万本电子书0元读

万本电子书0元读

Lempicka
Lempicka
Bade, Patrick
¥61.23
The smoothly metallic portraits, nudes and still lifes of Tamara de Lempicka encapsulate the spirit of Art Deco and the Jazz Age, and reflect the elegant and hedonistic life-style of a wealthy, glamorous and privileged elite in Paris between the two World Wars. Combining a formidable classical technique with elements borrowed from Cubism, Lempicka’s art represented the ultimate in fashionable modernity while looking back for inspiration to such master portraitists as Ingres and Bronzino. This book celebrates the sleek and streamlined beauty of her best work in the 1920s and 30s. It traces the extraordinary life story of this talented and glamorous woman from turn of the century Poland and Tsarist Russia, through to her glorious years in Paris and the long years of decline and neglect in America, until her triumphant rediscovery in the 1970s when her portraits gained iconic status and world-wide popularity.
Manet
Manet
Brodskaya, Natalia
¥61.23
Manet is one of the most famous artists from the second half of the nineteenth century linked to the impressionists, although he was not really one of them. He had great influence on French painting partly because of the choice he made for his subjects from everyday life, the use of pure colours, and his fast and free technique. He made, in his own work, the transition between Courbet’s Realism and the work of the impressionists. Born a high bourgeois, he chose to become a painter after failing the entry to the Marine School. He studied with Thomas Couture, an Academic painter, but it was thanks to the numerous travels he made around Europe from 1852 that he started to find out what would become his own style. His first paintings were mostly portraits and genre scenes, inspired by his love for Spanish masters like Velázquez and Goya. In 1863 he presented his masterpiece Luncheon on the Grass at the Salon des Refusés. His work started a fight between the defenders of Academic art and th
Na?ve Art
Na?ve Art
Brodskaya, Natalia
¥61.23
Until the end of the 19th century Na?ve Art, created by untrained artists and characterised by spontaneity and simplicity, enjoyed little recognition from professional artists and art critics. Na?ve painting is often distinguished by its clarity of line, vivacity and joyful colours, as well as by its rather clean-cut, simple shapes, as represented by French artists such as Henri Rousseau, Séraphine de Senlis, André Bauchant and Camille Bombois. However, this movement has also found adherents elsewhere, including Joan Miró (who was influenced by some of its qualities), Guido Vedovato, Niko Pirosmani, and Ivan Generalic.
Still Life
Still Life
Charles, Victoria
¥61.23
Cézanne transformed a teacup into something alive, raising still-life to the point that it ceased to be inanimate. Wassily Kandinsky said about the French artist: “He painted these things as human beings because he was endowed with the gift of divining the inner life in everything.” In addition to those of Cézanne, this book is devoted to still-life paintings by artists such as Van Gogh, Matisse, Chardin and Picasso.
Velasquez
Velasquez
Carl, Klaus
¥40.79
Diego Rodríguez de Silva y Velázquez (June 1599 – August 6 1660), known as Diego Vélasquez, was a painter of the Spanish Golden Age who had considerable influence at the court of King Philip IV. Along with Francisco Goya and Le Greco, he is generally considered to be one of the greatest artists in Spanish history. His style, whilst remaining very personal, belongs firmly in the Baroque movement. Velázquez’s two visits to Italy, evidenced by documents from that time, had a strong effect on the manner in which his work evolved. Besides numerous paintings with historical and cultural value, Diego Vélasquez painted numerous portraits of the Spanish Royal Family, other major European figures, and even of commoners. His artistic talent, according to general opinion, reached its peak in 1656 with the completion of Las Meninas, his great masterpiece. In the first quarter of the 19th century, Velázquez's style was taken as a model by Realist and Impressionist painters, in particular by ?douard
Goya
Goya
Calosse, Jp. A.
