Dracula is an 1897 Gothic horror novel by Irish author Bram Stoker. Famous for introducing the character of the vampire Count Dracula, the novel tells the story of Dracula's attempt to move from Transylvania to England, and the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing. Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel and invasion literature. The novel touches on themes such as the role of women in Victorian culture, sexual conventions, immigration, colonialism, and post-colonialism. Although Stoker did not invent the vampire, he defined its modern form, and the novel has spawned numerous theatrical, film and television interpretations. ? ?Characters: ?? Jonathan Harker: A solicitor sent to do business with Count Dracula; Mina's fiancé and prisoner in Dracula's castle.?? Count Dracula: A Transylvanian noble who bought a house in London and asked Jonathan Harker to come to his castle to do business with him.?? Wilhelmina "Mina" Harker (née Murray): A schoolteacher and Jonathan Harker's fiancée.?? Lucy Westenra: A 19-year-old aristocrat; Mina's best friend; Arthur's fiancée and Dracula's first victim.?? Arthur Holmwood: Lucy's suitor and later fiancé.?? Jack Seward: A doctor; one of Lucy's suitors and a former student of Dr Abraham Van Helsing.?? Abraham Van Helsing: A Dutch professor; Jack Seward's teacher and vampire hunter.?? Quincey Morris: An American cowboy and explorer; and one of Lucy's suitors.?? Renfield: A lawyer whom Dracula turned mad.?? Brides of Dracula: Three siren-like vampire women who serve Dracula. Although they are popularly known as "The Brides of Dracula", the novel never calls them this. ? About Author: ? Abraham "Bram" Stoker (1847 – 1912) was an Irish novelist and short story writer, best known today for his 1897 Gothic novel Dracula. During his lifetime, he was better known as personal assistant of actor Henry Irving and business manager of the Lyceum Theatre in London, which Irving owned.

This book, re-edited and illustrated by e-kitap projesi and published again in ebook format. In this book, telling that Boyhood stories of the Most famous persons in the world, and so These 21 famous persons lay out from Christopher Colombus –The pre-founder of the America- to Otto von Bismarc. For example: “When he was sixteen Napoleon and his best friend, a boy named Desmazis, were ordered to join the regiment of La Fère which was then quartered in the south of France. Napoleon was glad of this change which brought him nearer to his island home, and he also felt that he would now learn something of actual warfare. The two boys were taken to their regiment in charge of an officer who stayed with them from the time they left Paris until the carriage set them down at the garrison town. The regiment of La Fère was one of the best in the French army, and the boy immediately took a great liking to everything connected with it. He found the officers well educated and anxious to help him. He declared the blue uniform with red facings to be the most beautiful uniform in the world. He had to work hard, still studying mathematics, chemistry, and the laws of fortification, mounting guard with the other subalterns, and looking after his own company of men. He seemed very young to be put in charge of grown soldiers, but his great ability had brought about this extraordinarily rapid promotion. He had a room in a boarding-house kept by an old maid, but took his meals at the Inn of the Three Pigeons. Now that he was an officer he began to be more interested in making a good appearance before people. He took dancing lessons and suddenly blossomed out into much popularity among the garrison. Older people could not help but see his great strength of character, and time and again it was predicted that he would rise high in the army.”

The thing that went under the name of automobile wheezed into the ranchyard and rattled to a halt. With creaks and groans in every joint the car discharged its six very dusty, very weary occupants. At the same time, the screen door of the ranch house banged shut and a flying figure descended on the new arrivals. “Oh, Gale, but I’m glad to see you,” the girl from the ranch house declared hugging the foremost one of the visitors. Gale Howard returned the hug with equal warmth. The two were cousins, and Gale and her friends, The Adventure Girls, had traveled West to spend the summer on the K Bar O Ranch, owned by Gale’s uncle. “But don’t tell me you traveled all the way West in that!” Virginia Wilson murmured aghast, when the introductions and first greetings were over. “We wouldn’t have lived to tell the tale,” declared Carol Carter. “I never knew a car that had so many bumps in it.” “We came West to Phoenix on the train,” Gale explained. “It was there we bought the car and drove up here.” “You wouldn’t think we bought it second hand, would you?” Janet Gordon murmured. “No,” Phyllis Elton agreed with a twinkle in her eyes. “It looks as though we made it ourselves.” The last two of the new arrivals, Madge Reynolds and Valerie Wallace, who had been busy unstrapping luggage and tumbling bags onto the ground, turned now to the ranch girl. “What shall we do with our stuff?” Madge asked. “I suppose you will want to change from your traveling suits,” Virginia suggested, “so just bring along what you want now. Leave the rest here. Tom can bring it in later.” Tom was her elder brother and as the girls walked toward the ranch house he crossed the yard from the corral. Behind him came Gale’s uncle. Virginia called her mother and more greetings and introductions followed. “But how did you manage to leave home without a chaperon?” Virginia asked from her position on the bed in the room shared by Gale and Valerie. “It was all we could do to get away without one,” a laughing voice in the adjoining room declared, and Janet appeared on the threshold. “Finally our parents decided that Gale and Valerie, being the only sane and level-headed ones among us, could be trusted to see that we behaved properly,” Carol added, hanging over Janet’s shoulder. “That shows how much they really know Gale and Valerie,” added Janet mischievously. “If they had any sense at all, they would have appointed me guardian angel of the troupe.” “Then we would never have gotten this far,” Valerie declared, struggling to pull on a brown riding boot. “Yes, Virginia,” Gale laughed, “when we did let Janet drive for a little while, she ran us into a ditch, went the wrong way on a one way street in a little town below here, talked back to a policeman and nearly landed us all in jail.” “Yes, we had to let Gale drive thereafter for self preservation,” Carol murmured.

Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed. Leonardo's literary labours in various departments both of Art and of Science were those essentially of an enquirer, hence the analytical method is that which he employs in arguing out his investigations and dissertations. The vast structure of his scientific theories is consequently built up of numerous separate researches, and it is much to be lamented that he should never have collated and arranged them. His love for detailed research—as it seems to me—was the reason that in almost all the Manuscripts, the different paragraphs appear to us to be in utter confusion; on one and the same page, observations on the most dissimilar subjects follow each other without any connection. A page, for instance, will begin with some principles of astronomy, or the motion of the earth; then come the laws of sound, and finally some precepts as to colour. Another page will begin with his investigations on the structure of the intestines, and end with philosophical remarks as to the relations of poetry to painting; and so forth. Leonardo himself lamented this confusion, and for that reason I do not think that the publication of the texts in the order in which they occur in the originals would at all fulfil his intentions. No reader could find his way through such a labyrinth; Leonardo himself could not have done it. ABOUT AUTHOR: Leonardo Da Vinci, Born on April 15, 1452, in Vinci, Italy, Leonardo da Vinci was concerned with the laws of science and nature, which greatly informed his work as a painter, sculptor, inventor and draftsmen. His ideas and body of work—which includes "Virgin of the Rocks," "The Last Supper," "Leda and the Swan" and "Mona Lisa"—have influenced countless artists and made da Vinci a leading light of the Italian Renaissance.Quotes"Iron rusts from disuse, stagnant water loses its purity and in cold weather becomes frozen; even so does inaction sap the vigor of the mind."? ? ? ? ? – Leonardo da Vinci Humble Beginnings:Leonardo da Vinci was born on April 15, 1452, in Vinci, Italy. Born out of wedlock, the love child of a respected notary and a young peasant woman, he was raised by his father, and his stepmothers. 'The Last Supper'In 1482, Lorenzo de' Medici, a man from a prominent Italian family, commissioned da Vinci to create a silver lyre and bring it to Ludovico il Moro, the Duke of Milan, as a gesture of peace. Da Vinci did so and then wrote Ludovico a letter describing how his engineering and artistic tal

