Sir Henry John Newbolt, CH was born on 6th June 1862 in Bilston, Wolverhampton, the son of the vicar of St Mary's Church, the Rev. Henry Francis Newbolt, and his second wife, Emily nee Stubbs. After his father's death, in 1866, the family moved to Walsall.There Newbolt attended Queen Mary's Grammar School, Walsall, and Caistor Grammar School, from where he gained a scholarship to Clifton College, where he was head of the school and editor of the school magazine. Upon graduation from Corpus Christi College, Oxford, he was called to the bar at Lincoln's Inn in 1887 and practised until 1899.He married Margaret Edwina nee Duckworth, of the prominent publishing family, and they had two children: Margaret Cecilia (1890) and Arthur Francis (1893).Behind the steady Edwardian facade lay intimate complications; a menage a trois. His wife had a long-running affair with her cousin, Laura Isabella 'Ella' Coltman to whom Newbolt had dedicated one of his own poems and was also involved with. Newbolt divided his time between the two women so there was no jealousy. Although it could equally be argued they divided their time.His first book was a novel, 'Taken from the Enemy' (1892), and this was followed in 1895 by a play, the tragedy, 'Mordred'. But it was with 'Admirals All' (1897), that his reputation was set. There followed further volumes of uplifting verse, including 'The Island Race' (1898), 'The Sailing of the Long-ships' (1902), 'Songs of the Sea' (1904) and 'Songs of the Fleet' (1910). Among the most stirring and patriotically heroic of his poems are the often anthologised 'Vitai Lampada' and 'Drake's Drum'.As well as writing he was also, from October 1900 to September 1904, the editor of the Monthly Review. In 1914, Newbolt published Aladore, a fantasy novel about a bored, dutiful knight who abandons his estate to pursue his heart's desire and woo a half-fae enchantress. As the First World War engulfed Europe, Newbolt, and another 20 British writers, were absorbed into the War Propaganda Bureau. Their talents were put to use promoting Britain's interests and to maintain public opinion in favour of the war.He was knighted in 1915 and became the Controller of Telecommunications at the Foreign Office. Among his war poems was 'The War Films', printed in The Times on 14th October 1916, in reference to the shock cinema audiences felt on seeing footage of the Battle of the Somme.Newbolt was knighted in 1915 and was appointed Companion of Honour in 1922.In 1921 he authored the government Report 'The Teaching of English in England' which helped to establish the foundations for modern English Studies and professionalised the teaching of English Literature. With it he established a canon, and was unequivocal that English must become the linguistic and literary standard throughout the Empire.Newbolt was also part of an inner advisory circle of Asquith's government and also advised on policy in Ireland.Sir Henry John Newbolt, CH died at his home in Campden Hill, Kensington, London, on 19th April 1938, at the age of 75. He is buried in the churchyard of St Mary's church on an island in the lake on the Orchardleigh Estate of the Duckworth family in Somerset.

Thomas Otway was born on March 3rd, 1652 at Trotton near Midhurst. He was educated at Winchester College before entering Christ Church, Oxford, in 1669 as a commoner. For reasons unknown he left without a degree in 1672 but what is known is that Oxford create a passion in him for books. Travelling to London that same year he met and obtained work as an actor from the playwright Aphra Behn. He was cast as the old king in her play, Forc'd Marriage but on his debut he had such a severe attack of stage fright that his acting career finished there and then. His career now turned to writing plays and it was a career that was to prove of immense worth to the literary canon of England. In 1675, Otway's first play, Alcibiades was first performed. It is a tragedy, written in heroic verse, saved from absolute failure only by the actors. In his play Don Carlos, Prince of Spain (1676) Otway made the leap to the front rank of playwrights and quickly followed it in 1677 with two plays adapted from French sources; Titus and Berenice, and the Cheats of Scapin followed in 1678 Otway by an original comedy, Friendship in Fashion, which continued his run of very successful plays. In February 1680, the first of Otway's two tragic masterpieces, The Orphan, or The Unhappy Marriage, was performed followed by an indifferent comedy, The Soldier's Fortune (1681), and 1682 perhaps his best work, Venice Preserv'd, or A Plot Discover'd. The play won instant success. However, in the last few years of his life poverty ensnared Otway. The success of his earlier plays had finished with Venice Preserv'd and the downward slope was both precipitous and destructive. Thomas Otway, aged 33, died in the most awful poverty on April 14th, 1685 and was buried two days later on April 16th, in the churchyard of St. Clement Danes.

