George Etherege was born in Maidenhead, Berkshire, around 1636, the eldest of six children to George Etherege and Mary Powney. Little is known of much of his life and especially his early years. He was educated at Lord Williams's School and the next sighting of him is as apprentice to a lawyer before he himself began to study law at Clement's Inn, London, one of the Inns of Chancery. Thereafter conjecture attributes many things to him but none that can be confirmed as fact. However, after the Restoration to the throne of Charles II in 1660 he wrote his first comedy; The Comical Revenge, or, Love in a Tub, which also brought him to the attention of Lord Buckhurst, who later became the Earl of Dorset. The Comical Revenge was performed at the Duke's theatre in 1664 although other accounts say it was premiered at Lincoln's Inn Fields. It is written partly in rhymed heroic verse and contains several comic scenes that are refreshingly bright, especially in the context of other plays performed at the time. The verbal sparring between Sir Frederick and the Widow was a new departure for the stage and it worked brilliantly. An immediate success, it had followed much of the earlier traditions of theatre but had already begun to lay the foundations for what would become the comedy of manners. It gave him an immediate entree to a world of literary rakes, including Sir Charles Sedley, John Wilmot, the earl of Rochester and many of the roguish elements of the Court circle. He seemed easy-going and amiable and his nicknames seem to confirm this; "e;gentle George"e; and "e;easy Etheredge."e; Whether this rich life of gaudy pleasures hindered his writing or not it would be another four years before his next play would be finished and performed. In 1668 She Would If She Could, a comedy full of action, wit and spirit, came to the stage. Although it was also seen by others to be frivolous and immoral. However, the play does cement Etheredge's modern reputation as a powerful figure in English playwriting. The play dropped the romantic verse element to concentrate on flirtation for flirtations own sake. It was a radical departure. Unfortunately, it also flopped. It is said due to bad acting but the sudden movement away from the normal structure of a play may equally be the reason. Etheridge now departed on new adventures and between 1668 and 1671 Etherege resided in Constantinople as the secretary of the English ambassador, Sir Daniel Harvey. Returning once more to English shores he wrote the prologue for the opening, in 1671, of the new Dorset Garden Theatre. In 1676 his last and wittiest comedy, The Man of Mode; or, Sir Fopling Flutter, was brought to the stage. It was an immediate and over-whelming success. He was acclaimed. A writer being the sum of his own experiences it was widely believed that the play's characters paint comic pictures of several of his well-known contemporaries. Sir Fopling Flutter himself being a portrait of Beau Hewit, the reigning exquisite of the hour, Dorimant a reference to John Wilmot, the Earl of Rochester, and Medley a portrait of Etherege himself or fellow playwright and wit Sir Charles Sedley. Even the drunkard shoemaker was a real character, who made his fortune from being brought to public attention. After this brilliant success Etheredge retired from literature, and a few years later had lost much of his new fortune to gambling. Etherege was knighted in either 1679 or 1680 and went on to marry the wealthy widow Mary Sheppard Arnold. In March, 1685 he was appointed resident minister in the imperial German court at Regensburg. After three and a half-year's residence and the Glorious Revolution, he left for Paris to join James II in exile. He died in Paris, probably in late 1691, although the date and cause of death are uncertain.

Sir James Matthew Barrie, 1st Baronet, OM, was born in Kirriemuir, Angus the ninth of ten children on May 9th, 1860. From early formative experiences, Barrie knew that he wished to follow a career as an author. His family wished otherwise and sought to persuade him to choose a profession, such as the ministry. The compromise was that he would attend university to study literature at the University of Edinburgh. He graduated with an M.A. on April 21st, 1882. His first job was as a staff journalist for the Nottingham Journal. The London editor of the St. James's Gazette "e;liked that Scotch thing"e; in Barrie's short stories about his mother's early life. They also served as the basis for his first novels. Barrie though was increasingly drawn to working in the theatre. His first play, a biography of Richard Savage, was only performed once and critically panned. Undaunted he immediately followed this with Ibsen's Ghost in 1891, a parody of Ibsen's plays Hedda Gabler and Ghosts. Barrie's third play, Walker, London, in 1892 led to an introduction to his future wife, a young actress by the name of Mary Ansell. The two became friends, and she helped his family to care for him when he fell very ill in 1893 and 1894. Barrie proposed and they were married, in Kirriemuir, on July 9th, 1894. By some accounts the relationship was unconsummated and indeed the couple had no children. The story of Peter Pan had begun to formulate when Barrie became acquainted with the Llewelyn Davis family in 1897, meeting George, Jack and baby Peter with their nanny in London's Kensington Gardens. In 1901 and 1902, Barrie had back-to-back theatre successes with Quality Street and The Admirable Crichton. The character of "e;Peter Pan"e; first appeared in The Little White Bird in 1902. This most famous and enduring of his works; Peter Pan, or The Boy Who Wouldn't Grow Up had its first stage performance on December 27th, 1904. Peter Pan would overshadow everything written during his career. He continued to write for the rest of his life contributing many other fine and important works. Sir James Matthew Barrie, 1st Baronet, OM, died of pneumonia on June 19th,1937 and was buried at Kirriemuir next to his parents and two of his siblings.