Great Expectations is Charles Dickens's thirteenth novel. It is his second novel, after David Copperfield, to be fully narrated in the first person. Great Expectations is abildungsroman, or a coming-of-age novel, and it is a classic work of Victorian literature. It depicts the growth and personal development of an orphan named Pip. The novel was first published in serial form in Dickens' weekly periodical All the Year Round, from 1 December 1860 to August 1861. In October 1861, Chapman and Hall published the novel in three volumes. Great Expectations was to be twice as long, but constraints imposed by the management of All the Year Round limited the novel's length. Collected and dense, with a conciseness unusual for Dickens, the novel represents Dickens' peak and maturity as an author. According to G. K. Chesterton, Dickens penned Great Expectations in "the afternoon of [his] life and fame." It was the penultimate novel Dickens completed, preceding Our Mutual Friend. It is set among the marshes of Kent and in London in the early to mid-1800s. From the outset, the reader is "treated" by the terrifying encounter between Pip, the protagonist, and the escaped convict, Abel Magwitch. Great Expectations is a graphic book, full of extreme imagery, poverty, prison ships, "the hulks," barriers and chains, and fights to the death. It therefore combines intrigue and unexpected twists of autobiographical detail in different tones. Regardless of its narrative technique, the novel reflects the events of the time, Dickens' concerns, and the relationship between society and man. The novel has received mixed reviews from critics: Thomas Carlyle speaks of "All that Pip's nonsense," while George Bernard Shaw praised the novel as "All of one piece and Consistently truthfull." Dickens felt Great Expectations was his best work, calling it "a very fine idea," and was very sensitive to compliments from his friends: "Bulwer, who has been, as I think you know, extraordinarily taken by the book." ABOUT AUTHOR: Charles John Huffam Dickens (1812 – 1870) was an English writer and social critic. He created some of the world's most memorable fictional characters and is generally regarded as the greatest novelist of the Victorian period. During his life, his works enjoyed unprecedented fame, and by the twentieth century his literary genius was broadly acknowledged by critics and scholars. His novels and short stories continue to be widely popular. Born in Portsmouth, England, Dickens was forced to leave school to work in a factory when his father was thrown into debtors' prison. Although he had little formal education, his early impoverishment drove him to succeed. Over his career he edited a weekly journal for 20 years, wrote 15 novels, 5 novellas and hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms. Dickens sprang to fame with the 1836 serial publication of The Pickwick Papers. Within a few years he had become an international literary celebrity, famous for his humour, satire, and keen observation of character and society. His novels, most published in monthly or weekly instalments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication. The instalment format allowed Dickens to evaluate his audience's reaction, and he often modified his plot and character development based on such feedback. For example, when his wife's chiropodistexpressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her disabilities, Dickens went on to improve the character with positive features. Fagin inOliver Twist apparently mirrors the famous fence Ikey Solomon; His caricature of Leigh Hunt in the figure of Mr Skimpole in Bleak House was likewise toned down on advice from some of his friends, as they read episodes. In the same novel, both Lawrence Boythorne and Mooney the beadle are drawn from real life – Boythorne from Walter Savage Landorand Mooney from 'Looney', a beadle at Salisbury Square. His plots were carefully constructed, and Dickens often wove in elements from topical events into his narratives. Masses of the illiterate poor chipped in ha'pennies to have each new monthly episode read to them, opening up and inspiring a new class of readers.

In these times of ours, though concerning the exact year there is no need to be precise, a boat of dirty and disreputable appearance, with two figures in it, floated on the Thames, between Southwark bridge which is of iron, and London Bridge which is of stone, as an autumn evening was closing in. The figures in this boat were those of a strong man with ragged grizzled hair and a sun-browned face, and a dark girl of nineteen or twenty, sufficiently like him to be recognizable as his daughter. The girl rowed, pulling a pair of sculls very easily; the man, with the rudder-lines slack in his hands, and his hands loose in his waistband, kept an eager look out. He had no net, hook, or line, and he could not be a fisherman; his boat had no cushion for a sitter, no paint, no inscription, no appliance beyond a rusty boathook and a coil of rope, and he could not be a waterman; his boat was too crazy and too small to take in cargo for delivery, and he could not be a lighterman or river-carrier; there was no clue to what he looked for, but he looked for something, with a most intent and searching gaze. The tide, which had turned an hour before, was running down, and his eyes watched every little race and eddy in its broad sweep, as the boat made slight head-way against it, or drove stern foremost before it, according as he directed his daughter by a movement of his head. She watched his face as earnestly as he watched the river. But, in the intensity of her look there was a touch of dread or horror. Allied to the bottom of the river rather than the surface, by reason of the slime and ooze with which it was covered, and its sodden state, this boat and the two figures in it obviously were doing something that they often did, and were seeking what they often sought. Half savage as the man showed, with no covering on his matted head, with his brown arms bare to between the elbow and the shoulder, with the loose knot of a looser kerchief lying low on his bare breast in a wilderness of beard and whisker, with such dress as he wore seeming to be made out of the mud that begrimed his boat, still there was a business-like usage in his steady gaze. So with every lithe action of the girl, with every turn of her wrist, perhaps most of all with her look of dread or horror; they were things of usage. 'Keep her out, Lizzie. Tide runs strong here. Keep her well afore the sweep of it.' Trusting to the girl's skill and making no use of the rudder, he eyed the coming tide with an absorbed attention. So the girl eyed him. But, it happened now, that a slant of light from the setting sun glanced into the bottom of the boat, and, touching a rotten stain there which bore some resemblance to the outline of a muffled human form, coloured it as though with diluted blood. This caught the girl's eye, and she shivered. 'What ails you?' said the man, immediately aware of it, though so intent on the advancing waters; 'I see nothing afloat.' The red light was gone, the shudder was gone, and his gaze, which had come back to the boat for a moment, travelled away again. Wheresoever the strong tide met with an impediment, his gaze paused for an instant. At every mooring-chain and rope, at every stationery boat or barge that split the current into a broad-arrowhead, at the offsets from the piers of Southwark Bridge, at the paddles of the river steamboats as they beat the filthy water, at the floating logs of timber lashed together lying off certain wharves, his shining eyes darted a hungry look. After a darkening hour or so, suddenly the rudder-lines tightened in his hold, and he steered hard towards the Surrey shore. Always watching his face, the girl instantly answered to the action in her sculling; presently the boat swung round, quivered as from a sudden jerk, and the upper half of the man was stretched out over the stern.

