One of the most influential and important figures of the Renaissance, Henry Howard, Earl of Surrey was the first poet to use blank verse in English literature, later influencing the works of Shakespeare, Spenser and Milton. This new edition of the bestselling Delphi Poets Series offers superior formatting of the complete surviving works of Surrey, with beautiful illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Surrey's life and works * Concise introduction to the influential early Renaissance poet * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes line numbers ? ideal for students * Features a bonus biography - explore Surrey's literary life Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Poetry of Surrey BRIEF INTRODUCTION: HENRY HOWARD, EARL OF SURREY The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Biography HENRY HOWARD by Sidney Lee Please visit www.delphiclassics.com to browse through our range of exciting titles

Life is not easy in the Soviet Union at mid-20 th century, especially for a factory worker who becomes an unwed mother. But Antonina is lucky to get a room in a communal apartment that she and her little girl share with three elderly women. Glikeria is a daughter of former serfs. Ariadna comes from a wealthy family and speaks French. Yevdokia is illiterate and bitter. All have lost their families, all are deeply traditional, and all become “grannies” to little Suzanna. Only they secretly name her Sofia. And just as secretly they impart to her the history of her country as they experienced it: the Revolution, the early days of the Soviet Union, the blockade and starvation of World War II. The little girl responds by drawing beautiful pictures, but she is mute. If the authorities find out she will be taken from her home and sent to an institution. When Antonina falls desperately ill, the grannies are faced with the reality of losing the little girl they love – a stepfather can be found before it is too late. And for that, they need a miracle.

The Beast in the Jungle is one of James' finest short novels touching upon such universal themes as loneliness, fate, love and death. The story can be interpreted as a confession or parable about James' own life. He never married and possibly never experienced a consummated sexual relationship. Although he did enjoy a thorough experience of aesthetic creativity, it is possible that he still regretted what he called the essential loneliness of his life. The parable of the protagonist, John Marcher and his peculiar destiny speaks about the worth and meaning of human life.

Once upon a time there was a very mischievous little monkey, who lived in a big banyan tree, and his name was Jacko. And in the jungle below there lived a huge, fierce old lion and lioness.

A collection of magical stories based on old Greek fairy tales including: The Story of Perseus, The Story of The Argonauts, The Story of Theseus. Written by Charles Kingsley and dedicated to his children Rose, Maurice, and Mary. A little present of old Greek Fairy Tales.

The last of Dickens' picaresque novels which exposes selfishness, portrayed in a satirical fashion using all the members of the Chuzzlewit family. The novel was written after taking a year off during which Charles Dickens visited America. Similarly, young Martin Chuzzlewit, the old man's grandson, goes off to America to live through events which Dickens himself perhaps experienced or observed during his own travels.

Eve's Ransom is the story of a mechanical draughtsman named Maurice Hilliard, who comes into some money, which enables him to live without working. As part of his resulting travels, he meets and falls in love with Eve Madeley, a book keeper.

A son was born to a poor peasant. He rejoiced and went to a neighbour to ask him to stand as godfather to the boy. The neighbour refused. He did not want to be godfather to a poor man’s son. So the peasant went to another neighbour and he, too, refused. He walked from house to house, but could find no one who would be godfather to his son, so he set out to another village.

The Ancestors is the story of three generations of first daughters who were born after the abolition of slavery and possessed egos that were not compliant with the expected and largely accepted subservient role of women within the humble but chauvinistic environment in which they lived. The spirit of the era is captured as the biopic depicts simple sub-cultural lifestyles with fixed superstitions, parallel belief in God and the occult and unique language. Life experiences are stmpathetically and humorously echoed during separate journeys of survival and eventual triumph.

A morose widower, Mr Glowry lives with his only son Scythrop in his semi-dilapidated family mansion Nightmare Abbey, which is situated on a strip of dry land between the sea and the fens in Lincolnshire. Mr Glowry is a melancholy gentleman who likes to surround himself with servants with long faces or dismal names such as Raven, Graves or Deathshead. The few visitors he welcomes to his home are mostly of a similar cast of mind: Mr Flosky, a transcendental philosopher; Mr Toobad, a Manichaean Millenarian; Mr Listless, Scythrop's languid and world-weary college friend; and Mr Cypress, a misanthropic poet.

The magi, as you know, were wise men – wonderfully wise men – who brought gifts to the new-born King of the Jews in the manger. They invented the art of giving Christmas presents. Being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house.