Lucius Annaeus Seneca, more readily known as Seneca the Younger, was born at Cordoba in the Roman province of Baetica in Hispania in approx 4 BC.Seneca attests that he was taken to Rome at a young age and educated in literature, grammar, and rhetoric; the standard education of high-born Romans. He also received philosophical training.Much of his life is not well documented but accounts do lean towards a pattern of ill-health at times. His breathing difficulties are thought to be the result of asthma and during his mid-twenties he contracted tuberculosis.He was sent to Egypt to live with his aunt, whose husband, Gaius Galerius, was Prefect of Egypt. In 31 AD he returned to Rome with her and, with her influence, was elected quaestor and with it the right to sit in the Roman Senate.Seneca's early career as a senator was successful and he was fulsomely praised for his oratory. A story related that emperor Caligula was so offended by Seneca's oratorical success that he ordered him to commit suicide. Seneca's ill-health prevented that.In 41 AD, Claudius became emperor, and Seneca was promptly cited by the new empress Messalina of adultery with Julia Livilla, the sister of Caligula and Agrippina.After trial the Senate pronounced a death sentence, which Claudius then commuted to exile. Seneca was to now spend the next eight years in Corsica. From this period of exile survive two of his earliest works-both consolations.In 49 AD Agrippina married her uncle Claudius, and through her Seneca was recalled to Rome. Agrippina appointed him, as tutor to her son, the future emperor Nero.Nero's early rule, during which he followed the advice of Seneca and Burrus, was competent. However, within a few years both Seneca and Burrus had lost their influence.In 58 AD the senator Publius Suillius Rufus made a series of public attacks on him saying that, Seneca had acquired a personal fortune of three hundred million sestertii. In response, Seneca brought a series of prosecutions for corruption against him. Suillius was dispatched into exile.After Burrus's death in 62 AD, Seneca's influence further declined. He adopted a quiet lifestyle at his country estates, concentrating on his studies and seldom visiting Rome. It was during these final few years that he composed two of his greatest works: 'Naturales Quaestiones'-an encyclopedia of the natural world; and his 'Letters to Lucilius'-which document his philosophical thoughts.In AD 65, Seneca was caught up in the aftermath of the Pisonian plot to kill Nero. Nero ordered him to kill himself. Seneca followed tradition by opening several veins in order to bleed to death. It was a sad conclusion for a man who has been called the first great Western thinker on the complex nature and role of gratitude in human relationships.

If ever a writer needed an introduction Arthur Conan Doyle would not be considered that man. After all, Sherlock Holmes is perhaps the foremost literary detective of any age. Add to this canon his stories of science fiction and his poems, his historical novels, his plays, his political campaigning, his efforts in establishing a Court of Appeal and there is little room for anything else. Except he was also an exceptional writer of short stories of the horrific and macabre. Something very different from what you might expect. Born in Arthur Conan Doyle was born on 22 May 1859 at 11 Picardy Place, Edinburgh, Scotland. From 1876 - 1881 he studied medicine at the University of Edinburgh following which he was employed as a doctor on the Greenland whaler Hope of Peterhead in 1880 and, after his graduation, as a ship's surgeon on the SS Mayumba during a voyage to the West African coast in 1881. Arriving in Portsmouth in June of that year with less than GBP10 (GBP700 today) to his name, he set up a medical practice at 1 Bush Villas in Elm Grove, Southsea. The practice was initially not very successful. While waiting for patients, Conan Doyle again began writing stories and composed his first novel The Mystery of Cloomber. Although he continued to study and practice medicine his career was now firmly set as a writer. And thereafter great works continued to pour out of him.

The life of William Shakespeare, arguably the most significant figure in the Western literary canon, is relatively unknown. Shakespeare was born in Stratford-upon-Avon in 1565, possibly on the 23rd April, St. George's Day, and baptised there on 26th April. Little is known of his education and the first firm facts to his life relate to his marriage, aged 18, to Anne Hathaway, who was 26 and from the nearby village of Shottery. Anne gave birth to their first son six months later. Shakespeare's first play, The Comedy of Errors began a procession of real heavyweights that were to emanate from his pen in a career of just over twenty years in which 37 plays were written and his reputation forever established. This early skill was recognised by many and by 1594 the Lord Chamberlain's Men were performing his works. With the advantage of Shakespeare's progressive writing they rapidly became London's leading company of players, affording him more exposure and, following the death of Queen Elizabeth in 1603, a royal patent by the new king, James I, at which point they changed their name to the King's Men. By 1598, and despite efforts to pirate his work, Shakespeare's name was well known and had become a selling point in its own right on title pages. No plays are attributed to Shakespeare after 1613, and the last few plays he wrote before this time were in collaboration with other writers, one of whom is likely to be John Fletcher who succeeded him as the house playwright for the King's Men. William Shakespeare died two months later on April 23rd, 1616, survived by his wife, two daughters and a legacy of writing that none have since yet eclipsed.