The Discovery of the Future is a philosophical lecture by H. G. Wells that argues for the knowability of the future. It was originally delivered to the Royal Institution on January 24, 1902. Before appearing in book form. Wells begins by distinguishing between “two divergent types of mind,” one that judges and attaches importance principally to what has happened in the past and one that judges and attaches importance principally to what will happen in the future. To the former he attributes the adjectives “legal or submissive,” “passive,” and “oriental,” and to the latter the adjectives “legislative, creative, organizing, or masterful,” and “active,” calling it “a more modern and much less abundant type of mind.” ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?*** It will lead into my subject most conveniently to contrast and separate two divergent types of mind, types which are to be distinguished chiefly by their attitude toward time, and more particularly by the relative importance they attach and the relative amount of thought they give to the future. The first of these two types of mind, and it is, I think, the predominant type, the type of the majority of living people, is that which seems scarcely to think of the future at all, which regards it as a sort of blank non-existence upon which the advancing present will presently write events. The second type, which is, I think, a more modern and much less abundant type of mind, thinks constantly and by preference of things to come, and of present things mainly in relation to the results that must arise from them. The former type of mind, when one gets it in its purity, is retrospective in habit, and it interprets the things of the present, and gives value to this and denies it to that, entirely with relation to the past. The latter type of mind is constructive in habit, it interprets the things of the present and gives value to this or that, entirely in relation to things designed or foreseen. While from that former point of view our life is simply to reap the consequences of the past, from this our life is to prepare the future. The former type one might speak of as the legal or submissive type of mind, because the business, the practice, and the training of a lawyer dispose him toward it; he of all men must constantly refer to the law made, the right established, the precedent set, and consistently ignore or condemn the thing that is only seeking to establish itself. The latter type of mind I might for contrast call the legislative, creative, organizing, or masterful type, because it is perpetually attacking and altering the established order of things, perpetually falling away from respect for what the past has given us. It sees the world as one great workshop, and the present is no more than material for the future, for the thing that is yet destined to be. It is in the active mood of thought, while the former is in the passive; it is the mind of youth, it is the mind more manifest among the western nations, while the former is the mind of age, the mind of the oriental. Things have been, says the legal mind, and so we are here. The creative mind says we are here because things have yet to be. Now I do not wish to suggest that the great mass of people belong to either of these two types. Indeed, I speak of them as two distinct and distinguishable types mainly for convenience and in order to accentuate their distinction. There are probably very few people who brood constantly upon the past without any thought of the future at all, and there are probably scarcely any who live and think consistently in relation to the future. The great mass of people occupy an intermediate position between these extremes, they pass daily and hourly from the passive mood to the active, they see this thing in relation to its associations and that thing in relation to its consequences, and they do not even suspect that they are using two distinct methods in their minds.

A very little boy stood upon a heap of gravel for the honor of Rum Alley. He was throwing stones at howling urchins from Devil's Row who were circling madly about the heap and pelting at him. His infantile countenance was livid with fury. His small body was writhing in the delivery of great, crimson oaths. "Run, Jimmie, run! Dey'll get yehs," screamed a retreating Rum Alley child. "Naw," responded Jimmie with a valiant roar, "dese micks can't make me run." Howls of renewed wrath went up from Devil's Row throats. Tattered gamins on the right made a furious assault on the gravel heap. On their small, convulsed faces there shone the grins of true assassins. As they charged, they threw stones and cursed in shrill chorus. The little champion of Rum Alley stumbled precipitately down the other side. His coat had been torn to shreds in a scuffle, and his hat was gone. He had bruises on twenty parts of his body, and blood was dripping from a cut in his head. His wan features wore a look of a tiny, insane demon. On the ground, children from Devil's Row closed in on their antagonist. He crooked his left arm defensively about his head and fought with cursing fury. The little boys ran to and fro, dodging, hurling stones and swearing in barbaric trebles. From a window of an apartment house that upreared its form from amid squat, ignorant stables, there leaned a curious woman. Some laborers, unloading a scow at a dock at the river, paused for a moment and regarded the fight. The engineer of a passive tugboat hung lazily to a railing and watched. Over on the Island, a worm of yellow convicts came from the shadow of a building and crawled slowly along the river's bank. A stone had smashed into Jimmie's mouth. Blood was bubbling over his chin and down upon his ragged shirt. Tears made furrows on his dirt-stained cheeks. His thin legs had begun to tremble and turn weak, causing his small body to reel. His roaring curses of the first part of the fight had changed to a blasphemous chatter.

