In the aftermath of the 1906 San Francisco earthquake, residents of the city's iconic Mission District bucked the city-wide development plan, defiantly announcing that in their neighborhood, they would be calling the shots. Ever since, the Mission has become known as a city within a city, and a place where residents have, over the last century, organized and reorganized themselves to make the neighborhood in their own image.In Making the Mission, Ocean Howell tells the story of how residents of the Mission District organized to claim the right to plan their own neighborhood and how they mobilized a politics of place and ethnicity to create a strong, often racialized identity-a pattern that would repeat itself again and again throughout the twentieth century. Surveying the perspectives of formal and informal groups, city officials and district residents, local and federal agencies, Howell articulates how these actors worked with and against one another to establish the very ideas of the public and the public interest, as well as to negotiate and renegotiate what the neighborhood wanted. In the process, he shows that national narratives about how cities grow and change are fundamentally insufficient; everything is always shaped by local actors and concerns.

In Jane Austen's works, a name is never just a name. In fact, the names Austen gives her characters and places are as rich in subtle meaning as her prose itself. Wiltshire, for example, the home county of Catherine Morland in Northanger Abbey, is a clue that this heroine is not as stupid as she seems: according to legend, cunning Wiltshire residents caught hiding contraband in a pond capitalized on a reputation for ignorance by claiming they were digging up a "e;big cheese"e;-the moon's reflection on the water's surface. It worked.In Jane Austen's Names, Margaret Doody offers a fascinating and comprehensive study of all the names of people and places-real and imaginary-in Austen's fiction. Austen's creative choice of names reveals not only her virtuosic talent for riddles and puns. Her names also pick up deep stories from English history, especially the various civil wars, and the blood-tinged differences that played out in the reign of Henry VIII, a period to which she often returns. Considering the major novels alongside unfinished works and juvenilia, Doody shows how Austen's names signal class tensions as well as regional, ethnic, and religious differences. We gain a new understanding of Austen's technique of creative anachronism, which plays with and against her skillfully deployed realism-in her books, the conflicts of the past swirl into the tensions of the present, transporting readers beyond the Regency.Full of insight and surprises for even the most devoted Janeite, Jane Austen's Names will revolutionize how we read Austen's fiction.

Three decades of controversy in Shakespeare studies can be summed up in a single question: Was Shakespeare one of a kindOn one side of the debate are the Shakespeare lovers, the bardolatrists, who insist on Shakespeare's timeless preeminence as an author. On the other side are the theater historians who view modern claims of Shakespeare's uniqueness as a distortion of his real professional life.In Shakespeare Only, Knapp draws on an extraordinary array of historical evidence to reconstruct Shakespeare's authorial identity as Shakespeare and his contemporaries actually understood it.He argues that Shakespeare tried to adapt his own singular talent and ambition to the collaborative enterprise of drama by imagining himself as uniquely embodying the diverse, fractious energies of the popular theater. Rewriting our current histories of authorship as well as Renaissance drama, Shakespeare Only recaptures a sense of the creative force that mass entertainment exerted on Shakespeare and that Shakespeare exerted on mass entertainment.

Natural right-the idea that there is a collection of laws and rights based not on custom or belief but that are "e;natural"e; in origin-is typically associated with liberal politics and freedom. In The Terror of Natural Right, Dan Edelstein argues that the revolutionaries used the natural right concept of the "e;enemy of the human race"e;-an individual who has transgressed the laws of nature and must be executed without judicial formalities-to authorize three-quarters of the deaths during the Terror. Edelstein further contends that the Jacobins shared a political philosophy that he calls "e;natural republicanism,"e; which assumed that the natural state of society was a republic and that natural right provided its only acceptable laws. Ultimately, he proves that what we call the Terror was in fact only one facet of the republican theory that prevailed from Louis's trial until the fall of Robespierre.A highly original work of historical analysis, political theory, literary criticism, and intellectual history, The Terror of Natural Right challenges prevailing assumptions of the Terror to offer a new perspective on the Revolutionary period.