James Elroy Flecker was born on 5th November 1884, in Lewisham, London.Flecker does not seem to have enjoyed academic study and achieved only a Third-Class Honours in Greats in 1906. This did not set him up for a job in either government service or the academic world.After some frustrating forays at school teaching he attempted to join the Levant Consular Service and entered Cambridge to study for two years. After a poor first year he pushed forward in the second and achieved First-Class honours. His reward was a posting to Constantinople at the British consulate.However, Flecker's poetry career was making better progress and he was beginning to garner praise for his poems including The Bridge of Fire. Unfortunately, he was also showing the first symptoms of contracting tuberculosis. Bouts of ill health were to now alternate with periods of physical well-being woven with mental euphoria and creativity.Before his early death he managed to complete several volumes of poetry, which he continually revised, together with some prose works and plays. It was a small canon of work but on his death on 3rd January 1915, of tuberculosis, in Davos, Switzerland he was described as "e;unquestionably the greatest premature loss that English literature has suffered since the death of Keats"e;.

Algernon Charles Swinburne was born on April 5th, 1837, in London, into a wealthy Northumbrian family. He was educated at Eton and at Balliol College, Oxford, but did not complete a degree. In 1860 Swinburne published two verse dramas but achieved his first literary success in 1865 with Atalanta in Calydon, written in the form of classical Greek tragedy. The following year "e;Poems and Ballads"e; brought him instant notoriety. He was now identified with "e;indecent"e; themes and the precept of art for art's sake. Although he produced much after this success in general his popularity and critical reputation declined. The most important qualities of Swinburne's work are an intense lyricism, his intricately extended and evocative imagery, metrical virtuosity, rich use of assonance and alliteration, and bold, complex rhythms. Swinburne's physical appearance was small, frail, and plagued by several other oddities of physique and temperament. Throughout the 1860s and 1870s he drank excessively and was prone to accidents that often left him bruised, bloody, or unconscious. Until his forties he suffered intermittent physical collapses that necessitated removal to his parents' home while he recovered. Throughout his career Swinburne also published literary criticism of great worth. His deep knowledge of world literatures contributed to a critical style rich in quotation, allusion, and comparison. He is particularly noted for discerning studies of Elizabethan dramatists and of many English and French poets and novelists. As well he was a noted essayist and wrote two novels. In 1879, Swinburne's friend and literary agent, Theodore Watts-Dunton, intervened during a time when Swinburne was dangerously ill. Watts-Dunton isolated Swinburne at a suburban home in Putney and gradually weaned him from alcohol, former companions and many other habits as well. Much of his poetry in this period may be inferior but some individual poems are exceptional; "e;By the North Sea,"e; "e;Evening on the Broads,"e; "e;A Nympholept,"e; "e;The Lake of Gaube,"e; and "e;Neap-Tide."e; Swinburne lived another thirty years with Watts-Dunton. He denied Swinburne's friends access to him, controlled the poet's money, and restricted his activities. It is often quoted that 'he saved the man but killed the poet'. Algernon Charles Swinburne died on April 10th, 1909 at the age of seventy-two.

Susan Keating Glaspell was born on July 1st, 1876 in Davenport.Glaspell, a precocious child was an active student at Davenport High School where she took an advanced course of study. By age eighteen she was earning a regular salary at the local newspaper as a journalist, and by twenty she was the author of a weekly 'Society' column.At twenty-one Glaspell enrolled at Drake University. A philosophy major, she also excelled in debate competitions, and represented Drake at the state tournament in her senior year.The day after her graduation, Glaspell again worked as a reporter, still a rare position for a woman. She was assigned to cover the state legislature and murder cases.At twenty-four, after covering the conviction of a woman accused of murdering her abusive husband, Glaspell abruptly resigned and moved back to Davenport, and with it, a hoped for career writing fiction.Her stories were published by many periodicals, including Harper's and Munsey's.Moving to Chicago she wrote her first novel, The Glory of the Conquered, in 1909. It was a best-seller.As was Glaspell's second novel, The Visioning, published in 1911 and her third, Fidelity in 1915. Each novel also received glowing reviews.With her husband Glaspell founded the Provincetown Playhouse devoted to plays that were more able to reflect contemporary American issues. Her first play, Trifles (1916), was based on the murder trial she covered as a young reporter in Des Moines. She wrote twelve groundbreaking plays over seven years for the company. By 1918 Glaspell was considered one of America's most significant new playwrights.However, the impact and critical success of Glaspell's theatre work did not unfortunately make financial sense. Therefore she continued to submit short stories in order to support her and her husband during their years with the theater.In 1931 she wrote the excellent play, Alison's House, for which she received the Pulitzer Prize.In 1936 Glaspell moved to Chicago as the Midwest Bureau Director of the Federal Theater Project. When that finished she returned to Cape Cod using the Mid-West experience in her last three novels which were increasingly focused on the region, on family life, and on theistic questions; The Morning is Near Us (1939), Norma Ashe (1942), and Judd Rankin's Daughter (1945).Susan Keating Glaspell died of viral pneumonia in Provincetown on July 28, 1948.