RUINS OF ANCIENT CITIES, WITH GENERAL AND PARTICULAR ACCOUNTS OF THEIR RISE, FALL, AND PRESENT CONDITION. - BY CHARLES BUCKE This Volume contain these cities; Abydos, Abydus, ?gesta, ?ina, Agrigentum, Alba Longa, Alcantara, Alexandria, Amisus, Antioch, Argos, Ariammene, Arsinoe, Artaxata, Artemita, Athens, Babylon, Balbec, Byzantium, Cairo (Old), Cann?, Capua, Carthage, Catanea, Chalcedon, Ch?ronea, Corduba, Corcyra (Corfu), Corinth, Ctesiphon, Delphos, Ecbatana, Eleusis, Elis, Ephesus, Gerasa (Djerash), Granada, Gnidos, Heliopolis, Herculaneum, Hierapolis, Isfahan, Italica, Jerusalem, Laced?mon, Or Sparta, Laodicea, Leuctra, Magnesia, Mantinea, Marathon, Megalopolis, Megara, Memphis. Of chance or change, oh! let not man complain;Else shall he never, never, cease to wail;For from the imperial dome, to where the swainRears his lone cottage in the silent dale,All feel the assault of fortune's fickle gale.Art, empire, earth itself, to change are doom'd;Earthquakes have raised to heaven the humble vale;And gulfs the mountains' mighty mass entomb'd;And where the Atlantic rolls wide continents have bloom'd. {BEATTIE.} The reader is requested to observe, that, though the plan of this work is entirely his own, the compiler of it does not put it forth as in any way original in respect to language or description. It is, in fact, a much better book, than if it had been what is strictly called original, (which, indeed, must have involved an utter impossibility:) for it is a selection of some of the best materials the British Museum could furnish; sometimes worked up in his own language; and sometimes—and, indeed, very frequently—in that of others: the compiler having, at an humble distance and with unequal steps, followed the plan which M. Rollin proposed to himself, when he composed his celebrated history of ancient times.—"To adorn and enrich my own," says that celebrated writer, "I will be so ingenuous as to confess, that I do not scruple, nor am ashamed, to rifle whereever I come; and that I often do not cite the authors from whom I transcribe, because of the liberty I take to make some slight alterations. I have made the best use in my power of the solid reflections that occur in the Bishop of Meaux's Universal History, which is one of the most beautiful and most useful books in our language. I have also received great assistance from the learned Dean Prideaux's 'Connexion of the Old and New Testament,' in which he has traced and cleared up, in an admirable manner, the particulars relating to ancient history. I shall take the same liberty with whatever comes in my way, that may suit my design, and contribute to its perfection. I am very sensible, that it is not so much for a person's reputation to make use of other men's labours, and that it is in a manner renouncing the name and quality of author. But I am not over-fond of that title, and shall be extremely well pleased, and think myself very happy, if I can but deserve the name of a good compiler; and supply my readers with a tolerable history, who will not be over-solicitous to inquire what hand it comes from, provided they are but pleased with it."