George Chapman was born at Hitchin in Hertfordshire in about 1559. There is some evidence that Chapman attended Oxford University but did not obtain a degree, but the evidence is rather scant.During the first part of the early 1590s Chapman was in Europe, in military action in the Low Countries fighting under the famed English general Sir Francis Vere. It is from this period that his earliest published works are found including the obscure philosophical poems The Shadow of Night (1594) and Ovid's Banquet of Sense (1595). By the end of the 1590s, Chapman had become a successful playwright, working for the Elizabethan Theatrical entrepreneur, Philip Henslowe, and later for the Children of the Chapel.From 1598 he published his translation of the Iliad in installments. In 1616 the complete Iliad and Odyssey appeared in The Whole Works of Homer, the first complete English translation, which until Alexander Pope's, was the most popular in the English language and was the entry point for most English readers of these magnificent poems. The great Ben Jonson was also using Chapman's talents in the play Eastward Ho (1605), co-written with John Marston. Both Chapman and Jonson landed in jail over some satirical references to the Scots in the play but both were quick to say that Marston was the culprit.Chapman also wrote one of the most successful masques of the Jacobean era, The Memorable Masque of the Middle Temple and Lincoln's Inn, performed on February 15th, 1613. Another masque, The Masque of the Twelve Months, performed on Twelfth Night 1619 is also now given as Chapman's.George Chapman died in London on May 12th, 1634 having lived his latter years in poverty and debt. He was buried at St Giles in the Fields.

Henry Fielding was born at Sharpham Park, near Glastonbury, in Somerset on April 22nd 1707. His early years were spent on his parents' farm in Dorset before being educated at Eton.An early romance ended disastrously and with it his removal to London and the beginnings of a glittering literary career; he published his first play, at age 21, in 1728.He was prolific, sometimes writing six plays a year, but he did like to poke fun at the authorities. His plays were thought to be the final straw for the authorities in their attempts to bring in a new law. In 1737 The Theatrical Licensing Act was passed. At a stroke political satire was almost impossible. Fielding was rendered mute. Any playwright who was viewed with suspicion by the Government now found an audience difficult to find and therefore Theatre owners now toed the Government line.Fielding was practical with the circumstances and ironically stopped writing to once again take up his career in the practice of law and became a barrister after studying at Middle Temple. By this time he had married Charlotte Craddock, his first wife, and they would go on to have five children. Charlotte died in 1744 but was immortalised as the heroine in both Tom Jones and Amelia.Fielding was put out by the success of Samuel Richardson's Pamela, or Virtue Rewarded. His reaction was to spur him into writing a novel. In 1741 his first novel was published; the successful Shamela, an anonymous parody of Richardson's novel.Undoubtedly the masterpiece of Fielding's career was the novel Tom Jones, published in 1749. It is a wonderfully and carefully constructed picaresque novel following the convoluted and hilarious tale of how a foundling came into a fortune.Fielding was a consistent anti-Jacobite and a keen supporter of the Church of England. This led to him now being richly rewarded with the position of London's Chief Magistrate. Fielding continued to write and his career both literary and professional continued to climb.In 1749 he joined with his younger half-brother John, to help found what was the nascent forerunner to a London police force, the Bow Street Runners. Fielding's ardent commitment to the cause of justice in the 1750s unfortunately coincided with a rapid deterioration in his health. Such was his decline that in the summer of 1754 he travelled, with Mary and his daughter, to Portugal in search of a cure. Gout, asthma, dropsy and other afflictions forced him to use crutches. His health continued to fail alarmingly.Henry Fielding died in Lisbon two months later on October 8th, 1754.

Ford Madox Ford was born Ford Hermann Hueffer on 17th December 1873 in Wimbledon, London, England.Today he is best known for one book, 'The Good Soldier', which is regularly held to be one of the 100 greatest novels of all time. But, rather unfairly, the breadth of his career has been overshadowed. He wrote novels as well as essays, poetry, memoirs and literary criticism. Today he is well-regarded but known only for a few works rather than the grand arc of his career.Ford collaborated with Joseph Conrad on three novels but would later complain that, as with all his collaborators, and those he so readily championed, his contribution was overshadowed by theirs.He founded The English Review and The Transatlantic Review which were instrumental in publishing and promoting the works of so many authors and movements.During WWI he initially worked on propaganda books before enlisting. Ford was invalided back to Britain in 1917, remaining in the army and giving lectures until the War's end. After a spell recuperating in the Sussex countryside he lived mostly in France during the 1920s.He published the series of four novels known as Parade's End, between 1924 and 1928. These were particularly well-received in America, where Ford spent much of his time from the later 1920s to his death in 1939.His last years were spent teaching at Olivet College in Olivet, Michigan.Ford Madox Ford died on 26th June 1939 at Deauville, France at the age of 65.

