As a British Army Officer in the Corps of Royal Engineers Toby Woodbridge twice deployed to Afghanistan’s Helmand Province, and spent a total of eight months in the notorious District of Sangin. Employed as mentor to the Afghan National Police during his last tour in the town Woodbridge spent over six months living, working and fighting alongside members of that much maligned but critically important organisation, gaining a privileged view of their work and insight into their world. His experiences from those two tours provide the background for this unique perspective on the difficulties and dangers involved when working, living and surviving on the front line of Afghanistan’s insurgency.

Chimney is a much loved family cat who has chosen to tell her own story in poetic form as only a cat can. She charts her life from mischievous kittenhood to thoughtful maturity in the company of two glorious IRISH SETTERS. Cat lovers and owners everywhere will recognise many of her ways and cat philosophy and those, who do not know cats well, will be surprised at their observational skills!

Hopefully you are old enough to remember‘Yes Minister.’Does government really work like thatIf it does, you really need a sense of humour to examine not only its workings but also its nonworkings. That is exactly what’ If Only Politicians Had Brains’ does , examine government workings with a sense of humour. Ten years ago BSE was going to destroy mankind (if mankind ate beef ). So far less than 150 people have died – over a twelve year period. ‘If Only Politicians Had Brains ’takes an, often times , humorous look– with serious intents– at the politically manufactured creations designed to divert public attention away from the real issues. Why do so many people“ fall for “the smoke and mirrors trap that makes“ Hustle ” the successful programme that it isTerenceO?Halloran has a thirty (plus) year experience of dealing with government through British Chambers of Commerce and the Federation of Small Businesses at local and central government level . This is a chance to share his insight into the real “ smoke and mirror ” minds of a group of people that will do anything to prove that they, and only they ,know how they should run your life..

This is a tale of a cat called Hyam a very special cat. In fact he is a theatrical cat, a fastidious cat, a funny cat, but most of all an adored cat.Most famous for talking himself out of a part at an audition for a West End production for he is an actor. Here he tells his own story in a series of delightfully readable poems a pleasure for all age groups. Follow his adventures as he takes us on his travels through the ups and downs of theatre life and his many escapades as a sophisticated actor, a country puss and a muchloved family pet. Irresistibly combining both a sense of humour and an abounding love of its Feline Subject, with the Author’s delightful illustrations throughout ‘ Hyam The Cat who Talked To Much‘ will capture your imagination and steal your heart.The perfect gift book for all the family ages 9 – 90. Comes with a special offer to buy the Hyam the Cat gift.

Tracing the life of the author’s father, this passionate, vivid memoir follows him through his childhood in the west of England, his successful 25-year career in the Indian Army prior to the country’s independence in 1947, and his final years in Devonshire, where he raised a family while the symptoms of Huntington’s disease gradually set in. Born of a family of impoverished Cornish fishermen, he and his six sisters cared for their dying mother after losing their father at the start of the First World War, before Huntington’s reared itself in their lives and led to the early death of three of the siblings. An absorbing, tense story of an emerging family crisis, this is an inspiring narrative showing that, through courage and faith in the face of great adversity, peace can be found. William Symons was born in Newlyn in 1878. Following family tradition he became a fisherman and a member of the Royal Naval Volunteer Reserve. In 1914, following some early action at sea in the First World War, he died at the age of 36 yrs, leaving a widow and seven children, a boy and six girls. Unknown to him, and to his family, he left another legacy. In his body he carried a faulty gene, which, if inherited, could lead to Huntington’s chorea, a disease that normally becomes apparent in middle age. William died before symptoms appeared but the disease, known at the time as St Vitus Dance, was to claim the lives of a number of his descendants. This book chronicles the life of his eldest child, and only son, William John, who was 12 years old at the time of his father’s death. There was a small naval pension and William earned what pennies he could in his spare time until he left school the following year aged 13 years and went to work, initially for Dick Bath, the coal merchant. Somehow the family managed to stay together even after the death of his mother, Florence Louisa, from tuberculosis in 1921. They attended St. Peter’s Church, where the vicar, Mr Phelps, knew the family well and gave them his support. In 1919 William (always known as ‘Jack’ in the family) signed on as a soldier in the Duke of Cornwall’s Light Infantry and thus started a lifetime career in the Army and, from 1922, a long period of service in India. Mr Phelps helped him to weigh everything up and arrive at the decision to make this move. And so the story unfolds’. Eventually, at the age of 70 years, chorea would claim his life, but it was a life that saw a lot of happiness. Not least the birth of his two sons. The elder of these, John Symons, is the writer of this book.

