance, A Chapter on Science and Art, Cabs, Omniana, Prospectus of The Penn Magazine, Autobiographical Note, A Chapter on Autography, Prospectus of The Stylus, Souvenirs of Youth, The Head of St. John The Baptist, Doings of Gotham, A Moving Chapter, Desultory Notes on Cats, A Chapter of Suggestions, Marginalia, The Literati, Mr. Poe’s Reply to Mr. English and Others, Fifty Suggestions, Preface to “Tamerlane And Minor Poems,” Prologue to “The Folio Club”, Prefaces and Introduction to “The Conchologist’s First Book,” Preface to “Tales of the Grotesque and Arabesque,” Preface to “The Raven and Other Poems.”THE PLAYPolitian.THE CRITICISMThe Complete Works of Edgar Allan Poe, vols. 8-13, ed. by James A. Harrison, Thomas Y. Crowell & Company 1902.THE LETTERSThe Letters of Edgar Allan Poe, 2nd edition, 2 vols., ed. by J. W. Ostrom, The Gordian Press 1966.

Mevsim, k?? ortas?yd?! Günlerce ya?murla ?slanm??t? ?stanbul! Bütün hafta f?rt?nayla, karla, so?ukla insanlar?n can?n ??kar. Sonra da insanlara ?ektirdi?ine pi?man olmu? gibi bir sevimlili?e büründü. ?stanbul bu, bir bakm??s?n?z f?rt?na dinmi?, güne? a?m??, bir bakm??s?n?z aniden kar ya?m??. ?stanbul b?yledir i?te… Parlayan güne?i f?rsat bilen binlerce insan sokaklara d?külür. Kimi bo?azda, kimi k?prüde, kimi deniz k?y?s?nda oltas?yla bal?k tutuyor, kimileri vapurla adalara gidiyor, kimi Emin?nü’ne, kimi al?? veri? merkezlerine, ya da kar?n tad?n? ??karmak i?in Belgrat ormanlar?na gidiyor… Bu gün hava karl?yd? ve tipik ?stanbul hali i?te! Zalim bir ?ehirdir ?u ?stanbul! Tehlike ?ok ama, bir o kadar da güzeldir. Sana hep ihanet eder ve sen yine onu sevmeye devam edersin. “?stanbul’u sevmeyen g?nül, a?k? ne anlar!” demi?ler ?airler ve bu s?zü bo?una s?ylememi?ler! Bir bakm??s?n?z güzel bir gün ge?irirken onu bozacak birisi mutlaka ??kar. Sanki ?stanbul’un de?i?mez bir kurald?r bu! Onu o kadar iyi tan?m?? durumday?m ki, hakk?nda ciltler dolusu kitap bile yazabilirim... ? ? ? Halit Fuat Be?ik kimdir? 1952 y?l?nda Fatsa'da do?du. ?lk ve orta ??renimini Fatsa'da, üniversite ??renimini ise ?stanbul'da tamamlad?. Kapal? ?ar??da ticaret hayat?na at?ld?. Bu arada dünyan?n pek ?ok ülkesini gezme f?rsat? buldu. ?nceleri rezaletten ka?mayan ve "Hep ben" mant???yla maceral? bir hayat ya?ad?. Okumay? ve not almay? ?ok sevdi?i i?in pek ?ok kitap ve notlara sahiptir… Yazar?n ?al??malar?; "TALAN MEVS?M?NDE ADAM G?B? YA?AMAK", "SOKRATES’?N ?SYANI", "HA?LILAR ?ANAKKALEDE", "Y?Z ELL? YA?INDAK? ADAM", "TEVRATIN ?OCUKLARI VE KURAN", "AR?F’?N ?L?M?", "???RLE A?LAMAK", "K???K MAHMUT ?LE KOCA BAYRAM", "VEN?S GEZEGEN?NDE ?SYAN", "ADEME MEKTUPLAR" gibi Kur-an ahlak?na dayal?, ama daha cüretk?r ve farkl? konuda yaz?lm?? kitaplard?r. ?Yazmak konusuna otuz y?ll?k bir emek vermesine ra?men, bu konuda daha pek ?ok ?ey yapmas? gerekti?ine inan?yor. “Talan Mevsiminde Adam gibi ya?amak”, “Sokrates’in ?syan?”, “Ha?l?lar ?anakkale’de”, “Tevrat’?n ?ocuklar? ve Kur-an”, “Yüz Elli Ya??ndaki Adam”, “?iirle A?lamak”, “Kü?ük Mahmut ile Koca Bayram”, “Venüs Gezegeninde ?syan” ve “Adem’e Mektuplar” isimli kitaplar? yay?nlanm??t?r. ?nan?, Adalet, ?nsan sevgisi ve Kuran ahlak?na dayal? o muhte?em denge i?inde eserler vermeye ?al???yor. Ger?ek eserlerini bundan sonra size sunaca??na inan?yor... ?imdilik, ya??yor i?te…