¥61.23
Goya is perhaps the most approachable of painters. His art, like his life, is an open book. He concealed nothing from his contemporaries, and offered his art to them with the same frankness. The entrance to his world is not barricaded with technical difficulties. He proved that if a man has the capacity to live and multiply his experiences, to fight and work, he can produce great art without classical decorum and traditional respectability. He was born in 1746, in Fuendetodos, a small mountain village of a hundred inhabitants. As a child he worked in the fields with his two brothers and his sister until his talent for drawing put an end to his misery. At fourteen, supported by a wealthy patron, he went to Saragossa to study with a court painter and later, when he was nineteen, on to Madrid. Up to his thirty-seventh year, if we leave out of account the tapestry cartoons of unheralded decorative quality and five small pictures, Goya painted nothing of any significance, but once in contro
Bosch
Bosch
Pitts Rembert, Virginia
¥61.23
在电子游戏发明之前,希罗尼穆斯波希(Hieronymus Bosch)的笔下就已经创作出了恐怖但丑萌的怪物,还带有一点小幽默。他的作品是自信的宣言,有力地挑战了背叛基督教教义之人的精神恐慌。波希生于1450年,死于1516年,他的出生之时正值文艺复兴的高潮时期,也见证了这一时期的宗教战争。中世纪传统和价值观轰然倒塌,为新世纪的到来开辟了道路。在这样的新世纪里,信念失去了力量和魔力。 ?波希开始警告那些不信教者和对上帝丧失了信仰的人——等待是危险的。波希相信所有人必须要有自己的道德选择,他关注地狱、天堂和欲望的主题,才华横溢地挖掘了水果和植物的象征意义,让他的意向充满了强烈的性欲色彩。这本独特的选集展示了波希为引人入胜的作品,小巧的形式也让它成为了一份完美的礼物。
Dürer
Dürer
Charles, Victoria
¥61.23
阿尔布雷特·丢勒(Albrecht Durer,1471-1528)是北部文艺复兴中*创新性的代表人物之一,他改革了宗教画和世俗画中的风景和肖像的绘画技巧。这本著作精选了不同类型的丢勒作品,紧致小巧的形式也成为了献给每一位艺术爱好者的完美赠礼。
Burne-Jones
Burne-Jones
Bade, Patrick
¥40.79
Burne-Jones’ oeuvre can be understood as an attempt to create in paint a world of perfect beauty, as far removed from the Birmingham of his youth as possible. At that time Birmingham was a byword for the dire effects of unregulated capitalism – a booming, industrial conglomeration of unimaginable ugliness and squalor. The two great French symbolist painters, Gustave Moreau and Pierre Puvis de Chavannes, immediately recognised Burne-Jones as an artistic fellow traveller. But, it is very unlikely that Burne-Jones would have accepted or even, perhaps, have understood the label of ‘symbolist’. Yet he seems to have been one of the most representative figures of the symbolist movement and of that pervasive mood termed “fin-de-siecle”. Burne-Jones is usually labelled as a Pre-Raphaelite. In fact he was never a member of the Brotherhood formed in 1848. Burne-Jones’ brand of Pre-Raphaelitism derives not from Hunt and Millais but from Dante Gabriel Rossetti. Burne-Jones’ work in the late 1850s i
Kahlo
Kahlo
Souter, Gerry
¥40.79
在弗里达·卡罗(Frida?Kahlo)的自画像背后,是她一生的故事。也正是因此,读者会被这本画集所深深吸引。弗里达的作品是她生命的记录,很少有艺术家如同弗里达一样,能够让我们从画框之间获得如此多的东西。弗里达·卡罗确实是墨西哥艺术史的礼物。当她年仅十八岁的时候,一场严重的车祸永远地改变了她的生命,她自此以后被残疾和频繁的疼痛所困扰。但是弗里达那火爆的个性、天然的决心和勤奋的工作造就了她的艺术才能。即使是花花公子的伟大画家迭戈·里维拉(Diego Rivera)也深深迷恋着她。弗里达靠自身的魅力、才能和智慧赢得了迭戈·里维拉,她也学会了依靠里维拉的成功来探索世界,从而在一群紧密的友人之中创造了自己独特的风格。她的私生活极其混乱,一方面她常常摆脱与迭戈的关系,另一方面她也深陷双性恋之中。不仅如此,弗里达和迭戈还不断拯救着他们之间分崩离析的关系。弗里达留给我们的故事和绘画作品为我们诠释了一个女人不断发现自我的勇者历程。
Michelangelo
Michelangelo
Müntz, Eugène
¥40.79
米开朗基罗(Michelangelo)的名字不断浮现在西斯廷教堂、阿波罗、丘比特等数不计数的杰作中。在《意大利绘画》(The Italian Painting)这本书中,作者司汤达写道:“在古希腊风物和米开朗基罗之间,没有任何距离,除了或多或少技术娴熟的伪造物。”在《漫步罗马》(Promenade in Rome)一书中,沙特布莱表达了对《圣母怜子像》(Pieta)中那些精致的线条的崇敬之情。诸如司汤达等大连古欧秀的作家将米开朗基罗视为西方艺术复兴的大家之一。毫无疑问,米开朗基罗的作品经历住了时间的考验。在若干年后,米开朗基罗的作品何以能够揭示希腊先驱们的创造性来源?米开朗基罗是创造性的天才和超人,是意大利文艺复兴中无与伦比的艺术家,他的影响力和成就与达芬奇可相媲美。在这本著作中, Jean-Matthieu Gosselin探讨了米开朗基罗所有的身份:雕塑家、建筑师、画家和美术家。
O'Keeffe
O'Keeffe
Souter, Gerry
¥40.79
