Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.

Euripides is rightly lauded as one of the great dramatists of all time. In his lifetime, he wrote over 90 plays and although only 18 have survived they reveal the scope and reach of his genius. Euripides is identified with many theatrical innovations that have influenced drama all the way down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. As would be expected from a life lived 2,500 years ago, details of it are few and far between. Accounts of his life, written down the ages, do exist but whether much is reliable or surmised is open to debate. Most accounts agree that he was born on Salamis Island around 480 BC, to mother Cleito and father Mnesarchus, a retailer who lived in a village near Athens. Upon the receipt of an oracle saying that his son was fated to win "e;crowns of victory"e;, Mnesarchus insisted that the boy should train for a career in athletics. However, what is clear is that athletics was not to be the way to win crowns of victory. Euripides had been lucky enough to have been born in the era as the other two masters of Greek Tragedy; Sophocles and schylus. It was in their footsteps that he was destined to follow. His first play was performed some thirteen years after the first of Socrates plays and a mere three years after schylus had written his classic The Oristria. Theatre was becoming a very important part of the Greek culture. The Dionysia, held annually, was the most important festival of theatre and second only to the fore-runner of the Olympic games, the Panathenia, held every four years, in appeal. Euripides first competed in the City Dionysia, in 455 BC, one year after the death of schylus, and, incredibly, it was not until 441 BC that he won first prize. His final competition in Athens was in 408 BC. The Bacchae and Iphigenia in Aulis were performed after his death in 405 BC and first prize was awarded posthumously. Altogether his plays won first prize only five times. Euripides was also a great lyric poet. In Medea, for example, he composed for his city, Athens, "e;the noblest of her songs of praise"e;. His lyric skills however are not just confined to individual poems: "e;A play of Euripides is a musical whole....one song echoes motifs from the preceding song, while introducing new ones."e; Much of his life and his whole career coincided with the struggle between Athens and Sparta for hegemony in Greece but he didn't live to see the final defeat of his city. Euripides fell out of favour with his fellow Athenian citizens and retired to the court of Archelaus, king of Macedon, who treated him with consideration and affection. At his death, in around 406BC, he was mourned by the king, who, refusing the request of the Athenians that his remains be carried back to the Greek city, buried him with much splendor within his own dominions. His tomb was placed at the confluence of two streams, near Arethusa in Macedonia, and a cenotaph was built to his memory on the road from Athens towards the Piraeus.

