In these talks in India , Krishnamurti begins by stating his intention to begin answering questions put forth to him by others. He points out that if an answer is to be right, the question itself must also be. "...a serious question put by a serious person, by an earnest person who is seeking out the solution of a very difficult problem, then, obviously, there will be an answer befitting that question."? An extensive compendium of Krishnamurti's talks and discussions in the USA, Europe, India, New Zealand, and South Africa from 1933 to 1967—the Collected Works have been carefully authenticated against existing transcripts and tapes. Each volume includes a frontispiece photograph of Krishnamurti , with question and subject indexes at the end. The content of each volume is not limited to the subject of the title, but rather offers a unique view of Krishnamurti's extraordinary teachings in selected years. The Collected Works offers the reader the opportunity to explore the early writings and dialogues in their most complete and authentic form.

Areopagitica is among history's most influential and impassioned philosophical defences of the principle of a right to freedom of speech and expression. Today, Areopagitica is regarded as one of the most eloquent defences of press freedom ever written – and as one of the most influential, because many of its expressed principles have formed the basis for modern justifications.

Cum a fost ?nceputul, de unde ?i de ce a venit Universul la fiin??? Cine a creat, de fapt, via?a pe P?m?nt ?i cum va fi Sf?r?itul? Ce se ?nt?mpl? atunci c?nd murim ?i unde ajungem dup? aceea? ?i, la urma urmei, ce contur trebuie s?-i d?m vie?ii noastre dac? Dumnezeu nu exist?? Miturile ?i speran?ele noastre ofer? r?spunsuri convenabile, dar periculoase, la aceste ?ntreb?ri ?ntruc?t ?ntre?in iluzii care ne sporesc, ?n realitate, angoasa ?i la?itatea. Avem, totu?i, o alternativ?: apelul la metodele ?i descoperirile ?tiin?ei pentru a repune lucrurile ?i problemele ?n contextul din care au fost decupate din ignoran?? sau din r?utate. Despre via?? ?i moarte reabiliteaz? acest tip de demers ?ntr-un periplu scris cu umor, dar ?i cu seriozitate, cu elegan??, dar ?i cu duio?ie.

Despre guvernarea reprezentativ” este o carte plin de surprize i sugestii despre bunele practici ale guvernrii, care nu trebuie s lipseasc din bibliotecile celor preocupai de zona politicii. Volumul de fa a vzut prima dat lumina tiparului n 1861 i reunete principiile la care a lucrat filosoful britanic John Stuart Mill n cea mai mare parte a vieii sale. Aceast lucrare publicat la mijlocul secolului al XIX-lea i pstreaz prospeimea i relevana pn astzi, cnd suntem tot mai aproape de a ncheia a doua decad a secolului XXI. n primul rnd, pentru c imagineaz pn n cele mai mici detalii acel model politic pe care l numim democraia reprezentativ”. Winston Churchill spunea despre acesta c este prost, dar e cel mai bun dintre cele pe care le-a inventat omenirea”. John Stuart Mill i descrie organizarea, detaliaz rolul instituiilor, felul n care sunt alei sau numii demnitarii i explic atribuiile fiecruia. Pune n eviden atu-urile, dar i vulnerabilitile guvernrii reprezentative, comparnd-o cu alte sisteme politice din vremea sa. n final, ajunge la o concluzie foarte asemntoare cu cea a premierului britanic din secolul urmtor. Colecia IN NUCE reunete fragmente venic verzi” din cultura omenirii, mpletind discursuri din art, literatur, tiine sociale i religie. Dincolo de renumele autorilor i de valoarea titlurilor pentru fiecare domeniu n parte, acestea sunt pilde ale nelepciunii universale din toate vremurile. De acelasi autor: Utilitarismul

Publicat? ini?ial, ?n prima edi?ie ?n 1785, cu titlul Grundlegung zur Metaphysik der Sitten, este una dintre cele mai influente crea?ii din ?ntreaga oper? filosofic? a lui Immanuel Kant ?i, totodat?, un reper ?n istoria filosofiei universale. Lucrarea filosofului german cuprinde o prefa??, trei sec?iuni – Trecerea de la cunoa?terea ra?ional? comun? a moravurilor la aceea filosofic?, Trecerea de la ?n?elepciunea moral? popular? la metafizica moravurilor, Trecerea de la metafizica moravurilor la critica ra?iunii pure practice – ?i o remarc? final?, precedate de nota traduc?torului, Valentin Mure?an. ?n prefa??, Kant pledeaz? pentru o metafizic? a moravurilor ?i discut? despre metodologia pe care a folosit-o. El porne?te de la ?mp?r?irea filosofiei grece?ti ?n fizic?, etic? ?i logic?. ?n prima sec?iune, dup? cum ?i titlul sugereaz?, se face trecerea de la forma cunoa?terii comune privind moravurile la cea filosofic?. El discut?, printre altele, despre voin?a bun? ?i datorie. ?n sec?iunea a doua se aprofundeaz? problema imperativelor. ?n ultima sec?iune, Kant discut? despre voin??, libertate. De fapt, cea de-a treia sec?iune reprezint? punctul de pornire de la care Kant a dezvoltat Critica ra?iunii practice, publicat? ?n 1788.