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with William Merritt Chase. During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz. In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow. In Bement’s class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes. They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements. It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstra
Pollock
Pollock
Wigal, Donald
¥40.79
Born in 1912, in a small town in Wyoming, Jackson Pollock embodied the American dream as the country found itself confronted with the realities of a modern era replacing the fading nineteenth century. Pollock left home in search of fame and fortune in New York City. Thanks to the Federal Art Project he quickly won acclaim, and after the Second World War became the biggest art celebrity in America. For De Kooning, Pollock was the “icebreaker”. For Max Ernst and Masson, Pollock was a fellow member of the European Surrealist movement. And for Motherwell, Pollock was a legitimate candidate for the status of the Master of the American School. During the many upheavals in his life in Nez York in the 1950s and 60s, Pollock lost his bearings - success had simply come too fast and too easily. It was during this period that he turned to alcohol and disintegrated his marriage to Lee Krasner. His life ended like that of 50s film icon James Dean behind the wheel of his Oldsmobile, after a night of
Leonardo Da Vinci
Leonardo Da Vinci
Séailles, Gabriel
¥40.79
莱昂纳多·达·芬奇(1453—1519)不仅仅是位出神入化的画家,也是一位科学家、解剖师、雕塑家、建筑家、音乐家、工程师、发明家,乃至更多。那么也许该这么问:他不是什么呢?在意大利文艺复兴时期,他为意大利美第奇家族和法国王室创作了美的作品。达·芬奇深受同辈的钦佩,是个闻名全世界的少有而高尚的天才。即使是今天,人们对达·芬奇和他的作品的兴趣仍然丝毫没有消退;时代前沿的艺术家们仍然在研习他的作品和书法,希望能够揭开这位远见卓识的艺术家的秘密。
Constable
Constable
Charles, Victoria
¥40.79
John Constable was the first English landscape painter to take no lessons from the Dutch. He is rather indebted to the landscapes of Rubens, but his real model was Gainsborough, whose landscapes, with great trees planted in well-balanced masses on land sloping upwards towards the frame, have a rhythm often found in Rubens. Constable’s originality does not lie in his choice of subjects, which frequently repeated themes beloved by Gainsborough. Nevertheless, Constable seems to belong to a new century; he ushered in a new era. The difference in his approach results both from technique and feeling. Excepting the French, Constable was the first landscape painter to consider as a primary and essential task the sketch made direct from nature at a single sitting; an idea which contains in essence the destinies of modern landscape, and perhaps of most modern painting. It is this momentary impression of all things which will be the soul of the future work. Working at leisure upon the large canva
Munch
Munch
Bade, Patrick
¥40.79
Edvard Munch, born in 1863, was Norway's most popular artist. His brooding and anguished paintings, based on personal grief and obsessions, were instrumental in the development of Expressionism. During his childhood, the death of his parents, his brother and sister, and the mental illness of another sister, were of great influence on his convulsed and tortuous art. In his works, Munch turned again and again to the memory of illness, death and grief. During his career, Munch changed his idiom many times. At first, influenced by Impressionism and Post-impressionism, he turned to a highly personal style and content, increasingly concerned with images of illness and death. In the 1892s, his style developed a ‘Synthetist' idiom as seen in The Scream (1893) which is regarded as an icon and the portrayal of modern humanity's spiritual and existential anguish. He painted different versions of it. During the 1890s Munch favoured a shallow pictorial space, and used it in his frequently frontal p
