Choking Back the Devil by Donna Lynch is an invocation, an ancient invitation that summons the darkness within and channels those lonely spirits looking for a host. It's a collection that lives in the realm of ghosts and family curses, witchcraft and urban legends, and if you're brave enough to peek behind the veil, the hauntings that permeate these pages will break seals and open doorways, cut throats and shatter mirrors. You see, these poems are small drownings, all those subtle suffocations that live in that place between our ribs that swells with panic, incubates fear. Lynch shows her readers that sometimes our shadow selves--our secrets--are our sharpest weapons, the knives that rip through flesh, suture pacts with demons, cut deals with entities looking for more than a homecoming, something better, more intimate than family. It's about the masks we wear and the reflections we choose not to look at, and what's most terrifying about the spells is these incantations show that we are the possessed, that we are our greatest monster, and if we look out of the corner of our eyes, sometimes--if we've damned ourselves enough--we can catch a glimpse of our own burnings, what monstrosities and mockeries we're to become. So cross yourselves and say your prayers. Because in this world, you are the witch and the hunter, the girl and the wolf. "Lynch mixes in childhood fables with waking nightmares, the result is electrifying; sometimes in a few razor sharp words; sometimes in longer numbered verses counting down the cycle of a damaged life. The silent cries of souls tormented to healthiness by pills and poultices, force fed by imperfect humans, echo in the silhouette of these poems. I smiled at the shadows unexpectedly delivered by her words, as will you."--Linda D. Addison, award-winning author of How to Recognize a Demon Has Become Your Friend and HWA Lifetime Achievement Award winner "This collection is not for the chronically disturbed, as fear is doled out in terse, potent portions. I got the shivers reading these unsettling poems."--Marge Simon, Bram Stoker Award winner, SFPA Grand Master Poet "Choking Back the Devil is unlike any other poetry collection you've ever read. Donna Lynch crafts beautifully terrifying worlds, packed with dense imagery and horrifying yet lush details. This collection will get your blood racing even as it breaks your heart." --Gwendolyn Kiste, Bram Stoker Award-winning author of The Rust Maidens "Some dark poets use their verse as a means to exorcise their demons. Lynch instead embraces her torment, nurtures it, and transforms it into equal parts hideous and heavenly. With a mix of wicked wit, carnal fury, and commentary that has sharpened its fangs to drain you until you're left with nothing but despair, Choking Back the Devil is essential sustenance for harrowed souls."--Chad Stroup, author of Secrets of the Weird and Sexy Leper

The Portuguese visual artist Paula Rego has inspired this trilogy of plays. Her paintings Crivelli’s Garden, The Prey and Breaking China became the catalyst for writing by theatre maker Fiona Graham. Commissioned by Theatre Centre and Komedia, these three new plays were developed for specific audiences through a series of artist/audience residencies and collaborations. These works have toured Britain and been re-staged in Portugal and Singapore. Crivellis’s Garden was created for a 16+ audience and explores rites of passage as two young women decide whether they should stay or leave their fishing village to go to university in Portugal. Between Friends is for 7 -11 year olds and examines the politics of friendship between three young people when they are shipwrecked and abandoned in a lighthouse. Breaking China is for 4-8 year olds and shows the importance of creative play and storytelling when making sense of change and adversity. About the authorDR FIONA GRAHAMFiona teaches dramaturgy at Goldsmiths University. Previously she spent over a decade in New Zealand writing and teaching at Auckland University. Her plays include: Passage (The Herald Theatre, Auckland 2010), Breaking China (Theatre Centre, 2002 and Singapore’s International Festival, 2004) and Legacy (for Massive Theatre Company, 1998). Most recently she worked as dramaturge with Otago University and Talking House Theatre Company on Be/Longing and Hush, with Red Leap Theatre Company on Paper Sky and Sea, with playwright Mei-Lin Hansen on The Mooncake And The Kumara, with Winning Productions on I Wanna Be -- Ponsonby and Carol Brown on 1000 Lovers and the Pah Collective. Her book Catalyst For Change: The Interventions of the Dramaturge was published in New Zealand in 2017. Reviews: ‘Graham’s poetically eloquent script flows like molten silver and should give students, teachers and other theatregoers much to think about’ (on Crivelli’s Garden) – The Stage ‘A prime example of how an excellent script innovatively directed and beautifully performed can be applied to a wide age range. This joyful production provides much food for thought.’ (on Breaking China) – The Stage

