A series of short, single voice plays by writers based in the North West of England. These powerful, contemporary monologues share the struggles, courage, conflicts and joys of different characters facing difficult decisions in their lives. Developed through consultation with young people, they offer a range of authentic, memorable voices to stimulate discussion and participatory drama work. ‘First Date’ by Anne-Marie O’Connor: Sometimes friendship comes with a heavy price tag. ‘Getting it Right’ by Peter Spafford: Luke can't choose between his shirts, let alone his parents. ‘Results Day’ by Aelish Michael: Karly’s mum thinks she’s an angel, but what if she flaps her wings? ‘Close to Home’ by Mary Cooper: Jay’s little sister is pregnant and he’s livid – who’s he going to punish? ‘Weighed Down’ by Carla Monvid-Jenkinson and Mary Cooper: When Claire’s dad left, she thought that he was all she would lose. ‘Giggsy’s Legs’ by Michael Harvey: Do you choose everything you are or does it choose you?

A manhunt can involve helicopters, hounds and hundreds of military or police personnel, but it can also turn on the evidence of one broken spider’s web. Manhunts today might involve the technology of infrared cameras and surveillance devices such as powerful satellite technology, but they may also rely on examining the width, depth, tread and intervals of footprints, or observing minute changes in the natural environment. From searching for high-value enemy targets such as Osama bin Laden and Saddam Hussein to finding soldiers caught behind enemy lines, from escaped prisoners and serial killers to a missing child, SAS and Elite Forces Guide: Manhunt explores just how the military and police forces track people down. Including many case studies of high-value targets, suspected criminals and fugitives from justice, and with extensive background on the different techniques in tracking used, from traditional Native American trackers’ skills to the latest high-tech methods, Manhunt brings together the history and science of tracking. Illustrated with 150 maps and photographs, SAS and Elite Forces Guide: Manhunt is an authoritative examination of tracking from footprints to forensics and a must for anyone interested in the latest military practices, true crime and survival skills.

Welcome! Come on in! Take part in the project launch of ArtWorks, the new back to work initiative created and run by your friend and ours, the one, the only, the most fantastic… Vince Fine! And so begins the project launch from hell… Exploring issues of how society views those living on benefits, the ‘creative industries’ and what we should value in life, this dark comedy (running in real time) charts the fall from grace of the central comedic hero, Vince Fine, as he watches everything he’s ever dreamed of slip from his fingers. Includes some audience participation and interaction.

In June 1863, General Robert E. Lee and the 75,000-strong Army of Northern Virginia launched a second invasion of the North, crossing into Maryland and Pennsylvania to try to win a decisive victory over Federal forces. On July 1, Lee’s army encountered Major General Meade’s 90,000 strong Army of the Potamac at the small town of Gettysburg. After some initial success in dispersing the Federal advance guard, Lee launched attack after attack against the main army, but everywhere the Union line held. On July 3, Lee ordered a final assault of 12,500 Confederates at the center of the Union line on Cemetery Ridge, known as Pickett’s Charge. The charge was repulsed with huge loss of life, bringing the battle to an end. Today, Gettysburg is recognized as the turning point in the Civil War and one of the iconic battles of the great struggle between North and South. Lee’s gamble didn’t pay off, leaving the Army of Northern Virginia fatally weakened and unable to continue its invasion of the North. Gettysburg is divided into five chapters, outlining the campaign, the fighting on July 1, July 2, and July 3, as well as a chapter dealing with the aftermath; an extended appendices provides biographical background of the main Federal and Confederate leaders who fought in the battle. Through letters, journal entries, and official reports, the book includes numerous first-hand accounts from those who survived. Color maps show the battle as it unfolded over three days of fighting in places that have a place in Civil War legend: Seminary Ridge, Little Round Top, Cemetery Hill, Devil’s Den, the Wheat Field, Culp’s Hill, the Peach Orchard. Including more than 200 archival photographs, illustrations, paintings, and maps, Gettysburg is a colorful, accessible guide to the great battle that marked the turning point in the Civil War.

The Second World War saw elite units take a prominent role on the battlefield for the first time. The Encyclopedia of Elite Forces in World War II is a wide-ranging guide to the excellent units on land, sea or in the air whose success was usually hard-won against the odds, and whose actions had an impact on the course of the fighting around them. The best units from both sides of the fighting are represented, as are the two main theatres of war. Arranged by combatant nation, the book covers such famous units as the US Rangers, British SAS and German Waffen-SS, as well as some of the less well-known units like Popski’s Private Army, the LRDG and Merrill’s Marauders. Not all the units featured in the book were officially designated as elite forces – indeed, some of those involved were only ordinary soldiers – but they achieved elite status through their deeds. Illustrated with action photographs, The Encyclopedia of Elite Forces in World War II is a comprehensive guide to the elite forces of both sides during the 1939-45 war. Each entry describes the unit’s strength, date of formation and gives a brief overview of its combat record during the war. Covering all aspects of warfare and both the European and Pacific theatres in World War II, the book will appeal to anyone with an interest in either World War II or elite units at war.