Το παρ?ν βιβλ?ο ?55 Χρ?νια Σκ?ψει? & Διαλογισμο?? ε?ναι το απ?σταγμα συνεχο?? προσπ?θεια?, αναζητ?σεων, προβληματισμ?ν, σκ?ψεων και διαλογισμ?ν εν?? ανθρ?που. Με πολυπο?κιλο και ποικιλ?μορφο θεματικ? περιεχ?μενο σε πεζ? κυρ?ω? μα και ποιητικ? λ?γο, τα θ?ματα ε?ναι ?λα απ? την καθημεριν?τητα: Κοινωνικ?, πολιτικ?, φιλοσοφικ?, ερωτικ?, γενικ?τερη? αναζ?τηση? κ.τ.λ.Πολλ? τα ερωτ?ματα που ξεπροβ?λλουν εμπρ?? σε κ?θε σκεπτ?μενο ?νθρωπο που βαδ?ζει το προσωπικ? του μονοπ?τι π?νω στην γη και ο οπο?ο? αναζητε? απαντ?σει? και λ?σει? των προβλημ?των τη? ζω??. Γιατ? αντιμ?χονται οι λαο?; Γιατ? μαλ?νουν οι ?νθρωποι; Τι δυσκολε?ει την ανθρ?πινη επικοινων?α την καθημεριν?; Τι ε?ναι η τ?χνη και η ομορφι?; Τι ε?ναι οι επιστ?με? οι πολλ?? και ποια ε?ναι τα ?ρια του? τα αληθιν?; Πρ?πει να τι? εμπιστευ?μαστε λοιπ?ν; Τι ε?ναι η ?σοφ?α? και η ?ομορφι?? και ποιε? οι γν?σει? που αξ?ζουν τελικ?; Ποια ε?ναι η αλ?θεια η μοναδικ?. Υπ?ρχει γν?ση αντικειμενικ?; Υπ?ρχει το καλ? και το κακ?; Ε?ναι λοιπ?ν τα τρ?α ιδανικ?, η ?Αγ?πη?, η ?Γν?ση? και η ?Αλ?θεια? τελικ?;?τσι λοιπ?ν ξεκ?νησα ?να πρω?, τι? σκ?ρπιε? σκ?ψει? μου αυτ??, το κατακ?θι μια? ολ?κληρη? ζω?? ?λων εκε?νων για τα οπο?α τ?σο πολ? ?χω προβληματιστε? και ?λα τα ερωτ?ματ? μου που ?χουν καταγραφε?, να τα μαζ?ψω ?να πρω?, ?λα αυτ? που ε?χα καταγεγραμμ?να εδ? και εκε?, σε ?να βιβλ?ο προσωπικ? σκ?ψεων και διαλογισμ?ν. Ε?ναι ?να βιβλ?ο τη? ζω?? λοιπ?ν το βιβλ?ο αυτ?, βγαλμ?νο απευθε?α? μ?σα απ? την ζω? που με συγκ?νηση το καταγρ?φω και με περ?σσια περισυλλογ?.Ε?ναι βιβλ?ο τη? ζω?? και απευθ?νεται σε κ?θε σκεπτ?μενο καλοπροα?ρετο και ?ντιμο αναγν?στη αλλ? και σε ηλικ?ε? νεαρ??, που με την καθαρ?τητα που ?χουν στη ψυχ?, πιο ε?κολα κι αντιλαμβ?νονται το ?μορφο, το δ?κιο και το σωστ?. Πεν?ντα π?ντε χρ?νια σκ?ψεων και διαλογισμ?ν ε?ναι το βιβλ?ο αυτ?. Ε?ναι μια αναζ?τηση τη? ?Αγ?πη??, τη? ?Γν?ση?? και τη? ?Αλ?θεια?

Iako je napisao veoma zna?ajne radove iz drugih podru?ja filozofije?(npr. Sistem logike, gde izla?e na?ela induktivnog zaklju?ivanja, ili Utilitarizam, gde izla?e shvatanje da svako treba da dela tako da proizvede najve?u sre?u za najve?i broj ljudi), Mil je najtrajniji utjecaj ostavio svojim radovima iz politi?ke filozofije i etike. Njegovo delo O slobodi smatra se jednim od temeljnih tekstova savremenog liberalizma. U njemu Mil zagovara na?elo da je ljudsku slobodu dozvoljeno ograni?avati samo ukoliko ?teti drugima. Na?elo ?tete, kako se to na?elo ?esto naziva, u svojoj primeni na ure?enje dru?tvenih odnosa isklju?uje sve despotske i autoritarne oblike vlasti koji gu?e slobodu pojedinaca i njihovu individualnost. Od posebne va?nosti za sre?u pojedinca i dru?tva u celini jeste sloboda govora, koja ni?im ne sme biti ograni?ena. Na Milovoj raspravi O slobodi njen prevodilac, kralj Petar I Kara?or?evi?, tvorac dr?ave Srba, Hrvata i Slovenaca, zasnovao je svoj politi?ki program.