There's a place inside us that is cloaked in darkness, rubbed raw with silence. It's a shadow wrapped in a shadow and it screams, but it screams in harsh whispers. This collection explores the blackness within, the gritty underground that hides inside memories and cowers just outside fear. The poems, paired with illustrations from Matthias Matthies work in sync to create a collage of blunt sexuality, masochistic, and sometimes sadistic recollections of love, reflection, and self-exploration.??Lindemann paints pictures with his poems, a slave to the vulnerability and sexuality that drives mankind. His words themselves are body modifications that settle on readers, piercing then slowly penetrating and pumping his audience full with a mix of pleasure and pain. A combination of longing, emotional depth, and bestial intuition, these pieces evoke an innate nature to seek pleasure, to ask for forgiveness, to instill blame. ??On Quiet Nights pulls back the curtains at night and asks readers to think about who they are. Lindemann holds a mirror to soul, capturing desire and need, with the courage to answer some of life's biggest questions: Who am I? What am I? Why am I?

"I ought to be grateful to Richmond & Hogarth, and indeed, whether it's my invincible optimism or not, I am grateful." - Virginia Woolf Although more commonly associated with Bloomsbury, Virginia and her husband Leonard Woolf lived in Richmond-upon-Thames for ten years from the time of the First World War (1914-1924). Refuting the common misconception that she disliked the town, this book explores her daily habits as well as her intimate thoughts while living at the pretty house she came to love - Hogarth House. Drawing on information from her many letters and diaries, the author reveals how Richmond's relaxed way of life came to influence the writer, from her experimentation as a novelist to her work with her husband and the Hogarth Press, from her relationships with her servants to her many famous visitors. Reviews “Lively, diverse and readable, this book captures beautifully Virginia Woolf’s time in leafy Richmond,?her mixed emotions over this exile from central London, and its influence on her life and work.?This illuminating book is a valuable addition to literary history, and a must-read for every Virginia Woolf enthusiast…” ?- Emma Woolf, writer, journalist, presenter and Virginia Woolf’s great niece About the Author Peter Fullagar is a former English Language teacher, having lived and worked in diverse locations such as Tokyo and Moscow. He became fascinated by the works of Virginia Woolf while writing his dissertation for his Masters in English Literature and Language. During his teaching career he was head of department at a private college in West London. He has written articles and book reviews for the magazine?English Teaching Professional?and?The Huffington Post. His first short story will be published in an anthology entitled?Tempest?in March 2019. Peter was recently interviewed for the?forthcoming film about the project to fund, create and install a new full-sized bronze statue of Virginia Woolf in Richmond-upon-Thames.

Vidám, r?vid valós t?rténetek a szerz? és családja életéb?l.

A collection of three plays by former Olympic Coach and best-selling author Tom McNab delving into the murky world of Olympic politics (1936: Berlin), the troubled mind of George Orwell (Orwell on Jura), and an imaginary meeting between the acclaimed director Orson Welles and infamous fellow filmmaker Leni Riefenstahl, who directed Hitler’s propaganda film The Triumph of the Will, and filmed the 1936 Olympic Games (Whisper in the Heart). Reviews On 1936: Berlin “A powerful, thought-provoking, richly rewarding piece of theatre.” ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?–What’sOnStage “There’s no doubt McNab has a fascinating story to tell... This battle of idealsand ambition is where the play takes flight, as McNab provocatively parallelsAmerica’s treatment of its black athletes, Jesse Owens included, with racismunder the Third Reich.” ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?– The Guardian About the Author Tom McNab is a leading figure in the sporting world, having won five titles in the Scottish triple jump and coached Greg Rutherford to a gold medal as a long jumper and the English rugby team to win silver in 1992. He was Technical Director on the film Chariots of Fire and has written several radio plays and novels including best seller Flanagan’s Run, with film rights sold to Disney. In 1982 he won the Scottish Novelist of the Year award. He has been a commentator for ITV and Channel 4, a freelance journalist for the Observer, Sunday Telegraph, Times and Independent.