Egy kétségtelenül szellemes megjegyzés szerint a cím csak akkor fedheti le pontosan a k?nyv tartalmát, ha bet?r?l bet?re megegyezik vele. Valami hasonló mondható a fülsz?vegekr?l is (biztos Boegesnek is tetszene ez a gondolat), és ennek megfelel?en meg sem kísérlem néhány mondatban ?sszefoglalni, hogy mir?l lesz szó. Ehelyett inkább el?sz?r is azt emelem ki, hogy a címnek megfelel?en mir?l nem: például nem magáról Borgesr?l, a 20. század egyik legjelent?sebb argentin írójáról. Hanem inkább arról, hogy a novelláival kapcsolatban milyen, az irodalomtól olyakor látszólag meglehet?sen távol álló kérdések merülhetnek fel kezdve azon, hogy az általa leírt bábeli k?nyvtár valóban olyan teljes és mindenre kiterjed?-e, miként azt Borges sugallja; folytatva azon, hogy van-e egyáltalán értelme felvetni, hogy milyen lenne, ha valaki t?kéletes emlékezettel rendelkezne (nincs). Meg, hogy elképzelhet?-e, nem pedig, hogy létezik vagy legalább lehetséges-e egy olyan pont vagy térrész: egy olyan Alef, amelyen keresztül egyszerre láthatunk mindent. ?s így tovább egészen addig, hogy mit mondhatunk az irodalomkritikáról, az irodalmi zsánerek létrej?ttér?l meg elt?nésér?l vagy éppen az irodalmi halhatatlanságról – ismét csak mint elméleti problémáról. Azaz végs? soron persze mégiscsak egyfajta bolyongás ez a borgesi k?nyvtában, illetve bizonyos, legalább hipotetikusan lehetséges és az irodalomhoz így vagy úgy kapcsolódó kérdések fázisterében még akkor is, ha a fentebbiekben, miként a figyelmes olvasó már észre vehette, éppen azt tettem, amir?l korábban azt sejttettem, hogy nem fogom: néhány példa említésével próbáltam utalni rá, hogy mir?l szól az egész. De talán ez sincs igazi ellentmondásban azzal a megk?zelítéssel, amit ez a k?nyv sugall. Galántai Zoltán tudományt?rténész és író. Korábbi k?nyvei az eClassicnál: K?nyvkett?. A k?nyv, az írás és az irodalom j?v?jér?l (2013) http://eclassic.xyz/shop/bemutato/konyvketto-a-konyv-az-iras-es-az-irodalom-jovojerol/ Monoverzumok. Kozmosz, t?rvény, tudomány (2016) http://eclassic.xyz/shop/szabadpolc/monoverzumok/

A partir de uma sugest?o de Gilles Deleuze e Félix Guattari – a de que todos os filósofos ocidentais terminaram construindo, no interregno do seu pensamento, personagens conceituais, uma espécie de assinatura do filósofo – este livro objetiva identificar esse tra?o a partir da obra de Michel Foucault. A tese em quest?o é que este autor n?o se enquadra em uma imagem única, como a do Juiz em Kant, ou a do sedutor em Kierkegaard, mas em uma imagem híbrida e triádica, fazendo coro com muitos filósofos chamados de transversais e que se instalaram no horizonte de filosofias chamadas de pós-estruturalistas, como Deleuze.

Em Vida sem Princípio , Henry David Thoreau nos apresenta um verdadeiro manual de como viver em sociedade e em contato com a Natureza respeitando a natureza e ao próximo.? puro Transcendentalismo , um apelo para que cada um siga a sua própria luz interior.Este ensaio foi obtido a partir da palestra''What Shall It Profit? ''apresentada ao publico em 06 de dezembro de 1854, no Sal?o Railroad em Providence Rhode Island.Foi publicado pela primeira vez na edi??o de outubro de 1863 The Atlantic Monthly, onde foi dado o título moderno.Vida sem Princípio é um ensaio em que Thoreau coloca o seu programa para viver bem. Incluem-se aqui as suas ideias sobre a forma de abordagem da comunica??o interpessoal, modos de trabalho, sustento financeiro e outros códigos de conduta baseados na filosofia de de vida de Thoreau.'

