One of Shakespeare's most famous stories of young lovers, Romeo and Juliet who would do anything to be together.

Is murder is permissible in pursuit of a higher purpose? Meet Raskolnikov, an impoverished ex-student in St. Petersburg who formulates and executes a plan to kill an unscrupulous pawnbroker for her cash. Raskolnikov argues that with the pawnbroker's money he can perform good deeds to counterbalance the crime.

Inspired by experiences in Chekhov's own life, Cherry Orchard follows life of an aristocratic Russian woman and her family as they return to the family's estate. Written as a comedy and containing elements of farce, Stanislavski directed the play as a tragedy in Moscow. Since this initial production, many prominent directors of the world continue to stage this play, each interpreting the work differently.

Anne’s House of Dreams begins with Anne and Gilbert's wedding, which takes place in the Green Gables orchard. After the wedding, they move to their first home together, which Anne calls their house of dreams. This book follows Anne from the age of 25 to 27.

Lucy Snowe travels to the fictional city of Villette to teach at an all-girls school where she is unwillingly pulled into both adventure and romance.

The Alchemist is a comedy by English playwright Ben Jonson. First performed in 1610 by the King's Men, it is generally considered Jonson's best and most characteristic comedy; Samuel Taylor Coleridge claimed that it had one of the three most perfect plots in literature. The play's clever fulfilment of the classical unities and vivid depiction of human folly have made it one of the few Renaissance plays (except the works of Shakespeare) with a continuing life on stage (except for a period of neglect during the Victorian era).

You Can Grow Your Own Orchids, Yes You Can! You're probably already thinking to yourself If I have to read a book to grow a flower in a pot, why should I bother?! Yeah, I know –but to be honest, there are a lot of excellent things that come with being able to master at least growing one successful pot of orchids. For one thing, they're gorgeous! Who wouldn't want to say, "Yeah, I grew those…"? Damn right you would! Being a badass indoor gardener is one thing, but tackling tropical plants like orchids is a feat unto itself. It's an artform. Think about it for a second. Most of us do not live in the climate conducive to these beauties just thriving on their own in the wild. Anyone who already actively grows and nurtures any species of orchid knows that you've got to climate control that environment like you wouldn't believe. It's not just about that, but you also must watch other factors too. It's an extremely rewarding yet very challenging experience. In addition, there are so many different species of orchid out there that you can safely assume that each plant you grow is going to be unique to itself. You can get some that you know will definitely be the same color, size or general shape, but we all know that there are so many things unique to each plant. How many flower spikes you end up with after the first blooms dissipate, how many leaves you have, how tall it grows and so many other things are all going to be different. The cool thing is that with the right know-how, you can nurture one potted orchid for years before you have to kiss it goodbye. In fact, you might keep them growing for almost a decade without even realizing it if you can take care them properly. It will also bolster your confidence when it comes to indoor gardening. You might have never planted anything outside, but you can throw these puppies in a pot and watch them go for forever if you follow a few key pointers and stay on top of their care. You just need to lovingly embrace the hobby and be patient with the process. Heck, you could have a whole atrium or sunroom full of tropical flowers by the time you're finished fooling around with different kinds –and there are a lot of them! Just imagine the possibilities… In this book, you're going to learn all about how to start off on the right foot with one of the cantankerous ones: orchids. So get out your gloves, grab a bag of potting mix, start jotting down supplies on a notepad, and get growing!

This Tribeca Press edition includes the full original text as well as exclusive images exclusive to this edition and an easy to use interactive table of contents.

Space and Time are pleased to bring you this classic presented as a wonderfully presented edition with a fully interactive table of contents.

WANT TO LEARN THE INS AND OUTS OF ORCHID GROWING FOR BEGINNERS? Here Is A Preview Of What You'll Learn... Why Should I Grow Orchids? What My Orchid Needs Important Growing Requirements for Your Orchids Re-potting Your Orchids Propagation to Help Grow More Orchids Much, Much, More!

