购物车
个人中心
Hajót?r?ttek
￥34.66
Hajót?r?ttek
Els? szerelem
￥23.05
Els? szerelem
Az amerikai ?r?k?s
￥23.05
Az amerikai ?r?k?s
A Gránátalmaház
￥28.86
A Gránátalmaház
Hugo
￥28.86
Hugo
Teréz kisasszony
￥29.27
Teréz kisasszony
Az életfogytiglan elítélt
￥17.17
Az életfogytiglan elítélt
Füst
￥25.91
Füst
?llamalkotók: Warren Hastings
￥23.05
llamalkotók: Warren Hastings
The Tale of Mrs. Tiggy-Winkle
￥40.79
Once upon a time there was a little girl called Lucie, who lived at a farm called Little-town. She was a good little girl—only she was always losing her pocket-handkerchiefs! One day little Lucie came into the farm-yard crying—oh, she did cry so! I’ve lost my pocket-handkin! Three handkins and a pinny! Have you seen them, Tabby Kitten?
Az ordas
￥28.86
Az ordas
Meg van írva a csillagokban
￥87.23
Meg van írva a csillagokban
Júlia 639. - Túl sz?ke, túl csábító!
￥20.36
Júlia 639. - Túl sz?ke, túl csábító!
Júlia 640. - A dzsungel veszélyes hely
￥20.36
Júlia 640. - A dzsungel veszélyes hely
A Temze-parti ház
￥20.36
A Temze-parti ház
Tiffany 325–326.
￥49.54
Tiffany 325–326.
Mondd ki az igent!(Corretti-krónika 6.)
￥46.84
Mondd ki az igent!(Corretti-krónika 6.)
?rzéki angyal
￥20.52
rzéki angyal
Fragments and Assemblages
￥223.67
In Fragments and Assemblages, Arthur Bahr expands the ways in which we interpret medieval manu*s, examining the formal characteristics of both physical manu*s and literary works. Specifically, Bahr argues that manu* compilations from fourteenth-century London reward interpretation as both assemblages and fragments: as meaningfully constructed objects whose forms and textual contents shed light on the city's literary, social, and political cultures, but also as artifacts whose physical fragmentation invites forms of literary criticism that were unintended by their medieval makers. Such compilations are not simply repositories of data to be used for the reconstruction of the distant past; their physical forms reward literary and aesthetic analysis in their own right. The compilations analyzed reflect the full vibrancy of fourteenth-century London's literary cultures: the multilingual codices of Edwardian civil servant Andrew Horn and Ricardian poet John Gower, the famous Auchinleck manu* of texts in Middle English, and Chaucer's Canterbury Tales. By reading these compilations as both formal shapes and historical occurrences, Bahr uncovers neglected literary histories specific to the time and place of their production. The book offers a less empiricist way of interpreting the relationship between textual and physical form that will be of interest to a wide range of literary critics and manu* scholars.
Romantic Machine
￥247.21
In the years immediately following Napoleon's defeat, French thinkers in all fields set their minds to the problem of how to recover from the long upheavals that had been set into motion by the French Revolution. Many challenged the Enlightenment's emphasis on mechanics and questioned the rising power of machines, seeking a return to the organic unity of an earlier age and triggering the artistic and philosophical movement of romanticism. Previous scholars have viewed romanticism and industrialization in opposition, but in this groundbreaking volume John Tresch reveals how thoroughly entwined science and the arts were in early nineteenth-century France and how they worked together to unite a fractured society.Focusing on a set of celebrated technologies, including steam engines, electromagnetic and geophysical instruments, early photography, and mass-scale printing, Tresch looks at how new conceptions of energy, instrumentality, and association fueled such diverse developments as fantastic literature, popular astronomy, grand opera, positivism, utopian socialism, and the Revolution of 1848. He shows that those who attempted to fuse organicism and mechanism in various ways, including Alexander von Humboldt and Auguste Comte, charted a road not taken that resonates today.Essential reading for historians of science, intellectual and cultural historians of Europe, and literary and art historians, The Romantic Machine is poised to profoundly alter our understanding of the scientific and cultural landscape of the early nineteenth century.
Lost Second Book of Aristotle's "e;Poetics"e;
￥247.21
Of all the writings on theory and aesthetics-ancient, medieval, or modern-the most important is indisputably Aristotle's Poetics, the first philosophical treatise to propound a theory of literature. In the Poetics, Aristotle writes that he will speak of comedy-but there is no further mention of comedy. Aristotle writes also that he will address catharsis and an analysis of what is funny. But he does not actually address any of those ideas. The surviving Poetics is incomplete.Until today. Here, Walter Watson offers a new interpretation of the lost second book of Aristotle's Poetics. Based on Richard Janko's philological reconstruction of the epitome, a summary first recovered in 1839 and hotly contested thereafter, Watson mounts a compelling philosophical argument that places the statements of this summary of the Aristotelian text in their true context. Watson renders lucid and complete explanations of Aristotle's ideas about catharsis, comedy, and a summary account of the different types of poetry, ideas that influenced not only Cicero's theory of the ridiculous, but also Freud's theory of jokes, humor, and the comic.Finally, more than two millennia after it was first written, and after five hundred years of scrutiny, Aristotle's Poetics is more complete than ever before. Here, at last, Aristotle's lost second book is found again.