Deemed by Heinrich Heine a city of merchants where poets go to die, Hamburg was an improbable setting for a major intellectual movement. Yet it was there, at the end of World War I, at a new university in this commercial center, that a trio of twentieth-century pioneers in the humanities emerged. Working side by side, Aby Warburg, Ernst Cassirer, and Erwin Panofsky developed new avenues in art history, cultural history, and philosophy, changing the course of cultural and intellectual history in Weimar Germany and throughout the world.In Dreamland of Humanists, Emily J. Levine considers not just these men, but the historical significance of the time and place where their ideas took form. Shedding light on the origins of their work on the Renaissance and the Enlightenment, Levine clarifies the social, political, and economic pressures faced by German-Jewish scholars on the periphery of Germany's intellectual world. By examining the role that context plays in our analysis of ideas, Levine confirms that great ideas-like great intellectuals-must come from somewhere.?

How states cooperate in the absence of a sovereign power is a perennial question in international relations. With Power in Concert, Jennifer Mitzen argues that global governance is more than just the cooperation of states under anarchy: it is the formation and maintenance of collective intentions, or joint commitments among states to address problems together. The key mechanism through which these intentions are sustained is face-to-face diplomacy, which keeps states' obligations to one another salient and helps them solve problems on a day-to-day basis.Mitzen argues that the origins of this practice lie in the Concert of Europe, an informal agreement among five European states in the wake of the Napoleonic wars to reduce the possibility of recurrence, which first institutionalized the practice of jointly managing the balance of power.?Through the Concert's many successes, she shows that the words and actions of state leaders in public forums contributed to collective self-restraint and a commitment to problem solving-and at a time when communication was considerably more difficult than it is today. Despite the Concert's eventual breakdown, the practice it introduced-of face to face diplomacy as a mode of joint problem solving-survived and is the basis of global governance today.

In this book, philosopher Harry Brighouse and Spencer Foundation president Michael McPherson bring together leading philosophers to think about some of the most fundamental questions that higher education faces. Looking beyond the din of arguments over how universities should be financed, how they should be run, and what their contributions to the economy are, the contributors to this volume set their sights on higher issues: ones of moral and political value. The result is an accessible clarification of the crucial concepts and goals we so often skip over-even as they underlie our educational policies and practices.?The contributors tackle the biggest questions in higher education: What are the proper aims of the universityWhat role do the liberal arts play in fulfilling those aimsWhat is the justification for the humanitiesHow should we conceive of critical reflection, and how should we teach it to our studentsHow should professors approach their intellectual relationship with students, both in social interaction and through curriculumWhat obligations do elite institutions have to correct for their historical role in racial and social inequalityAnd, perhaps most important of all: How can the university serve as a model of justiceThe result is a refreshingly thoughtful approach to higher education and what it can, and should, be doing.?

Social critics have long lamented America's descent into a "e;culture of narcissism,"e; as Christopher Lasch so lastingly put it fifty years ago. From "e;first world problems"e; to political correctness, from the Oprahfication of emotional discourse to the development of Big Pharma products for every real and imagined pathology, therapeutic culture gets the blame. Ask not where the stereotype of feckless, overmedicated, half-paralyzed millennials comes from, for it comes from their parents' therapist's couches.?Rethinking Therapeutic Culture makes a powerful case that we've got it all wrong. Editors Timothy Aubry and Trysh Travis bring us a dazzling array of contributors and perspectives to challenge the prevailing view of therapeutic culture as a destructive force that encourages narcissism, insecurity, and social isolation. The collection encourages us to examine what legitimate needs therapeutic practices have served and what unexpected political and social functions they may have performed. Offering both an extended history and a series of critical interventions organized around keywords like pain, privacy, and narcissism, this volume offers a more nuanced, empirically grounded picture of therapeutic culture than the one popularized by critics. Rethinking Therapeutic Culture is a timely book that will change the way we've been taught to see the landscape of therapy and self-help.