As can be easily understood presenting an exact chronicle of the facts in the life of a 16th Century playwright is often difficult. Thomas Lodge is no exception. Thomas Lodge, born around 1558 in west Ham, was the second son of Sir Thomas Lodge, the Lord Mayor of London, and his third wife Anne. Lodge was educated at Merchant Taylors' School and thence to Trinity College, Oxford; taking his BA in 1577 and his MA in 1581. Lodge, disregarded his parents career wishes in order to take up literature. When the penitent Stephen Gosson published his Schoole of Abuse in 1579, Lodge responded with Defence of Poetry, Music and Stage Plays (1579 or 1580). His pamphlet was banned, but appears to have been circulated privately. Already in 1580 Lodge had published a volume of poems entitled Scillaes Metamorphosis, Enterlaced with the Unfortunate Love of Glaucus, also more briefly known as Glaucus and Scilla. Lodge seems to have married his first wife Joan in or shortly before 1583, when, "e;impressed with the uncertainty of human life"e;, he made a will. That his family viewed his conduct at the time with disdain may be noted by the absence of his name from his father's will in 1583. The marriage of Lodge and Joan produced a daughter, Mary. However, without an income from his family Lodge would have to provide it by other means. The debate in pamphlets between Lodge and Gosson continued with Gosson's Playes Confuted in Five Actions; and Lodge retorting with his Alarum Against Usurers (1585)-a "e;tract for the times"e;. That same year, 1585, he produced his first tale written in prose and verse, The Delectable History of Forbonius and Prisceria. Lodge appears to have been at sea on a number of long voyages. Usually these are described as 'freebooting voyages', an interchangeable term also used for piracy and plunder. Many nations endorsed these tactics and it seems fairly safe to suggest that these voyages were a source of revenue which would keep Joan and Mary with their heads above water. These long voyages also provided something else that Lodge would have been keen to gather and usefully use; time. During the expedition to Terceira and the Canaries (around 1586), to set aside the tedium of his voyage, Lodge composed his prose tale of Rosalynde, Euphues Golden Legacie, which, printed in 1590, would later be used by Shakespeare as the basis for As You Like It. Before starting on his next voyage, this time to South America, Lodge published a historical romance, The History of Robert, Second Duke of Normandy, surnamed Robert the Devil; and he left behind him for publication Catharos Diogenes in his Singularity, a discourse on the immorality of Athens (London). Both appeared in 1591. By now Lodge was on a voyage with Thomas Cavendish to Brazil and the Straits of Magellan and would only be able to return home in 1593. Whilst he was travelling another romance in the manner of Lyly, Euphues Shadow, the Battaile of the Sences, appeared in 1592. At either end of this voyage Lodge appears to have worked on some dramas, most notably with Robert Greene. It is thought that in 1590, together with Greene, he wrote A Looking Glass for London and England (published 1594). He had already written The Wounds of Civil War (produced perhaps as early as 1587, and published in 1594, and put on as a play reading at the Globe Theatre on 7 February 1606), a good second-rate piece in the half-chronicle fashion of its age. His second historical romance, the Life and Death of William Longbeard (1593), was more successful than the first. Lodge also brought back with him from the new world voyage A Margarite of America (published 1596), a romance between a Peruvian prince and a daughter of the king of Muscovy interspersed with many lyrics. The composition of Phillis, a volume and an early sonnet cycle sequence (an increasingly popular format in Elizabethan times), was published with the narrative poem, The Complaynte of Elsired, in 1593. A Fig for Momus was published in 1595 and gained him the accolade of being the earliest English satirist. This work contains eclogues addressed to Daniel and others as well as an epistle addressed to Michael Drayton. In the latter part of his life-possibly about 1596, when he published his Wits Miserie and the World's Madnesse, which is dated from Low Leyton in Essex, and the religious tract Prosopopeia (if, as seems probable, it was his), in which he repents of his "e;lewd lines"e; of other days-he became a Catholic and engaged in the practice of medicine, for which Wood says he qualified himself by a degree at Avignon, in France, in 1600. Two years later he received the degree of M.D. from Oxford University. Early in 1606 he seems to have left England, to escape the persecution then directed against the Catholics; and a letter from him dated 1610 thanks the English ambassador in Paris for enabling him to return in safety. At some point in his later life Lodge appears to have married again. T

The English dramatists Francis Beaumont and John Fletcher, collaborated in their writing during the reign of James I of England (James VI of Scotland, 1567-1625; in England he reigned from 1603).Beaumont & Fletcher began to collaborate as writers soon after they met. After notable failures of their solo works their first joint effort, Philaster, was a success and tragicomedy was the genre they explored and built upon. There would be many further successes to follow.There is an account that at the time the two men shared everything. They lived together in a house on the Bankside in Southwark, "e;they also lived together in Bankside, sharing clothes and having one wench in the house between them."e; Or as another account puts it "e;sharing everything in the closest intimacy."e;Whatever the truth of this they were now recognised as perhaps the best writing team of their generation, so much so, that their joint names was applied to all the works in which either, or both, had a pen including those with Philip Massinger, James Shirley and Nathan Field.The first Beaumont and Fletcher folio of 1647 contained 35 plays; 53 plays were included in the second folio in 1679. Other works bring the total plays in the canon to about 55. However there appears here to have been some duplicity on the account of the publishers who seemed to attribute so many to the team. It is now thought that the work between solely by Beaumont and Fletcher amounts to approximately 15 plays, though of course further works by them were re-worked by others and the originals lost.After Beaumont's early death in 1616 Fletcher continued to write and, at his height was, by many standards, the equal of Shakespeare in popularity until his own death in 1625.

