万本电子书0元读

万本电子书0元读

Monet
Monet
Brodskaya, Natalia
¥61.23
Mega Square的《莫奈》通过优美地展示印象主义的作品,带领我们探索十九世纪绘画大师之一——莫奈的非凡的作品。莫奈的风景画和日常生活场景画中画锋急促,阐释了他对于光线和色彩的迷恋。对印象主义运动的爱好者来说,这本小书是一份完美的礼物。
Raphael
Raphael
Müntz, Eugène
¥61.23
拉斐尔(Raphael,1483-1520),意大利文艺复兴鼎盛时期的画家和建筑家,是位超越时代的天才人物。他与米开朗琪罗和莱昂纳多达芬奇并称为古典艺术的“文艺复兴三杰”,它们的作品展现了和谐和几何的多种风格。作为文艺复兴时期的大家之一,作为欧洲皇室和罗马教廷的艺术家,拉斐尔的作品包括了多种神学和哲学的主题,包括但不限于著名的圣母玛利亚画像。拉斐尔成长的环境和经历使他更倾向于将人文主义的理想和宗教相结合,从而在心中树立起坚定的信念,即艺术是揭开自然之美面纱的必然中介。
Mucha
Mucha
Bade, Patrick
¥61.23
Born in 1860 in a small Czech town, Alphonse Mucha (1860-1939) was an artist on the forefront of Art Nouveau, the modernist movement that swept Paris in the 1910s, marking a return to the simplicity of natural forms, and changing the world of art and design forever. In fact, Art Nouveau was known to insiders as the “Mucha style” for the legions of imitators who adapted the master’s celebrated tableaux. Today, his distinctive depictions of lithe young women in classical dress have become a pop cultural touchstone, inspiring album covers, comic books, and everything in between. Patrick Bade and Victoria Charles offer readers an inspiring survey of Mucha’s career, illustrated with over one hundred lustrous images, from early Parisian advertisements and posters for Sandra Bernhardt, to the famous historical murals painted just before his death, at the age of 78, in 1939.
Hiroshige
Hiroshige
Uspensky, Mikhail
¥61.23
如果迷人的“日出之国”不幸在火山喷发之中沉入大洋之底,它仍然将活在歌川广重(Utagawa Hiroshige)那神奇的画笔之下。通过欣赏他的风景画,想象的光之翼将我们带领到阵雨和黎明的国度——仿佛是在彩虹跌落在人间,散成了千万个棱镜的仙境之中——水流缓缓流向地平线,水仙花散布其间。 这本书宛如一条通向永恒的艺术的小道,凸显了自然之美,无人出其右,令人难忘怀。
Kirchner
Kirchner
Carl, Klaus
¥61.23
The self-appointed “leader” of the artists’ group Die Brücke (Bridge), founded in Dresden in 1905, Ernst Ludwig Kirchner was a key figure in the early development of German Expressionism. His first works show the influence of Impressionism, Post-impressionism and Jugendstil, but by about 1909, Kirchner was painting in a distinctive, expressive manner with bold, loose brushwork, vibrant and non-naturalistic colours and heightened gestures. He worked in the studio from sketches made very rapidly from life, often from moving figures, from scenes of life out in the city or from the Die Brücke group’s trips to the countryside. A little later he began making roughly-hewn sculptures from single blocks of wood. Around the time of his move to Berlin, in 1912, Kirchner’s style in both painting and his prolific graphic works became more angular, characterized by jagged lines, slender, attenuated forms and often, a greater sense of nervousness. These features can be seen to most powerful effect in
Picasso
Picasso
Charles, Victoria
¥61.23
Picasso was born a Spaniard and, so they say, began to draw before he could speak. As an infant he was instinctively attracted to artist’s tools. In early childhood he could spend hours in happy concentration drawing spirals with a sense and meaning known only to himself. At other times, shunning children’s games, he traced his first pictures in the sand. This early self-expression held out promise of a rare gift. Málaga must be mentioned, for it was there, on 25 October 1881, that Pablo Ruiz Picasso was born and it was there that he spent the first ten years of his life. Picasso’s father was a painter and professor at the School of Fine Arts and Crafts. Picasso learnt from him the basics of formal academic art training. Then he studied at the Academy of Arts in Madrid but never finished his degree. Picasso, who was not yet eighteen, had reached the point of his greatest rebelliousness; he repudiated academia’s anemic aesthetics along with realism’s pedestrian prose and, quite naturall
Bonnard
Bonnard
Brodskaya, Natalia
¥61.23
Pierre Bonnard was the leader of a group of Post-Impressionist painters who called themselves the Nabis, from the Hebrew word meaning “prophet”. Bonnard, Vuillard, Roussel and Denis, the most distinguished of the Nabis, revolutionised decorative painting during one of the richest periods in the history of French painting. Bonnard’s works are striking for their strong colours and candidness.