Originally published by Chatto & Windus in 1959, this book has long been out of print and largely neglected by Shakespearean scholars. It offers a viewpoint seldom considered: an unusual and exceptionally clear insight into Shakespeare’s philosophy. It does so with freshness, modesty and conviction. Appreciating the danger Shakespeare faced in writing at a time of major religious intolerance, Vyvyan shows how subtly the plays explore aspects of the perennial philosophy allegorically. In doing so, Shakespeare raises the fundamental question of ethics: What ought we to do‘Shakespeare,’ says the author, ‘is never ethically neutral. He is never in doubt as to whether the souls of his characters are rising or falling.’ There is a constant pattern in the tragedies: ‘first the hero is untrue to his own self, then he casts out love, then conscience is gone – or rather inverted – and the devil enters into him.’ Vyvyan shows us this pattern of damnation, or its counterpart – a pattern of regeneration – working out in certain plays, contrasting Hamlet with Measure for Measure and Othello with The Winter’s Tale, where a similar dilemma and choice confront the hero. His intuitive insights also illumine Macbeth, Julius Caesar and Titus Andronicus which focus on the fall, whereas The Tempest explores most fully the pattern of regeneration and creative mercy. Here is a book, both thought-provoking and persuasive, which will send many readers back to Shakespeare’s plays with fresh vision and clearer understanding. To assist such readers, this edition cross-references the quotations in the text to the relevant place in the play. The text has been completely reset and the index expanded. John Vyvyan, born in 1908 in Sussex, was educated mainly in Switzerland. His first profession was archaeology, and he worked with Sir Flinders Petrie in the Middle East. Illness, which dogged him all his life, ended this kind of arduous field work, and he retired from archaeology to become a Shakespearean scholar and to write. Studies such as The Shakespearean Ethic, Shakespeare and The Rose of Love (1960) and Shakespeare and Platonic Beauty (1961), led to the offer of a visiting lectureship at the State University of New York. He died in Exmouth in 1975.

From being chased along a beach by a pack of wolves in Mombasa to being told to get lost by film star Jack Palance, Bernie Howard’s mates loved hearing his stories about his time in the Navy so much that he decided to put them all in a book. Rum, Bum and Baccy is a collection of short stories about Bernie’s life as a sailor in the Royal and Merchant navies in the 1960s and 1970s, beginning with his training at HMS Ganges in Ipswich as a 15-year-old in 1962. “Nobody in my family or anyone I knew had been in the Navy, but for some reason I just always wanted to go to sea,” says Bernie, who ran the Cavendish Stores on Cavendish Road in Highams Park after he left the navy, from 1977 to 1983. “I wanted to travel, to see different parts of the world. It was the adventure of it, I suppose.” As a schoolboy in Swaffham in Norfolk, Bernie and his classmates would be visited by prospective employers from the likes of the fishing fleet and the Merchant Navy, but when someone from the Royal Navy came, he was sold. Bernie stayed in the Royal Navy until 1971, when he joined the Merchant Navy, working for Shell, and sailing on some of the biggest super tankers in the world. “The comradeship was great in the Royal Navy,” remembers Bernie, 67, who now lives in Peterborough, “but you lived in such tight conditions, there’d be 36 of us living in a very small room. In the Merchant Navy, you got your own cabin, you had your own toilet and shower, there were gymnasiums and television rooms on the ship – luxury compared to the Royal Navy! And the food was fantastic as well, some of the best food I’ve ever had.

This Life of Grace is a biography and a history. It tells the story of Grace Jarrold, the youngest of eight children, who lived for almost ninety years in the village of Plympton in Devon. It also tells the story of the village over the last century, beginning with the Great War of 1914-1918, school life at that time as revealed in original documents, the building of ‘homes fit for heroes’ in the 1920s, and the General Strike of 1926. It describes the dwindling of the old ‘upstairs-downstairs’ life, the approach of the Second World War and the Blitz of Plymouth. After the tranquil period of fifteen years that followed the War, things changed at great speed. The influence of farming declined, leading to the closure of Plympton Market in 2002. The village grew to ten times its size at the time of Grace’s birth and it was absorbed into the City of Plymouth. All the events are recorded as they affected local people. Grace is at the heart of the story, much of it told in her words, related remarkably to the author in frank conversations as she relived her life when it was drawing to its close, during almost three years in a hospital bed. The life of her husband, Major William John Symons, of the Indian Army, is told by the same author in Stranger on the Shore, published in 2009. In a pre-publication review, Peter Smith of Crane Books, writes, ‘I liked This Life of Grace even more than Stranger, which I had found engrossing and very moving. This Life of Grace is written with such warmth and deep affection and understanding, bringing the characters vividly to life. Grace was a person of dignity and humility, an unusual combination, to which I felt a sense of eloquence, wit and humour should be added. She was very much a Grace.’