Little Good Boy had just finished eating the last of five rice cakes called "dango," that had been strung on a skewer of bamboo and dipped in soy sauce, when he said to his little sister, called Chrysanthemum: "O-Kiku, it is soon the great festival of the New Year." "What shall we do then?" asked little O-Kiku, not clearly remembering the festival of the previous year. Thus questioned, Yoshi-san had his desired opening to hold forth on the coming delights, and he replied: "Men will come the evening before the great feast-day and help Plum-blossom, our maid, to clean all the house with brush and broom. Others will set up the decoration in front of our honored gateway. They will dig two small holes and plant a gnarled, black-barked father-pine branch on the left, and the slighter reddish mother-pine branch on the right. They will then put with these the tall knotted stem of a bamboo, with its smooth, hard green leaves that chatter when the wind blows. Next they will take a grass rope, about as long as a tall man, fringed with grass, and decorated with zigzag strips of white paper.

Cada uno de los versos están escritos desde la perspectiva de un creyente que confiesa la nueva creación, mientras que se enfrenta a las consecuencias de la caída. La familia, la política, la justicia, el amor, las relaciones humanas, han sido todas manchadas por el error humano, y aunque el Se?or ya ha comenzado su obra de restauración a través del Evangelio, hay mucho camino por recorrer.

Paradise Regained is a poem by English poet John Milton, first published in 1671 by John Macock. The volume in which it appeared also contained the poet's closet drama Samson Agonistes. Paradise Regained is connected by name to his earlier and more famous epic poem Paradise Lost, with which it shares similar theological themes; indeed, its title, its use of blank verse, and its progression through Christian history recall the earlier work. However, this effort deals primarily with the temptation of Christ as recounted in the Gospel of Luke. ? An interesting anecdote recounted by a Quaker named Thomas Ellwood provides some insight into Paradise Regained??'?s development. After studying Latin with Milton and reading the poet's epic Paradise Lost, Ellwood remarked, "Thou hast said much here of Paradise lost, but what hast thou to say of Paradise found?" Hearing this, Milton at first "sat some time in a muse" before changing the subject; however, later on he showed to Ellwood a new manuscript entitled Paradise Regained. Some maintain that although he seemed to express gratitude to Ellwood in a letter, Milton in truth "passed on a friendly if impish fabrication" that made Ellwood feel like the inspiration for the poem. Milton composed Paradise Regained at his cottage in Chalfont St Giles in Buckinghamshire. The poem is four books long, in contrast with Paradise Lost??'?s twelve. As such, Barbara K. Lewalski has labelled the work a "brief epic." ? Whereas Paradise Lost is ornate in style and decorative in its verse, Paradise Regained is carried out in a fairly plain style. Specifically, Milton reduces his use of simile and deploys a simpler syntax in Paradise Regained than he does in Paradise Lost, and this is consistent with Jesus's sublime plainness in his life and teachings (in the epic, he prefers Hebrew psalms to Greek poetry). Modern editors believe the stylistics of Paradise Regained evince Milton's poetic maturity. No longer is the poet out to dazzle his readers with bombastic verse and lengthy epic similes. This is not to say that the poem bears no affinities with Milton's earlier work, but scholars continue to agree with Northrop Frye's suggestion that Paradise Regained is "practically sui generis" in its poetic execution. ? One major concept emphasized throughout Paradise Regained is the idea of reversals. As implied by its title, Milton sets out to reverse the "loss" of Paradise. Thus, antonyms are often found next to each other, reinforcing the idea that everything that was lost in the first epic will be regained by the end of this "brief epic." Additionally, the work focuses on the idea of "hunger", both in a literal and in a spiritual sense. After wandering in the wilderness for forty days, Jesus is starving for food. Satan, too blind to see any non-literal meanings of the term, offers Christ food and various other temptations, but Jesus continually denies him. Although Milton's Jesus is remarkably human, an exclusive focus on this dimension of his character obscures the divine stakes of Jesus’s confrontation with Satan; Jesus emerges victorious, and Satan falls, amazed.