Historic Maritime Maps
Historic Maritime Maps
Wigal, Donald
¥61.23
In the Middle Ages, navigation relied upon a delicate balance between art and science. Whilst respecting the customs and the precautions of their forbearers, sailors had to count on their knowledge of the stars, the winds, the currents, and even of migratory flights. They also used hand-painted maps, which, although certainly summary, were marvellously well-drawn. In following the saga of old sailors, from Eric Le Rouge to Robert Peary, Donald Wigal leads us in discovering the New World. This magnificent overview of maps dating from the 10th to the 18th centuries, often ‘primitive’ and sometimes difficult to understand, retraces the progress of cartography and shows the incredible courage of men who endeavoured to conquer the seas with tools whose geographical accuracy often left much to be desired.
Michelangelo
Michelangelo
Müntz, Eugène
¥110.28
米开朗基罗(Michelangelo)的名字不断浮现在西斯廷教堂、阿波罗、丘比特等数不计数的杰作中。在《意大利绘画》(The Italian Painting)这本书中,作者司汤达写道:“在古希腊风物和米开朗基罗之间,没有任何距离,除了或多或少技术娴熟的伪造物。”在《漫步罗马》(Promenade in Rome)一书中,沙特布莱表达了对《圣母怜子像》(Pieta)中那些精致的线条的崇敬之情。诸如司汤达等大连古欧秀的作家将米开朗基罗视为西方艺术复兴的大家之一。毫无疑问,米开朗基罗的作品经历住了时间的考验。在若干年后,米开朗基罗的作品何以能够揭示希腊先驱们的创造性来源?米开朗基罗是创造性的天才和超人,是意大利文艺复兴中无与伦比的艺术家,他的影响力和成就与达芬奇可相媲美。在这本著作中, Jean-Matthieu Gosselin探讨了米开朗基罗所有的身份:雕塑家、建筑师、画家和美术家。
Hieronymus Bosch
Hieronymus Bosch
Pitts Rembert, Virginia
¥110.28
Hieronymus Bosch was painting terrifying, yet strangely likeable, monsters, long before computer games were invented, often with a touch of humour. His works are assertive statements about the mental dangers that befall those who abandon the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch was born at the height of the Renaissance and witnessed its wars of religion. Medieval traditions and values were crumbling, thrusting man into a new universe where faith had lost some of its power and much of its magic. Bosch set out to warn doubters of the perils awaiting all and any who lost their faith in God. Believing that everyone had to make their own moral choices, he focused on themes of hell, heaven and lust. He brilliantly exploited the symbolism of a wide range of fruits and plants to lend sexual overtones to his themes.