We sailed from Peru, (where we had continued for the space of one whole year) for China and Japan, by the South Sea; taking with us victuals for twelve months; and had good winds from the east, though soft and weak, for five months space, and more. But the wind came about, and settled in the west for many days, so as we could make little or no way, and were sometime in purpose to turn back. But then again there arose strong and great winds from the south, with a point east, which carried us up (for all that we could do) towards the north; by which time our victuals failed us, though we had made good spare of them. So that finding ourselves, in the midst of the greatest wilderness of waters in the world, without victuals, we gave ourselves for lost men and prepared for death. Yet we did lift up our hearts and voices to God above, who showeth his wonders in the deep, beseeching him of his mercy, that as in the beginning he discovered the face of the deep, and brought forth dry land, so he would now discover land to us, that we might not perish. And it came to pass that the next day about evening we saw within a kenning before us, towards the north, as it were thick clouds, which did put us in some hope of land; knowing how that part of the South Sea was utterly unknown; and might have islands, or continents, that hitherto were not come to light. Wherefore we bent our course thither, where we saw the appearance of land, all that night; and in the dawning of the next day, we might plainly discern that it was a land; flat to our sight, and full of boscage; which made it show the more dark. And after an hour and a half's sailing, we entered into a good haven, being the port of a fair city; not great indeed, but well built, and that gave a pleasant view from the sea: and we thinking every minute long, till we were on land, came close to the shore, and offered to land. But straightways we saw divers of the people, with bastons in their hands (as it were) forbidding us to land; yet without any cries of fierceness, but only as warning us off, by signs that they made. Whereupon being not a little discomforted, we were advising with ourselves, what we should do. During which time, there made forth to us a small boat, with about eight persons in it; whereof one of them had in his hand a tipstaff of a yellow cane, tipped at both ends with blue, who came aboard our ship, without any show of distrust at all. And when he saw one of our number, present himself somewhat before the rest, he drew forth a little scroll of parchment (somewhat yellower than our parchment, and shining like the leaves of writing tables, but otherwise soft and flexible,) and delivered it to our foremost man. In which scroll were written in ancient Hebrew, and in ancient Greek, and in good Latin of the school, and in Spanish, these words: Land ye not, none of you; and provide to be gone from this coast, within sixteen days, except you have further time given you. Meanwhile, if you want fresh water or victuals, or help for your sick, or that your ship needeth repairs, write down your wants, and you shall have that, which belongeth to mercy. This scroll was signed with a stamp of cherubim: wings, not spread, but hanging downwards; and by them a cross. This being delivered, the officer returned, and left only a servant with us to receive our answer. F. BACON About Author: Francis Bacon, 1561 – 1626), was an English philosopher, statesman, scientist, jurist, orator, essayist, and author. He served both as Attorney General and Lord Chancellor of England. After his death, he remained extremely influential through his works, especially as philosophical advocate and practitioner of the scientific method during the scientific revolution.Bacon has been called the father of empiricism. His works established and popularised inductive methodologies for scientific inquiry, often called the Baconian method, or simply the scientific method. His demand for a planned procedure of investigating all things natural marked a new turn in the rhetorical and theoretical framework for science, much of which still surrounds conceptions of proper methodology today.Bacon was knighted in 1603, and created Baron Verulam in 1618 and Viscount St. Alban in 1621; as he died without heirs, both peerages became extinct upon his death. He famously died of pneumonia, contracted while studying the effects of freezing on the preservation of meat. The succession of James I brought Bacon into greater favour. He was knighted in 1603. In another shrewd move, Bacon wrote his Apologies in defence of his proceedings in the case of Essex, as Essex had favoured James to succeed to the throne. The following year, during the course of the uneventful first parliament session, Bacon married Alice Barnham. In June 1607 he was at last rewarded with the office of solicitor general. The following year, he began working as the Clerkship of the Star Chamber. Despite a generous income, old debts still co

Emma, by Jane Austen, is a novel about youthful hubris and the perils of misconstrued romance. The novel was first published in December 1815. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian-Regency England; she also creates a lively comedy of manners among her characters. Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her. She was the youngest of the two daughters of a most affectionate, indulgent father; and had, in consequence of her sister's marriage, been mistress of his house from a very early period. Her mother had died too long ago for her to have more than an indistinct remembrance of her caresses; and her place had been supplied by an excellent woman as governess, who had fallen little short of a mother in affection. Sixteen years had Miss Taylor been in Mr. Woodhouse's family, less as a governess than a friend, very fond of both daughters, but particularly of Emma. Between them it was more the intimacy of sisters. Even before Miss Taylor had ceased to hold the nominal office of governess, the mildness of her temper had hardly allowed her to impose any restraint; and the shadow of authority being now long passed away, they had been living together as friend and friend very mutually attached, and Emma doing just what she liked; highly esteeming Miss Taylor's judgment, but directed chiefly by her own. The real evils, indeed, of Emma's situation were the power of having rather too much her own way, and a disposition to think a little too well of herself; these were the disadvantages which threatened alloy to her many enjoyments. The danger, however, was at present so unperceived, that they did not by any means rank as misfortunes with her.

