If ever a writer needed an introduction Arthur Conan Doyle would not be considered that man. After all, Sherlock Holmes is perhaps the foremost literary detective of any age. Add to this canon his stories of science fiction and his poems, his historical novels, his plays, his political campaigning, his efforts in establishing a Court of Appeal and there is little room for anything else. Except he was also an exceptional writer of short stories of the horrific and macabre. Something very different from what you might expect. Born in Arthur Conan Doyle was born on 22 May 1859 at 11 Picardy Place, Edinburgh, Scotland. From 1876 - 1881 he studied medicine at the University of Edinburgh following which he was employed as a doctor on the Greenland whaler Hope of Peterhead in 1880 and, after his graduation, as a ship's surgeon on the SS Mayumba during a voyage to the West African coast in 1881. Arriving in Portsmouth in June of that year with less than GBP10 (GBP700 today) to his name, he set up a medical practice at 1 Bush Villas in Elm Grove, Southsea. The practice was initially not very successful. While waiting for patients, Conan Doyle again began writing stories and composed his first novel The Mystery of Cloomber. Although he continued to study and practice medicine his career was now firmly set as a writer. And thereafter great works continued to pour out of him.

Francis Beaumont was born in 1584 near the small Leicestershire village of Thringstone. Unfortunately precise records of much of his short life do not exist.The first date we can give for his education is at age 13 when he begins at Broadgates Hall (now Pembroke College, Oxford). Sadly, his father died the following year, 1598. Beaumont left university without a degree and entered the Inner Temple in London in 1600. A career choice of Law taken previously by his father.The information to hand is confident that Beaumont's career in law was short-lived. He was quickly attracted to the theatre and soon became first an admirer and then a student of poet and playwright Ben Jonson. Jonson at this time was a cultural behemoth; very talented and a life full of volatility that included frequent brushes with the authorities.Beaumont's first work was Salmacis and Hermaphroditus, it debuted in 1602.By 1605, Beaumont had written commendatory verses to Volpone one of Ben Jonson's masterpieces.His solo playwriting career was limited. Apart from his poetry there were only two; The Knight of the Burning Pestle was first performed by the Children of the Blackfriars company in 1607. The audience however was distinctly unimpressed.The Masque of the Gentlemen of Grays-Inne and the Inner-Temple was written for part of the wedding festivities for the Princess Elizabeth, daughter of King James I and Frederick V, Elector Palatine. It was performed on 20 February 1613 in the Banqueting House at Whitehall Palace.By that point his collaboration with John Fletcher, which was to cover approximately 15 plays together with further works later revised by Philip Massinger, was about to end after his stroke and death later that year.That collaboration is seen as one of the most significant and fruitful of the English theatre.

Victor Marie Hugo was born on 26th February 1802 and is revered as the greatest of all French writers. A poet, novelist, dramatist and painter he was a passionate supporter of Republicanism and made a notable contribution to the politics of his Country.His life was paralleled by the immense political and social movements of the 19th Century. When he was two Napoleon was proclaimed Emperor but before he was eighteen the Bourbon Monarchy was restored.It was only with his Mother's death in 1821 that he felt confident enough to marry Adele Foucher, a relationship he had kept secret from his mother. Their first child was born inside a year but died in infancy. Leopoldine was born the following year, followed by three further siblings.Hugo published his first novel the year following year, Han d'Islande, (1823). Three years later his second, Bug-Jargal (1826).Between 1829 and 1840 he would publish five further volumes of poetry solidifying his reputation as one of the greatest elegiac and lyric poets of his time. His reputation was growing not only in France but across Europe.In 1841 he was elected to the Academie Francaise, cementing his position in the world of French arts and letters. Hugo also now began to turn his attention to an involvement in French politics.Elevated to the peerage by King Louis-Philippe in 1841 he spoke eloquently and at length against the death penalty and social injustice as well as passionately in favour of freedom of the press and self-government for Poland.When Napoleon III seized power in 1851, and established an anti-parliamentary constitution, Hugo openly declared him a traitor to France and began a long exile, based mainly in Guernsey.In exile, Hugo published his famous political pamphlets; Napoleon le Petit and Histoire d'un crime. Although the pamphlets were banned in France, they nonetheless made a strong impact there. His exile also seemed to have a creative impetus. He composed or published some of his greatest work including Les Miserables, and three widely honoured collections of poetry (Les Chatiments, 1853; Les Contemplations, 1856; and La Legende des siecles, 1859).In 1870 the Third Republic was established and Hugo finally returned home, where he was elected to the National Assembly and the Senate. That same year War erupted between France and Prussia and the French were badly beaten.With the end of the War Hugo began his campaign for a great valuation and protection for the rights of artists and copyright. He was a founding member of the Association Litteraire et Artistique Internationale, which led to the Berne Convention for the Protection of Literary and Artistic Works.Victor Hugo's death on 22nd May 1885, at the age of 83, generated intense nation-wide mourning. Revered not only as a towering figure in literature, he was a statesman who had helped to shape the Third Republic and democracy in France.