Cine-ar fi crezut c? lumea afacerilor poate fi at?t de fascinant? ?i plin? de dramatism? 350 de milioane de dolari investite ?ntr-un model de automobil plin de imperfec?iuni, f?r? s? fie g?sit m?car un responsabil pentru acest e?ec; ascensiunea spectaculoas? a unei mici companii produc?toare de h?rtie fotografic? p?n? la actualul gigant Xerox, ?nceput? de o m?n? de oameni care ?i-au riscat chiar ?i averea personal? pentru o inova?ie revolu?ionar?; b?t?lia titanic? dus? de Rezerva Federal? a Statelor Unite pentru ap?rarea lirei sterline de atacurile speculatorilor; sunt doar c?teva dintre exemplele ce arat? c?, ?n lumea afacerilor ?i a Wall Streetului, oamenii pot da dovad? fie de geniu, spirit de cooperare ?i ?n?elepciune, fie de ?nc?p???nare ?i lips? de ra?iune, indiferent de miza aflat? ?n joc. Un avertisment c? istoria se poate oric?nd repeta.

The Roman playwright Plautus wrote comedies that are the earliest Latin literary texts to have survived in their entirety. Loosely adapted from lost Greek plays, the works of Plautus helped establish a truly Roman drama in the Latin language for the first time. Delphi’s Ancient Classics series provides eReaders with the wisdom of the Classical world, with both English translations and the original Latin texts. This comprehensive eBook presents Plautus’ complete extant works, with relevant illustrations, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Plautus’ life and works* Features the complete extant works of Plautus, in both English translation and the original Latin* All 20 extant plays* Concise introductions to the plays* Features translations by Henry Thomas Riley * Excellent formatting of the texts* Easily locate the acts you want to read with individual contents tables* Includes Plautus’ rare plays, first time in digital print* Features a bonus biography – discover Plautus’ ancient world* Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to explore our range of Ancient Classics titles or buy the entire series as a Super Set CONTENTS: The TranslationsAMPHITRYONASINARIAAULULARIABACCHIDESCAPTIVICASINACISTELLARIACURCULIOEPIDICUSMENAECHMIMERCATORMILES GLORIOSUSMOSTELLARIAPERSAPOENULUSPSEUDOLUSRUDENSSTICHUSTRINUMMUSTRUCULENTUS The Latin TextsLIST OF LATIN TEXTS The BiographyINTRODUCTION TO PLAUTUS by Paul Nixon Please visit www.delphiclassics.com to browse through our range of exciting titles

YOU have heard of Homer, and of the two wonderful poems, the Iliad and the Odyssey, which bear his name. No one knows whether these poems were composed by Homer, or whether they are the work of many different poets. And, in fact, it matters very little about their authorship. Everybody agrees that they are the grandest poems ever sung or written or read in this world; and yet, how few persons, comparatively, have read them, or know any thing about them except at second-hand! ? Homer commences his story, not at the beginning, but "in the midst of things;" hence, when one starts out to read the Iliad without having made some special preparation beforehand, he finds it hard to understand, and is tempted, in despair, to stop at the end of the first book. Many people are, therefore, content to admire the great masterpiece of poetry and story-telling simply because others admire it, and not because they have any personal acquaintance with it.? Now, it is not my purpose to give you a "simplified version" of the Iliad or the Odyssey. There are already many such versions; but the best way for you, or any one else, to read Homer, is to read Homer. If you do not understand Greek, you can read him in one of the many English translations. You will find much of the spirit of the original in the translations by Bryant, by Lord Derby, and by old George Chapman, as well as in the admirable prose rendering by Butcher and Lang; but you can get none of it in any so-called simplified version.??My object in writing this "Story of the Golden Age" has been to pave the way, if I dare say it, to an enjoyable reading of Homer, either in translations or in the original. I have ta-ken the various legends relating to the causes of the Trojan war, and, by assuming certain privileges never yet denied to story-tellers, have woven all into one continuous narrative, ending where Homer's story begins. The hero of the Odyssey—a character not always to be admired or commended—is my hero. And, in telling the story of his boyhood and youth, I have taken the opportunity to repeat, for your enjoyment, some of the most beautiful of the old Greek myths. If I have, now and then, given them a coloring slightly different from the original, you will remember that such is the right of the story-teller, the poet, and the artist. The essential features of the stories remain unchanged. I have, all along, drawn freely from the old tragedians, and now and then from Homer himself; nor have I thought it necessary in every instance to mention authorities, or to apologize for an occasional close imitation of some of the best translations. The pictures of old Greek life have, in the main, been derived from the Iliad and the Odyssey, and will, I hope, help you to a better understanding of those poems when you come to make acquaintance directly with them.??Should you become interested in the "Story of the Golden Age," as it is here related, do not be disappointed by its somewhat abrupt ending; for you will find it continued by the master-poet of all ages, in a manner both inimitable and unapproachable. If you are pleased with the discourse of the porter at the gate, how much greater shall be your delight when you stand in the palace of the king, and hearken to the song of the royal minstrel! ?