On the Origin of Species, published on 24 November 1859, is a work of scientific literature by Charles Darwin which is considered to be the foundation of evolutionary biology. Its full title was On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life. For the sixth edition of 1872, the short title was changed to The Origin of Species. Darwin's book introduced the scientific theory that populations evolve over the course of generations through a process of natural selection. It presented a body of evidence that the diversity of life arose by common descent through a branching pattern of evolution. Darwin included evidence that he had gathered on the Beagle expedition in the 1830s and his subsequent findings from research, correspondence, and experimentation. Various evolutionary ideas had already been proposed to explain new findings in biology. There was growing support for such ideas among dissident anatomists and the general public, but during the first half of the 19th century the English scientific establishment was closely tied to the Church of England, while science was part of natural theology. Ideas about the transmutation of species were controversial as they conflicted with the beliefs that species were unchanging parts of a designed hierarchy and that humans were unique, unrelated to other animals. The political and theological implications were intensely debated, but transmutation was not accepted by the scientific mainstream. The book was written for non-specialist readers and attracted widespread interest upon its publication. As Darwin was an eminent scientist, his findings were taken seriously and the evidence he presented generated scientific, philosophical, and religious discussion. The debate over the book contributed to the campaign by T. H. Huxley and his fellow members of the X Club to secularise science by promoting scientific naturalism. Within two decades there was widespread scientific agreement that evolution, with a branching pattern of common descent, had occurred, but scientists were slow to give natural selection the significance that Darwin thought appropriate. During the "eclipse of Darwinism" from the 1880s to the 1930s, various other mechanisms of evolution were given more credit. With the development of the modern evolutionary synthesis in the 1930s and 1940s, Darwin's concept of evolutionary adaptation through natural selection became central to modern evolutionary theory, and it has now become the unifying concept of the life sciences. Summary of Darwin's theory: Darwin's theory of evolution is based on key facts and the inferences drawn from them, which biologist Ernst Mayr summarised as follows: ? Every species is fertile enough that if all offspring survived to reproduce the population would grow (fact).? Despite periodic fluctuations, populations remain roughly the same size (fact).? Resources such as food are limited and are relatively stable over time (fact).? A struggle for survival ensues (inference).? Individuals in a population vary significantly from one another (fact).? Much of this variation is inheritable (fact).? Individuals less suited to the environment are less likely to survive and less likely to reproduce; individuals more suited to the environment are more likely to survive and more likely to reproduce and leave their inheritable traits to future generations, which produces the process of natural selection (inference).? This slowly effected process results in populations changing to adapt to their environments, and ultimately, these variations accumulate over time to form new species (inference).

Bowie and Hutch Story

Do you enjoy the music of Cockney rock duo Chas ＆ Dave? Maybe you know the lyrics to all their songs and can name their albums? Then what better way to pay tribute to the 'Rockney' singers than with this quiz book?The 100 questions in The Official Chas ＆ Dave Quiz Book are designed to test your memory of the events that have shaped the lives and music of two of the most popular musical entertainers to emerge from the '70s and '80s. Chas ＆ Dave have a string of hits to their credit all injected with their own particular brand of humour. This book covers the early years, career highlights and all those unforgettable best-selling songs bringing the Chas ＆ Dave story right up to the present day. Packed with so much information, you are certain to find out something you never knew about the popular entertainers. This book will appeal to Chas ＆ Dave fans of all ages and anyone who has ever sung along to one of their songs.

Are you a big fan of science fiction? Have you seen all the iconic sci-fi films and followed the many TV series? Do you know the names of all the famous characters from The Incredible Hulk to Catwoman? If you think you are an expert on science fiction why not test yourself with this new quiz book? Which husband and wife team created Thunderbirds and Space 1999? What is the name of Erin Gray's character in Buck Rogers in the 25th Century? Which 2010 film won Academy Awards in four categories for best visual effects, sound editing, sound mixing and cinematography? The answers to all these questions and more can be found in The Sci-Fi Film ＆ Television Quiz Book. Science fiction remains one of the most popular and enduring genres in film and TV and has produced several classic titles and memorable characters. With 100 challenging questions on some of the all time great films and TV series past and present, this is a must-have book for sci-fi fans of all ages.

Now retired and no longer silenced by a contract, Maggie Cotton presents an honest and long-overdue player's perspective of life inside a professional symphony orchestra, describing how she became the first female percussionist in what was initially a staunchly male-dominated world. Now retired after forty years with the City of Birmingham Symphony Orchestra, Maggie gives a fascinating and humorous insight into every aspect of her working life, including tours, conductors, composers, soloists, colleagues, recording contracts and educational work, as well as her own family life and the social conditions of wartime England and post-war Eastern Europe. Bolstered by her gritty Yorkshire roots, and naively undeterred by overwhelming odds, Maggie overcame many hurdles in pursuit of her ambition to play percussion in a professional symphony orchestra, in so doing transforming the face of women in that field from one of novelty circus performer to respected professional and colleague.