Το αν? χε?ρα? βιβλ?ο αναφ?ρεται στη ζω? και τη μακροχρ?νια δρ?ση του Αρχιεπισκ?που Θυατε?ρων και Μεγ?λη? Βρεταν?α? Γρηγορ?ου Θεοχ?ρου? με την ευκαιρ?α συμπλ?ρωση? τρι?ντα χρ?νων αφ’ ?του εξελ?γη ω? Αρχιεπ?σκοπο?. Παρ?λληλα ?μω? δ?δεται και μια συνοπτικ? περιγραφ? τη? ?δια? τη? Ελληνικ?? Ορθ?δοξη? αυτ?? Αρχιεπισκοπ??. Συγκεκριμ?να, στο Ηνωμ?νο Βασ?λειο και τη Δημοκρατ?α τη? Ιρλανδ?α? διαβιο?ν σ?μερα γ?ρω στι? 300 χιλι?δε? ?λληνε? Χριστιανο? Ορθ?δοξοι, οι οπο?οι υπ?γονται εκκλησιαστικ? στο Οικουμενικ? Πατριαρχε?ο Κωνσταντινουπ?λεω?. Για τον σκοπ?, λοιπ?ν, αυτ?ν ιδρ?θηκε ?δη απ? το 1922 η εν λ?γω Αρχιεπισκοπ?, το δε Πατριαρχε?ο εκλ?γει και διορ?ζει ω? εκπρ?σωπ? του ?ναν Αρχιεπ?σκοπο για τι? θρησκευτικ?? αν?γκε? του Ποιμν?ου αυτο?, στο οπο?ο εντ?σσονται αυτοβο?λω? και Ορθ?δοξοι Χριστιανο? απ? ?λλε? εθν?τητε?. Ο νυν Αρχιεπ?σκοπο? Γρηγ?ριο? Θεοχ?ρου? εξελ?γη στι? 16 Απριλ?ου 1988 και ?χει διοικ?σει την Αρχιεπισκοπ? απ? τ?τε με πολ? μεγ?λη επιτυχ?α, ?χοντα? ω? βοηθο?? του τον ?γγλο Μητροπολ?τη Διοκλε?α? Κ?λλιστο Ware, δ?ο Επισκ?που?, του? Κυαν?ων Χρυσ?στομο Μαυρογιανν?πουλο και Τροπα?ου Αθαν?σιο Θεοχ?ρου?, αλλ? και 125 Κληρικο?? και Διακ?νου?, μεταξ? των οπο?ων 40 περ?που ε?ναι ?γγλοι. ?λοι αυτο? υπηρετο?ν σε ισ?ριθμου? Ελληνορθ?δοξου? Ναο?? και οργανωμ?νε? Κοιν?τητε?.

Cartea pe care joac? de la ?nceput D. ?epeneag este aceea a (neo)avangardei. A fost firesc ?i miraculos s? o ?nceap? la Bucure?ti, ?ntr-un moment de straniu, nea?teptat ?i viclean experiment politic ?liberal“-na?ional-comunist, c?nd literatura rom?n? ren??tea, ?n felurite chipuri, din cenu?? realist-socialist?. La Paris, ?n ianuarie 1971, descoperea o lume artistic? diferit?, dar cu dificult??i diferite ?i deloc ?ncur?j?toare. Exemplele lui Tzara, Isou, Ionesco, inimitabile, r?m?n, la o analiz? lucida a ?anselor, doar consolatoare. Nu-i u?or s? convingi o lume pentru care ?nnoirile at?t de frecvente au fost confiscate de tradi?ie. Parisul, Fran?a, limba lui Jarry s-au dezobi?nuit temeinic s? mai a?tepte scandaluri estetice de import. Produc?ia artistic? intern? e suficient?, chiar excedentar?. Sunt timpuri f?r? glorie, grele, pentru avangardi?tii parizieni. (Marian Victor Buciu)

Unul dintre volumele de v?rf ale scriitorului german, ?n traducerea romancierului Nicolae Breban.

