Zakhar Prilepin’s novel-in-stories, Sin, has become a literary phenomenon in Russia, where it was published in 2007. It has been hailed as the epitome of the spirit of the opening decade of the 21st century, and was called “the book of the decade” by the prestigious Super Natsbest Award jury. Now available for the first time in English, it not only embodies the reality of post-perestroika Russia, but also shows that even in this reality, just like in any other, it is possible to maintain a positive attitude while remaining human. Zakharka is young, strong, in love with love and with life’s random, telling moments. In the episodes of his life, presented here in non-chronological order, we see him as a little boy, a lovelorn teenager, a hard-drinking grave-digger, a nightclub bouncer, a father, and a soldier in Chechnya. He even writes poetry, and his stylistically varied verses are presented in the penultimate chapter of the book. Loving life, he looks boldly, and even with curiosity, into the face of death – taking pictures of the deceased at a funeral, staring with agitation at the entrails of a just-disembowelled pig, chronicling the death of a childhood friend – and values the freedom of not fearing his own end. It is family that ultimately defines happiness for Zakharka; but it is also family that makes him realize, on the desolate Chechen border, that his love for them has deprived him of this freedom. Sin offers a fascinating glimpse into the recent Russian past, as well as its present, with its unemployment, poverty, violence, and local wars – social problems that may be found in many corners of the world. Zakhar Prilepin presents these realities through the eyes of Zakharka, taking us along on the life-affirming journey of his unforgettable protagonist.

Herman Melville is a giant of American literature, whose novels are hailed as literary masterpieces. This eBook offers readers the complete works for the first time in digital print, as well as an array of bonus features. (Current version: 1) * illustrated with many images relating to Melville’s life and works * annotated with concise introductions to the novels and other works * ALL the novels, with separate contents tables * MOBY-DICK and other works are presented with their original illustrations * images of how the novels first appeared, giving your eReader a taste of the original texts * the complete short story collections * rare short stories like DANIEL ORME – first time in digital print * the complete poetry collections * the scarce poetry collection WEEDS AND WILDINGS, which Melville wrote for his wife – first time in digital print * separate CHRONOLOGICAL and ALPHABETICAL contents tables for the poetry – find that special poem easily! * includes Melville’s complete essays, available nowhere else * bonus collection of letters by Melville – explore the writer’s personal correspondence * boasts a special criticism section, with essays by writers such as D.H. Lawrence and Virginia Woolf examining Melville’s contribution to literature * features Raymond Weaver’s seminal biography on Melville, which sparked the great revival in the author * scholarly ordering of texts in chronological order and literary genres, allowing easy navigation around Melville’s immense oeuvre Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Novels TYPEE OMOO MARDI REDBURN WHITE-JACKET MOBY-DICK PIERRE ISLE OF THE CROSS (lost novel – information only) ISRAEL POTTER THE CONFIDENCE-MAN BILLY BUDD, SAILOR The Short Story Collections THE PIAZZA TALES THE APPLE-TREE TABLE AND OTHER SKETCHES BILLY BUDD AND OTHER PROSE PIECES The Short Stories LIST OF THE SHORT STORIES The Poetry Collections BATTLE PIECES AND ASPECTS OF THE WAR CLAREL: A POEM AND PILGRIMAGE IN THE HOLY LAND JOHN MARR AND OTHER SAILORS TIMOLEON AND OTHER VENTURES WEEDS AND WILDINGS, WITH A ROSE OR TWO UNCOLLECTED POEMS The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Essays FRAGMENTS FROM A WRITING DESK ETCHINGS OF A WHALING CRUISE REVIEW AUTHENTIC ANECDOTES OF ‘OLD ZACK’ MR PARKMAN’S TOUR COOPER’S NEW NOVEL A THOUGHT ON BOOK-BINDING HAWTHORNE AND HIS MOSSES The Letters SOME PERSONAL LETTERS OF HERMAN MELVILLE BY MEADE MINNIGERODE The Criticism THE BEST SEA-STORY EVER WRITTEN BY ARCHIBALD MACMECHAN HERMAN MELVILLE’S MOBY DICK BY D. H. LAWRENCE HERMAN MELVILLE’S TYPEE AND OMOO BY D. H. LAWRENCE HERMAN MELVILLE BY VIRGINIA WOOLF The Biography HERMAN MELVILLE: MAN, MARINER AND MYSTIC BY RAYMOND WEAVER

A delightful children's classic dealing with questions of natural life with plentiful and colourful examples of how things work, and more importantly, why such things as rain, snow, wind and others happen.

Milvain, one of the two central characters of the novel is a modern young man driven by pure financial ambition in navigating his literary career. He accepts that he will always despise the people he writes for, networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel.

The story of the romantic and sexual initiation of a suburban heroine, Nancy Lord which Gissing wrote after his return from Exeter. He took lodgings with his second wife at 76 Burton Road, Brixton where South London provided new literary inspiration. He went for long walks through nearby Camberwell, soaking up impressions of the way of life he saw emerging there.

Alma's farther looses fortunes at his bank and commits suicide forcing his 20 years old daughter to go abroad to make plans and pursue her career. Two admirers follow her: Cyrus Redgrave a wealthy bachelor who makes an indecent proposal and Harvey Rolfe whom she ends up marrying.

Lord Colambre finds that his mother Lady Clonbrony's attempts to buy her way into the high society of London are only ridiculed, while his father, Lord Clonbrony, is in serious debt as a result of his wife's lifestyle. His mother wishes him to marry an heiress, Miss Broadhurst, who is a friend of Grace Nugent. However, Colambre has already fallen in love with his cousin, Grace Nugent, who lives with the family as a companion to Lady Clonbrony. Worried that his mother will pressure him into a marriage with someone he does not love, Colambre decides to leave the London social scene and visit his ancestral home in County Wicklow in Ireland.