Diderot, tanr?sal, dinsel inanc?n yerine akl? ge?iren adamd?r, onun sava??m? buydu ve bütün k?r inan?lar? silip süpüren bu ak?l, g?rünen dünyay?, do?ay?, felsefenin, sanat?n, sa? t?renin temel ilkesi durumuna getirdi. Diderot’un yayg?n ?al??ma alan?n? olu?turan ilkedir bu. Maddeci ve gerekirci bir filozoftu. tanr?ya inanan ki?inin filozof olmayaca??n? s?yledi. 'K?rler üstüne mektup'taki k?r, kendini tanr?ya inand?rmaya ?al??an misyonere "bunun i?in tanr?ya parma??mla dokunmam gerekir" der. Diderot, bu yüzden hapse girdi. 'D'alembert'in dü?ü'nde, madde tanr?n?n yerini alm??t?r art?k. Madde devinim ve duyarl?l?kla donat?lm??t?r. Bilim gerekircili?in kan?t?d?r. Bütün varl?klar ?z?e birdir ve bir ge?i?, de?i?im, olu?um süreci i?inde bulunurlar. ?yle ise sa? t?renin temeli do?a olacakt?r. Do?as? gere?i insan iyidir, hristiyan sagtoresinin sand??? gibi do?u?tan günahkar de?il ve iyilikler de, k?tülükler de, düzenin, ko?ullar?n, e?itimin ürünüdür. ?nsan, bu gerekircilik anlay??? i?inde, ?zgür olamayaca?? i?in, su?lu da bulunamaz. bu üslama sonucu olarak sanat, do?ay? ?rnek almal?d?r. roman, resim, oyun ger?ek?i olmal?d?r. Diderot, bunlar? s?ylemekle kalmam??, romanlar? ve oyunlar? ile ?rneklendirmi?tir de ve ?a??n?n sanat??lar?n? bu a??dan de?erlendirmi?tir. Diderot, büyük sava??m? ve e?siz ?abas? ile insanl???n ba?tac?d?r bugün de ve onu b?ylesine unutulmaz k?lan i?lerinin ba??nda ise elbet 'ansiklopedi' gelir. 'Ansiklopedi', yunanca enkyklios paidela'dan yap?lm??t?r ve bütün bilimleri i?ine alan ??retim anlam?na gelir. s?zcü?ü bulan rabelais'dir (1532). Diderot ile d'alembert'in ansiklopedisine temel olan yap?t, ?ng?l?z chambers’?n cyelopaedia’s? idi; fakat diderot'nun etkisi ile ansiklopedi, bir ?eviri yap?t olmaktan ??k?p, gizemcili?e kar?? bilimin sava? alan? durumunu ald?. Bu yüzden de gerici ?evrelerin kar?? koymas?n? sonu?lad?. diderot, ya?am? boyunca ?al??t? 'ansiklopedi' i?in, bir?ok maddeyi kendisi yazd?. bu u?urda yepyeni ara?t?rmalara giri?ti, teknik de?i?mekte oldu?u i?in ortaya yeni ara?-gere?ler ??kmakta idi, bunlar? tan?d?, adland?rd?, tan?tt? ve fransa'y? ayd?nlanma ?a??'n?n avrupa'da g?zbebe?i durumuna getirdi. Ancak unutmamal? ki, bir ansiklopedi ortaya ??karan her ülkeyi ayd?nlanma ?a??'n? alg?lam?? sayamay?z. ?o?u ülkede bu tür yap?tlar, geni?letilmi? s?zlükler olmaktan ileri gidememi?tir. diderot’nun ansiklopedisi, toplu bilgi vermekten ?ok, dinsel inan?lara kar?? bilimlerin ??retimini üstlenmi?ti, demek yans?z de?ildi, metafizikle ve skolastikle ?arp???yordu..