John Vyvyan’s third Shakespearean study was originally published by Chatto & Windus in 1961, but has long been out of print. Looking at some of the comedies, he reveals how the Platonic ideas of beauty and love, as developed by Plotinus, Ficino, Castiglione and Spenser, add an extra dimension to the plays. In A Midsummer Night’s Dream, As You Like It and All’s Well That Ends Well, the heroines bring to life the idea of love as the force that is awakened in the world by beauty which then leads the soul to perfection. Vyvyan believes that for Shake-speare love was pre-eminent over human ideas of justice, that self-discovery was a supreme human experience and that breaking faith with the ideal ‘ as Agamemnon, Cressida and Hector all do in Troilus and Cressida ‘ sowed the seeds of tragedy. The author’s recognition of Shakespeare’s use of allegory enables him to make sense of certain developments in these plays which seem weak or absurd from the psychological standpoint ‘ the ‘tidy’ marriage of Celia and Oliver in As You Like It, the ignoble behaviour of Bertram in All’s Well That Ends Well, or the constancy of Julia’s love for the fickle Proteus in The Two Gentlemen of Verona. John Vyvyan’s work is extraordinarily perceptive, compelling us to think again about the underlying philosophy in Shakespeare’s plays, and to see their action from a fresh point of view. It is not often that one finds combined in one critical book so much learning, insight and modesty. ‘If a clearly conceived philosophy is implicit [in Shakespeare's work]‘, Vyvyan writes, ‘then it is by parable and allegory that it is expressed; and the recognition of this ‘I think’ immensely enhances our enjoyment of the plays: it gives them a new dimension and a richness that has yet to be explored; it is a stimulating challenge to acting and production; and to the audience it reveals a drama beyond the theatre, written, as Coleridge so finely said, for the stage of the universal mind.’

This authorised biography of the poet Kathleen Raine tells the story of how she developed from a small girl, who knew at the age of eight that she wanted only to write poetry, into a world-renowned poet and literary scholar. Philippa Bernard follows Kathleen Raine’s struggle against the constrictions of her suburban childhood to her exciting days at Girton College in the twenties, where she became friends with many brilliant writers, artists and scientists, including William Empson, Julian Trevelyan, Jakob Bronowski and the film maker Humphrey Jennings, friendships which lasted all her life. After a short marriage to Hugh Sykes Davies, she eloped with the poet Charles Madge to live in Blackheath where two children were born. An affair led to a break with Charles, who was involved at the time with Inez Spender, wife of the poet Stephen, and at the outbreak of war in 1939, she ran away with her children to the Lake District to the home of Michael Roberts and his wife Janet Adam Smith. Taking a cottage near Ullswater, she found a peaceful seclusion which enabled her to write some of her finest poetry, but found it difficult to support her family. Leaving the children with her friend, the art patron Helen Sutherland, she moved to London. In a room off the Tottenham Court Road, she came to know Sonia Brownell (later to marry George Orwell) who introduced her to the artists and writers of the Fitzrovia set, Dylan Thomas, Cyril Connolly and Rex Whistler among them, and including the strange figure of Tambi – James Tambimuttu – who published her first book of poems, Stone and Flower. Kathleen had already achieved much critical acclaim and published several volumes of poetry when she met through Tambi the naturalist and explorer Gavin Maxwell. She fell disastrously in love with him, but his homosexuality, which she understood from the beginning of their relationship, proved too much of an obstacle, for she totally failed to understand that this delightful companion, whose love of all natural things matched her own, completely failed to reciprocate the warmth of feeling that overwhelmed her. The title of his book, Ring of Bright Water, centred around his beloved otters at his home in Scotland, was taken from a poem of hers. An intensive period of research on the poet William Blake led to the publication of Blake and Tradition, marking Kathleen out as a leading Blake scholar. This was followed by works on Coleridge, Yeats and Thomas Taylor. Towards the end of her long life Kathleen Raine founded the journal Temenos with the help of Prince Charles, who became a good friend. She travelled to India, was honoured with the Queen’s Gold Medal for Poetry and made a Companion of Honour. Philippa Bernard met her as a neighbour in Chelsea where she and her husband owned an antiquarian bookshop. In this book she assesses sympathetically the work of Kathleen Raine, but does not hesitate to throw a critical light on this unusual woman of the highest intellect who loved her children deeply but deserted them to follow her instincts, who had an entirely practical attitude to the world about her, but who pursued a spiritual path, and who achieved so much in the world of literature and poetry.