Alfred Tennyson was born on August 6th, 1809, in Somersby, Lincolnshire, the fourth of twelve children. Most of Tennyson's early education was under the direction of his father, although he did spend four unhappy years at a nearby grammar school. He left home in 1827 to join his elder brothers at Trinity College, Cambridge, more to escape his father than a desire for serious academic work. At Trinity he was living for the first time among young men of his own age who knew little of his problems. He was delighted to make new friends; he was handsome, intelligent, humorous, a gifted impersonator and soon at the center of those interested in poetry and conversation. That same year, he and his brother Charles published Poems by Two Brothers. Although the poems in the book were of teenage quality, they attracted the attention of the "e;Apostles,"e; a select undergraduate literary club led by Arthur Hallam. The "e;Apostles"e; provided Tennyson with friendship and confidence. Hallam and Tennyson became the best of friends; they toured Europe together in 1830 and again in 1832. Hallam's sudden death in 1833 greatly affected the young poet. The long elegy In Memoriam and many of Tennyson's other poems are tributes to Hallam. In 1830, Tennyson published Poems, Chiefly Lyrical and in 1832 he published a second volume entitled simply Poems. Some reviewers condemned these books as "e;affected"e; and "e;obscure."e; Tennyson, stung by the reviews, would not publish another book for nine years. In 1836, he became engaged to Emily Sellwood. When he lost his inheritance on a failed investment in 1840, the engagement was cancelled. In 1842, however, Tennyson's Poems [in two volumes] was a tremendous critical and popular success. In 1850, with the publication of In Memoriam, Tennyson's reputation was pre-eminent. He was also selected as Poet Laureate in succession to Wordsworth and, to complete a wonderful year, he married Emily Sellwood. At the age of 41, Tennyson had established himself as the most popular poet of the Victorian era. The money from his poetry [at times exceeding 10,000 pounds per year] allowed him to purchase a home in the country and to write in relative seclusion. His appearance-a large and bearded man, he regularly wore a cloak and a broad brimmed hat-enhanced his notoriety. In 1859, Tennyson published the first poems of Idylls of the Kings, which sold more than 10,000 copies in a fortnight. In 1884, he accepted a peerage, becoming Alfred Lord Tennyson. On October 6th, 1892, an hour or so after midnight, surrounded by his family, he died at Aldworth. It is said that the moonlight was streaming through the window and Tennyson himself was holding open a volume of Shakespeare. He was buried in Westminster Abbey.

Euripides is rightly lauded as one of the great dramatists of all time. In his lifetime, he wrote over 90 plays and although only 18 have survived they reveal the scope and reach of his genius. Euripides is identified with many theatrical innovations that have influenced drama all the way down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. As would be expected from a life lived 2,500 years ago, details of it are few and far between. Accounts of his life, written down the ages, do exist but whether much is reliable or surmised is open to debate. Most accounts agree that he was born on Salamis Island around 480 BC, to mother Cleito and father Mnesarchus, a retailer who lived in a village near Athens. Upon the receipt of an oracle saying that his son was fated to win "e;crowns of victory"e;, Mnesarchus insisted that the boy should train for a career in athletics. However, what is clear is that athletics was not to be the way to win crowns of victory. Euripides had been lucky enough to have been born in the era as the other two masters of Greek Tragedy; Sophocles and schylus. It was in their footsteps that he was destined to follow. His first play was performed some thirteen years after the first of Socrates plays and a mere three years after schylus had written his classic The Oristria. Theatre was becoming a very important part of the Greek culture. The Dionysia, held annually, was the most important festival of theatre and second only to the fore-runner of the Olympic games, the Panathenia, held every four years, in appeal. Euripides first competed in the City Dionysia, in 455 BC, one year after the death of schylus, and, incredibly, it was not until 441 BC that he won first prize. His final competition in Athens was in 408 BC. The Bacchae and Iphigenia in Aulis were performed after his death in 405 BC and first prize was awarded posthumously. Altogether his plays won first prize only five times. Euripides was also a great lyric poet. In Medea, for example, he composed for his city, Athens, "e;the noblest of her songs of praise"e;. His lyric skills however are not just confined to individual poems: "e;A play of Euripides is a musical whole....one song echoes motifs from the preceding song, while introducing new ones."e; Much of his life and his whole career coincided with the struggle between Athens and Sparta for hegemony in Greece but he didn't live to see the final defeat of his city. Euripides fell out of favour with his fellow Athenian citizens and retired to the court of Archelaus, king of Macedon, who treated him with consideration and affection. At his death, in around 406BC, he was mourned by the king, who, refusing the request of the Athenians that his remains be carried back to the Greek city, buried him with much splendor within his own dominions. His tomb was placed at the confluence of two streams, near Arethusa in Macedonia, and a cenotaph was built to his memory on the road from Athens towards the Piraeus.