Robert Jephson was born in Ireland in 1736, the son of Archdeacon John Jephson. His education was at Ryder's grammar school and then the Reverend Roger Ford's school before he was admitted to Trinity College, Dublin in 1751. He left without a degree.Jephson now joined the British Army with a commission in the 73rd Regiment of Foot. Among his postings was one to the Caribbean. He left, for health reasons and retired with the rank of Captain.An appointment was offered as master of the horse to the lord-lieutenant of Ireland. Whilst in this office he wrote and had published, in the Mercury newspaper, a collection of articles that defended the lord-lieutenant's administration. These were later published in book form as 'The Bachelor', or 'Speculations of Jeoffry Wagstaffe'. Jepson held the office under twelve successive viceroys and gained a pension of GBP300, which was later doubled.He entered the Irish House of Commons in 1773 and sat for St Johnstown (County Longford) until 1776. Between 1777 and 1783, he served as Member of Parliament for Old Leighlin and thereafter represented Granard from 1783 to 1790In 1775 he added playwright, dramatist and poet to his military and political career strands. His plays gathered much interest. Among them his tragedy 'Braganza' was successfully performed at Drury Lane in 1775, 'Conspiracy' in 1796, 'The Law of Lombardy' in 1779, and 'The Count of Narbonne' (adapted from Horace Walpole's 'The Castle of Otranto') at Covent Garden in 1781. In 1788 he published 'Extempore Ludicrous Miltonic Verses' and, in 1794, the heroic poem 'Roman Portraits', and 'The Confessions of Jacques Baptiste Couteau', a satire on the excesses of the French Revolution. Robert Jephson died at Blackrock, near Dublin, on the 31st of May 1803.

Thomas Dekker was a playwright, pamphleteer and poet who, perhaps, deserves greater recognition than he has so far gained. Despite the fact only perhaps twenty of his plays were published, and fewer still survive, he was far more prolific than that. Born around 1572 his peak years were the mid 1590's to the 1620's - seven of which he spent in a debtor's prison. His works span the late Elizabethan and Caroline eras and his numerous collaborations with Ford, Middleton, Webster and Jonson say much about his work. His pamphlets detail much of the life in these times, times of great change, of plague and of course that great capital city London a swirling mass of people, power, intrigue.

The reality is that little is known of Aristophanes actual life but eleven of his forty plays survive intact and upon those rest his deserved reputation as the Father of Comedy or, The Prince of Ancient Comedy. Accounts agree that he was born sometime between 456BC and 446 BC. Many cities claim the honor of his birthplace and the most probable story makes him the son of Philippus of gina, and therefore only an adopted citizen of Athens, a distinction which, at times could be cruel, though he was raised and educated in Athens. His plays are said to recreate the life of ancient Athens more realistically than any other author could. Intellectually his powers of ridicule were feared by his influential contemporaries; Plato himself singled out Aristophanes' play The Clouds as a slander that contributed to the trial and condemning to death of Socrates and although other satirical playwrights had also caricatured the philosopher his carried the most weight. His now lost play, The Babylonians, was denounced by the demagogue Cleon as a slander against the Athenian polis. Aristophanes seems to have taken this criticism to heart and thereafter caricatured Cleon mercilessly in his subsequent plays, especially The Knights. His life and playwriting years were undoubtedly long though again accounts as to the year of his death vary quite widely. What can be certain is that his legacy of surviving plays is in effect both a treasured legacy but also in itself the only surviving texts of Ancient Greek comedy.

Thomas Dekker was a playwright, pamphleteer and poet who, perhaps, deserves greater recognition than he has so far gained. Despite the fact only perhaps twenty of his plays were published, and fewer still survive, he was far more prolific than that. Born around 1572 his peak years were the mid 1590's to the 1620's - seven of which he spent in a debtor's prison. His works span the late Elizabethan and Caroline eras and his numerous collaborations with Ford, Middleton, Webster and Jonson say much about his work. His pamphlets detail much of the life in these times, times of great change, of plague and of course that great capital city London a swirling mass of people, power, intrigue.