The reality is that little is known of Aristophanes actual life but eleven of his forty plays survive intact and upon those rest his deserved reputation as the Father of Comedy or, The Prince of Ancient Comedy. Accounts agree that he was born sometime between 456BC and 446 BC. Many cities claim the honor of his birthplace and the most probable story makes him the son of Philippus of gina, and therefore only an adopted citizen of Athens, a distinction which, at times could be cruel, though he was raised and educated in Athens. His plays are said to recreate the life of ancient Athens more realistically than any other author could. Intellectually his powers of ridicule were feared by his influential contemporaries; Plato himself singled out Aristophanes' play The Clouds as a slander that contributed to the trial and condemning to death of Socrates and although other satirical playwrights had also caricatured the philosopher his carried the most weight. His now lost play, The Babylonians, was denounced by the demagogue Cleon as a slander against the Athenian polis. Aristophanes seems to have taken this criticism to heart and thereafter caricatured Cleon mercilessly in his subsequent plays, especially The Knights. His life and playwriting years were undoubtedly long though again accounts as to the year of his death vary quite widely. What can be certain is that his legacy of surviving plays is in effect both a treasured legacy but also in itself the only surviving texts of Ancient Greek comedy.

Thomas Dekker was a playwright, pamphleteer and poet who, perhaps, deserves greater recognition than he has so far gained. Despite the fact only perhaps twenty of his plays were published, and fewer still survive, he was far more prolific than that. Born around 1572 his peak years were the mid 1590's to the 1620's - seven of which he spent in a debtor's prison. His works span the late Elizabethan and Caroline eras and his numerous collaborations with Ford, Middleton, Webster and Jonson say much about his work. His pamphlets detail much of the life in these times, times of great change, of plague and of course that great capital city London a swirling mass of people, power, intrigue.

Thomas Dekker was a playwright, pamphleteer and poet who, perhaps, deserves greater recognition than he has so far gained. Despite the fact only perhaps twenty of his plays were published, and fewer still survive, he was far more prolific than that. Born around 1572 his peak years were the mid 1590's to the 1620's - seven of which he spent in a debtor's prison. His works span the late Elizabethan and Caroline eras and his numerous collaborations with Ford, Middleton, Webster and Jonson say much about his work. His pamphlets detail much of the life in these times, times of great change, of plague and of course that great capital city London a swirling mass of people, power, intrigue.

schylus is often regarded as the father of Greek tragedy; he moved play writing from the simple interaction of a single character and a chorus to one where many characters interact and thereby create more dynamic and dramatic situations. schylus, was the son of Euphorion, and a scion of a Eupatrid or noble family. He was born at Eleusis 525 B.C., or, as the Greeks calculated time, in the fourth year of the 63rd Olympiad. He first worked at a vineyard and whilst there claimed to have been visited by Dionysis in a dream and told to turn his attention to the tragic art. It was a dream that would deliver a rich and incredible legacy through his writing talents. His earliest tragedy, composed when he was twenty-six years of age, failed to win the fabled Dionysia, (a revered festival of theatre) and it was not until fifteen years later that he gained this victory in 484BC going on to win it again in 472 BC (for The Persians), 467 BC (for Seven Against Thebes) and 463 BC (for The Suppliants). schylus was also known for his military skills and was ready to fight in defence of Athens whenever the call was made. He and his brother, Cynegeirus, fought against Darius's invading Persian army at the Battle of Marathon in 490 BCE and, although the Greeks won against overwhelming odds, Cynegeirus died in the battle, which had a naturally had a profound effect on schylus. He made several visits to the important Greek city of Syracuse in Sicily at the invitation of the tyrant Hieron, and it is thought that he also travelled extensively in the region of Thrace. His writing continued to be the envy of others. With the series of plays of which Seven Against Thebes was a part, his supremacy was undisputed. He was the "e;father of tragedy."e; schylus made many changes to dramatic form. The importance of the chorus was demoted and a second added to give prominence to the dialogue and making that interchange the leading feature of the play. He removed all deeds of bloodshed from the public view, and in their place provided various spectacular elements, improving the costumes, making the masks more expressive and convenient, and probably adopting the cothurnus to increase the stature of the performers. Finally, he established the custom of contending for the prize with trilogies, an inter-connecting set of three independent dramas. The closing years of the life of schylus were mainly spent in Sicily, which he had first visited soon after his defeat at the Dionysia by Sophocles. schylus returned to Athens to produce his Orestean trilogy, probably the finest of his works, although the Eumenides, the last of the three plays, revealed so openly his aristocratic tendencies that he became extremely unpopular, and returned to Sicily for the last time in 458 BCE and it was there that he died, while visiting the city of Gela in 456 or 455 BCE.