The life of William Shakespeare, arguably the most significant figure in the Western literary canon, is relatively unknown. Shakespeare was born in Stratford-upon-Avon in 1565, possibly on the 23rd April, St. George's Day, and baptised there on 26th April. Little is known of his education and the first firm facts to his life relate to his marriage, aged 18, to Anne Hathaway, who was 26 and from the nearby village of Shottery. Anne gave birth to their first son six months later. Shakespeare's first play, The Comedy of Errors began a procession of real heavyweights that were to emanate from his pen in a career of just over twenty years in which 37 plays were written and his reputation forever established. This early skill was recognised by many and by 1594 the Lord Chamberlain's Men were performing his works. With the advantage of Shakespeare's progressive writing they rapidly became London's leading company of players, affording him more exposure and, following the death of Queen Elizabeth in 1603, a royal patent by the new king, James I, at which point they changed their name to the King's Men. By 1598, and despite efforts to pirate his work, Shakespeare's name was well known and had become a selling point in its own right on title pages. No plays are attributed to Shakespeare after 1613, and the last few plays he wrote before this time were in collaboration with other writers, one of whom is likely to be John Fletcher who succeeded him as the house playwright for the King's Men. William Shakespeare died two months later on April 23rd, 1616, survived by his wife, two daughters and a legacy of writing that none have since yet eclipsed.

John Galsworthy was born at Kingston Upon Thames in Surrey, England, on August 14th 1867 to a wealthy and well established family. His schooling was at Harrow and New College, Oxford before training as a barrister and being called to the bar in 1890. However, Law was not attractive to him and he travelled abroad becoming great friends with the novelist Joseph Conrad, then a first mate on a sailing ship. In 1895 Galsworthy began an affair with Ada Nemesis Pearson Cooper, the wife of his cousin Major Arthur Galsworthy. The affair was kept a secret for 10 years till she at last divorced and they married on 23rd September 1905. Galsworthy first published in 1897 with a collection of short stories entitled "e;The Four Winds"e;. For the next 7 years he published these and all works under his pen name John Sinjohn. It was only upon the death of his father and the publication of "e;The Island Pharisees"e; in 1904 that he published as John Galsworthy. His first play, The Silver Box in 1906 was a success and was followed by "e;The Man of Property"e; later that same year and was the first in the Forsyte trilogy. Whilst today he is far more well know as a Nobel Prize winning novelist then he was considered a playwright dealing with social issues and the class system. Here we publish Villa Rubein, a very fine story that captures Galsworthy's unique narrative and take on life of the time. He is now far better known for his novels, particularly The Forsyte Saga, his trilogy about the eponymous family of the same name. These books, as with many of his other works, deal with social class, upper-middle class lives in particular. Although always sympathetic to his characters, he reveals their insular, snobbish, and somewhat greedy attitudes and suffocating moral codes. He is now viewed as one of the first from the Edwardian era to challenge some of the ideals of society depicted in the literature of Victorian England. In his writings he campaigns for a variety of causes, including prison reform, women's rights, animal welfare, and the opposition of censorship as well as a recurring theme of an unhappy marriage from the women's side. During World War I he worked in a hospital in France as an orderly after being passed over for military service. He was appointed to the Order of Merit in 1929, after earlier turning down a knighthood, and awarded the Nobel Prize in 1932 though he was too ill to attend. John Galsworthy died from a brain tumour at his London home, Grove Lodge, Hampstead on January 31st 1933. In accordance with his will he was cremated at Woking with his ashes then being scattered over the South Downs from an aeroplane.