M. Lévy-Bruhl then explains that, whilst recognising the entire coherence of Comte’s collective labours, he proposes to confine his present study to the earlier and principal work, the Philosophy, which in M. Lévy-Bruhl’s opinion is the dominant and more fruitful composition.??This he regards as the representative work of the nineteenth century, as shown by the intellectual history of the period. He points to its influence on thought in England, in Europe, and in America. It will surprise many persons to learn that in M. Lévy-Bruhl’s opinion two eminent French writers, who assuredly neither were, nor were supposed to be, Positivists, “have done more for the diffusion of the ideas and method of Comte than Littré and all the other Positivists together.” ??These two are Taine and Renan, much as they differed from Comte’s actual scheme and doctrines. Renan indeed spoke of Comte as destined to prove one of the typical names of the century. The present writer remembers Renan saying to him with a most genial welcome, “I too am a believer in the religion of humanity.” ??Professor Lévy-Bruhl followed up his History of Modern Philosophy in France by a substantial work on the philosophy of Auguste Comte. It forms a volume of the Bibliothèque de Philosophie Contemporaine, which has already devoted four other works to the Positive Philosophy. It is as well to premise that this treatise dealt solely with the philosophy, not with the polity, or any part of the religious scheme of Comte. Professor Lévy-Bruhl writes as a student, but not as an adherent of Auguste Comte. His entire work is rather an exposition, not a refutation, or a criticism, or an advocacy of Comte’s philosophical system. But it may be said at once that no one abroad or at home, certainly neither Mill, nor Lewes, nor Spencer, nor Caird, has so truly grasped and assimilated Comte’s ideas as M. Lévy-Bruhl has done.??In his Introduction M. Lévy-Bruhl very clearly states the scope of his work, and his own general attitude. He traces the origin of Comte’s philosophy in the mental effervescence of the first generation of the present century towards a reorganisation of society, after the upheaval left by the Revolution and its consequences. He correctly states the relation of St. Simon to Comte as being that of an initial stimulus. ??The cardinal difference between Comte and all the socialists and founders of social and religious Utopias consisted in this, that Comte saw the necessity of a new system of philosophy as the indispensable preliminary to any reorganisation of society.

The Critique of Practical Reason follows on from Kant's Critique of Pure Reason and deals with his moral philosophy. The second Critique exercised a decisive influence over the subsequent development of the field of ethics and moral philosophy, beginning with Johann Gottlieb Fichte's Doctrine of Science and becoming, during the 20th century, the principal reference point for deontological moral philosophy.

The first of Immanuel Kant's mature works on moral philosophy and remains one of the most influential in the field. Kant conceives his investigation as a work of foundational ethics, one that clears the ground for future research by explaining the core concepts and principles of moral theory and showing that they are normative for rational agents. Kant aspires to nothing less than this: to lay bare the fundamental principle of morality and show that it applies to us.

Confucius believed that the welfare of a country depended on the moral cultivation of its people, beginning from the nation's leadership. He believed that individuals could begin to cultivate an all-encompassing sense of virtue through ren, and that the most basic step to cultivating ren was devotion to one's parents and older siblings. He taught that one's individual desires do not need to be suppressed, but that people should be educated to reconcile their desires via rituals and forms of propriety, through which people could demonstrate their respect for others and their responsible roles in society.

The Phaedrus is closely connected with the Symposium, and may be regarded either as introducing or following it. The two Dialogues together contain the whole philosophy of Plato on the nature of love, which in the Republic and in the later writings of Plato is only introduced playfully or as a figure of speech. But in the Phaedrus and Symposium love and philosophy join hands, and one is an aspect of the other. The spiritual and emotional part is elevated into the ideal, to which in the Symposium mankind are described as looking forward, and which in the Phaedrus, as well as in the Phaedo, they are seeking to recover from a former state of existence.

The Protagoras, like several of the Dialogues of Plato, is put into the mouth of Socrates, who describes a conversation which had taken place between himself and the great Sophist at the house of Callias—'the man who had spent more upon the Sophists than all the rest of the world'—and in which the learned Hippias and the grammarian Prodicus had also shared, as well as Alcibiades and Critias, both of whom said a few words—in the presence of a distinguished company consisting of disciples of Protagoras and of leading Athenians belonging to the Socratic circle.

Our next task is to study coming-to-be and passing-away. We are to distinguish the causes, and to state the definitions, of these processes considered in general-as changes predicable uniformly of all the things that come-to-be and pass-away by nature. Further, we are to study growth and 'alteration'. We must inquire what each of them is; and whether 'alteration' is to be identified with coming-to-be, or whether to these different names there correspond two separate processes with distinct natures.