《创造化论》是法国哲学大师柏格森的*之作，更是为他带来诺贝尔文学奖的传世名著。本书站在生命化的角度演绎生命的发展历程，不同于环境决定物种演化的观，创造化论主张的是生命存在一种与生俱来的冲力，而这种冲力才是决定物种化繁衍的主要推动力量。 《创造化论》一书结合了生命哲学的有关内容，成为人类史上重新建构哲学的重要典范，它提出意识具有延续性，而一个强有力的证据便是生命的存在。 同时《创造化论》还为人类那神秘莫测的直觉做出了相应的解读，从而披上了一层神秘主义的色彩。作为诺贝尔文学奖作品，《创造化论》也在解放人类思想方面作出了巨大的贡献。

Antropologie ?i antroposofie ? Max Dessoir despre antroposofie ? Franz BrentanoAlc?tuind cuprinsul acestei lucr?ri, Rudolf Steiner reveleaz? ?c?teva din firele ?tiin?ifice care trebuie trasate pornind de la antropozofie la filozofie, la psihologie ?i la fiziologie“. Cunoa?terea omului va trebui atunci s? fie extins? ?in?nd cont de enigmaticele aspecte ale vie?ii sale interioare, privite din perspective multiple. ?n aceast? carte, Rudolf Steiner prezint? ?n scris aspectele semnificative ale configur?rii ?ntreite a fiin?ei omene?ti: corpul fizic, organismul sufletesc ?i configura?ia spiritual?.

Magyarázatok a Srimad-Bhagavatam tizedik éneke harminckettedik fejezetének 16-22. versáhez, az el?z? acaryák írásai alapján. A Na pāraye ’ham három része ?rī K???a, ?rī Caitanya Mahāprabhu és ?rīmatī Rādhārā?ī szeretetét mutatja be. Szeretetük egy-egy hatalmas folyóként h?mp?ly?g a prema óceánja felé. ?cāryáink kegyéb?l a bhakták megérinthetik ennek az óceánnak a partját, s néhány cseppnyi nektárt megízlelhetnek bel?le.

本书从康德遗留于世的300多封信中选出100封书信，根据年代先后按照编年史顺序排列。康德书信是康德哲学思想体系的一个重要组成部分。它们不仅包含了康德对自己思想体系的许多重要的说明和解释，形成了康德哲学著作的一个重要补充，而且以动态的方式再现了康德哲学思想形成的过程。同时，它们也是康德生活与事业的忠实见证人。 此外，本书的附录部分收录了康德三篇重要的论文，即《关于一种出自世界公民意图的普遍历史的观念》《回答一个问题：什么是启蒙》《重新提出的问题：人类是否在不断地向善步？》

本书选取了中国古代经典中探讨名实关系的佳句作简要的解析，这些句子有出自于春秋诸子子，有出自于汉代的思想家，有的出自于宋明的理学家，读者获得传统美德的教育的同时还可以领略思想家们的魅力。

道学是人类古老的、系统的“大成智慧学”。道学以“ 自然无为”为核心价值，以“逍遥游”的人生境界为目标。本书作者中国管理哲学人葛荣晋教授通过该书分二十讲讲解了道家哲学的精妙，揭秘了老子、庄子、张良 、葛洪的人生智慧，解释了大型现代企业的管理秘密，化解人类冲突困境。

本套国学教材共四册，本书为第四册，由“经典细读”“诗心文韵”“国史概览”三部分组成。内容涉及中国传统文化经史子集四大部类。“经典细读”部分按儒家、道家、法家、墨家、兵家线索推进，贯彻童蒙养正、广泛涉猎的原则，对传统典籍加以整理、编排，力图给青少年一代以完整的母语文化思想体系。“诗心文韵”部分对应集部，主要以文人个体为单位进行深阅读，以一组组诗文展示文人生涯及创作，引导学生深度走进一个个历代文人，反省人生，积累诗词歌赋，绚美人生。“国史概览”部分本册主要对《史记》进行深阅读，以国别为线，深度解读。

书稿由《菜根谭》《小窗幽记》《幽梦影》《围炉夜话》四种组成，其中的《菜根谭》《小窗幽记》《围炉夜话》更是被称为“处世三大奇书”。它们的共同特点是清言小品，用清新晓畅而有韵味的话语，从道德、修身、读书、忠孝等等方面，对名利、情怀、山川、植物、心境、风景、气韵、法度、人生、社会、生活等等进行了表述，既有立身处世的格言哲理，也有个人对事物的品评，既有对生活情趣的描述，也有对生命与自然的思考，既有对生活的领悟，也有对美好的向往，在喧嚣的当下，摩挲此书，自会获得一份宁静，一份淡然。