Among the great figures of Progressive Era reform, Edith and Grace Abbott are perhaps the least sung. Peers, companions, and coworkers of legendary figures such as Jane Addams and Sophonisba Breckinridge, the Abbott sisters were nearly omnipresent in turn-of-the-century struggles to improve the lives of the poor and the working-class people who fed the industrial engines and crowded into diverse city neighborhoods. Grace's innovative role as a leading champion for the rights of children, immigrants, and women earned her a key place in the history of the social justice movement. As her friend and colleague Eleanor Roosevelt wrote, Grace was "e;one of the great women of our day . . . a definite strength which we could count on for use in battle."e;A Sister's Memories is the inspiring story of Grace Abbott (1878-1939), as told by her sister and social justice comrade, Edith Abbott (1876-1957). Edith recalls in vivid detail the Nebraska childhood, impressive achievements, and struggles of her sister who, as head of the Immigrants' Protective League and the U.S. Children's Bureau, championed children's rights from the slums of Chicago to the villages of Appalachia. Grace's crusade can perhaps be best summed up in her well-known credo: "e;Justice for all children is the high ideal in a democracy."e; Her efforts saved the lives of thousands of children and immigrants and improved those of millions more. These trailblazing social service works led the way to the creation of the Social Security Act and UNICEF and caused the press to nickname her "e;The Mother of America's 43 Million Children."e; She was the first woman in American history to be nominated to the presidential cabinet and the first person to represent the United States at a committee of the League of Nations.Edited by Abbott scholar John Sorensen, A Sister's Memories is destined to become a classic. It shapes the diverse writings of Edith Abbott into a cohesive narrative for the first time and fills in the gaps of our understanding of Progressive Era reforms. Readers of all backgrounds will find themselves engrossed by this history of the unstoppable, pioneer feminist Abbott sisters.

In this era of tweets and blogs, it is easy to assume that the self-obsessive recording of daily minutiae is a recent phenomenon. But Americans have been navel-gazing since nearly the beginning of the republic. The daily planner-variously called the daily diary, commercial diary, and portable account book-first emerged in colonial times as a means of telling time, tracking finances, locating the nearest inn, and even planning for the coming winter. They were carried by everyone from George Washington to the soldiers who fought the Civil War. And by the twentieth century, this document had become ubiquitous in the American home as a way of recording a great deal more than simple accounts.In this appealing history of the daily act of self-reckoning, Molly McCarthy explores just how vital these unassuming and easily overlooked stationery staples are to those who use them. From their origins in almanacs and blank books through the nineteenth century and on to the enduring legacy of written introspection, McCarthy has penned an exquisite biography of an almost ubiquitous document that has borne witness to American lives in all of their complexity and mundanity.

"e;I realize that I am a soldier of production whose duties are as important in this war as those of the man behind the gun."e; So began the pledge that many home front men took at the outset of World War II when they went to work in the factories, fields, and mines while their compatriots fought in the battlefields of Europe and on the bloody beaches of the Pacific. The male experience of working and living in wartime America is rarely examined, but the story of men like these provides a crucial counter-narrative to the national story of Rosie the Riveter and GI Joe that dominates scholarly and popular discussions of World War II.In Meet Joe Copper, Matthew L. Basso describes the formation of a powerful, white, working-class masculine ideology in the decades prior to the war, and shows how it thrived-on the job, in the community, and through union politics. Basso recalls for us the practices and beliefs of the first- and second-generation immigrant copper workers of Montana while advancing the historical conversation on gender, class, and the formation of a white ethnic racial identity. Meet Joe Copper provides a context for our ideas of postwar masculinity and whiteness and finally returns the men of the home front to our reckoning of the Greatest Generation and the New Deal era.

The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene.In?Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France's complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons-such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others-what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation-reinvention-in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing.?Paris Blues?provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.

‘My future mother-in-law burst into tears when she heard her son was to marry an actress. There’s still something disturbing, I grant you, about the word “actress”. If an MP or some other outstanding person plays fast and loose with an actress the world is unsurprised. She is certainly no better than she should be, and probably French…’ As well as being a mother (to the actresses Sophie and Emma Thompson) and a devoted carer to her own mother and mother-in-law, Phyllida Law is also a distinguished actress, and Dead Now Of Course is the tale of her early acting career. As a young member of a travelling company, Phyllida learned to cope with whatever was thrown at her, from making her own false eyelashes to battling flammable costumes and rogue cockroaches. We find her in Mrs Miller’s digs, which were shared with a boozy monkey bought from Harrods, an Afghan hound known as the ‘the flying duster’, several hens and various children. Filled with funny, charming anecdotes, Dead Now Of Course paints a fascinating picture of life in the theatre – and at the heart of the story is an enchanting account of Phyllida’s courtship with her future husband, the actor and writer Eric Thompson.

The original 'banana republic' stories which explore aspects of life in a paralytically sleepy Central American town, each advancing some aspect of the larger plot and relating back one to another in a complex structure. The larger, overriding plot slowly explicates its own background, even as it creates a town which is one of the most detailed literary creations of the period.