Essays: Religious Meditations. Places of Perswasion and Disswasion. Seene and Allowed (1597) was the first published book by the philosopher, statesman and jurist Francis Bacon. The Essays are written in a wide range of styles, from the plain and unadorned to the epigrammatic. They cover topics drawn from both public and private life, and in each case the essays cover their topics systematically from a number of different angles, weighing one argument against another. A much-enlarged second edition appeared in 1612 with 38 essays. Another, under the title Essayes or Counsels, Civill and Morall, was published in 1625 with 58 essays. Translations into French and Italian appeared during Bacon's lifetime. ? Bacon's genius as a phrase-maker appears to great advantage in the later essays. In "Of Boldness" he wrote, "If the Hill will not come to Mahomet, Mahomet will go to the hill", which is the earliest known appearance of that proverb in print. The phrase "hostages to fortune" appears in the essay "Of Marriage and Single Life" – again the earliest known usage. Aldous Huxley's book Jesting Pilate took its epigraph, "What is Truth? said jesting Pilate; and would not stay for an answer", from Bacon's essay "Of Truth". The 1999 edition of The Oxford Dictionary of Quotations includes no fewer than 91 quotations from the Essays.

Este libro está dedicado a personas, cosas, ideas, e incluso a entidades difíciles de definir. Cada uno de los poemas aquí comprendidos fueron escritos con alguno de los anteriores en mente. Hay algunos que hasta he olvidado su destinatario y fuente de inspiración; por lo tanto, siéntete libre de asignarlos a cualquier persona, idea, cosa, o entidad de tu preferencia.

The Voyage of the Beagle is the title most commonly given to reissues of the book written by Charles Darwin and published in 1839 as his Journal and Remarks, bringing him considerable fame and respect. This was the third volume of The Narrative of the Voyages of H.M. Ships Adventure and Beagle, and covers Darwin's part in the second survey expedition of the ship HMS Beagle, which set sail from Plymouth Sound on 27 December 1831 under the command of Captain Robert FitzRoy, R.N.. Due to the popularity of Darwin's account, the publisher reissued it later in 1839 as Darwin's Journal of Researches, and the revised second edition published in 1845 used this title. A republication of the book in 1905 introduced the title The Voyage of the "Beagle". ? While the expedition was originally planned to last two years, it lasted almost five—the Beagle did not return until 2 October 1836. Darwin spent most of this time exploring on land (three years and three months on land; 18 months at sea). ? The book is a vivid and exciting travel memoir as well as a detailed scientific field journal covering biology, geology, and anthropology that demonstrates Darwin's keen powers of observation, written at a time when Western Europeans were exploring and charting the whole world. Although Darwin revisited some areas during the expedition, for clarity the chapters of the book are ordered by reference to places and locations rather than by date. Darwin's notes made during the voyage include comments illustrating his changing views at a time when he was developing his theory of evolution by natural selection and includes some suggestions of his ideas, particularly in the second edition of 1845.

Your outlook on life is so different from mine that I can hardly imagine you being built of the same stuff as myself. Yet I venture to put my difficulty before you. It is, of course, no question of mental grasp or capacity or artistic endowment. I am, so far as these are concerned, merely the man in the street, the averagely endowed and the ordinarily educated. I call myself a Puritan and a Christian. I run continually against walls of convention, of morals, of taste, which may be all wrong, but which I should feel it wrong to climb over. You range over fields where my make-up forbids me to wander.

Inside one of Contemporary India's most Influential Poets The twenty-four papers in Philosophical Musings for a Meaningful Life study the poetry collections Winged Reason (2010), Write Son, Write (2011), and Multicultural Symphony (2014), of Dr. K.V. Dominic and reveal his humanistic values and concept of universal brotherhood, his social criticism devoid of absurdity and obscurity, his profound concern for the marginalized sections of society, and his reverence for Nature. All the papers focus on the poet's anguish at the evils and the inhuman attitude prevalent in the society and necessitate harmony of existence. In the context of Indian English poetry, the papers find Dominic to be unique in his use of simple and plain language to address the vast canvass of human life and the neglected segment of human society. Further, the papers bring out how the universal appeal of Dominic lies in his ability to view the world as a sanctuary and acknowledge him as the promising voice of the present century for his belief in the interrelatedness of all lives that ascertains positive change in the individuals. Dr. S. Kumaran, Editor, is working as an Assistant Professor in the Postgraduate & Research Department of English, Thiruvalluvar Government Arts College, Rasipuram. He is Associate Editor of two refereed international biannual journals, Writers Editors Critics (WEC) and International Journal on Multicultural Literature (IJML); and a Member of the Editorial Boards of various journals from India and abroad. "This critical study on the poetry of Dr. K.V. Dominic deserves to be read closely for evaluation and to be on the shelf of every notable library. Philosophical Musings for a Meaningful Life will inspire scholars from the West to find rubies and diamonds in the Indian poetry of today." --Dr. Stephen Gill, Poet Laureate of Ansted University "K.V. Dominic's social consciousness is his chief forte. Not for a moment does he divert attention from the simple and innocent activities of ordinary human beings. From his lyrics originate feelings of eternal sympathy, peace, and fraternal unity." --P.C.K. Prem, critic from Himachal Pradesh, India From the World Voices Series Modern History Press www.ModernHistoryPress.com