Nicholas Rowe was born in Little Barford, Bedfordshire, England, on June 20th, 1674. He was educated at Highgate School, and then at Westminster School under the tutelage of Dr. Busby.In 1688, Rowe became a King's Scholar, and then in 1691 gained entrance into Middle Temple. This was his father's decision (he was a barrister) who felt that his son had made sufficient progress to study law. While at Middle Temple, he decided that studying law was easier if seen as a system of rational government and impartial justice and not as a series of precedents, or collection of positive precepts.On his father's death, when he was nineteen, he became the master of a large estate and an independent fortune. His future path now was to ignore law and write poetry with a view to eventually writing plays.The Ambitious Stepmother, Rowe's first play, produced in 1700 at Lincoln's Inn Fields by Thomas Betterton and set in Persepolis, was well received. This was followed in 1701 by Tamerlane. In this play the conqueror Timur represented William III, and Louis XIV is denounced as Bajazet. It was for many years regularly acted on the anniversary of William's landing at Torbay. In 1704, he tried his hand at comedy, with The Biter at Lincoln's Inn Fields. The play is said to have amused no one except the author, and Rowe returned to tragedy in Ulysses (1706). For Johnson, this play was to share the fate of many such plays based on mythological heroes, as, "e;We have been too early acquainted with the poetical heroes to expect any pleasure from their revival"e;The Royal Convert (1707) dealt with the persecutions endured by Aribert, son of Hengist and the Christian maiden Ethelinda. The story was set in England in an obscure and barbarous age. Rodogune was a tragic character, of high spirit and violent passions, yet with a wicked with a soul that would have been heroic if it had been virtuous.Rowe is however well known for his work on Shakespeare's plays. He published the first 18th century edition of Shakespeare in six volumes in 1709. His practical knowledge of the stage helped him divide the plays into scenes and acts, with entrances and exits of the players noted. The spelling of names was normalized and each play prefixed with a dramatis personae. This 1709 edition was also the first to be illustrated, a frontispiece engraving being provided for each play. Unfortunately, Rowe based his text on the discredited Fourth Folio, a failing which many succeeding him also followed.Rowe also wrote a short biography of William Shakespeare, entitled, Some Account of the Life of Mr. William Shakespeare.In Dublin in 1712 a revival of his earlier play, Tamerlane, at a time when political passions were running high, the performance provoked a serious riot.The Tragedy of Jane Shore, played at Drury Lane with Mrs Oldfield in the title role in 1714. It ran for nineteen nights, and kept the stage longer than any other of Rowe's works. In the play, which consists chiefly of domestic scenes and private distress, the wife is forgiven because she repents, and the husband is honoured because he forgives.Whilst his plays met with little success at the time his poems were received extremely well. Although he was not prolific nor his output large the quality was high. With the accession to the throne of George I he was made a surveyor of customs, and then, in 1715, he succeeded Nahum Tate as poet laureate. It was the high point of his artistic life.He was also appointed clerk of the council to the Prince of Wales, and in 1718 was nominated by Lord Chancellor Parker as clerk of the presentations in Chancery. Nicholas Rowe died on December 6th, 1718, and was buried in Westminster Abbey.Rowe married first a daughter of a Mr Parsons and left a son John. By his second wife Anne, nee Devenish, he had a daughter Charlotte.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over. Gilbert's sharp, funny words and Sullivan's deliciously lively and hummable tunes create a world that is distinctly British in view but has the world as its audience. Both men were exceptionally talented and gifted in their own right and wrote much, often with other partners, that still stands the test of time. However, together as a team they created Light or Comic Operas of a standard that have had no rivals equal to their standard, before or since. That's quite an achievement. To be recognised by the critics is one thing but their commercial success was incredible. The profits were astronomical, allowing for the building of their own purpose built theatre - The Savoy Theatre. Beginning with the first of their fourteen collaborations, Thespis in 1871 and travelling through many classics including The Sorcerer (1877), H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1885), The Gondoliers (1889) to their finale in 1896 with The Grand Duke, Gilbert & Sullivan created a legacy that is constantly revived and admired in theatres and other media to this very day.

John Fletcher was born in December, 1579 in Rye, Sussex. He was baptised on December 20th. As can be imagined details of much of his life and career have not survived and, accordingly, only a very brief indication of his life and works can be given. Young Fletcher appears at the very young age of eleven to have entered Corpus Christi College at Cambridge University in 1591. There are no records that he ever took a degree but there is some small evidence that he was being prepared for a career in the church. However what is clear is that this was soon abandoned as he joined the stream of people who would leave University and decamp to the more bohemian life of commercial theatre in London. The upbringing of the now teenage Fletcher and his seven siblings now passed to his paternal uncle, the poet and minor official Giles Fletcher. Giles, who had the patronage of the Earl of Essex may have been a liability rather than an advantage to the young Fletcher. With Essex involved in the failed rebellion against Elizabeth Giles was also tainted. By 1606 John Fletcher appears to have equipped himself with the talents to become a playwright. Initially this appears to have been for the Children of the Queen's Revels, then performing at the Blackfriars Theatre. Fletcher's early career was marked by one significant failure; The Faithful Shepherdess, his adaptation of Giovanni Battista Guarini's Il Pastor Fido, which was performed by the Blackfriars Children in 1608. By 1609, however, he had found his stride. With his collaborator John Beaumont, he wrote Philaster, which became a hit for the King's Men and began a profitable association between Fletcher and that company. Philaster appears also to have begun a trend for tragicomedy. By the middle of the 1610s, Fletcher's plays had achieved a popularity that rivalled Shakespeare's and cemented the pre-eminence of the King's Men in Jacobean London. After his frequent early collaborator John Beaumont's early death in 1616, Fletcher continued working, both singly and in collaboration, until his own death in 1625. By that time, he had produced, or had been credited with, close to fifty plays.