Aphra Behn was a prolific and well established writer but facts about her remain scant and difficult to confirm. What can safely be said though is that Aphra Behn is now regarded as a key English playwright and a major figure in Restoration theatre. Aphra was born into the rising tensions to the English Civil War. Obviously a time of much division and difficulty as the King and Parliament, and their respective forces, came ever closer to conflict. There are claims she was a spy, that she travelled abroad, possibly as far as Surinam. By 1664 her marriage was over (though by death or separation is not known but presumably the former as it occurred in the year of their marriage) and she now used Mrs Behn as her professional name. Aphra now moved towards pursuing a more sustainable and substantial career and began work for the King's Company and the Duke's Company players as a scribe. Previously her only writing had been poetry but now she would become a playwright. Her first, "e;The Forc'd Marriage"e;, was staged in 1670, followed by "e;The Amorous Prince"e; (1671). After her third play, "e;The Dutch Lover"e;, Aphra had a three year lull in her writing career. Again it is speculated that she went travelling again, possibly once again as a spy. After this sojourn her writing moves towards comic works, which prove commercially more successful. Her most popular works included "e;The Rover"e; and "e;Love-Letters Between a Nobleman and His Sister"e; (1684-87). With her growing reputation Aphra became friends with many of the most notable writers of the day. This is The Age of Dryden and his literary dominance. From the mid 1680's Aphra's health began to decline. This was exacerbated by her continual state of debt and descent into poverty. Aphra Behn died on April 16th 1689, and is buried in the East Cloister of Westminster Abbey. The inscription on her tombstone reads: "e;Here lies a Proof that Wit can never be Defence enough against Mortality."e; She was quoted as stating that she had led a "e;life dedicated to pleasure and poetry."e;

Henry Fielding was born at Sharpham Park, near Glastonbury, in Somerset on April 22nd 1707. His early years were spent on his parents' farm in Dorset before being educated at Eton.An early romance ended disastrously and with it his removal to London and the beginnings of a glittering literary career; he published his first play, at age 21, in 1728.He was prolific, sometimes writing six plays a year, but he did like to poke fun at the authorities. His plays were thought to be the final straw for the authorities in their attempts to bring in a new law. In 1737 The Theatrical Licensing Act was passed. At a stroke political satire was almost impossible. Fielding was rendered mute. Any playwright who was viewed with suspicion by the Government now found an audience difficult to find and therefore Theatre owners now toed the Government line.Fielding was practical with the circumstances and ironically stopped writing to once again take up his career in the practice of law and became a barrister after studying at Middle Temple. By this time he had married Charlotte Craddock, his first wife, and they would go on to have five children. Charlotte died in 1744 but was immortalised as the heroine in both Tom Jones and Amelia.Fielding was put out by the success of Samuel Richardson's Pamela, or Virtue Rewarded. His reaction was to spur him into writing a novel. In 1741 his first novel was published; the successful Shamela, an anonymous parody of Richardson's novel.Undoubtedly the masterpiece of Fielding's career was the novel Tom Jones, published in 1749. It is a wonderfully and carefully constructed picaresque novel following the convoluted and hilarious tale of how a foundling came into a fortune.Fielding was a consistent anti-Jacobite and a keen supporter of the Church of England. This led to him now being richly rewarded with the position of London's Chief Magistrate. Fielding continued to write and his career both literary and professional continued to climb.In 1749 he joined with his younger half-brother John, to help found what was the nascent forerunner to a London police force, the Bow Street Runners. Fielding's ardent commitment to the cause of justice in the 1750s unfortunately coincided with a rapid deterioration in his health. Such was his decline that in the summer of 1754 he travelled, with Mary and his daughter, to Portugal in search of a cure. Gout, asthma, dropsy and other afflictions forced him to use crutches. His health continued to fail alarmingly.Henry Fielding died in Lisbon two months later on October 8th, 1754.

James Shirley was born in London in September 1596. His education was through a collection of England's finest establishments: Merchant Taylors' School, London, St John's College, Oxford, and St Catharine's College, Cambridge, where he took his B.A. degree in approximately 1618. He first published in 1618, a poem entitled Echo, or the Unfortunate Lovers. As with many artists of this period full details of his life and career are not recorded. Sources say that after graduating he became "e;a minister of God's word in or near St Albans."e; A conversion to the Catholic faith enabled him to become master of St Albans School from 1623-25. He wrote his first play, Love Tricks, or the School of Complement, which was licensed on February 10th, 1625. From the given date it would seem he wrote this whilst at St Albans but, after its production, he moved to London and to live in Gray's Inn. For the next two decades, he would write prolifically and with great quality, across a spectrum of thirty plays; through tragedies and comedies to tragicomedies as well as several books of poetry. Unfortunately, his talents were left to wither when Parliament passed the Puritan edict in 1642, forbidding all stage plays and closing the theatres. Most of his early plays were performed by Queen Henrietta's Men, the acting company for which Shirley was engaged as house dramatist. Shirley's sympathies lay with the King in battles with Parliament and he received marks of special favor from the Queen. He made a bitter attack on William Prynne, who had attacked the stage in Histriomastix, and, when in 1634 a special masque was presented at Whitehall by the gentlemen of the Inns of Court as a practical reply to Prynne, Shirley wrote the text-The Triumph of Peace. Shirley spent the years 1636 to 1640 in Ireland, under the patronage of the Earl of Kildare. Several of his plays were produced by his friend John Ogilby in Dublin in the first ever constructed Irish theatre; The Werburgh Street Theatre. During his years in Dublin he wrote The Doubtful Heir, The Royal Master, The Constant Maid, and St. Patrick for Ireland. In his absence from London, Queen Henrietta's Men sold off a dozen of his plays to the stationers, who naturally, enough published them. When Shirley returned to London in 1640, he finished with the Queen Henrietta's company and his final plays in London were acted by the King's Men. On the outbreak of the English Civil War Shirley served with the Earl of Newcastle. However when the King's fortunes began to decline he returned to London. There his friend Thomas Stanley gave him help and thereafter Shirley supported himself in the main by teaching and publishing some educational works under the Commonwealth. In addition to these he published during the period of dramatic eclipse four small volumes of poems and plays, in 1646, 1653, 1655, and 1659. It is said that he was "e;a drudge"e; for John Ogilby in his translations of Homer's Iliad and the Odyssey, and survived into the reign of Charles II, but, though some of his comedies were revived, his days as a playwright were over. His death, at age seventy, along with that of his wife, in 1666, is described as one of fright and exposure due to the Great Fire of London which had raged through parts of London from September 2nd to the 5th. He was buried at St Giles in the Fields, in London, on October 29th, 1666.