Um ex jagun?o tenta construir vida nova longe de seu passado em uma pequeno vilarejo do sert?o nordestino. Mas a chegada de um homem misterioso e suas consequências o far?o deixar sua aposentadoria para buscar justi?a. Esse é o início de uma série de livros que resgatam a cultura da literatura pulp para o público de hoje.

Writers Editors Critics (WEC) An International Biannual Refereed Journal of English Language and Literature Volume 7 Number 1 (March 2017) ISSN: 2231 - 198X RESEARCH PAPERS The Confessional Voice and Rebellious Cry of Kamala Das as Visualized in her Poetical Works: A Brief Analysis - S. Chelliah The Philosopher-Scientist A. P. J. Abdul Kalam and his World View: A Study - J. Pamela Artificial Intelligence and the Instrumental Marvellous in Isaac Asimov's Foundation Novels - Lekshmi R. Nair Return to Wholeness: The Landscape of Willa Cather's O Pioneers! - Vikas Bhardwaj Nation and Identity Defined through Bodies: A Study of Bapsi Sidhwa's Ice Candy Man - Sonia Soni Ramesh K. Srivastava's "Under the Lamp": A Study - Shipra G. Vashishtha Reinventing Roots in Esther David's Book of Rachel - Giftsy Dorcas E. A Critical Reading of Authentic Existence in Claude Mckay's Banana Bottom - S. Khethzi Kerena "Write My Son, Write": An Aesthetic and Spiritual Reflection of World by K V Dominic - Laxmi R. Chaughaan Nandini's Sita: A Deep Dive to Every Woman's Journey - Arti Chandel Lives on Pyre: A Socio-realistic Portrayal in D.C. Chambial's The Cargoes of the Bleeding Hearts - Parthajit Ghosh& Dr. Madhu Kamra An Evolution of His Demography: A Socio-cultural Flow in the Fictional World of Manoj Das - Suresh Bera & Somali Gupta Maya Angelou's Shaker, Why Don't You Sing?: a Paroxysm of Confession - Ishita Pramanik & Dr. Shukla Banerjee REVIEW ARTICLES Eco-critical Perspectives in K. V. Dominic & Pamela Jeyaraju's (eds.) Environmental Literature: Research Papers and Poems - S. Barathi T. V. Reddy's Melting Melodies: An Analysis - P. Bayapa Reddy Critical Evaluation of T. V. Reddy's Melting Melodies - Dwarakanath H. Kabadi BOOK REVIEWS T. V. Reddy's Golden Veil: A Collection of Poems - Patricia Prime Ramesh K. Srivastava's My Father's Bad Boy--An Autobiography - Smita Das O. P. Arora's Whispers in the Wilderness: A Collection of Poems - Patricia Prime Vijay Kumar Roy's Realm of Beauty and Truth: A Collection of Poems - Sugandha Agarwal GENERAL ESSAYS Regional Integration in South Asia: A Nepalese Perspective - Shreedhar Gautam Role of Information Library Network (INFLIBNET) in Checking Plagiarism in Indian Universities - P. K. Suresh Kumar Sojourn in Forests - Ramesh Chandra Mukhopadhyaya The Commonplace Economic Thoughts of a Seventy Five Years Old Lady - Mousumi Ghosh INTERVIEW Conversation with Subodh Sarkar - Jaydeep Sarangi SHORT STORIES Perils of Simplicity - Ramesh K. Srivastava The Melody Queen - Jayanti M. Dalal (Trans. Dr. Rajshree Parthivv Trivedi) A Strange Reunion --- Chandramoni Narayanaswamy Is Human Life Precious than Animal's? - K. V. Dominic Psychological Effect - Manas Bakshi POEMS Regain the Vision - T. V. Reddy Down the Memory Lane - T. V. Reddy Memories - T. V. Reddy Patiently I Saw - D. C. Chambia