Algernon Charles Swinburne was born on April 5th, 1837, in London, into a wealthy Northumbrian family. He was educated at Eton and at Balliol College, Oxford, but did not complete a degree. In 1860 Swinburne published two verse dramas but achieved his first literary success in 1865 with Atalanta in Calydon, written in the form of classical Greek tragedy. The following year "e;Poems and Ballads"e; brought him instant notoriety. He was now identified with "e;indecent"e; themes and the precept of art for art's sake. Although he produced much after this success in general his popularity and critical reputation declined. The most important qualities of Swinburne's work are an intense lyricism, his intricately extended and evocative imagery, metrical virtuosity, rich use of assonance and alliteration, and bold, complex rhythms. Swinburne's physical appearance was small, frail, and plagued by several other oddities of physique and temperament. Throughout the 1860s and 1870s he drank excessively and was prone to accidents that often left him bruised, bloody, or unconscious. Until his forties he suffered intermittent physical collapses that necessitated removal to his parents' home while he recovered. Throughout his career Swinburne also published literary criticism of great worth. His deep knowledge of world literatures contributed to a critical style rich in quotation, allusion, and comparison. He is particularly noted for discerning studies of Elizabethan dramatists and of many English and French poets and novelists. As well he was a noted essayist and wrote two novels. In 1879, Swinburne's friend and literary agent, Theodore Watts-Dunton, intervened during a time when Swinburne was dangerously ill. Watts-Dunton isolated Swinburne at a suburban home in Putney and gradually weaned him from alcohol, former companions and many other habits as well. Much of his poetry in this period may be inferior but some individual poems are exceptional; "e;By the North Sea,"e; "e;Evening on the Broads,"e; "e;A Nympholept,"e; "e;The Lake of Gaube,"e; and "e;Neap-Tide."e; Swinburne lived another thirty years with Watts-Dunton. He denied Swinburne's friends access to him, controlled the poet's money, and restricted his activities. It is often quoted that 'he saved the man but killed the poet'. Algernon Charles Swinburne died on April 10th, 1909 at the age of seventy-two.

The English dramatists Francis Beaumont and John Fletcher, collaborated in their writing during the reign of James I of England (James VI of Scotland, 1567-1625; in England he reigned from 1603).Beaumont & Fletcher began to collaborate as writers soon after they met. After notable failures of their solo works their first joint effort, Philaster, was a success and tragicomedy was the genre they explored and built upon. There would be many further successes to follow.There is an account that at the time the two men shared everything. They lived together in a house on the Bankside in Southwark, "e;they also lived together in Bankside, sharing clothes and having one wench in the house between them."e; Or as another account puts it "e;sharing everything in the closest intimacy."e;Whatever the truth of this they were now recognised as perhaps the best writing team of their generation, so much so, that their joint names was applied to all the works in which either, or both, had a pen including those with Philip Massinger, James Shirley and Nathan Field.The first Beaumont and Fletcher folio of 1647 contained 35 plays; 53 plays were included in the second folio in 1679. Other works bring the total plays in the canon to about 55. However there appears here to have been some duplicity on the account of the publishers who seemed to attribute so many to the team. It is now thought that the work between solely by Beaumont and Fletcher amounts to approximately 15 plays, though of course further works by them were re-worked by others and the originals lost.After Beaumont's early death in 1616 Fletcher continued to write and, at his height was, by many standards, the equal of Shakespeare in popularity until his own death in 1625.

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.