James Elroy Flecker was born on 5th November 1884, in Lewisham, London.Flecker does not seem to have enjoyed academic study and achieved only a Third-Class Honours in Greats in 1906. This did not set him up for a job in either government service or the academic world.After some frustrating forays at school teaching he attempted to join the Levant Consular Service and entered Cambridge to study for two years. After a poor first year he pushed forward in the second and achieved First-Class honours. His reward was a posting to Constantinople at the British consulate.However, Flecker's poetry career was making better progress and he was beginning to garner praise for his poems including The Bridge of Fire. Unfortunately, he was also showing the first symptoms of contracting tuberculosis. Bouts of ill health were to now alternate with periods of physical well-being woven with mental euphoria and creativity.Before his early death he managed to complete several volumes of poetry, which he continually revised, together with some prose works and plays. It was a small canon of work but on his death on 3rd January 1915, of tuberculosis, in Davos, Switzerland he was described as "e;unquestionably the greatest premature loss that English literature has suffered since the death of Keats"e;.

schylus is often regarded as the father of Greek tragedy; he moved play writing from the simple interaction of a single character and a chorus to one where many characters interact and thereby create more dynamic and dramatic situations. schylus, was the son of Euphorion, and a scion of a Eupatrid or noble family. He was born at Eleusis 525 B.C., or, as the Greeks calculated time, in the fourth year of the 63rd Olympiad. He first worked at a vineyard and whilst there claimed to have been visited by Dionysis in a dream and told to turn his attention to the tragic art. It was a dream that would deliver a rich and incredible legacy through his writing talents. His earliest tragedy, composed when he was twenty-six years of age, failed to win the fabled Dionysia, (a revered festival of theatre) and it was not until fifteen years later that he gained this victory in 484BC going on to win it again in 472 BC (for The Persians), 467 BC (for Seven Against Thebes) and 463 BC (for The Suppliants). schylus was also known for his military skills and was ready to fight in defence of Athens whenever the call was made. He and his brother, Cynegeirus, fought against Darius's invading Persian army at the Battle of Marathon in 490 BCE and, although the Greeks won against overwhelming odds, Cynegeirus died in the battle, which had a naturally had a profound effect on schylus. He made several visits to the important Greek city of Syracuse in Sicily at the invitation of the tyrant Hieron, and it is thought that he also travelled extensively in the region of Thrace. His writing continued to be the envy of others. With the series of plays of which Seven Against Thebes was a part, his supremacy was undisputed. He was the "e;father of tragedy."e; schylus made many changes to dramatic form. The importance of the chorus was demoted and a second added to give prominence to the dialogue and making that interchange the leading feature of the play. He removed all deeds of bloodshed from the public view, and in their place provided various spectacular elements, improving the costumes, making the masks more expressive and convenient, and probably adopting the cothurnus to increase the stature of the performers. Finally, he established the custom of contending for the prize with trilogies, an inter-connecting set of three independent dramas. The closing years of the life of schylus were mainly spent in Sicily, which he had first visited soon after his defeat at the Dionysia by Sophocles. schylus returned to Athens to produce his Orestean trilogy, probably the finest of his works, although the Eumenides, the last of the three plays, revealed so openly his aristocratic tendencies that he became extremely unpopular, and returned to Sicily for the last time in 458 BCE and it was there that he died, while visiting the city of Gela in 456 or 455 BCE.