The reality is that little is known of Aristophanes actual life but eleven of his forty plays survive intact and upon those rest his deserved reputation as the Father of Comedy or, The Prince of Ancient Comedy. Accounts agree that he was born sometime between 456BC and 446 BC. Many cities claim the honor of his birthplace and the most probable story makes him the son of Philippus of gina, and therefore only an adopted citizen of Athens, a distinction which, at times could be cruel, though he was raised and educated in Athens. His plays are said to recreate the life of ancient Athens more realistically than any other author could. Intellectually his powers of ridicule were feared by his influential contemporaries; Plato himself singled out Aristophanes' play The Clouds as a slander that contributed to the trial and condemning to death of Socrates and although other satirical playwrights had also caricatured the philosopher his carried the most weight. His now lost play, The Babylonians, was denounced by the demagogue Cleon as a slander against the Athenian polis. Aristophanes seems to have taken this criticism to heart and thereafter caricatured Cleon mercilessly in his subsequent plays, especially The Knights. His life and playwriting years were undoubtedly long though again accounts as to the year of his death vary quite widely. What can be certain is that his legacy of surviving plays is in effect both a treasured legacy but also in itself the only surviving texts of Ancient Greek comedy.

Henry Fielding was born at Sharpham Park, near Glastonbury, in Somerset on April 22nd 1707. His early years were spent on his parents' farm in Dorset before being educated at Eton.An early romance ended disastrously and with it his removal to London and the beginnings of a glittering literary career; he published his first play, at age 21, in 1728.He was prolific, sometimes writing six plays a year, but he did like to poke fun at the authorities. His plays were thought to be the final straw for the authorities in their attempts to bring in a new law. In 1737 The Theatrical Licensing Act was passed. At a stroke political satire was almost impossible. Fielding was rendered mute. Any playwright who was viewed with suspicion by the Government now found an audience difficult to find and therefore Theatre owners now toed the Government line.Fielding was practical with the circumstances and ironically stopped writing to once again take up his career in the practice of law and became a barrister after studying at Middle Temple. By this time he had married Charlotte Craddock, his first wife, and they would go on to have five children. Charlotte died in 1744 but was immortalised as the heroine in both Tom Jones and Amelia.Fielding was put out by the success of Samuel Richardson's Pamela, or Virtue Rewarded. His reaction was to spur him into writing a novel. In 1741 his first novel was published; the successful Shamela, an anonymous parody of Richardson's novel.Undoubtedly the masterpiece of Fielding's career was the novel Tom Jones, published in 1749. It is a wonderfully and carefully constructed picaresque novel following the convoluted and hilarious tale of how a foundling came into a fortune.Fielding was a consistent anti-Jacobite and a keen supporter of the Church of England. This led to him now being richly rewarded with the position of London's Chief Magistrate. Fielding continued to write and his career both literary and professional continued to climb.In 1749 he joined with his younger half-brother John, to help found what was the nascent forerunner to a London police force, the Bow Street Runners. Fielding's ardent commitment to the cause of justice in the 1750s unfortunately coincided with a rapid deterioration in his health. Such was his decline that in the summer of 1754 he travelled, with Mary and his daughter, to Portugal in search of a cure. Gout, asthma, dropsy and other afflictions forced him to use crutches. His health continued to fail alarmingly.Henry Fielding died in Lisbon two months later on October 8th, 1754.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over. Gilbert's sharp, funny words and Sullivan's deliciously lively and hummable tunes create a world that is distinctly British in view but has the world as its audience. Both men were exceptionally talented and gifted in their own right and wrote much, often with other partners, that still stands the test of time. However, together as a team they created Light or Comic Operas of a standard that have had no rivals equal to their standard, before or since. That's quite an achievement. To be recognised by the critics is one thing but their commercial success was incredible. The profits were astronomical, allowing for the building of their own purpose built theatre - The Savoy Theatre. Beginning with the first of their fourteen collaborations, Thespis in 1871 and travelling through many classics including The Sorcerer (1877), H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1885), The Gondoliers (1889) to their finale in 1896 with The Grand Duke, Gilbert & Sullivan created a legacy that is constantly revived and admired in theatres and other media to this very day.