‘In this delightful and well written book, Alan Stedall … has done an enormous service in making some of Marcus Aurelius’s reflections very accessible to the modern reader’ Faith & Freedom ‘The Dialogues are eminently readable and immediate …in places it is irresistible’ The Philosopher ‘I was drawn deeper and deeper into the simple solid reasoning …Stedall’s imagined dialogue had me fully in the present’ Midwest Book Review ‘I knew within a few lines this was going to be a treasure... Stedall is a word master... Bravo!’ The Smoking Poet Marcus Aurelius, one of the greatest Roman emperors, is remembered less for his military exploits than for his private reflections. His Meditations, as they became known, have been a major influence on Western thought and behaviour down the centuries the pen is mightier than the sword. Seeking an alternative to faith based religion, Alan Stedall came across the book and found rational answers to questions about the meaning and purpose of life that had been troubling him. Here too were answers to his concern that, in the absence of moral beliefs based on religion, we risk creating a world where relativism, the rejection of any sense of absolute right or wrong, prevails. In such a society any moral position is considered subjective and amoral behaviour is unchallengeable. Because the Meditations were jotted down in spare moments during a busy life ruling and defending a huge empire, they lack order and sequence. Inspired by the wisdom of Marcus Aurelius, Stedall has sought to present the contents in a more contemporary and digestible way. To achieve this, he employed the Greek philosophical technique of dialogue to create a fictional conversation between five historical figures who actually met at Aquileia on the Adriatic coast in AD 168. Apart from Marcus, they were his brother and coemperor, Lucius, the famous Hellenic surgeon of antiquity, Galen, an Egyptian high priest of Isis, Harnouphis, and Bassaeus Rufus, Prefect of the Praetorian Guard. The Dialogues afford Marcus and his guests the opportunity to express their views on such topics as the brevity of life and the need to seek meaning; the pursuit of purpose; the supreme good and the pursuit of a virtuous life – issues as relevant today as they were in antiquity. By a gentle process of question and answer, Marcus shows up the weakness of his guests’ arguments and reveals how a virtuous life may be lived without the threat of eternal damnation or promise of salvation to enforce compliance. Virtue is its own reward.

John Clare (1793-1864) was born at a time of great social upheaval, just months after the beheading of Louis XVI and the outbreak of war with France which was to last till the defeat of Napoleon at Waterloo in 1815. He also lived through the upheavals of the land enclosure movement and agricultural revolution which changed the face of the countryside and the way of life in rural England. His father was a farm worker who managed to pay for his son’s schooling, though this was cut short as conditions worsened, but at least Clare had by then learnt to read and write so he could continue his own education, reading whatever books he could lay his hands on. At the age of sixteen he witnessed the social dislocation caused by the local enclosure Act and observed how the landscape was gradually transformed. Drawing on Clare’s writing, this extensively researched study gives the modern reader an appreciation of the divisive effects of these policies. Structured chronologically, this exploration of John Clare’s life highlights the socio-economic and environmental aspects of his observations and includes his reports on an insidious revolution taking place in the English countryside. Parliament, dominated by landowners, authorised the enclosure of large tracts of common land by private acts without considering the effect on those who had enjoyed rights of use and pasturage for centuries. Land enclosures, and the improved agricultural techniques which this permitted, was important in increasing food production at a time when the population of England was growing rapidly. While additional work was initially provided for agricultural labourers in the fencing and walling needed, this was temporary. The introduction of new, labour-saving machinery further reduced the opportunities for work. Insufficient attention, the author argues, has been given to the consequences. Those driven out of their homes in the country were left with no option but to migrate to the towns and sell their labour to whoever would pay for it. In effect, land enclosure created a market in land; landlessness created a market in labour. These are the foundations of our modern market economy. The author asserts that the harshness of the early years of the industrial revolution were the product of land enclosure which the welfare state has to some extent mitigated, although at the cost of creating a dependency culture in contrast to the sturdy independence of Clare’s parents’ generation of farm workers.

St Claire Bullock - a Professor of Philosophy, no less - in the intervals between pondering the great questions of life, turned his hand to penning light verse in the manner of Hilaire Belloc, Ogden Nash and Edward Lear. In rhyming couplets these wry and witty poems ponder the foibles and vanities of mortals. Some of these are captured in pen and ink drawings which caricature the subject of the poems. Each character is given an amusing name, beginning with Master Cecil Abercorn, through Clarence Castle, Serena Huff, The Marchioness of Mal de Mer, Major Houghton Reid and Thomas Tinkham Tattersall to Roland Washburn White. There are 70 poems in all of which 10 are illustrated. The illustration on the front cover relates to Rupert Ashe: 'The greatest pride of Rupert Ashe was his luxuriant moustache. He took great care to keep it groomed, And even, with restraint, perfumed. He brushed it upward every day, and it made such a grand display, that people who were not the wiser, imagined that he was the Kaiser.'