Flora Jane Timms was born on December 5th, 1876 in Juniper Hill in northeast Oxfordshire, the eldest of twelve children to Albert Timms, a stonemason, and Emma, a nursemaid. Only she and five siblings survived.Flora was educated at the parish school in the village of Cottisford and described as 'altogether her father's child'.When she was 14, In 1891, Flora moved to start work as a counter clerk at the post office in Fringford, a village about 4 miles northeast of Bicester. It was to be the first in a series of jobs at various other post offices, including those at Grayshott, Yateley, and later Bournemouth.By 1896 Flora was a regular contributor to The Catholic Fireside on her thoughts and activities in the Countryside and many of her works from here were published as The Peverel Papers.In 1903 she married John William Thompson, a post office clerk and telegraphist from the Isle of Wight, at Twickenham Parish Church. After the marriage they moved to Bournemouth to settle down and build a life together. A daughter, Winifred Grace, was born in 1903, followed by two sons, Henry Basil, in 1909 and Peter Redmond in 1918.Flora was a self-taught writer but had taken some time to establish her career. Her early married life may have also required setting writing aside for some time but in 1911 she won a competition in The Ladies Companion for a 300-word essay on Jane Austen.In 1921 she published her only book of poetry, Bog-Myrtle and Peat, and, by the following year, 1922, she was thinking of writing about her childhood in what would later become her defining works.Meanwhile she continued to write extensively, publishing short stories together with magazine and newspaper articles.In 1925 she published a travel guide to Liphook, Bramshott and Neighbourhood.Flora also had a great interest and knowledge, again self-taught, as a naturalist. Many of her works on the subject were published and later anthologised.In 1938 Flora at last sent several essays on her country childhood to Oxford University Press. The publisher accepted them, and they were published in three separate volumes, Lark Rise (1939), Over to Candleford (1941), and Candleford Green (1943). In 1945 the books were republished as a trilogy under the title Lark Rise to Candleford. Together the books are a lightly disguised story of the author's own youth, describing life in a hamlet, a village, and a country town in the 1880s.The death of her younger son during the Second World War affected her deeply and overshadowed her final years.Flora Thompson died on 21st May 1947, at age 70, of a heart attack in Brixham, and is buried at Longcross Cemetery, Dartmouth in Devon.Two of Thompson's later lesser-known works were published posthumously: Heatherley, recounting her time in the post office at Grayshott at the turn of the 20th century as her lifelong interests took shape, the longing for education and culture and the desire to become a writer; and her last completed book Still Glides the Stream.