For 7 to 9-year-old boys and girls. Stealing or theft is taking something without permission or payment. Help your child realise stealing is not an acceptable thing to do. Max Turner, Ant Turner’s younger sister, decides she wants to be more like her older brother and do boy things. She starts by painting her pink girlie bike green, but then thinks what it really needs are go-faster stickers. As she has no money, she steals them from a shop. Billy Field finds out and sets out to help her undo her misdoings. Does Max get caught? Will she own up to her what she’s done? Will she understand the consequences of stealing? Billy Helps Max is the fifth title in the Billy Growing Up series. Each book addresses a unique topic—bullying, arrogant pride, jealousy, lying, stealing, lack of self-belief, understanding money, and secrets. Written to help parents, guardians and teachers deal with the issues that challenge pre-teen children; each topic is presented in a gentle way through storytelling. Setting the issues in a meaningful context helps children to understand the challenges, and to see things from a different perspective. The books act as icebreakers allowing for discussions of difficult subjects. Additionally, each title is supported by a free activity book to reinforce the learning, while having fun. Buying this book today will aid your child in working out right from wrong, and honesty from dishonesty.

Things are looking bleak for Malcolm and his adventurer friends. ?The Pentagram Council have been defeated and Diablo is now in full control of their forces. ?Casper is lost, presumed dead. Their victory in Asperios is looking increasingly hollow and Diablo is still possessing Stephanie's body. ?Is there any hope he can be vanquished? ?Is the last piece of the key safe? ?Will Malcolm ever be reunited with his love Stephanie? ?Find out in the third and final book in the Magpies and Magic series of books.

About the Author Sweta Srivastava Vikram is a multi-genre writer and marketing professional living in New York City. She is the author of Because All Is Not Lost from Modern History Press and the co-author of Whispering Woes of Ganges & Zambezi (Cyberwit 2010). Her work has appeared in six countries across three continents. Sweta has held recent artist residencies and workshops in Portugal, Ireland, and several within USA. She is a graduate of Columbia University. "In this innovative series, Sweta Srivastava Vikram re-appropriates color. Cultures and mythologies collide along the way, and the result is a chapbook that feels like a quest. In the end, the colors are a map to identity. The child's pink tonsils or the bride's red sari are not symbols, but rather mile markers. Like Vikram's poems, they lead toward understanding" --Erica Wright, Senior Poetry Editor, GuernicaAbout the Chapbook The book delves into the implication and philosophy of colors from a Hindu woman's point of view, from birth until death. The color she adorns herself with almost depicts the story of her life. Expressed through different poetic and verbal forms, each color in the book has its own tone and is specific to different age groups. Learn more at www.SwetaVikram.com From the World Voices Series at Modern History Press www.ModernHistoryPress.com

Three wishes are granted to the owner of the monkey's paw, but the wishes come with an enormous price for interfering with fate.

International Journal on Multicultural Literature (IJML) Volume 7 Number 2 (July 2017) ISSN 2231-6248. Highlights include ·Solutions to Religious Communalism as Projected in Mahesh Dattani's Final Solutions: An Analysis by S. Chelliah ·K.V. Dominic's Winged Reason: A Portrait of Social Realism by D.C. Chambial ·Tracing Political Bricoleurs in Winston Churchill's Thoughts and Adventures and Khushwant Singh's The End of India by Sreedevi R. & Raichel M. Sylus ·Play/Games as Sublimation of Juvenile Delinquency: An Exploration into the World of Children's Literature by Sijo Varghese ·Intrinsic Journey into the Epic, Savitri: A Symbolic Exploration by Santanu Basak ·Feminine or Feminist: Ambiguous Women in The Moor's Last Sigh by Sharmila Bhattacharjee ·Element of Grotesque in Carson McCullers' The Ballad of the Sad Cafe by Sarika Tiwari ·Alec Derwent Hope on Poet and Art of Poetry by Amodini Sreedharan ·Women as Victims: A Study of Nalini Sharma's Strange Equations by S. Barathi ·Mahesh Dattani's Final Solutions: Deconstruction of Communalism - Nidhish Kumar Singh ·Authenticity of Rural Life in the Novels of Chinua Achebe, Kamala Markandaya and Ramesh K. Srivastava by Smita Das ·Lives on Pyre: A Socio-realistic Portrayal in D.C. Chambial's The Cargoes of the Bleeding Hearts by Parthajit Ghosh & Madhu Kamra ·An Evolution of His Demography: A Socio-cultural Flow in the Fictional World of Manoj Das by Suresh Bera & Somali Gupta ·Maya Angelou's Shaker, Why Don't You Sing?: a Paroxysm of Confession by Ishita Pramanik & Shukla Banerjee ·Fruits of Delight in the Fields of Despair in Manas Bakshi's Dance of Satan and Other Poems by T.V. Reddy IJML is a peer-reviewed research journal in English literature published from Thodupuzha, Kerala, India. The publisher and editor is Prof. Dr. K. V. Dominic, renowned English language poet, critic, short story writer and editor who has to his credit 27 books. He is also the secretary of Guild of Indian English Writers, Editors and Critics (GIEWEC). Since 2010, IJML is a biannual journal published in January and July. The articles are sent first to the referees by the editor and only if they accept, the papers will be published. Although based in India, each issue includes worldwide contributors. Although IJML concentrates on multiculturalism, it also encompasses other literature. Each issue also includes poems, short stories, review articles, book reviews, interviews, general essays etc. under separate sections. IJML is available in paperback, Kindle, ePub, and PDF editions. Distributed by Modern History Press Learn more at www.profKVDominc.com