Nicholas Rowe was born in Little Barford, Bedfordshire, England, on June 20th, 1674. He was educated at Highgate School, and then at Westminster School under the tutelage of Dr. Busby.In 1688, Rowe became a King's Scholar, and then in 1691 gained entrance into Middle Temple. This was his father's decision (he was a barrister) who felt that his son had made sufficient progress to study law. While at Middle Temple, he decided that studying law was easier if seen as a system of rational government and impartial justice and not as a series of precedents, or collection of positive precepts.On his father's death, when he was nineteen, he became the master of a large estate and an independent fortune. His future path now was to ignore law and write poetry with a view to eventually writing plays.The Ambitious Stepmother, Rowe's first play, produced in 1700 at Lincoln's Inn Fields by Thomas Betterton and set in Persepolis, was well received. This was followed in 1701 by Tamerlane. In this play the conqueror Timur represented William III, and Louis XIV is denounced as Bajazet. It was for many years regularly acted on the anniversary of William's landing at Torbay. In 1704, he tried his hand at comedy, with The Biter at Lincoln's Inn Fields. The play is said to have amused no one except the author, and Rowe returned to tragedy in Ulysses (1706). For Johnson, this play was to share the fate of many such plays based on mythological heroes, as, "e;We have been too early acquainted with the poetical heroes to expect any pleasure from their revival"e;The Royal Convert (1707) dealt with the persecutions endured by Aribert, son of Hengist and the Christian maiden Ethelinda. The story was set in England in an obscure and barbarous age. Rodogune was a tragic character, of high spirit and violent passions, yet with a wicked with a soul that would have been heroic if it had been virtuous.Rowe is however well known for his work on Shakespeare's plays. He published the first 18th century edition of Shakespeare in six volumes in 1709. His practical knowledge of the stage helped him divide the plays into scenes and acts, with entrances and exits of the players noted. The spelling of names was normalized and each play prefixed with a dramatis personae. This 1709 edition was also the first to be illustrated, a frontispiece engraving being provided for each play. Unfortunately, Rowe based his text on the discredited Fourth Folio, a failing which many succeeding him also followed.Rowe also wrote a short biography of William Shakespeare, entitled, Some Account of the Life of Mr. William Shakespeare.In Dublin in 1712 a revival of his earlier play, Tamerlane, at a time when political passions were running high, the performance provoked a serious riot.The Tragedy of Jane Shore, played at Drury Lane with Mrs Oldfield in the title role in 1714. It ran for nineteen nights, and kept the stage longer than any other of Rowe's works. In the play, which consists chiefly of domestic scenes and private distress, the wife is forgiven because she repents, and the husband is honoured because he forgives.Whilst his plays met with little success at the time his poems were received extremely well. Although he was not prolific nor his output large the quality was high. With the accession to the throne of George I he was made a surveyor of customs, and then, in 1715, he succeeded Nahum Tate as poet laureate. It was the high point of his artistic life.He was also appointed clerk of the council to the Prince of Wales, and in 1718 was nominated by Lord Chancellor Parker as clerk of the presentations in Chancery. Nicholas Rowe died on December 6th, 1718, and was buried in Westminster Abbey.Rowe married first a daughter of a Mr Parsons and left a son John. By his second wife Anne, nee Devenish, he had a daughter Charlotte.

Nicholas Rowe was born in Little Barford, Bedfordshire, England, on June 20th, 1674. He was educated at Highgate School, and then at Westminster School under the tutelage of Dr. Busby.In 1688, Rowe became a King's Scholar, and then in 1691 gained entrance into Middle Temple. This was his father's decision (he was a barrister) who felt that his son had made sufficient progress to study law. While at Middle Temple, he decided that studying law was easier if seen as a system of rational government and impartial justice and not as a series of precedents, or collection of positive precepts.On his father's death, when he was nineteen, he became the master of a large estate and an independent fortune. His future path now was to ignore law and write poetry with a view to eventually writing plays.The Ambitious Stepmother, Rowe's first play, produced in 1700 at Lincoln's Inn Fields by Thomas Betterton and set in Persepolis, was well received. This was followed in 1701 by Tamerlane. In this play the conqueror Timur represented William III, and Louis XIV is denounced as Bajazet. It was for many years regularly acted on the anniversary of William's landing at Torbay. In 1704, he tried his hand at comedy, with The Biter at Lincoln's Inn Fields. The play is said to have amused no one except the author, and Rowe returned to tragedy in Ulysses (1706). For Johnson, this play was to share the fate of many such plays based on mythological heroes, as, "e;We have been too early acquainted with the poetical heroes to expect any pleasure from their revival"e;The Royal Convert (1707) dealt with the persecutions endured by Aribert, son of Hengist and the Christian maiden Ethelinda. The story was set in England in an obscure and barbarous age. Rodogune was a tragic character, of high spirit and violent passions, yet with a wicked with a soul that would have been heroic if it had been virtuous.Rowe is however well known for his work on Shakespeare's plays. He published the first 18th century edition of Shakespeare in six volumes in 1709. His practical knowledge of the stage helped him divide the plays into scenes and acts, with entrances and exits of the players noted. The spelling of names was normalized and each play prefixed with a dramatis personae. This 1709 edition was also the first to be illustrated, a frontispiece engraving being provided for each play. Unfortunately, Rowe based his text on the discredited Fourth Folio, a failing which many succeeding him also followed.Rowe also wrote a short biography of William Shakespeare, entitled, Some Account of the Life of Mr. William Shakespeare.In Dublin in 1712 a revival of his earlier play, Tamerlane, at a time when political passions were running high, the performance provoked a serious riot.The Tragedy of Jane Shore, played at Drury Lane with Mrs Oldfield in the title role in 1714. It ran for nineteen nights, and kept the stage longer than any other of Rowe's works. In the play, which consists chiefly of domestic scenes and private distress, the wife is forgiven because she repents, and the husband is honoured because he forgives.Whilst his plays met with little success at the time his poems were received extremely well. Although he was not prolific nor his output large the quality was high. With the accession to the throne of George I he was made a surveyor of customs, and then, in 1715, he succeeded Nahum Tate as poet laureate. It was the high point of his artistic life.He was also appointed clerk of the council to the Prince of Wales, and in 1718 was nominated by Lord Chancellor Parker as clerk of the presentations in Chancery. Nicholas Rowe died on December 6th, 1718, and was buried in Westminster Abbey.Rowe married first a daughter of a Mr Parsons and left a son John. By his second wife Anne, nee Devenish, he had a daughter Charlotte.