Alfred Tennyson was born on August 6th, 1809, in Somersby, Lincolnshire, the fourth of twelve children. Most of Tennyson's early education was under the direction of his father, although he did spend four unhappy years at a nearby grammar school. He left home in 1827 to join his elder brothers at Trinity College, Cambridge, more to escape his father than a desire for serious academic work. At Trinity he was living for the first time among young men of his own age who knew little of his problems. He was delighted to make new friends; he was handsome, intelligent, humorous, a gifted impersonator and soon at the center of those interested in poetry and conversation. That same year, he and his brother Charles published Poems by Two Brothers. Although the poems in the book were of teenage quality, they attracted the attention of the "e;Apostles,"e; a select undergraduate literary club led by Arthur Hallam. The "e;Apostles"e; provided Tennyson with friendship and confidence. Hallam and Tennyson became the best of friends; they toured Europe together in 1830 and again in 1832. Hallam's sudden death in 1833 greatly affected the young poet. The long elegy In Memoriam and many of Tennyson's other poems are tributes to Hallam. In 1830, Tennyson published Poems, Chiefly Lyrical and in 1832 he published a second volume entitled simply Poems. Some reviewers condemned these books as "e;affected"e; and "e;obscure."e; Tennyson, stung by the reviews, would not publish another book for nine years. In 1836, he became engaged to Emily Sellwood. When he lost his inheritance on a failed investment in 1840, the engagement was cancelled. In 1842, however, Tennyson's Poems [in two volumes] was a tremendous critical and popular success. In 1850, with the publication of In Memoriam, Tennyson's reputation was pre-eminent. He was also selected as Poet Laureate in succession to Wordsworth and, to complete a wonderful year, he married Emily Sellwood. At the age of 41, Tennyson had established himself as the most popular poet of the Victorian era. The money from his poetry [at times exceeding 10,000 pounds per year] allowed him to purchase a home in the country and to write in relative seclusion. His appearance-a large and bearded man, he regularly wore a cloak and a broad brimmed hat-enhanced his notoriety. In 1859, Tennyson published the first poems of Idylls of the Kings, which sold more than 10,000 copies in a fortnight. In 1884, he accepted a peerage, becoming Alfred Lord Tennyson. On October 6th, 1892, an hour or so after midnight, surrounded by his family, he died at Aldworth. It is said that the moonlight was streaming through the window and Tennyson himself was holding open a volume of Shakespeare. He was buried in Westminster Abbey.

Gaston Louis Alfred Leroux was born on May 6th, 1868, in Paris, France. Leroux was schooled in Normandy and went to Paris to study Law where he graduated in 1889. As a young man he inherited a fortune, valued even then in the millions of francs, and lived excessively until it was almost all quickly spent. In 1890, he began working as a court reporter and theater critic for L'Echo de Paris. He became an international correspondent for Le Matin and covered perhaps his most important story in 1905 when he witnessed and wrote about the Russian Revolution. Lerouxs' reporting instincts were also used for in-depth coverage of the former Paris Opera being used as cells to house prisoners of the Paris Commune in the basement. He abruptly switched careers in 1907 to write fiction. His first effort was the Mystery of the Yellow Room. This was the first in a series of the Adventures of Rouletabillet. From then until the mid-1920s he wrote prolifically, becoming a firm favourite to his French audience and increasingly to a growing market abroad thanks to the numerous translations and his growing reputation. By 1919, Leroux had seen the potential in the growing film industry and together with Arthur Bernede they formed a film company, Societe des Cineromans, to publish novels and simultaneously turn them into films. As an author Leroux works are placed alongside Sir Arthur Conan Doyle's in the United Kingdom and Edgar Allan Poe's in the United States. His Phantom of the Opera is one of the world's classic treasures and is constantly being adapted into other media; from films and TV to radio as well as an audiobook. Leroux was honoured by the French State with a Chevalier de la Legion d'honneur in 1902. Gaston Leroux died in Nice, in Southern France, on April 15th, 1927.