WANT TO LEARN THE INS AND OUTS OF GARDENING FOR BEGINNERS? Here Is A Preview Of What You'll Learn About Container Gardening... Getting the Containers for Your Garden Creating a Good Environment for the Container Plants Choosing the Right Time to Plant The Best Plants to Grow in Your Container Garden Tips for Helping Your Plants to Thrive Much, Much, More! Here Is A Preview Of What You'll Learn About Greenhouse Gardening... Setting Up a Greenhouse Garden Growing Plants in Your Greenhouse Ways to Control the Climate in the Greenhouse Some of the Best Planting Methods in the Greenhouse How to Get Rid of the Pests Much, Much, More! Here Is A Preview Of What You'll Learn About Vertical Gardening... Setting Up the Base You Need in Your Garden Working on the Maintenance of Your Vertical Garden Making Room for the Plants Picking Out the Right Plants Some Tips for Your Vertical Garden Much, Much, More!

In this fascinating collection culled from teachings never before brought together in book form, Krishnamurti offers wise reflections and fresh perceptions on love, politics, society, death, self-censorship, relationships, solitude, meditation, spiritual growth, and much more. Thought provocative meditations and in-depth answers, Krishnamurti answers such timeless questions as: What is meditation? What are love and loneliness? What should our relationship to authority really be? Meeting Life also features a number of Krishnamurti’s talks, delivered in Switzerland, India, England, and California. Here is the profound wisdom of a beloved teacher who moved millions with his words. This thought-provoking and inspirational volume will provide strength and encouragement to anyone searching for insight.

In these Talks, given in Europe, Ojai and India, Krishnamurti addresses the need to approach our life problems in a manner does not perpetuate fragmentation. "Though we have many problems, and each problem seems to produce so many other problems, perhaps we can consider together whether the wisest thing to do is, not to seek the solution of any problem at all. It seems to me that our minds are incapable of dealing with life as a whole; we deal, apparently, with all problems fragmentarily, separately, not with an integrated outlook. Perhaps the first thing, if we have problems, is not to seek an immediate solution for them, but to have the patience to inquire deeply into them, and discover whether these problems can ever be solved by the exercise of will. What is important, I think, is to find out, not how to solve the problem, but how to approach it." An extensive compendium of Krishnamurti's talks and discussions in the USA, Europe, India, New Zealand, and South Africa from 1933 to 1967—the Collected Works have been carefully authenticated against existing transcripts and tapes. Each volume includes a frontispiece photograph of Krishnamurti , with question and subject indexes at the end. The content of each volume is not limited to the subject of the title, but rather offers a unique view of Krishnamurti's extraordinary teachings in selected years. The Collected Works offers the reader the opportunity to explore the early writings and dialogues in their most complete and authentic form.

Sorsdráma. Szrny, barbár mese. Véres és szexuális talányok. Elnyomott emlékek és gyermekkori borzalmak flkeverése. Hirtelen, képtelen, elre tudott és mégis elháríthatatlan katasztrófa. Babona, vallás és matematika külns fonadékú szvete. A sors irracionális gykereinek ízeit érezzük. Micsoda ellentét forma és tartalom kzt! Ilyen vad, si, nyers, babonás mélyeket éppen csak az emberi tudat és kultúra leglucidasabb mvészete tár fl: annál megrendítbb! A Szophoklész mvészete” – írja Babits Mihály Az európai irodalom trténeté-ben.