“Mid Day Soul” a poetry collection. This is my first English poetry collection , After 17 hindi books. So please Don’t take seriously. You can say this is a effort to work with English language. I always wanted to write something for English readers. So this is for you. Thank you.

Povestea scriitoarei britanice care ?i-a g?sit fericirea ?n inima Transilvaniei Arabella McIntyre-Brown a ?nceput s? scrie o carte sincer? ?i antrenant?, plin? de umor, despre aventura mut?rii dintr-un mare ora? britanic ?ntr-un sat din Carpa?i, ?i a sf?r?it prin a compune o veritabil? scrisoare de dragoste pentru Rom?nia. A?a cum magia Transilvaniei rurale a fermecat-o profund pe autoare, volumul ?Din Liverpool ?n Carpa?i” va cuceri, f?r? ?ndoial?, inimile tuturor cititorilor rom?ni. ?n ultimii ani, mai mult de 200.000 de rom?ni au plecat s? locuiasc? ?n Marea Britanie, iar din Anglia au venit ?n Rom?nia doar c?teva mii de britanici doritori s? se stabileasc? aici. Cei mai mul?i au ales Bucure?tiul sau alte ora?e mari; numai c??iva au descoperit atmosfera deosebit? a mediului rural. Scriitoarea ?i jurnalista Arabella McIntyre-Brown este una dintre ei. A luat aceast? hot?r?re ?n urma unor decese ?n familie, dar adev?rul din spatele plec?rii din Anglia ??i are r?d?cinile ?ntr-o copil?rie dificil?. La v?rsta de 50 de ani, tocmai c?nd ?ncepuse s? se bucure de un oarecare succes ca editor de carte ?i autor, ?i-a v?ndut casa din Liverpool, abandon?ndu-?i via?a citadin?, de om ocupat, ?i s-a aruncat ?n acest labirint care este Europa de Est. A p?r?sit tot ce-i era familiar ?i s-a mutat ?n Rom?nia, pentru a-?i tr?i via?a ?n solitudine. Astfel, din 2010, Arabella McIntyre-Brown nume?te ?acas?” aceast? parte a lumii m?rginit? la sud de Mun?ii Carpa?i, pe care prietenii r?ma?i ?n Anglia o puteau vedea pe Google Maps doar ca pe o p?tur? verde, difuz?. Decizia de se muta dintr-un ora? britanic animat ?ntr-o caban? construit? doar pe jum?tate, aflat? pe un pov?rni? al mun?ilor, ar fi putut fi un dezastru. Autoarea are peste 50 de ani, nu are un venit stabil, nici pensie sau un plan de rezerv?. ?n ciuda fapului c? toate indiciile sugerau c? avea s? e?ueze lamentabil, ast?zi poate afirma f?r? rezerve c? a descoperit secretul fericirii. Pentru ea, paradisul este satul transilv?nean M?gura, aflat cam la altitudinea la care se afl? cele mai ?nalte piscuri muntoase din Marea Britanie. ?... un fel de ghid pentru propriile c?l?torii c?tre sine – dac? ve?i avea curajul s? v? aventura?i pe un astfel de drum.” – Sir Ranulph Fiennes