Henry Fielding was born at Sharpham Park, near Glastonbury, in Somerset on April 22nd 1707. His early years were spent on his parents' farm in Dorset before being educated at Eton.An early romance ended disastrously and with it his removal to London and the beginnings of a glittering literary career; he published his first play, at age 21, in 1728.He was prolific, sometimes writing six plays a year, but he did like to poke fun at the authorities. His plays were thought to be the final straw for the authorities in their attempts to bring in a new law. In 1737 The Theatrical Licensing Act was passed. At a stroke political satire was almost impossible. Fielding was rendered mute. Any playwright who was viewed with suspicion by the Government now found an audience difficult to find and therefore Theatre owners now toed the Government line.Fielding was practical with the circumstances and ironically stopped writing to once again take up his career in the practice of law and became a barrister after studying at Middle Temple. By this time he had married Charlotte Craddock, his first wife, and they would go on to have five children. Charlotte died in 1744 but was immortalised as the heroine in both Tom Jones and Amelia. Fielding was put out by the success of Samuel Richardson's Pamela, or Virtue Rewarded. His reaction was to spur him into writing a novel. In 1741 his first novel was published; the successful Shamela, an anonymous parody of Richardson's novel. Undoubtedly the masterpiece of Fielding's career was the novel Tom Jones, published in 1749. It is a wonderfully and carefully constructed picaresque novel following the convoluted and hilarious tale of how a foundling came into a fortune.Fielding was a consistent anti-Jacobite and a keen supporter of the Church of England. This led to him now being richly rewarded with the position of London's Chief Magistrate. Fielding continued to write and his career both literary and professional continued to climb. In 1749 he joined with his younger half-brother John, to help found what was the nascent forerunner to a London police force, the Bow Street Runners. Fielding's ardent commitment to the cause of justice in the 1750s unfortunately coincided with a rapid deterioration in his health. Such was his decline that in the summer of 1754 he travelled, with Mary and his daughter, to Portugal in search of a cure. Gout, asthma, dropsy and other afflictions forced him to use crutches. His health continued to fail alarmingly.Henry Fielding died in Lisbon two months later on October 8th, 1754.

The reality is that little is known of Aristophanes actual life but eleven of his forty plays survive intact and upon those rest his deserved reputation as the Father of Comedy or, The Prince of Ancient Comedy. Accounts agree that he was born sometime between 456BC and 446 BC. Many cities claim the honor of his birthplace and the most probable story makes him the son of Philippus of gina, and therefore only an adopted citizen of Athens, a distinction which, at times could be cruel, though he was raised and educated in Athens. His plays are said to recreate the life of ancient Athens more realistically than any other author could. Intellectually his powers of ridicule were feared by his influential contemporaries; Plato himself singled out Aristophanes' play The Clouds as a slander that contributed to the trial and condemning to death of Socrates and although other satirical playwrights had also caricatured the philosopher his carried the most weight. His now lost play, The Babylonians, was denounced by the demagogue Cleon as a slander against the Athenian polis. Aristophanes seems to have taken this criticism to heart and thereafter caricatured Cleon mercilessly in his subsequent plays, especially The Knights. His life and playwriting years were undoubtedly long though again accounts as to the year of his death vary quite widely. What can be certain is that his legacy of surviving plays is in effect both a treasured legacy but also in itself the only surviving texts of Ancient Greek comedy.