Klee
Klee
Wigal, Donald
¥40.79
你很难将保罗克利(Paul Klee)归类到某个艺术史上的运动。与瓦西里康定斯基(Wassily Kandinsky)和弗兰茨马尔克(Franz Marc)类似,克利曾是表现主义画家团体蓝骑士(Der Blaue Reiter)的重要成员之一。之后,他又参与到了包豪斯建筑学派之中,甚至在德绍的学校中教授绘画课程。就克利看来,艺术与生产无关,只是为了让事物更加清晰可见。在他的绘画中,克利微妙地融入了二十世纪初的趋势。对于德国的表现主义来说,克利为其注入了立体主义和奥费主义的元素,用超现实主义的忧郁的诗歌来点缀他的作品。 作者带领我们穿越克利世界中的奇迹,画中的每一笔都回响着色彩的力量。
Pissarro
Pissarro
Brodskaya, Nathalia
¥40.79
“Father Pissarro”, as his friends liked to call him, was the most restrained of the artists of the Impressionist movement. Perhaps it was his age, being older than his fellow artists Monet, Sisley, Bazille, and Renoir, or rather his maturity, which resulted in his works having such serene and sober subjects and compositions. A man of simple tastes, he enjoyed painting peasants going about their daily lives. However, Pissarro owes his belated fame to his urban landscapes, which he treated with the same passion he used to paint beautiful stormy skies and frost-whitened mornings.
Modigliani
Modigliani
Charles, Victoria
¥40.79
Modigliani (1884-1920) was a painter of great unhappiness in his native Italy and felt only sorrow in his adopted country of France. Out of this discontent came forth Modigliani’s original work, which was influenced by African art, the Cubists, and drunken nights in Montparnasse. His portrayal of women—sensual bodies, almost aggressive nudity, and mysterious faces—expresses their suffering and feelings of being unloved and unjustly disregarded. Modigliani died at the age of 36.
Mondrian
Mondrian
Calosse, Jp. A.
¥40.79
Piet Mondrian (1872-1944), who can be assigned to the school of classical modernism, was born in Amersfort, Netherlands. After studying in Amsterdam, he started his artist?s career in the impressionist style as a figure and landscape painter. His works from these years showed the influence of Vincent Van Gogh (1853-1890) and of Fauvism, a French school from the beginning of the 20th century. When he traveled to Paris in 1911, he discovered Pablo Picasso?s works (1881-1973) and, with that, Cubism. He thereafter became a pioneer of abstract painting in the Netherlands. From the 1920s on, his paintings show a vertical and horizontal composition that, combined with the oppositions of blue, yellow, red, and noncolored spaces, turned into his trademark. His art was very appreciated in New York, where he spent his last years. Mondrian was not only a painter but also an art theoretician and cofounder of the art school De Stijl.
Toulouse-Lautrec
Toulouse-Lautrec
Brodskaya, Nathalia
¥40.79
Lautrec studied with two of the most admired academic painters of the day, Léon Bonnat and Fernand Cormon. Lautrec’s time in the studios of Bonnat and Cormon had the advantage of introducing him to the nude as a subject. At that time life-drawing of the nude was the basis of all academic art training in nineteenth-century Paris. While still a student, Lautrec began to explore Parisian nightlife, which was to provide him with his greatest inspiration, and eventually undermined his health. Lautrec was an artist able to stamp his vision of the age in which he lived upon the imagination of future generations. Just as we see the English court of Charles I through the eyes of van Dyck and the Paris of Louis-Philippe through the eyes of Daumier, so we see the Paris of the 1890s and its most colourful personalities, through the eyes of Lautrec. The first great personality of Parisian nightlife whom Lautrec encountered – and a man who was to play an important role in helping Lautrec develop his