Edward Hopper
Edward Hopper
Souter, Gerry
¥110.28
爱德华·霍普,1882年出生于奈阿克,是重要的美国画家之一。在学习了插图画之后,他进入了大名鼎鼎的纽约艺术学院学习,师从罗伯特·亨利(Robert Henri)。亨利对霍普产生了重大的影响,他鼓励霍普从美国人的生活中去发现素材。在创作中,诗意地表达了人们反对二十世纪二十年代的美国生活方式的孤独。受到电影作品—特别是多种摄影角度和人物性格的影响,他的绘画作品表达了对大众文化的疏离感。通过采用冷色调和绘画匿名人物,霍普的作品同样象征性地反映了大萧条时期。尽管霍普曾多次游历欧洲,但他在当时流行的的改革绘画面前仍然无动于衷,例如立体主义,例如超现实主义。霍普用一种非常个性化的形式来表达主题,致力于效仿古典艺术家,例如伦布兰特(Rembrandt)、德加斯(Degas)或者杜米埃(Daumier)。他绘画的加油站、旅馆和日常生活的场景代表了对个人主义的美学宣言、宽敞的开放空间和美国的基本价值观。霍普在1967年去世了,在美国艺术上留下了后的痕迹。
Alphonse Mucha
Alphonse Mucha
Bade, Patrick;Charles, Victoria
¥110.28
Born in 1860 in a small Czech town, Alphonse Mucha (1860-1939) was an artist on the forefront of Art Nouveau, the modernist movement that swept Paris in the 1910s, marking a return to the simplicity of natural forms, and changing the world of art and design forever. In fact, Art Nouveau was known to insiders as the “Mucha style” for the legions of imitators who adapted the master’s celebrated tableaux. Today, his distinctive depictions of lithe young women in classical dress have become a pop cultural touchstone, inspiring album covers, comic books, and everything in between. Patrick Bade and Victoria Charles offer readers an inspiring survey of Mucha’s career, illustrated with over one hundred lustrous images, from early Parisian advertisements and posters for Sandra Bernhardt, to the famous historical murals painted just before his death, at the age of 78, in 1939.
Van Gogh
Van Gogh
Calosse, Jp. A.
¥40.79
文森特·梵·高的生活和创作是如此紧密地联系在一起,以至于不了解他的生平便无法理解其作品。他作为生存环境的局外人而不被人理解成为痛苦的现代艺术殉难者的化身。一篇文章这样描述他,“一个可怕的疯狂的天才,常常表现卓越,有时荒诞,总是站在近乎病态的边缘。”1888年2月,文森特离开巴黎前往阿尔勒,那几个月是他一生中产的时期,次年他开始了著名的自残行为并且先后三次住院。据说他是在1890年7月29日,在一片田野里朝自己开枪自杀的,他的弟弟特奥这样描述他生命的后时刻,“他说想自杀,当时我坐在他身边向他保证我们会努力治愈他······但他回答说,悲哀将会永远持续。”
Dali
Dali
Shanes, Eric
¥40.79
身为画家、设计师、奇异物品发明者、作家以及电影导演,达利可以说是著名的超现实主义者。布纽埃尔、洛卡、毕加索和布列塔尼都对他的生涯产生了巨大的影响。达利的电影,《一只安达卢西亚犬》标志着他进入了巴黎超现实派,在那里他遇到了盖拉,他一生的伴侣和灵感源泉。但是,当1939年他与安德烈·布列塔尼决裂,他与此派关系交恶。然而,达利的艺术哲学与艺术表现仍然归于超现实主义,并成为超现实主义的典范。终其一生,达利是一位天才的具有自我提升力、创造力的神秘人物。
Gauguin
Gauguin
Brodskaya, Nathalia
¥40.79
保罗·高更早是一名水手,之后成为巴黎一名成功的股票经纪人,不过1874年他开始在周末画画,9年之后,在一次股市崩盘之后,他退休成为全职画家。1891年高更离开法国,在塔希提度过两年时光,并决定了他未来的生活和职业。1895年,他回到那里。在塔希提,高更发现了原始的自然艺术,并真诚地用画布展现出来。从那时起他的画作表现了这样的风格:构图简洁;色彩纯净明亮,具有观赏性;对异度风景的从容表现。高更称之为“合成象征理论”。
August Macke
August Macke
Macke, August;Cohen, Walter
¥61.23
奥古斯特·麦克(1887-1914),德国表现主义大师。德国表现主义萌芽于19世纪早期,主张放弃勾勒物理实在的艺术,转而致力于谋求情绪的表达,尤其注重于表达悲惨和恐惧的黑暗情绪。麦克是色彩与形体大师,创作了很多吸引人眼球、引起观赏者强烈共鸣的作品。他的笔下既有阳光明媚的突尼斯街道,也有阴云密布的波恩大教堂和那些不知名的拥挤的火车站。在这本书中,作者沃尔特·科恩回顾了这位艺术家短暂的一生,看似潜力无限的他,却终英年早逝。
Seurat
Seurat
Cousturier, Lucie
¥61.23
乔治·修拉(1859-1891)因点描绘帆布画的复杂精细而闻名于世,他将艺术和科学精妙地结合,创造了世人瞩目的成果。修拉那错综复杂的绘画需要好几年才能完成,给观赏者带来的是一场科学的复杂性和视觉的震撼性的华美盛宴。他的《大碗岛的星期天下午》(Un Dimanche Après-Midi à l’le de la Grande Jatte)是二十世纪艺术中为珍贵和杰出的作品之一。Klaus H.Carl 给读者们带来的是修拉点描绘画杰作背后那些详尽的科学技巧,惊鸿一瞥,但足饱眼福。
Egon Schiele
Egon Schiele
Selsdon, Esther;Zwingenberger, Jeanette