In the town there was a shoemaker by the name of Martin, who lived in a basement with a tiny little window looking out into the street. Martin could see the people pass, and though he only got a glimpse of their feet, he still knew every one, for Martin could recognize people by their boots. Martin had lived in that basement for many a long year and had numbers of acquaintances.

A comet called Gallia touches the Earth in its flight and collects a few small chunks of it. On the territory that was carried away by the comet there remained a total of thirty-six people of French, English, Spanish and Russian nationality. These people did not realize at first what had happened, and considered the collision an earthquake.

Walden follows Thoreau's experiences over the course of two years, two months, and two days in a cabin he built near Walden Pond, amidst woodland owned by his friend and mentor Ralph Waldo Emerson. In Civil Disobedience Thoreau argues that individuals should not permit governments to overrule or atrophy their consciences, and that they have a duty to avoid allowing such acquiescence to enable the government to make them the agents of injustice.

An anthology of several essays by American transcendentalist Henry David Thoreau. The book includes an introduction entitled 'Biographical Sketch' in which fellow transcendentalist Ralph Waldo Emerson provides a description of Thoreau and nine of nine of Thoreau's essays: Natural History of Massachusetts, A Walk to Wachusett, The Landlord, A Winter Walk, The Succession of Forest Trees, Walking, Autumnal Tints, Wild Apples, and Night and Moonlight.

The Politics of Aristotle is the second part of a treatise of which the Ethics is the first part. It looks back to the Ethics as the Ethics looks forward to the Politics. For Aristotle did not separate, as we are inclined to do, the spheres of the statesman and the moralist. In the Ethics he has described the character necessary for the good life, but that life is for him essentially to be lived in society, and when in the last chapters of the Ethics he comes to the practical application of his inquiries, that finds expression not in moral exhortations addressed to the individual but in a description of the legislative opportunities of the statesman.

Aristotle's Poetics is the earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory. In it, Aristotle offers an account of what he calls poetry.

We must, in the next place, investigate the subject of the dream, and first inquire to which of the faculties of the soul it presents itself, i.e. whether the affection is one which pertains to the faculty of intelligence or to that of sense-perception; for these are the only faculties within us by which we acquire knowledge.

The science which has to do with nature clearly concerns itself for the most part with bodies and magnitudes and their properties and movements, but also with the principles of this sort of substance, as many as they may be. For of things constituted by nature some are bodies and magnitudes, some possess body and magnitude, and some are principles of things which possess these. Now a continuum is that which is divisible into parts always capable of subdivision, and a body is that which is every way divisible.

Emile is a treatise on the nature of education and on the nature of man written by Jean-Jacques Rousseau, who considered it to be the best and most important of all his writings. During the French Revolution, Emile served as the inspiration for what became a new national system of education.

I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion.

The Doctrine of the Mean is a text rich with symbolism and guidance to perfecting oneself. The person who follows the mean is on a path of duty and must never leave it. A superior person is cautious, a gentle teacher and shows no contempt for his or her inferiors.

On the defeat of Pharnaces and reduction of Africa, those who escaped from those battles fled to young Cn. Pompey, who had taken possession of Further Spain, while Caesar was detained in Italy in exhibiting games. Pompey began to throw himself on the protection of every state, in order the more readily to establish the means of defense against him. Accordingly, with a considerable force which had been collected, partly by entreaty, partly by force, he began to lay waste the province. Under these circumstances some states voluntarily sent him supplies, others shut the gates of their towns against him. If any of these chanced to fall into his hands by assault, although some citizen in it had deserved well of Cn. Pompey (his father), yet some cause was alleged against him on account of the greatness of his wealth, so that, he being dispatched, his fortune might become the reward of the soldiers.

The book “55 years of Thoughts & Meditations” is the result of the constant efforts, inquiries, reflections, thoughts and meditations of one man. All matters analysed derive from our everyday lives and include social, political, philosophical and love issues, as well as more general reflections on life. These matters are delivered in a thematic manner, which varies in both form and substance and is expressed in prose mainly, but also in poetic form. Many of the issues posed occur to every thinking person, who follows his/her own path on earth and who seeks answers and solutions to life’s problems: Why do nations engage in battle? Why do people fight? What makes human contact difficult? What are art and beauty? What are sciences and what are their true limits? Should we trust them? What is “wisdom” and “beauty” and which knowledge is truly worthwhile? Is there objective knowledge? What is the unique truth? Is there good and evil? What are the three ideals, “Love”, “Knowledge” and the “Truth”?So one morning, I began to gather and then document all my random thoughts, the remnants of everything that has triggered my observations, all the questions I have documented throughout my life and everything I had noted here and there and I turned it into a book of personal thoughts and meditations. This book is therefore the book of life, taken straight from life, rich with the reflec-tions of a lifetime. It is a book about life and is aimed at every thinking and honest reader with good intentions. This includes young readers who are gifted with the clarity of soul and are in a better position to be aware of the just and the beautiful. Fifty five years of thoughts and meditations is what this book is. It is a quest of “Love”, of “Knowledge” and of the “Truth”.

Of all the writings of Plato the Timaeus is the most obscure and repulsive to the modern reader, and has nevertheless had the greatest influence over the ancient and mediaeval world. The obscurity arises in the infancy of physical science, out of the confusion of theological, mathematical, and physiological notions, out of the desire to conceive the whole of nature without any adequate knowledge of the parts, and from a greater perception of similarities which lie on the surface than of differences which are hidden from view.