The play was originally attributed to John Fletcher & Francis Beaumont and printed in their early folios. However, though there is some minor work by Fletcher the play, in modern times, has been now attributed to Middleton & Rowley.Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister.By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry.These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith.In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613.In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador.Middleton for his part was exonerated but it is the last play recorded as having been written by Middleton.Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.William Rowley is thought to have been born around 1585 but an exact date is not known.As an actor his early forte was playing 'clown characters' thus helping to carry the low comedy of the play. He began his career working for Queen Anne's Men at the Red Bull Theatre. In 1609. Along with several other actors he founded the Duke of York's Men, which, in 1612, became known as Prince Charles's Men.From here on Rowley's career was spent almost exclusively writing and clowning for this company. It was located, in its time, at several playhouses, including the Curtain, the Hope, and the Red Bull. Although when writing one of his main contributions was to provide the comic sub-plot on several other plays, including The Changeling, A Fair Quarrel, and The Maid in the Mill, he wrote substantial portions of the main narrative as well.Only two surviving plays are generally accepted as solo works by Rowley: A Shoemaker, a Gentleman (circa 1607-9) and All's Lost by Lust (1619). Evidence exists that three other works were authored solely by Rowley: Hymen's Holidays or Cupid's Vagaries (1612), A Knave in Print (1613), and The Fool Without Book (also 1613) but unfortunately none have survived to be further examined. In conjunction with other writers including Thomas Middleton and John Fletcher he wrote several other plays.The exact time and nature of his death is unknown but records show that William Rowley was buried on 11th February 1626 in the graveyard of St James's, Clerkenwell in London.

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.

Philip Massinger was baptized at St. Thomas's in Salisbury on November 24th, 1583.Massinger is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated there, was a member of parliament, and attached to the household of Henry Herbert, 2nd Earl of Pembroke. The Earl was later seen as a potential patron for Massinger.He left Oxford in 1606 without a degree. His father had died in 1603, and accounts suggest that Massinger was left with no financial support this, together with rumours that he had converted to Catholicism, meant the next stage of his career needed to provide an income.Massinger went to London to make his living as a dramatist, but he is only recorded as author some fifteen years later, when The Virgin Martyr (1621) is given as the work of Massinger and Thomas Dekker.During those early years as a playwright he wrote for the Elizabethan stage entrepreneur, Philip Henslowe. It was a difficult existence. Poverty was always close and there was constant pleading for advance payments on forthcoming works merely to survive.After Henslowe died in 1616 Massinger and John Fletcher began to write primarily for the King's Men and Massinger would write regularly for them until his death.The tone of the dedications in later plays suggests evidence of his continued poverty. In the preface of The Maid of Honour (1632) he wrote, addressing Sir Francis Foljambe and Sir Thomas Bland: "e;I had not to this time subsisted, but that I was supported by your frequent courtesies and favours."e;The prologue to The Guardian (1633) refers to two unsuccessful plays and two years of silence, when the author feared he had lost popular favour although, from the little evidence that survives, it also seems he had involved some of his plays with political characters which would have cast shadows upon England's alliances.Philip Massinger died suddenly at his house near the Globe Theatre on March 17th, 1640. He was buried the next day in the churchyard of St. Saviour's, Southwark, on March 18th, 1640. In the entry in the parish register he is described as a "e;stranger,"e; which, however, implies nothing more than that he belonged to another parish.

Robert Browning is one of the most significant Victorian Poets and, of course, English Poetry.Much of his reputation is based upon his mastery of the dramatic monologue although his talents encompassed verse plays and even a well-regarded essay on Shelley during a long and prolific career. He was born on May 7th, 1812 in Walmouth, London. Much of his education was home based and Browning was an eclectic and studious student, learning several languages and much else across a myriad of subjects, interests and passions. Browning's early career began promisingly. The fragment from his intended long poem Pauline brought him to the attention of Dante Gabriel Rossetti, and was followed by Paracelsus, which was praised by both William Wordsworth and Charles Dickens. In 1840 the difficult Sordello, which was seen as willfully obscure, brought his career almost to a standstill. Despite these artistic and professional difficulties his personal life was about to become immensely fulfilling. He began a relationship with, and then married, the older and better known Elizabeth Barrett. This new foundation served to energise his writings, his life and his career. During their time in Italy they both wrote much of their best work. With her untimely death in 1861 he returned to London and thereafter began several further major projects. The collection Dramatis Personae (1864) and the book-length epic poem The Ring and the Book (1868-69) were published and well received; his reputation as a venerated English poet now assured. Robert Browning died in Venice on December 12th, 1889.