¥110.28
Egon Schiele’s work is so distinctive that it resists categorisation. Admitted to the Vienna Academy of Fine Arts at just sixteen, he was an extraordinarily precocious artist, whose consummate skill in the manipulation of line, above all, lent a taut expressivity to all his work. Profoundly convinced of his own significance as an artist, Schiele achieved more in his abruptly curtailed youth than many other artists achieved in a full lifetime. His roots were in the Jugendstil of the Viennese Secession movement. Like a whole generation, he came under the overwhelming influence of Vienna’s most charismatic and celebrated artist, Gustav Klimt. In turn, Klimt recognised Schiele’s outstanding talent and supported the young artist, who within just a couple of years, was already breaking away from his mentor’s decorative sensuality. Beginning with an intense period of creativity around 1910, Schiele embarked on an unflinching exposé of the human form – not the least his own – so penetrating th
Art Nouveau
Art Nouveau
Lahor, Jean
¥110.28
作为对工业革命的回应,新艺术运动以装饰和建筑风格发端。新艺术运动初的目标是通过回归自然主题,创造新的自然美学。该运动中的设计常常伴有植物图案和高度风格化、反大起大落曲线的细致刻画,是谓之新艺术风格。 为了达到该目标,诸如古斯塔夫克林姆(Gustav Klimt)、科罗曼穆塞尔(Koloman Moser)、安东尼高迪(Antoni Gaudi)、扬托罗普(Jan Toorop)、威廉莫里斯(William Morris)等艺术家更加偏爱技术创新和形式新颖。新艺术运动试图将艺术融合进生活的所有侧面,从物质的家具到家中的装饰物品再到建筑物;建立在艺术与日常生活相融合的艺术哲学之上。1900年在巴黎世界博览会大获成功之后,这一趋势继续流行且营销了不少艺术家以及装饰艺术运动。新艺术运动的继承者在次世界大战之后依然层出不穷。所以说新艺术运动时装饰艺术“文艺复兴”的核心,一点都不为过。
Russian Avant-Garde
Russian Avant-Garde
Kovtun, Evgueny
¥110.28
The Russian Avant-garde was born at the turn of the 20th century in pre-revolutionary Russia. The intellectual and cultural turmoil had then reached a peak and provided fertile soil for the formation of the movement. For many artists influenced by European art, the movement represented a way of liberating themselves from the social and aesthetic constraints of the past. It was these Avant-garde artists who, through their immense creativity, gave birth to abstract art, thereby elevating Russian culture to a modern level. Such painters as Kandinsky, Malevich, Goncharova, Larionov, and Tatlin, to name but a few, had a definitive impact on 20th-century art.
Art Deco
Art Deco
Charles, Victoria;Carl, Klaus
¥110.28
Art Deco style was established on the ashes of a disappeared world, the one from before the First World War, and on the foundation stone of a world yet to become, opened to the most undisclosed promises. Forgetting herself in the whirl of Jazz Age and the euphoria of the “Années Folles”, the Gar?onne with her linear shape reflects the architectural style of Art Deco: to the rounded curves succeed the simple and plain androgynous straight line… Architecture, painting, furniture and sculpture, dissected by the author, proclaim the druthers for sharp lines and broken angles. Although ephemeral, this movement keeps on influencing contemporary design.