Andrew-Henry Bowie is a passionate Heart of Midlothian Football Club supporter. He doggedly survived a tough childhood and found solace - sort of - in his overwhelming love of football. The author engages the reader with an energetic and animated account of his years as a Hearts fan and his early years growing up as an Edinburgh 'schemie'. Written with verve and a dry sense of humour Bowie entertains with recollections of a series of calamitous episodes; ironically these seemed to reflect the Hearts' ups and downs! The book is scattered with familiar references to the 80s and 90s; for anyone growing up during this period, this book will stir poignant memories.

So many books about the American West leave out the more intriguing details:When, in 1803, the young USA doubled its size with the purchase from France of an unexplored vastness called La Louisiane, it was a British bank which lent the Americans most of the $15 million that they didn't have. So the financial papers for the biggest real-estate deal in history are, to this day, held in a London vault. Not many people know that... If his ranching uncle-by-marriage had had his way, the teenaged Winston Churchill - a disappointing scholar - might have been sent west to Wyoming to train as a cowboy. Who knows but, in time, he himself might have become a rancher. How then would history have turned out? Another ranching Englishman played a key role in recruiting a small army of Texas gunmen to "e;invade"e; northern Wyoming and kill more than 40 small settlers, men who had too easily been accused of being rustlers. The plan went badly wrong. But the Englishman had slipped away - gone home on holiday... It seems unlikely that Butch Cassidy was killed in a Bolivian shoot-out. It seems that he returned, under a false name, to live out his days in the West. In 1935, he even submitted a autobiographical script to Hollywood - only to have it rejected as being "e;too preposterous to be believable"e;. He died two years later - penniless. "e;Royal tourist visits the Colonies"e; was the local headline. In her VC-10, the Queen had flown into the small town of Sheridan in Wyoming. First, she took an extended walkabout along Main Street and then she holidayed for several days on a friend's ranch in the shadow of the Big Horn Mountain ... Tim Slessor, a one-time BBC producer, has filmed "e;out West"e; for nearly 50 years. In this book, he picks out a selection of fascinating stories that range from the mountain men and their fur trade to the pioneers of the overland trail, from Custer and the disaster at the Little Big Horn to the last stand of the Sioux at Wounded Knee, from the early cow-towns and the railroads to the cattle barons and the emigrant sod-busters.

The Basque Country is a land of fascinating paradoxes and enigmas. Home to one of Europe's oldest peoples and most mysterious languages, with a living folklore rich in archaic rituals and dances, it also boasts a dynamic post-modern energy, with the reinvention of Bilbao creating a model for the twenty-first-century city of cultural services and information technologies. Hugging the elbow of the Bay of Biscay on both the French and Spanish sides of the Pyrenees, this small territory abounds in big contrasts, ranging from moist green valleys to semi-desert badlands, from snowy sierras to sandy beaches, from harsh industrial landscapes to bucolic beech woods.This often idyllic scenery is the stage for fierce political passions. Almost every aspect of the Basque Country generates passionate disagreement, even its precise location. Spanish and French centralism, often authoritarian and sometimes brutal, has met with resistance for two centuries. Most recently and notoriously ETA, a terrorist group with deep popular support, has engaged in a bloody 45-year conflict. But many Basques consider themselves full French or Spanish citizens, and fear political and linguistic exclusion under Basque nationalist rule.

Meet Robert Cameron. 'Cam' trained as a covert military operator for the British Army. A hardened ex-Special Forces veteran of Sierra Leone and other major actions including UK counter-terrorism operations. Now, with the military behind him, it seems Cam is living a quiet life in the English Lake District but between suffering flash-backs to his secret past that he would rather forget, he is planning. But planning for what? He may no longer be part of the covert world, but Cam still has his specialist skills and training - he is also armed with an archive of undealt with terrorist activists in the UK and their personal details and whereabouts... He is ready to start his crusade. However, as he discovers - a plan never survives first contact.

Dementia, including Alzheimer's disease, characterised by mental deterioration and degeneration of the brain, is distressing for both sufferers and those who care for them, and Celebrities' Favourite Books is dedicated to those affected.Containing around 100 letters from well-known people nominating their all-time favourite reads and explaining their choice, this book is designed both to stimulate an interest in reading novels and also to raise awareness of Alzheimer's disease.With a fitting foreword by Princess Alexandra, the aim of the book is to highlight the plight of sufferers and raise awareness of, and funds for, the valuable work carried out by the Alzheimer's Society.