Existen?a diafana, care continu? volumele de autor Cercul de gra?ie (2003) ?i O carte pe s?pt?m?n? (2007), reprezint? o foarte echilibrat? ?i competent? radiografiere a simptomatologiei editoriale rom?ne?ti din anii 2000-2010, ?tefan Borbely unind ?ntre coper?ile aceluia?i volum at?t texte dedicate unor nume consacrate ale literaturii rom?ne (Marin Sorescu, Mircea Zaciu, Nicolae Breban, Marin Mincu, Livius Cioc?rlie, Adrian Marino, Horia-Roman Patapievici, Mircea C?rt?rescu, Paul Cornea, Dan C. Mih?ilescu), c?t ?i analize ale unor autori tineri, care s-au f?cut cunoscu?i ?n ultimii ani (Adrian Dohotaru, C?t?lin ?i Roxana Ghi??, Adriana Teodorescu, Florina Codreanu, Ioana Macrea-Toma, Constantina Raveca Buleu), cu c?r?i preponderent din domeniul istoriei ?i sintaxei mentalit??ilor ?i cel al studiilor culturale. Fire analitic?, scrut?toare, dotat? cu o bun? deschidere teoretic? ?i cu o impecabil? precizie a conceptelor, ?tefan Borbely este interesat cu prec?dere de idei ?i de simptomatologii culturale, textele dedicate jurnalului lui Adrian Marino (Via?a unui om singur), experimentalismului lui Marin Mincu sau modernit??ii ?n lectura lui Paul Cornea (toate prezente ?n carte) fiind dintre cele mai bune care s-au scris ?n domeniu. Pornind de la cazuri particulare ?i de la volume care au, f?r? excep?ie, o deschidere ideatic? vast?, incitant?, cartea profesorului Borbely reprezint? un foarte suplu efort de sintez? critic?, realizat? cu har, competen?a ?i profesionalism.

Un roman al c?ut?rii de sine, al c?ut?rii eului, o spectaculoas? excavare ?n ad?ncurile fiin?ei, ne ofer? Irina Boca, revenind ?n aten?ia publicului rom?nesc cu un story fascinant, scris ?ntr-un stil alert, cu fraz? scurt?, ml?dioas?, casant?. O sondare ?n ad?ncurile ?eului profund“ (M. Proust), asupra experien?ei naratoarei l?s?ndu-?i amprenta, ?n chip cert, exilul, ?nstr?inarea, dorin?a vie, ascu?it?, de a se rea?eza ?n matca esen?elor. Aura Christi

E cu putin?? ca un studiu despre Constantin Noica – unul care se respect? ?i vrea s? fie respectat – s? fie scris de un literat? Noica are la noi statutul filosofului tare (faptul se explic? poate tocmai prin absen?a unei filosofii tari ?n spa?iul cultural rom?nesc) ?i, ?n plus, a cam dezavuat literatura, consider?nd-o cumva frivol?. Poate chiar pe scriitori. Prin urmare, s?nt toate datele ca acest fapt s? par? cel pu?in riscant. Dac? nu o insolen??. Doar c? Dorin Popescu, autorul c?r?ii, de?i absolvent de studii filologice, nu e numai ceea ce se nume?te ?ndeob?te prin literat; pe de alt? parte, din confruntarea cu exerci?iul exegetic nici Constantin Noica nu mai iese la fel de ?ncorsetat ?n tiparele prejudec??ilor. Altfel spus, nici Constantin Noica nu mai este Constantin Noica – a?a cum apare ?n tratatele despre filosofia rom?neasc?. (Mircea A. Diaconu)