The English dramatists Francis Beaumont and John Fletcher, collaborated in their writing during the reign of James I of England (James VI of Scotland, 1567-1625; in England he reigned from 1603).Beaumont & Fletcher began to collaborate as writers soon after they met. After notable failures of their solo works their first joint effort, Philaster, was a success and tragicomedy was the genre they explored and built upon. There would be many further successes to follow.There is an account that at the time the two men shared everything. They lived together in a house on the Bankside in Southwark, "e;they also lived together in Bankside, sharing clothes and having one wench in the house between them."e; Or as another account puts it "e;sharing everything in the closest intimacy."e;Whatever the truth of this they were now recognised as perhaps the best writing team of their generation, so much so, that their joint names was applied to all the works in which either, or both, had a pen including those with Philip Massinger, James Shirley and Nathan Field.The first Beaumont and Fletcher folio of 1647 contained 35 plays; 53 plays were included in the second folio in 1679. Other works bring the total plays in the canon to about 55. However there appears here to have been some duplicity on the account of the publishers who seemed to attribute so many to the team. It is now thought that the work between solely by Beaumont and Fletcher amounts to approximately 15 plays, though of course further works by them were re-worked by others and the originals lost.After Beaumont's early death in 1616 Fletcher continued to write and, at his height was, by many standards, the equal of Shakespeare in popularity until his own death in 1625.

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.

George Colman was born in Florence, Italy, in April 1732, where his father was stationed as British Resident Minister to the court of the Grand duke of Tuscany. Before his first birthday Colman's father had died and his well-being was now in the hands of his Father's sister and her husband, William Pulteney, the later Lord BathColman initially attended a private school in Marylebone before being sent to the exclusive Westminster School.From there Colman went to Christ Church, Oxford. Whilst there he met Bonnell Thornton, the parodist, and together they founded 'The Connoisseur' periodical (1754-1756), which ran for 140 editions. After taking his degree in 1755 Colman left Oxford and entered Lincoln's Inn. He was called to the bar in 1757. Despite a friendship forming with David Garrick and the promise of a literary career Colman decided that out of respect for Lord Bath he would continue to also practice law.In 1760, Colman produced his first play, 'Polly Honeycomb'. It was a great success. The following year, 1761, he followed up with 'The Jealous Wife', a comedy partly founded on Henry Fielding's 'Tom Jones'. It made Colman famous. On 21st October 1762 his son, George Colman the Younger, was born. He too would follow in his fathers' footsteps in education and career.In 1764 with the death of Lord Bath and a substantial inheritance Colman was now financially secure and could also stop his law career to work solely on literature.In 1765, his metrical translation of the six plays of Terence was published. The following year, 1766, in partnership with David Garrick, came another success: 'The Clandestine Marriage'. The only blot was when Colman quarreled with Garrick's refusal to take the part of Lord Ogleby. With the arrival of 1767 Colman decided to expand his interests by acquiring a quarter share in the Covent Garden Theatre. When his play 'The Oxonian in Town' was performed there on 9th November that year a riot ensued, apparently sparked by a claque of card-sharpers.Colman was elected to the Literary Club, in 1768, then nominally consisting of twelve members. In 1771 Thomas Arne's masque 'The Fairy Prince' premiered at Covent Garden, for which Colman wrote the libretto.His instincts as a theatrical impresario were sound. As well as part-owner he was also the acting manager of Covent Garden for seven years during which he produced several 'adapted' plays of Shakespeare. He also directed the premiere of 'She Stoops to Conquer' in 1773. In 1774 he sold to James Leake his share of Covent Garden, which had involved him in much litigation with his partners, and three years later, in 1777, he purchased the little theatre in the Haymarket from Samuel Foote.George Colman suffered badly from attacks of paralysis in 1785 and his health became both failing and a burden. By 1789 his brain had become affected, and he died on 14th August 1794. He was buried in Kensington Church.

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.

Philip Massinger was baptized at St. Thomas's in Salisbury on November 24th, 1583.Massinger is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated there, was a member of parliament, and attached to the household of Henry Herbert, 2nd Earl of Pembroke. The Earl was later seen as a potential patron for Massinger.He left Oxford in 1606 without a degree. His father had died in 1603, and accounts suggest that Massinger was left with no financial support this, together with rumours that he had converted to Catholicism, meant the next stage of his career needed to provide an income.Massinger went to London to make his living as a dramatist, but he is only recorded as author some fifteen years later, when The Virgin Martyr (1621) is given as the work of Massinger and Thomas Dekker.During those early years as a playwright he wrote for the Elizabethan stage entrepreneur, Philip Henslowe. It was a difficult existence. Poverty was always close and there was constant pleading for advance payments on forthcoming works merely to survive.After Henslowe died in 1616 Massinger and John Fletcher began to write primarily for the King's Men and Massinger would write regularly for them until his death.The tone of the dedications in later plays suggests evidence of his continued poverty. In the preface of The Maid of Honour (1632) he wrote, addressing Sir Francis Foljambe and Sir Thomas Bland: "e;I had not to this time subsisted, but that I was supported by your frequent courtesies and favours."e;The prologue to The Guardian (1633) refers to two unsuccessful plays and two years of silence, when the author feared he had lost popular favour although, from the little evidence that survives, it also seems he had involved some of his plays with political characters which would have cast shadows upon England's alliances.Philip Massinger died suddenly at his house near the Globe Theatre on March 17th, 1640. He was buried the next day in the churchyard of St. Saviour's, Southwark, on March 18th, 1640. In the entry in the parish register he is described as a "e;stranger,"e; which, however, implies nothing more than that he belonged to another parish.