John Webster is known primarily for his two Jacobean tragedies, The Duchess of Malfi and The White Devil. Much of the detail and chronology of his life that led to these two pivotal works is, however, unknown. His father, a carriage maker also named John Webster, married a blacksmith's daughter, Elizabeth Coates, on November 4th, 1577, and it is likely that Webster was born within a year or two in or near London. The family lived in St. Sepulchre's parish. Both his father and his uncle, Edward Webster, were Freemen of the Merchant Taylors' Company and Webster attended Merchant Taylors' School in Suffolk Lane, London. Some accounts say he began to study law but nothing is certain although there are some legal aspects to his later works to suggest this may have been so. By 1602, Webster was employed working as part of various teams of playwrights on history plays, though unfortunately most were never printed and therefore do not survive. These include a tragedy Caesar's Fall (written with Michael Drayton, Thomas Dekker, Thomas Middleton and Anthony Munday), and a collaboration with Thomas Dekker; Christmas Comes but Once a Year (1602). This factory line assembly of plays may seem rather odd to us today but plays then ran for much shorter durations and consequently a steady supply had to be assured. Webster's relationship with Dekker seems to have been a good one. Together they wrote Sir Thomas Wyatt, printed in 1607, although it is thought first performed in 1602 and two city comedies, Westward Ho! in 1604 and Northward Ho! in 1605. It seems Webster also adapted, in 1604, John Marston's The Malcontent for staging by the King's Men. On March 18th, 1606 Webster married the 17-year-old Sara Peniall at St Mary's Church, Islington. Sara was 7 months pregnant and marrying during Lent required the issuing of a special permit, hence the certainty of the date. Their first child, John, was baptised at the parish of St Dunstan-in-the-West on March 8th, 1606. Records show that on the death of a neighbour, who died in 1617, several bequests were made to the Webster family and it is therefore thought that other children were born to the couple. Despite his ability to write comedy, and to collaborate with others, Webster is remembered best for his sole authorship on two brooding English tragedies based on Italian sources. The White Devil, retells the intrigues involving Vittoria Accoramboni, an Italian woman assassinated at the age of 28. It was performed at the open-air Red Bull Theatre in 1612 but was unsuccessful, perhaps being too high brow for a working-class audience. In 1614 The Duchess of Malfi was first performed by the King's Men, most probably in the indoor Blackfriars Theatre and to a more high-brow audience. It proved to be more successful. The play Guise, based on French history, was also written but him but no text has survived. Webster wrote one more play on his own: The Devil's Law Case (c. 1617-1619), a tragicomedy. He continued to write thereafter but always in collaboration and usually city comedies; Anything for a Quiet Life (c. 1621), with Thomas Middleton, and A Cure for a Cuckold (c. 1624), with William Rowley. In 1624, he also co-wrote a topical play about a recent scandal, Keep the Widow Waking (with John Ford, Rowley and Dekker). The play itself is lost, although its plot is known from a court case. There is also some certainty that he contributed to the tragicomedy The Fair Maid of the Inn with John Fletcher, John Ford, and Phillip Massinger. His Appius and Virginia, was probably written with Thomas Heywood, and is of uncertain date. It is believed, mainly from Thomas Heywood's Hierarchie of the Blessed Angels (licensed 7 November 1634) that speaks of him in the past tense that John Webster had died at some point in that year of 1634.

Sir James Matthew Barrie, 1st Baronet, OM, was born in Kirriemuir, Angus the ninth of ten children on May 9th, 1860. From early formative experiences, Barrie knew that he wished to follow a career as an author. His family wished otherwise and sought to persuade him to choose a profession, such as the ministry. The compromise was that he would attend university to study literature at the University of Edinburgh. He graduated with an M.A. on April 21st, 1882. His first job was as a staff journalist for the Nottingham Journal. The London editor of the St. James's Gazette "e;liked that Scotch thing"e; in Barrie's short stories about his mother's early life. They also served as the basis for his first novels. Barrie though was increasingly drawn to working in the theatre. His first play, a biography of Richard Savage, was only performed once and critically panned. Undaunted he immediately followed this with Ibsen's Ghost in 1891, a parody of Ibsen's plays Hedda Gabler and Ghosts. Barrie's third play, Walker, London, in 1892 led to an introduction to his future wife, a young actress by the name of Mary Ansell. The two became friends, and she helped his family to care for him when he fell very ill in 1893 and 1894. Barrie proposed and they were married, in Kirriemuir, on July 9th, 1894. By some accounts the relationship was unconsummated and indeed the couple had no children. The story of Peter Pan had begun to formulate when Barrie became acquainted with the Llewelyn Davis family in 1897, meeting George, Jack and baby Peter with their nanny in London's Kensington Gardens. In 1901 and 1902, Barrie had back-to-back theatre successes with Quality Street and The Admirable Crichton. The character of "e;Peter Pan"e; first appeared in The Little White Bird in 1902. This most famous and enduring of his works; Peter Pan, or The Boy Who Wouldn't Grow Up had its first stage performance on December 27th, 1904. Peter Pan would overshadow everything written during his career. He continued to write for the rest of his life contributing many other fine and important works. Sir James Matthew Barrie, 1st Baronet, OM, died of pneumonia on June 19th,1937 and was buried at Kirriemuir next to his parents and two of his siblings.