Victor Marie Hugo was born on 26th February 1802 and is revered as the greatest of all French writers. A poet, novelist, dramatist and painter he was a passionate supporter of Republicanism and made a notable contribution to the politics of his Country.His life was paralleled by the immense political and social movements of the 19th Century. When he was two Napoleon was proclaimed Emperor but before he was eighteen the Bourbon Monarchy was restored.It was only with his Mother's death in 1821 that he felt confident enough to marry Adele Foucher, a relationship he had kept secret from his mother. Their first child was born inside a year but died in infancy. Leopoldine was born the following year, followed by three further siblings.Hugo published his first novel the year following year, Han d'Islande, (1823). Three years later his second, Bug-Jargal (1826).Between 1829 and 1840 he would publish five further volumes of poetry solidifying his reputation as one of the greatest elegiac and lyric poets of his time. His reputation was growing not only in France but across Europe.In 1841 he was elected to the Academie Francaise, cementing his position in the world of French arts and letters. Hugo also now began to turn his attention to an involvement in French politics.Elevated to the peerage by King Louis-Philippe in 1841 he spoke eloquently and at length against the death penalty and social injustice as well as passionately in favour of freedom of the press and self-government for Poland.When Napoleon III seized power in 1851, and established an anti-parliamentary constitution, Hugo openly declared him a traitor to France and began a long exile, based mainly in Guernsey.In exile, Hugo published his famous political pamphlets; Napoleon le Petit and Histoire d'un crime. Although the pamphlets were banned in France, they nonetheless made a strong impact there. His exile also seemed to have a creative impetus. He composed or published some of his greatest work including Les Miserables, and three widely honoured collections of poetry (Les Chatiments, 1853; Les Contemplations, 1856; and La Legende des siecles, 1859).In 1870 the Third Republic was established and Hugo finally returned home, where he was elected to the National Assembly and the Senate. That same year War erupted between France and Prussia and the French were badly beaten.With the end of the War Hugo began his campaign for a great valuation and protection for the rights of artists and copyright. He was a founding member of the Association Litteraire et Artistique Internationale, which led to the Berne Convention for the Protection of Literary and Artistic Works.Victor Hugo's death on 22nd May 1885, at the age of 83, generated intense nation-wide mourning. Revered not only as a towering figure in literature, he was a statesman who had helped to shape the Third Republic and democracy in France.Index of ContentsDRAMATIS PERSONTIME: LONDON, 1553MARY TUDORFIRST DAYA MAN OF THE PEOPLESCENE:-Border of the Thames.SCENE ISCENE IISCENE IIISCENE IVSCENE VSCENE VISCENE VIISCENE VIIISCENE IXSECOND DAYTHE QUEENSCENE:-A Room in the royal apartment.SCENE ISCENE IISCENE IIISCENE IVSCENE VSCENE VISCENE VIISCENE VIIISCENE IXTHIRD DAYPART IWHICH OF THE TWO?SCENE:-Hall in the Interior of the Tower of London.SCENE ISCENE IISCENE IIISCENE IVSCENE VSCENE VISCENE VIIISCENE IXSCENE XTHIRD DAYPART IISCENE:-A Hall or Room into Which lead Two Staircases.SCENE ISCENE IIVICTOR HUGO - A SHORT BIOGRAPHYVICTOR HUGO - A CONCISE BIBLIOGRAPHY

John Fletcher was born in December, 1579 in Rye, Sussex. He was baptised on December 20th. As can be imagined details of much of his life and career have not survived and, accordingly, only a very brief indication of his life and works can be given. Young Fletcher appears at the very young age of eleven to have entered Corpus Christi College at Cambridge University in 1591. There are no records that he ever took a degree but there is some small evidence that he was being prepared for a career in the church. However what is clear is that this was soon abandoned as he joined the stream of people who would leave University and decamp to the more bohemian life of commercial theatre in London. The upbringing of the now teenage Fletcher and his seven siblings now passed to his paternal uncle, the poet and minor official Giles Fletcher. Giles, who had the patronage of the Earl of Essex may have been a liability rather than an advantage to the young Fletcher. With Essex involved in the failed rebellion against Elizabeth Giles was also tainted. By 1606 John Fletcher appears to have equipped himself with the talents to become a playwright. Initially this appears to have been for the Children of the Queen's Revels, then performing at the Blackfriars Theatre. Fletcher's early career was marked by one significant failure; The Faithful Shepherdess, his adaptation of Giovanni Battista Guarini's Il Pastor Fido, which was performed by the Blackfriars Children in 1608. By 1609, however, he had found his stride. With his collaborator John Beaumont, he wrote Philaster, which became a hit for the King's Men and began a profitable association between Fletcher and that company. Philaster appears also to have begun a trend for tragicomedy. By the middle of the 1610s, Fletcher's plays had achieved a popularity that rivalled Shakespeare's and cemented the pre-eminence of the King's Men in Jacobean London. After his frequent early collaborator John Beaumont's early death in 1616, Fletcher continued working, both singly and in collaboration, until his own death in 1625. By that time, he had produced, or had been credited with, close to fifty plays.

John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. As a boy Dryden lived in the nearby village of Titchmarsh, Northamptonshire. In 1644 he was sent to Westminster School as a King's Scholar. Dryden obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year. Returning to London during The Protectorate, Dryden now obtained work with Cromwell's Secretary of State, John Thurloe. At Cromwell's funeral on 23 November 1658 Dryden was in the company of the Puritan poets John Milton and Andrew Marvell. The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. The start began later that year when Dryden published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death. With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric. With the re-opening of the theatres after the Puritan ban, Dryden began to also write plays. His first play, The Wild Gallant, appeared in 1663 but was not successful. From 1668 on he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income. In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London in 1666. It established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate (1668) and then historiographer royal (1670). This was truly the Age of Dryden, he was the foremost English Literary figure in Poetry, Plays, translations and other forms. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event. John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later.