Philip Massinger was baptized at St. Thomas's in Salisbury on November 24th, 1583.Massinger is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated there, was a member of parliament, and attached to the household of Henry Herbert, 2nd Earl of Pembroke. The Earl was later seen as a potential patron for Massinger.He left Oxford in 1606 without a degree. His father had died in 1603, and accounts suggest that Massinger was left with no financial support this, together with rumours that he had converted to Catholicism, meant the next stage of his career needed to provide an income.Massinger went to London to make his living as a dramatist, but he is only recorded as author some fifteen years later, when The Virgin Martyr (1621) is given as the work of Massinger and Thomas Dekker.During those early years as a playwright he wrote for the Elizabethan stage entrepreneur, Philip Henslowe. It was a difficult existence. Poverty was always close and there was constant pleading for advance payments on forthcoming works merely to survive.After Henslowe died in 1616 Massinger and John Fletcher began to write primarily for the King's Men and Massinger would write regularly for them until his death.The tone of the dedications in later plays suggests evidence of his continued poverty. In the preface of The Maid of Honour (1632) he wrote, addressing Sir Francis Foljambe and Sir Thomas Bland: "e;I had not to this time subsisted, but that I was supported by your frequent courtesies and favours."e;The prologue to The Guardian (1633) refers to two unsuccessful plays and two years of silence, when the author feared he had lost popular favour although, from the little evidence that survives, it also seems he had involved some of his plays with political characters which would have cast shadows upon England's alliances.Philip Massinger died suddenly at his house near the Globe Theatre on March 17th, 1640. He was buried the next day in the churchyard of St. Saviour's, Southwark, on March 18th, 1640. In the entry in the parish register he is described as a "e;stranger,"e; which, however, implies nothing more than that he belonged to another parish.

Lucy Maud Montgomery was born in Clifton, Prince Edward Island, Canada, on November 30, 1874. Her mother died when she was a toddler and her devastated father asked her grandparents to raise her. Her childhood years in Cavendish were very lonely. Lucy's solution at this early age was to create imaginary worlds and people them with imaginary friends. Her creativity was beginning to establish itself in her life. With her studying days over Lucy began a career as a teacher and worked at various Prince Edward Island schools. It was soon obvious to her that she did not enjoy teaching but the benefit was that it gave her time to write. That was now her real passion. Much of her early career was spent writing short stories. Indeed in the decade from 1897 magazines and newspapers published over 100 stories from the prolific young writer. In 1908, Lucy published her first book, the classic, Anne of Green Gables. It was an immediate success and quickly established her career. During her lifetime, Lucy published 20 novels, 530 short stories, 500 poems, and 30 essays. Aware of her fame, by 1920 Lucy began editing and recopying her journals, reframing her life as she wanted it remembered. Lucy Maud Montgomery died on April 24, 1942 in Toronto. A note was found beside her bed, "e;I have lost my mind by spells and I do not dare think what I may do in those spells. May God forgive me and I hope everyone else will forgive me even if they cannot understand. My position is too awful to endure and nobody realizes it. What an end to a life in which I tried always to do my best."e; The official cause of death was a coronary thrombosis.