Victor Marie Hugo was born on 26th February 1802 and is revered as the greatest of all French writers. A poet, novelist, dramatist and painter he was a passionate supporter of Republicanism and made a notable contribution to the politics of his Country.His life was paralleled by the immense political and social movements of the 19th Century. When he was two Napoleon was proclaimed Emperor but before he was eighteen the Bourbon Monarchy was restored.It was only with his Mother's death in 1821 that he felt confident enough to marry Adele Foucher, a relationship he had kept secret from his mother. Their first child was born inside a year but died in infancy. Leopoldine was born the following year, followed by three further siblings.Hugo published his first novel the year following year, Han d'Islande, (1823). Three years later his second, Bug-Jargal (1826).Between 1829 and 1840 he would publish five further volumes of poetry solidifying his reputation as one of the greatest elegiac and lyric poets of his time. His reputation was growing not only in France but across Europe.In 1841 he was elected to the Academie Francaise, cementing his position in the world of French arts and letters. Hugo also now began to turn his attention to an involvement in French politics.Elevated to the peerage by King Louis-Philippe in 1841 he spoke eloquently and at length against the death penalty and social injustice as well as passionately in favour of freedom of the press and self-government for Poland.When Napoleon III seized power in 1851, and established an anti-parliamentary constitution, Hugo openly declared him a traitor to France and began a long exile, based mainly in Guernsey.In exile, Hugo published his famous political pamphlets; Napoleon le Petit and Histoire d'un crime. Although the pamphlets were banned in France, they nonetheless made a strong impact there. His exile also seemed to have a creative impetus. He composed or published some of his greatest work including Les Miserables, and three widely honoured collections of poetry (Les Chatiments, 1853; Les Contemplations, 1856; and La Legende des siecles, 1859).In 1870 the Third Republic was established and Hugo finally returned home, where he was elected to the National Assembly and the Senate. That same year War erupted between France and Prussia and the French were badly beaten.With the end of the War Hugo began his campaign for a great valuation and protection for the rights of artists and copyright. He was a founding member of the Association Litteraire et Artistique Internationale, which led to the Berne Convention for the Protection of Literary and Artistic Works.Victor Hugo's death on 22nd May 1885, at the age of 83, generated intense nation-wide mourning. Revered not only as a towering figure in literature, he was a statesman who had helped to shape the Third Republic and democracy in France.

John Galsworthy was born at Kingston Upon Thames in Surrey, England, on August 14th 1867 to a wealthy and well established family. His schooling was at Harrow and New College, Oxford before training as a barrister and being called to the bar in 1890. However, Law was not attractive to him and he travelled abroad becoming great friends with the novelist Joseph Conrad, then a first mate on a sailing ship. In 1895 Galsworthy began an affair with Ada Nemesis Pearson Cooper, the wife of his cousin Major Arthur Galsworthy. The affair was kept a secret for 10 years till she at last divorced and they married on 23rd September 1905. Galsworthy first published in 1897 with a collection of short stories entitled "e;The Four Winds"e;. For the next 7 years he published these and all works under his pen name John Sinjohn. It was only upon the death of his father and the publication of "e;The Island Pharisees"e; in 1904 that he published as John Galsworthy. His first play, The Silver Box in 1906 was a success and was followed by "e;The Man of Property"e; later that same year and was the first in the Forsyte trilogy. Whilst today he is far more well know as a Nobel Prize winning novelist then he was considered a playwright dealing with social issues and the class system. Here we publish Villa Rubein, a very fine story that captures Galsworthy's unique narrative and take on life of the time. He is now far better known for his novels, particularly The Forsyte Saga, his trilogy about the eponymous family of the same name. These books, as with many of his other works, deal with social class, upper-middle class lives in particular. Although always sympathetic to his characters, he reveals their insular, snobbish, and somewhat greedy attitudes and suffocating moral codes. He is now viewed as one of the first from the Edwardian era to challenge some of the ideals of society depicted in the literature of Victorian England. In his writings he campaigns for a variety of causes, including prison reform, women's rights, animal welfare, and the opposition of censorship as well as a recurring theme of an unhappy marriage from the women's side. During World War I he worked in a hospital in France as an orderly after being passed over for military service. He was appointed to the Order of Merit in 1929, after earlier turning down a knighthood, and awarded the Nobel Prize in 1932 though he was too ill to attend. John Galsworthy died from a brain tumour at his London home, Grove Lodge, Hampstead on January 31st 1933. In accordance with his will he was cremated at Woking with his ashes then being scattered over the South Downs from an aeroplane.

Thomas Dekker was a playwright, pamphleteer and poet who, perhaps, deserves greater recognition than he has so far gained. Despite the fact only perhaps twenty of his plays were published, and fewer still survive, he was far more prolific than that. Born around 1572 his peak years were the mid 1590's to the 1620's - seven of which he spent in a debtor's prison. His works span the late Elizabethan and Caroline eras and his numerous collaborations with Ford, Middleton, Webster and Jonson say much about his work. His pamphlets detail much of the life in these times, times of great change, of plague and of course that great capital city London a swirling mass of people, power, intrigue.