The life of William Shakespeare, arguably the most significant figure in the Western literary canon, is relatively unknown. Shakespeare was born in Stratford-upon-Avon in 1565, possibly on the 23rd April, St. George's Day, and baptised there on 26th April. Little is known of his education and the first firm facts to his life relate to his marriage, aged 18, to Anne Hathaway, who was 26 and from the nearby village of Shottery. Anne gave birth to their first son six months later. Shakespeare's first play, The Comedy of Errors began a procession of real heavyweights that were to emanate from his pen in a career of just over twenty years in which 37 plays were written and his reputation forever established. This early skill was recognised by many and by 1594 the Lord Chamberlain's Men were performing his works. With the advantage of Shakespeare's progressive writing they rapidly became London's leading company of players, affording him more exposure and, following the death of Queen Elizabeth in 1603, a royal patent by the new king, James I, at which point they changed their name to the King's Men. By 1598, and despite efforts to pirate his work, Shakespeare's name was well known and had become a selling point in its own right on title pages. No plays are attributed to Shakespeare after 1613, and the last few plays he wrote before this time were in collaboration with other writers, one of whom is likely to be John Fletcher who succeeded him as the house playwright for the King's Men. William Shakespeare died two months later on April 23rd, 1616, survived by his wife, two daughters and a legacy of writing that none have since yet eclipsed.

William Wycherley was born at Clive near Shrewsbury, Shropshire and baptised on April 8th, 1641 at Whitchurch in Hampshire where it is thought he spent some time before his family settled in Malappuram, India. At the age of he was sent to France to be educated in France. It was here that he converted to Roman Catholicism. Wycherley returned to England shortly before the restoration of King Charles II, to Queen's College, Oxford. Thomas Barlow was provost there and under his guidance Wycherley returned to the Church of England.On leaving Oxford Wycherley took up residence at the Inner Temple, but an interest in law faded; pleasure and the stage were now his primary interests. His play, Love in a Wood, was produced early in 1671 at the Theatre Royal, Drury Lane. It was daring and he became the talk of the Court. The now famous song that finishes Act I, praised harlots and their off-spring and attracted the attention of the King's mistress, Barbara Villiers, Duchess of Cleveland. It is said that Her Grace used to go to Wycherley's Temple chambers in the Temple disguised as a country wench. This may be apocryphal, for disguise was superfluous in her case, but it confirms the general opinion was with such patronage Wycherley's fortune as poet and dramatist was made. Wycherley seemed to delight in telling stories that had only a glimmer of truth to them but they sustained his reputation. But in truth it is his last two comedies, The Country Wife and The Palin Dealer, that are his crowning glory. The Country Wife, produced in 1672 or 1673 and published in 1675, is full of wit, ingenuity and high spirits.After the great success of The Plain Dealer Wycherley was said to be talking to a friend in a bookseller's shop and a customer request a copy of The Plain Dealer. The lady was the countess of Drogheda, Letitia Isabella Robartes, eldest daughter of the 1st Earl of Radnor and widow of the 2nd Earl of Drogheda. An introduction was secured and soon marriage. Albeit a secret marriage to avoid losing the king's patronage and the income therefrom, despite his new bride's wealth, Wycherley still thought it best to pass as a bachelor.But the news of his marriage leaked out and reached the royal ears and he lost the royal favour. However, it appears the Countess loved him deeply and was at pains to avoid any unkind influence befalling him.Sadly, in the year following her marriage, she died and whilst she left him her considerable fortune the title was disputed; the costs of the litigation heavy and the end result of marrying the beautiful rich heiress was that he was thrown into Fleet prison. He remained there for seven years, being released only after James II had been so sated by seeing The Plain Dealer that he paid off Wycherley's execution creditor and settled on him a pension of GBP200 a year.Other debts still troubled Wycherley, however, and he never was released from his embarrassments, not even after succeeding to a life estate in the family property. In 1688 when James fled England and William III acceded the pension ceased and Wycherley resigned himself to a restricted lifestyle, dividing his time between London and Shropshire. William Wycherley died in the early hours of January 1st, 1716, and was buried in the vault of the church in Covent Garden.