1. The architect should be equipped with knowledge of many branches of study and varied kinds of learning, for it is by his judgement that all work done by the other arts is put to test. This knowledge is the child of practice and theory. Practice is the continuous and regular exercise of employment where manual work is done with any necessary material according to the design of a drawing. Theory, on the other hand, is the ability to demonstrate and explain the productions of dexterity on the principles of proportion. 2. It follows, therefore, that architects who have aimed at acquiring manual skill without scholarship have never been able to reach a position of authority to correspond to their pains, while those who relied only upon theories and scholarship were obviously hunting the shadow, not the substance. But those who have a thorough knowledge of both, like men armed at all points, have the sooner attained their object and carried authority with them. 3. In all matters, but particularly in architecture, there are these two points:—the thing signified, and that which gives it its significance. That which is signified is the subject of which we may be speaking; and that which gives significance is a demonstration on scientific principles. It appears, then, that one who professes himself an architect should be well versed in both directions. He ought, therefore, to be both naturally gifted and amenable to instruction. Neither natural ability without instruction nor instruction without natural ability can make the perfect artist. Let him be educated, skilful with the pencil, instructed in geometry, know much history, have followed the philosophers with attention, understand music, have some knowledge of medicine, know the opinions of the jurists, and be acquainted with astronomy and the theory of the heavens. 4. The reasons for all this are as follows. An architect ought to be an educated man so as to leave a more lasting remembrance in his treatises. Secondly, he must have a knowledge of drawing so that he can readily make sketches to show the appearance of the work which he proposes. Geometry, also, is of much assistance in architecture, and in particular it teaches us the use of the rule and compasses, by which especially we acquire readiness in making plans for buildings in their grounds, and rightly apply the square, the level, and the plummet. By means of optics, again, the light in buildings can be drawn from fixed quarters of the sky. It is true that it is by arithmetic that the total cost of buildings is calculated and measurements are computed, but difficult questions involving symmetry are solved by means of geometrical theories and methods. 5. A wide knowledge of history is requisite because, among the ornamental parts of an architect's design for a work, there are many the underlying idea of whose employment he should be able to explain toGree inquirers. For instance, suppose him to set up the marble statues of women in long robes, called Caryatides, to take the place of columns, with the mutules and coronas placed directly above their heads, he will give the following explanation to his questioners. Caryae, a state in Peloponnesus, sided with the Persian enemies against Greece; later the Greeks, having gloriously won their freedom by victory in the war, made common cause and declared war against the people of Caryae. They took the town, killed the men, abandoned the State to desolation, and carried off their wives into slavery, without permitting them, however, to lay aside the long robes and other marks of their rank as married women, so that they might be obliged not only to march in the triumph but to appear forever after as a type of slavery, burdened with the weight of their shame and so making atonement for their State. Hence, the architects of the time designed for public buildings statues of these women, placed so as to carry a load..

In writing upon any matter of experience, such as art, the possibilities of misunderstanding are enormous, and one shudders to think of the things that may be put down to one's credit, owing to such misunderstandings. It is like writing about the taste of sugar, you are only likely to be understood by those who have already experienced the flavour; by those who have not, the wildest interpretation will be put upon your words. The written word is necessarily confined to the things of the understanding because only the understanding has written language; whereas art deals with ideas of a different mental texture, which words can only vaguely suggest. However, there are a large number of people who, although they cannot viibe said to have experienced in a full sense any works of art, have undoubtedly the impelling desire which a little direction may lead on to a fuller appreciation. And it is to such that books on art are useful. So that although this book is primarily addressed to working students, it is hoped that it may be of interest to that increasing number of people who, tired with the rush and struggle of modern existence, seek refreshment in artistic things. To many such in this country modern art is still a closed book; its point of view is so different from that of the art they have been brought up with, that they refuse to have anything to do with it. Whereas, if they only took the trouble to find out something of the point of view of the modern artist, they would discover new beauties they little suspected. If anybody looks at a picture by Claude Monet from the point of view of a Raphael, he will see nothing but a meaningless jargon of wild paint-strokes. And if anybody looks at a Raphael from the point of view of a Claude Monet, he will, no doubt, only see hard, tinny figures in a setting devoid of any of the lovely atmosphere that always envelops form seen in nature. So wide apart are some of the points of view in painting. In the treatment of form these differences in point of view make for enormous variety in the work. Works showing much ingenuity and ability, but no artistic brains; pictures that are little more than school studies, exercises in the representation of carefully or carelessly arranged objects, but cold to any artistic intention. At this time particularly some principles, and a clear intellectual understanding of what it is you are trying to do, are needed. We have no set traditions to guide us. The times when the student accepted the style and traditions of his master and blindly followed them until he found himself, are gone. Such conditions belonged to an age when intercommunication was difficult, and when the artistic horizon was restricted to a single town or province. Science has altered all that, and we may regret the loss of local colour and singleness of aim this growth of art in separate compartments produced; but it is unlikely that such conditions will occur again. Quick means of transit and cheap methods of reproduction have brought the art of the whole world to our doors. Where formerly the artistic food at the disposal of the student was restricted to the few pictures in his vicinity and some prints of others, now there is scarcely a picture of note in the world that is not known to the average student, either from personal inspection at our museums and loan exhibitions, or from excellent photographic reproductions. Not only European art, but the art of the East, China and Japan, is part of the formative influence by which he is surrounded; not to mention the modern science of light and colour that has had such an influence on technique. It is no wonder that a period of artistic indigestion is upon us. Hence the student has need ixof sound principles and a clear understanding of the science of his art, if he would select from this mass of material those things which answer to his own inner need for artistic expression.