Saris and a Single Malt is a moving collection of poems written by a daughter for and about her mother. The book spans the time from when the poet receives a phone call in New York City that her mother is in a hospital in New Delhi, to the time she carries out her mother's last rites. The poems chronicle the author's physical and emotional journey as she flies to India, tries to fight the inevitable, and succumbs to the grief of living in a motherless world. This collection will move you, astound you, and make you hug your loved ones. "There are few books like Saris and a Single Malt in which the loss of a mother, a homeland, and the self come together in a sustained elegy." --Justen Ahren, Director Noepe Center, Author of A Strange Catechism "In life, as in poetry, one must come from the heart. Sweta Vikram has done both with touching eloquence. Her work resonates deeply within one's deepest emotional sacristy." --Sharon Kapp, Owner & Founder, Houston Yoga & Ayurvedic Wellness Center "Saris and a Single Malt is a fitting and delightful tribute of a writer daughter to her affectionate mother which goes deep into the minds of all children who love their moms." --K. V. Dominic, English language poet, critic, short-story writer, and editor from Kerala, India Sweta Srivastava Vikram, featured by Asian Fusion as "one of the most influential Asians of our time," is an award-winning writer, Pushcart Prize nominee, author of ten books, and a wellness practitioner. A graduate of Columbia University, Sweta performs her work, teaches creative writing workshops, and gives talks at universities and schools across the globe. Learn more at www.swetavikram.com From the World Voices Series at Modern History Press www.ModernHistoryPress.com POE005060 POETRY / American / Asian American

Ride in the back of the ambulance with Sherry Jones Mayo Share the innermost feelings of emergency services workers as they encounter trauma, tragedy, redemption, and even a little humor. Sherry Jones Mayo has been an Emergency Medical Technician, Emergerncy Room Nurse, and an on-scene critical incident debriefer for Hurricane Katrina. Most people who have observed or experienced physical, mental or emotional crisis have single perspectives. This book allows readers to stand on both sides of the gurney; it details a progression from innocence to enlightened caregiver to burnout, glimpsing into each stage personally and professionally.Emergency Service Professionals Praise Confessions of a Trauma Junkie "A must read for those who choose to subject themselves to life at its best and at its worst. Sherry offers insight in the Emergency Response business that most people cannot imagine." --Maj Gen Richard L. Bowling, former Commanding General, USAF Auxiliary (CAP) "Sherry Mayo shares experiences and unique personal insights of first responders. Told with poetry, sensitivity and a touch of humor at times, all are real, providing views into realities EMTs, Nurses, and other first responders encounter. Recommended reading for anyone working with trauma, crises, critical incidents in any profession." -- George W. Doherty, MS, LPC, President Rocky Mountain Region Disaster Mental Health Institute "Sherry has captured the essence of working with people who have witnessed trauma. It made me cry, it made me laugh, it helped me to understand differently the work of our Emergency Services Personnel. I consider this a 'MUST READ' for all of us who wish to be helpful to those who work in these professions." --Dennis Potter, LMSW, CAAC, FAAETS, ICISF Instructor "Confessions of a Trauma Junkie is an honest, powerful, and moving account of the emotional realities of helping others! Sherry Mayo gives us a privileged look into the healing professions she knows firsthand. The importance of peer support is beautifully illustrated. This book will deepen the readers respect for those who serve." --Victor Welzant, PsyD, Director of Education and Training The International Critical Incident Stress Foundation, Inc Learn more at www.SherryJonesMayo.com From the Reflections of America Series Modern History Press www.ModernHistoryPress.com