Lucy Maud Montgomery was born in Clifton, Prince Edward Island, Canada, on November 30, 1874. Her mother died when she was a toddler and her devastated father asked her grandparents to raise her. Her childhood years in Cavendish were very lonely. Lucy's solution at this early age was to create imaginary worlds and people them with imaginary friends. Her creativity was beginning to establish itself in her life. With her studying days over Lucy began a career as a teacher and worked at various Prince Edward Island schools. It was soon obvious to her that she did not enjoy teaching but the benefit was that it gave her time to write. That was now her real passion. Much of her early career was spent writing short stories. Indeed in the decade from 1897 magazines and newspapers published over 100 stories from the prolific young writer. In 1908, Lucy published her first book, the classic, Anne of Green Gables. It was an immediate success and quickly established her career. During her lifetime, Lucy published 20 novels, 530 short stories, 500 poems, and 30 essays. Aware of her fame, by 1920 Lucy began editing and recopying her journals, reframing her life as she wanted it remembered. Lucy Maud Montgomery died on April 24, 1942 in Toronto. A note was found beside her bed, "e;I have lost my mind by spells and I do not dare think what I may do in those spells. May God forgive me and I hope everyone else will forgive me even if they cannot understand. My position is too awful to endure and nobody realizes it. What an end to a life in which I tried always to do my best."e; The official cause of death was a coronary thrombosis.

schylus is often regarded as the father of Greek tragedy; he moved play writing from the simple interaction of a single character and a chorus to one where many characters interact and thereby create more dynamic and dramatic situations. schylus, was the son of Euphorion, and a scion of a Eupatrid or noble family. He was born at Eleusis 525 B.C., or, as the Greeks calculated time, in the fourth year of the 63rd Olympiad. He first worked at a vineyard and whilst there claimed to have been visited by Dionysis in a dream and told to turn his attention to the tragic art. It was a dream that would deliver a rich and incredible legacy through his writing talents. His earliest tragedy, composed when he was twenty-six years of age, failed to win the fabled Dionysia, (a revered festival of theatre) and it was not until fifteen years later that he gained this victory in 484BC going on to win it again in 472 BC (for The Persians), 467 BC (for Seven Against Thebes) and 463 BC (for The Suppliants). schylus was also known for his military skills and was ready to fight in defence of Athens whenever the call was made. He and his brother, Cynegeirus, fought against Darius's invading Persian army at the Battle of Marathon in 490 BCE and, although the Greeks won against overwhelming odds, Cynegeirus died in the battle, which had a naturally had a profound effect on schylus. He made several visits to the important Greek city of Syracuse in Sicily at the invitation of the tyrant Hieron, and it is thought that he also travelled extensively in the region of Thrace. His writing continued to be the envy of others. With the series of plays of which Seven Against Thebes was a part, his supremacy was undisputed. He was the "e;father of tragedy."e; schylus made many changes to dramatic form. The importance of the chorus was demoted and a second added to give prominence to the dialogue and making that interchange the leading feature of the play. He removed all deeds of bloodshed from the public view, and in their place provided various spectacular elements, improving the costumes, making the masks more expressive and convenient, and probably adopting the cothurnus to increase the stature of the performers. Finally, he established the custom of contending for the prize with trilogies, an inter-connecting set of three independent dramas. The closing years of the life of schylus were mainly spent in Sicily, which he had first visited soon after his defeat at the Dionysia by Sophocles. schylus returned to Athens to produce his Orestean trilogy, probably the finest of his works, although the Eumenides, the last of the three plays, revealed so openly his aristocratic tendencies that he became extremely unpopular, and returned to Sicily for the last time in 458 BCE and it was there that he died, while visiting the city of Gela in 456 or 455 BCE.

The reality is that little is known of Aristophanes actual life but eleven of his forty plays survive intact and upon those rest his deserved reputation as the Father of Comedy or, The Prince of Ancient Comedy. Accounts agree that he was born sometime between 456BC and 446 BC. Many cities claim the honor of his birthplace and the most probable story makes him the son of Philippus of gina, and therefore only an adopted citizen of Athens, a distinction which, at times could be cruel, though he was raised and educated in Athens. His plays are said to recreate the life of ancient Athens more realistically than any other author could. Intellectually his powers of ridicule were feared by his influential contemporaries; Plato himself singled out Aristophanes' play The Clouds as a slander that contributed to the trial and condemning to death of Socrates and although other satirical playwrights had also caricatured the philosopher his carried the most weight. His now lost play, The Babylonians, was denounced by the demagogue Cleon as a slander against the Athenian polis. Aristophanes seems to have taken this criticism to heart and thereafter caricatured Cleon mercilessly in his subsequent plays, especially The Knights. His life and playwriting years were undoubtedly long though again accounts as to the year of his death vary quite widely. What can be certain is that his legacy of surviving plays is in effect both a treasured legacy but also in itself the only surviving texts of Ancient Greek comedy.