本刊是贵阳学院阳明学与黔学研究院主办的阳明文化讲会集刊。“鱼梁讲会”是研究院的学术文化交流品牌，因贵阳学院在鱼梁河畔而得名，旨在继承和弘扬中华优秀传统文化，侧重阳明文化的研究、普及与传播，促阳明学的当代价值研究，推传统文化（阳明学）与时代主流文化的融合研究和思考。创刊号共二十讲，由国内外阳明学或传统文化领域知名学者的讲稿整理而成。

理性主义四部曲

Inigo (Ignatius de Loyola) begins as a hot-headed, street-fighting sensualist, in this action-packed play but due to serious injury in a sword-fight, he has to spend time recovering and reassessing his dissolute life. This stage version of his life follows his transformation to become the co-founder of the Jesuits in the sixteenth century, battling the powers of the day and the Inquisition. In Moore's bold, funny play, he asserts Inigo's position as a radical figure bent on changing the Catholic Church.?? This play is not only for those interested in Inigo and the Jesuits. It is also about individuals who fight for change against an implacable Establishment and it is ideal for performing in schools, colleges and theatres. Of special interest to schools and colleges, many of which are named after Inigo (Ignatius de Loyola).?Inigo's spiritual tools for change have informed other self-development programs such as the 12 step program for recovering drug and alcohol addicts. As Pope Francis is a Jesuit, this is a timely exploration of one of history's major spiritual leaders and reformers. "This is the most interesting play text to have reached me for a while... Ignatius of Loyala, founder of the Jesuits is not the most obvious choice for a play subject until you remember that he was effectively a counter-cultural radical fighting an implacable establishment suddenly it s both topical and relevant. I hope this thoughtful, engaging and very funny in places eight-hander will get more outings very soon. If not read the text anyway." --Susan Elkin, The Stage"Brilliantly written... a great evening of thoughtful and dynamic theatre." --Mark Lawson, arts correspondent"The structure and dynamism of the play, the art with which Jonathan Moore makes Ignatius accessible to us, capturing much of the drama of the Spiritual Exercises themselves, would also make I?igo an excellent discovery for schools and colleges." --James Hanvey SJ, Master of Campion Hall, University of Oxford, Thinking Faith Jonathan Moore is an award-winning actor, writer and director. As an actor he has played leading roles at the Royal Shakespeare Co, Royal Court, Donmar, the Royal Exchange and on BBC TV. He has directed theatre and opera world premieres at the Almeida, Donmar, West End, Royal Exchange, Gate, English National Opera, Covent Garden, La Fenice in Venice and on TV among many others. He has directed world premieres by composers such as Turnage, MacMillan, Henze, Schnittke, Nyman, Copeland and more, and his early work was sponsored by Joe Strummer of The Clash. He has collaborated with members of punk band Killing Joke and on several projects with Industrial group Test Dept. A published playwright and librettist, his work has been performed at leading theatres including the Donmar, Royal Exchange, Gate, BBC TV, radio and internationally. Jonathan was asked by Mark Rylance to direct the large-scale immersive project for over fifty performers What You Will, a co-production for Shakespeare s Globe, The Cultural Olympiad and Mayor s Office and several subsequent Shakespeare projects. He is due to direct a large-scale site-specific immersive project for Ludovico Einaudi in Italy and a new opera project with Stewart Copeland. He is on the Artistic Advisory Committee of the Royal Academy of Dramatic Art. He has had a Who s Who entry since 2007. A collection of Moore's plays has been previously published by Aurora Metro Books. www.jonathanmooreuk.com

Are you awakening spiritually and feeling weird?You’re not alone. Truly, you are not alone. You have many spiritual helpers, and just like Angela, you can learn to communicate with them and enlist their support. Lorelle Taylor’s extraordinary book traces Angela’s journey from normal to weird. Join her as she confronts challenges and undertakes deeply spiritual lessons while exploring the biggest questions. Learn about life and death from angels, spirit guides, Jesus and God. Discover how to overcome obstacles in your own path as you too discover the secrets for a fulfilled and happy life. Start reading?Getting Used to Weird: A very different sort of Love Story?today and you’ll discover that on this journey, you’re also getting used to love. You’ll come away with the knowledge that “Love is the answer to all questions.”

“陌生人社会”的来临，为当代中国展示了全新的生活场景和伦理视野，同时导致了许多未曾遇到的新挑战、新困惑：面对数不清的“陌生人”，我们应该以怎样的伦理经验与其交往？以往的伦理规范和处事准则能否被简单移植到“陌生人”身上？在喧闹的现代都市，陌生的居民之间如何和睦相处？以往人们对“陌生人”的道德想象，能否作为直面“陌生人”时的道德推理机制？如何解决“人情味”与“公德心”之间的内在冲突？……本书围绕“陌生人社会”所生发的一系列伦理道德问题，从思辨和经验两个层面做出了有益思考和尝试性回答，对解决“陌生人社会”的道德困境有所助益。