International Journal on Multicultural Literature (IJML) Volume 6 Number 2 (July 2016)ISSN 2231-6248 Highlights include: ·"Portrayal of Man-Woman Pairs in the Fictional World of D. H. Lawrence: An Analysis" --S. Chelliah ·"Feminism and Feminist Literary Theory: A Brief Note" --C. Ramya ·"Portrayal of Feminine Spaces and Sensibilities in the Short-fiction of Alice Munro" --Syed Mir Hassim & M. Revathi ·"Violence, Memory and Identity in Indian English Fiction" --Barinder Kumar Sharma ·"Relevance of Neo-Slave Narrative Technique in Toni Morrison's Beloved" --Jaya Singh ·"'Mangalamkali' of Mavilan Tribe: An Ecocritical Reading" --Lillykutty Abraham & Sr. Marykutty Alex IJML is a peer-reviewed research journal in English literature published from Thodupuzha, Kerala, India. The publisher and editor is Prof. Dr. K. V. Dominic, renowned English language poet, critic, short story writer and editor who has to his credit 27 books. He is also the secretary of Guild of Indian English Writers, Editors and Critics (GIEWEC). Since 2010, IJML is a biannual journal published in January and July. The articles are sent first to the referees by the editor and only if they accept, the papers will be published. Although based in India, each issue includes worldwide contributors. Although IJML concentrates on multiculturalism, it also encompasses other literature. Each issue also includes poems, short stories, review articles, book reviews, interviews, general essays etc. under separate sections. IJML is available in paperback, Kindle, ePub, and PDF editions. Distributed by Modern History Press LCO004020 LITERARY COLLECTIONS / Asian / Indic LIT008020 Literary Criticism : Asian - Indic POL035010 Political Science : Political Freedom & Security - Human Rights Learn more at www.profKVDominc.com

About the Author Sweta Srivastava Vikram is a multi-genre writer and marketing professional living in New York City. She is the author of Because All Is Not Lost from Modern History Press and the co-author of Whispering Woes of Ganges & Zambezi (Cyberwit 2010). Her work has appeared in six countries across three continents. Sweta has held recent artist residencies and workshops in Portugal, Ireland, and several within USA. She is a graduate of Columbia University. "In this innovative series, Sweta Srivastava Vikram re-appropriates color. Cultures and mythologies collide along the way, and the result is a chapbook that feels like a quest. In the end, the colors are a map to identity. The child's pink tonsils or the bride's red sari are not symbols, but rather mile markers. Like Vikram's poems, they lead toward understanding" --Erica Wright, Senior Poetry Editor, GuernicaAbout the Chapbook The book delves into the implication and philosophy of colors from a Hindu woman's point of view, from birth until death. The color she adorns herself with almost depicts the story of her life. Expressed through different poetic and verbal forms, each color in the book has its own tone and is specific to different age groups. Learn more at www.SwetaVikram.com From the World Voices Series at Modern History Press www.ModernHistoryPress.com

Ever Wonder Why The Same Patterns Happen To You Over And Over Again? We all have imprints, both negative and positive. An imprint is a belief that shapes our thoughts and actions, a belief we often hold unconsciously. Liliane Desjardins, a certified clinical addiction specialist, co-founder of Pavillon Gilles Desjardins, and co-creator of the Desjardins Unified Model of Treatment of Addictions, sets forth in The Imprint Journey an exploration of imprints, how they govern our lives, and how we can reprogram our minds to function in new and fulfilling ways. The Imprint Journey is equivalent to reading two powerful books in one. Liliane spends the first section telling her own story--a childhood in war-torn Croatia, the death of her mother, being an immigrant first to France and later French Canada--and the addictions and dysfunctions that marred her life until a suicide attempt resulted in a near-death experience. Her own personal recovery led her on a mission to help others find their own freedom from self-imposed and self-limiting imprints. The second half of this powerful book provides an anatomy of our imprints, revealing how to transform them so we are free to be our authentic selves. Liliane includes eight powerful personal stories of people who have overcome their imprints--including religious, sexual, and cultural limitations--as well as an overview of how understanding and rewriting our imprints can shape the human race's future as we all experience individual "Oneness." Readers will find themselves turning to The Imprint Journey again and again as a guide to relieve fears and to discover powerful truths about themselves that will transform them into their authentic selves. Acclaim For Desjardins' The Imprint Journey "Liliane writes from the depth of her own experience, with passion and power and a keen understanding of the human psyche. Her insights lift the reader above their own past patterns, providing insight both comforting and striking. The book inspires hope that no matter what we've been through, fundamental change is possible." --Marianne Williamson, author, A Return To Love "The Imprint Journey will touch your very soul and make way for profound transformation. From personal story to practical steps, Liliane walks with her readers on the path of awakening. Your life will be changed." --Carolyn Craft, Psychotherapist, Unity Minister, host of "Waking Up With Carolyn Craft" on Sirius Satellite Radio Learn more at www.LilianeDesjardins.com From Life Scripts Press www.RewritingLifeScripts.com FAM501000 Family & Relationships : Dysfunctional Families SEL003000 Self-Help : Adult Children of Alcoholics PSY017000 Psychology : Interpersonal Relations