John Fletcher was born in December, 1579 in Rye, Sussex. He was baptised on December 20th. As can be imagined details of much of his life and career have not survived and, accordingly, only a very brief indication of his life and works can be given. Young Fletcher appears at the very young age of eleven to have entered Corpus Christi College at Cambridge University in 1591. There are no records that he ever took a degree but there is some small evidence that he was being prepared for a career in the church. However what is clear is that this was soon abandoned as he joined the stream of people who would leave University and decamp to the more bohemian life of commercial theatre in London. The upbringing of the now teenage Fletcher and his seven siblings now passed to his paternal uncle, the poet and minor official Giles Fletcher. Giles, who had the patronage of the Earl of Essex may have been a liability rather than an advantage to the young Fletcher. With Essex involved in the failed rebellion against Elizabeth Giles was also tainted. By 1606 John Fletcher appears to have equipped himself with the talents to become a playwright. Initially this appears to have been for the Children of the Queen's Revels, then performing at the Blackfriars Theatre. Fletcher's early career was marked by one significant failure; The Faithful Shepherdess, his adaptation of Giovanni Battista Guarini's Il Pastor Fido, which was performed by the Blackfriars Children in 1608. By 1609, however, he had found his stride. With his collaborator John Beaumont, he wrote Philaster, which became a hit for the King's Men and began a profitable association between Fletcher and that company. Philaster appears also to have begun a trend for tragicomedy. By the middle of the 1610s, Fletcher's plays had achieved a popularity that rivalled Shakespeare's and cemented the pre-eminence of the King's Men in Jacobean London. After his frequent early collaborator John Beaumont's early death in 1616, Fletcher continued working, both singly and in collaboration, until his own death in 1625. By that time, he had produced, or had been credited with, close to fifty plays.

Sir Henry John Newbolt, CH was born on 6th June 1862 in Bilston, Wolverhampton, the son of the vicar of St Mary's Church, the Rev. Henry Francis Newbolt, and his second wife, Emily nee Stubbs. After his father's death, in 1866, the family moved to Walsall.There Newbolt attended Queen Mary's Grammar School, Walsall, and Caistor Grammar School, from where he gained a scholarship to Clifton College, where he was head of the school and editor of the school magazine. Upon graduation from Corpus Christi College, Oxford, he was called to the bar at Lincoln's Inn in 1887 and practised until 1899.He married Margaret Edwina nee Duckworth, of the prominent publishing family, and they had two children: Margaret Cecilia (1890) and Arthur Francis (1893).Behind the steady Edwardian facade lay intimate complications; a menage a trois. His wife had a long-running affair with her cousin, Laura Isabella 'Ella' Coltman to whom Newbolt had dedicated one of his own poems and was also involved with. Newbolt divided his time between the two women so there was no jealousy. Although it could equally be argued they divided their time.His first book was a novel, 'Taken from the Enemy' (1892), and this was followed in 1895 by a play, the tragedy, 'Mordred'. But it was with 'Admirals All' (1897), that his reputation was set. There followed further volumes of uplifting verse, including 'The Island Race' (1898), 'The Sailing of the Long-ships' (1902), 'Songs of the Sea' (1904) and 'Songs of the Fleet' (1910). Among the most stirring and patriotically heroic of his poems are the often anthologised 'Vitai Lampada' and 'Drake's Drum'.As well as writing he was also, from October 1900 to September 1904, the editor of the Monthly Review. In 1914, Newbolt published Aladore, a fantasy novel about a bored, dutiful knight who abandons his estate to pursue his heart's desire and woo a half-fae enchantress. As the First World War engulfed Europe, Newbolt, and another 20 British writers, were absorbed into the War Propaganda Bureau. Their talents were put to use promoting Britain's interests and to maintain public opinion in favour of the war.He was knighted in 1915 and became the Controller of Telecommunications at the Foreign Office. Among his war poems was 'The War Films', printed in The Times on 14th October 1916, in reference to the shock cinema audiences felt on seeing footage of the Battle of the Somme.Newbolt was knighted in 1915 and was appointed Companion of Honour in 1922.In 1921 he authored the government Report 'The Teaching of English in England' which helped to establish the foundations for modern English Studies and professionalised the teaching of English Literature. With it he established a canon, and was unequivocal that English must become the linguistic and literary standard throughout the Empire.Newbolt was also part of an inner advisory circle of Asquith's government and also advised on policy in Ireland.Sir Henry John Newbolt, CH died at his home in Campden Hill, Kensington, London, on 19th April 1938, at the age of 75. He is buried in the churchyard of St Mary's church on an island in the lake on the Orchardleigh Estate of the Duckworth family in Somerset.