John Galsworthy was born at Kingston Upon Thames in Surrey, England, on August 14th 1867 to a wealthy and well established family. His schooling was at Harrow and New College, Oxford before training as a barrister and being called to the bar in 1890. However, Law was not attractive to him and he travelled abroad becoming great friends with the novelist Joseph Conrad, then a first mate on a sailing ship. In 1895 Galsworthy began an affair with Ada Nemesis Pearson Cooper, the wife of his cousin Major Arthur Galsworthy. The affair was kept a secret for 10 years till she at last divorced and they married on 23rd September 1905. Galsworthy first published in 1897 with a collection of short stories entitled "e;The Four Winds"e;. For the next 7 years he published these and all works under his pen name John Sinjohn. It was only upon the death of his father and the publication of "e;The Island Pharisees"e; in 1904 that he published as John Galsworthy. His first play, The Silver Box in 1906 was a success and was followed by "e;The Man of Property"e; later that same year and was the first in the Forsyte trilogy. Whilst today he is far more well know as a Nobel Prize winning novelist then he was considered a playwright dealing with social issues and the class system. Here we publish Villa Rubein, a very fine story that captures Galsworthy's unique narrative and take on life of the time. He is now far better known for his novels, particularly The Forsyte Saga, his trilogy about the eponymous family of the same name. These books, as with many of his other works, deal with social class, upper-middle class lives in particular. Although always sympathetic to his characters, he reveals their insular, snobbish, and somewhat greedy attitudes and suffocating moral codes. He is now viewed as one of the first from the Edwardian era to challenge some of the ideals of society depicted in the literature of Victorian England. In his writings he campaigns for a variety of causes, including prison reform, women's rights, animal welfare, and the opposition of censorship as well as a recurring theme of an unhappy marriage from the women's side. During World War I he worked in a hospital in France as an orderly after being passed over for military service. He was appointed to the Order of Merit in 1929, after earlier turning down a knighthood, and awarded the Nobel Prize in 1932 though he was too ill to attend. John Galsworthy died from a brain tumour at his London home, Grove Lodge, Hampstead on January 31st 1933. In accordance with his will he was cremated at Woking with his ashes then being scattered over the South Downs from an aeroplane.

John Galsworthy was born at Kingston Upon Thames in Surrey, England, on August 14th 1867 to a wealthy and well established family. His schooling was at Harrow and New College, Oxford before training as a barrister and being called to the bar in 1890. However, Law was not attractive to him and he travelled abroad becoming great friends with the novelist Joseph Conrad, then a first mate on a sailing ship. In 1895 Galsworthy began an affair with Ada Nemesis Pearson Cooper, the wife of his cousin Major Arthur Galsworthy. The affair was kept a secret for 10 years till she at last divorced and they married on 23rd September 1905. Galsworthy first published in 1897 with a collection of short stories entitled "e;The Four Winds"e;. For the next 7 years he published these and all works under his pen name John Sinjohn. It was only upon the death of his father and the publication of "e;The Island Pharisees"e; in 1904 that he published as John Galsworthy. His first play, The Silver Box in 1906 was a success and was followed by "e;The Man of Property"e; later that same year and was the first in the Forsyte trilogy. Whilst today he is far more well know as a Nobel Prize winning novelist then he was considered a playwright dealing with social issues and the class system. Here we publish Villa Rubein, a very fine story that captures Galsworthy's unique narrative and take on life of the time. He is now far better known for his novels, particularly The Forsyte Saga, his trilogy about the eponymous family of the same name. These books, as with many of his other works, deal with social class, upper-middle class lives in particular. Although always sympathetic to his characters, he reveals their insular, snobbish, and somewhat greedy attitudes and suffocating moral codes. He is now viewed as one of the first from the Edwardian era to challenge some of the ideals of society depicted in the literature of Victorian England. In his writings he campaigns for a variety of causes, including prison reform, women's rights, animal welfare, and the opposition of censorship as well as a recurring theme of an unhappy marriage from the women's side. During World War I he worked in a hospital in France as an orderly after being passed over for military service. He was appointed to the Order of Merit in 1929, after earlier turning down a knighthood, and awarded the Nobel Prize in 1932 though he was too ill to attend. John Galsworthy died from a brain tumour at his London home, Grove Lodge, Hampstead on January 31st 1933. In accordance with his will he was cremated at Woking with his ashes then being scattered over the South Downs from an aeroplane.