Are you the world's biggest Red Hot Chili Peppers Fan? Do you know everything there is to know about Anthony, Flea and the rest of the boys? Then this is the book for you! In this easy-to-digest eBook are 101 facts about your favourite band - do you know all of them?Test yourself and your friends with these handily-packaged facts easily organised into categories for maximum enjoyment. Sections include the members of the band, how they formed, awards they have won and some crazy facts about their antics over the years. Show everyone that you are the master of RHCP knowledge!

How well do you know your 90s Movies? This Quiz book will test even the most avid fan, with questions that span the 90s films of all genres! Test yourself and your friends with this 90s Movies Quiz Book.

In June 1863, General Robert E. Lee and the 75,000-strong Army of Northern Virginia launched a second invasion of the North, crossing into Maryland and Pennsylvania to try to win a decisive victory over Federal forces. On July 1, Lee’s army encountered Major General Meade’s 90,000 strong Army of the Potamac at the small town of Gettysburg. After some initial success in dispersing the Federal advance guard, Lee launched attack after attack against the main army, but everywhere the Union line held. On July 3, Lee ordered a final assault of 12,500 Confederates at the center of the Union line on Cemetery Ridge, known as Pickett’s Charge. The charge was repulsed with huge loss of life, bringing the battle to an end. Today, Gettysburg is recognized as the turning point in the Civil War and one of the iconic battles of the great struggle between North and South. Lee’s gamble didn’t pay off, leaving the Army of Northern Virginia fatally weakened and unable to continue its invasion of the North. Gettysburg is divided into five chapters, outlining the campaign, the fighting on July 1, July 2, and July 3, as well as a chapter dealing with the aftermath; an extended appendices provides biographical background of the main Federal and Confederate leaders who fought in the battle. Through letters, journal entries, and official reports, the book includes numerous first-hand accounts from those who survived. Color maps show the battle as it unfolded over three days of fighting in places that have a place in Civil War legend: Seminary Ridge, Little Round Top, Cemetery Hill, Devil’s Den, the Wheat Field, Culp’s Hill, the Peach Orchard. Including more than 200 archival photographs, illustrations, paintings, and maps, Gettysburg is a colorful, accessible guide to the great battle that marked the turning point in the Civil War.

POW Escape and Evasion covers everything you need to know about making a successful return to friendly territory. Beginning from the point where a combatant finds himself or herself trapped in enemy territory, the book offers useful tips and solid advice on how to evade capture and, if that fails, how to escape. Key topics include the will to survive; handling stress in captivity; escape techniques; survival in a variety of environments, including urban, rural, jungle and desert; how to forage for food; tracking and how to cover your tracks; navigation, with or without a map; and seeking recovery by friendly forces. The book also includes a number of real life accounts of POW escape from World War II (including The Great Escape story and Colditz), the Vietnam War (Dieter Dengler, with others, escaping from Laos), the Balkans, Iraq (Thomas Hamill in 2004) and Afghanistan. With more than 120 black-&-white artworks and with easy-to-follow text, POW Escape and Evasion is for anyone who wants to know how to survive in the most stressful of circumstances and emerge a winner. Presented in a handy, pocket-size format, this is a book you could take with you into the field. And it could save your life.

For more than 400 years, the big-gun warship stood as the supreme naval war machine. It was not only a major instrument of warfare, but a visible emblem of a nation’s power, wealth and pride. The World’s Greatest Battleships features 52 of the greatest warships to have sailed in the last 500 years. Beginning with English king Henry VIII’s flagship, Henry Grace a? Dieu , the book covers all the main periods of battleship development, including the great sail ships, such as Sovereign of the Seas, Santissima Trinidad and HMS Victory . The advent of steam-driven warships provides the core of the book, beginning with the introduction of Gloire in 1859, and continuing through all the major pre-Dreadnoughts, such as Inflexible, Maine and Tsessarevitch . There is detailed coverage of the great battleships of the two world wars, including Derfflinger , Yamato and Iowa , while the book closes with the last new battleship to be commissioned, Vanguard , in 1946. Each entry includes a brief description of the battleship’s development and history, a colour profile artwork, key features and specifications. Packed with more than 200 artworks and photographs, The World’s Greatest Battleships is a colourful guide for the military historian and naval warfare enthusiast.