Publius Terentius Afer is better known to us as the Roman playwright, Terence.Much of his life, especially the early part, is either unknown or has conflicting sources and accounts.His birth date is said to be either 185 BC or a decade earlier: 195 BC. His place of birth is variously listed as in, or, near Carthage, or, in Greek Italy to a woman taken to Carthage as a slave. It is suggested that he lived in the territory of the Libyan tribe that the Romans called Afri, near Carthage, before being brought to Rome as a slave. Probability suggests that it was there, in North Africa, several decades after the destruction of Carthage by the Romans in 146 BC, at the end of the Punic Wars, that Terence spent his early years.One reliable fact is that he was sold to P. Terentius Lucanus, a Roman senator, who had him educated and, impressed by his literary talents, freed him.These writing talents were to ensure his legacy as a playwright down through the millennia. His comedies, partially adapted from Greek plays of the late phases of Attic Comedy, were performed for the first time around 170-160 BC. All six of the plays he has known to have written have survived.Indeed, thanks to his simple conversational Latin, which was both entertaining and direct, Terence's works were heavily used by monasteries and convents during the Middle Ages and The Renaissance. Scribes often learned Latin through the copious copying of Terence's texts. Priests and nuns often learned to speak Latin through re-enactment of Terence's plays. Although his plays often dealt with pagan material, the quality and distinction of his language promoted the copying and preserving of his text by the church. This preservation enabled his work to influence a wide spectrum of later Western drama.When he was 25 (or 35 depending on which year of birth you ascribe too), Terence travelled to Greece but never returned. It has long been assumed that he died at some point during the journey.Of his own family nothing is known, except that he fathered a daughter and left a small but valuable estate just outside Rome.His most famous quotation reads: "e;Homo sum, humani nihil a me alienum puto"e;, or "e;I am human, and I think nothing human is alien to me."e;

William Wycherley was born at Clive near Shrewsbury, Shropshire and baptised on April 8th, 1641 at Whitchurch in Hampshire where it is thought he spent some time before his family settled in Malappuram, India. At the age of he was sent to France to be educated in France. It was here that he converted to Roman Catholicism. Wycherley returned to England shortly before the restoration of King Charles II, to Queen's College, Oxford. Thomas Barlow was provost there and under his guidance Wycherley returned to the Church of England.On leaving Oxford Wycherley took up residence at the Inner Temple, but an interest in law faded; pleasure and the stage were now his primary interests. His play, Love in a Wood, was produced early in 1671 at the Theatre Royal, Drury Lane. It was daring and he became the talk of the Court. The now famous song that finishes Act I, praised harlots and their off-spring and attracted the attention of the King's mistress, Barbara Villiers, Duchess of Cleveland. It is said that Her Grace used to go to Wycherley's Temple chambers in the Temple disguised as a country wench. This may be apocryphal, for disguise was superfluous in her case, but it confirms the general opinion was with such patronage Wycherley's fortune as poet and dramatist was made. Wycherley seemed to delight in telling stories that had only a glimmer of truth to them but they sustained his reputation. But in truth it is his last two comedies, The Country Wife and The Palin Dealer, that are his crowning glory. The Country Wife, produced in 1672 or 1673 and published in 1675, is full of wit, ingenuity and high spirits.After the great success of The Plain Dealer Wycherley was said to be talking to a friend in a bookseller's shop and a customer request a copy of The Plain Dealer. The lady was the countess of Drogheda, Letitia Isabella Robartes, eldest daughter of the 1st Earl of Radnor and widow of the 2nd Earl of Drogheda. An introduction was secured and soon marriage. Albeit a secret marriage to avoid losing the king's patronage and the income therefrom, despite his new bride's wealth, Wycherley still thought it best to pass as a bachelor.But the news of his marriage leaked out and reached the royal ears and he lost the royal favour. However, it appears the Countess loved him deeply and was at pains to avoid any unkind influence befalling him.Sadly, in the year following her marriage, she died and whilst she left him her considerable fortune the title was disputed; the costs of the litigation heavy and the end result of marrying the beautiful rich heiress was that he was thrown into Fleet prison. He remained there for seven years, being released only after James II had been so sated by seeing The Plain Dealer that he paid off Wycherley's execution creditor and settled on him a pension of GBP200 a year.Other debts still troubled Wycherley, however, and he never was released from his embarrassments, not even after succeeding to a life estate in the family property. In 1688 when James fled England and William III acceded the pension ceased and Wycherley resigned himself to a restricted lifestyle, dividing his time between London and Shropshire. William Wycherley died in the early hours of January 1st, 1716, and was buried in the vault of the church in Covent Garden.