IN ancient times, when the city of Rome was at the height of its power and splendor, it was the custom, as it is in fact now with the inhabitants of wealthy capitals, for the principal families to possess, in addition to their city residences, rural villas for summer retreats, which they built in picturesque situations, at a little distance from the city, sometimes in the interior of the country, and sometimes upon the seashore. There were many attractive places of resort of this nature in the neighborhood of Rome. Among them was Antium.??The beauty and the salubrity of Antium made it a very attractive place of summer resort for the people of Rome; and in process of time, when the city attained to an advanced stage of opulence and luxury, the Roman noblemen built villas there, choosing situations, in some instances, upon the natural terraces and esplanades of the promontory, which looked off over the sea, and in others cool and secluded retreats in the valleys, on the land. It was in one of these villas that NERO was born.??NERO's father belonged to a family which had enjoyed for several generations a considerable degree of distinction among the Roman nobility, though known by a somewhat whimsical name. The family name was Brazenbeard, or, to speak more exactly, it was Aheno-barbus, which is the Latin equivalent for that word. ?

Non abbiate paura! Nu v? fie team?!Cuvintele rostite de papa Ioan Paul al II-lea ?n octombrie 1978, la inaugurarea pontificatului s?u, aveau s? trezeasc? ?n sufletele polonezilor ?i ale tuturor celor oprima?i de comunism dorin?a de a fi liberi ?i curajul de a lupta pentru libertate. ?n urm?torii ani, papa a devenit cel mai puternic simbol al luptei anticomuniste. Uniunea Sovietic? ?l considera pe Ioan Paul al II-lea (?i, implicit, Biserica Catolic?) o amenin?are la adresa stabilit??ii ?n Europa de Est ?i inamicul num?rul unu al statului. Deloc surprinz?tor, KGB-ul a pus la punct o re?ea impresionant? de spioni ?i agen?i dubli ?i chiar a ?ncercat s?-l asasineze pe pap?.Paradoxal ?ns?, cu c?t erau mai persecuta?i pentru credin?a lor, cu at?t oamenii erau dispu?i s?-?i ri?te via?a pentru libertate. Dovezile lor de curaj sunt impresionante, a?a cum impresionante sunt, dar ?n sens negativ, cazurile preo?ilor care ?i-au tr?dat biserica, trec?nd de partea celui mai mare du?man al acesteia, regimul comunist.Jurnalist ?i ofi?er ?n rezerv? al serviciului de informa?ii al Armatei SUA, John Koehler prezint? cititorilor documente ?i transcrieri ale unor stenograme necunoscute p?n? acum, realiz?nd o cronic? f?r? precedent a R?zboiului Rece dus de URSS ?mpotriva Bisericii Catolice ?i contribuind, astfel, decisiv la cunoa?terea istoriei secolului XX.

It is the 400th anniversary of the deaths of two of the world’s most famous authors: William Shakespeare and Miguel de Cervantes. This comic romp charts the influences of these literary giants on the modern world and contrasts the vastly different fortunes of two contemporaries whose countries – England and Spain – went from alliance to enmity in a short space of time.

With a foreword by director Ralph Lawson and introduction by Pranav Joshipura, Associate Professor of English, Mahila College, Gandhinagar, India. A follow-up anthology of three hard-hitting plays to Singh’s successful drama anthology Durban Dialogues, Indian Voice (2013) which is now studied internationally. The plays selected, namely Into the Grey, Shooting and Swing cover topics such as social activism, the death of a friend and discrimination in sport. Described through Singh’s satirical lens, these thought-provoking plays bring us up to date with the challenges of life in post-Apartheid South Africa. They focus particularly on people of Indian origin and their relationships with other South African communities and chart the loss of ideals in the dream of the Rainbow nation. Into the Grey: A harrowing drama depicting the twenty-nine year association between two Durban activists who battle a variety of challenges as their country stumbles towards a bleak future. Shooting: A one-man play about the unchanging paradigm in Durban’s small town communities in the early years of democracy as a football prodigy’s dream is brutally shattered. Swing: A two-hander about the relationship between a mixed-race Durban tennis player and her father/coach as they confront many obstacles in a society which undervalues the girl-child.

Today the women at the festival are going to kill me for insulting them!' This bold statement by Euripides is the absurd premise upon which the whole play depends. The women are incensed by his plays' portrayal of the female sex as mad, murderous, and sexually depraved, and they are using the festival of the Thesmophoria (an annual fertility celebration dedicated to Demeter) as an opportunity to debate a suitable choice of revenge.

The world spins and the cycle of seasons turns as the Guardians of the Year gather to tell each other stories. As a new Winter begins it is time to tell another tale… A kingdom is in peril, its people driven to flee their homes as a dark forest covers the land. The King and Queen are missing and Prince Roland, only heir to the kingdom, lies sleeping, cursed never to awaken… All seems lost, and it falls to one young woman with a strong heart, aided by strange companions, to find her way to the castle at the heart of the enchanted forest. Once there, it will take a genuine act of love to break the curse and free the kingdom. A story about friendship, drawing on myth and folklore, Sleeping Beauty is an exciting and enchanting new adaptation of the well-loved story.

In these Talks, given in Europe, Ojai and India, Krishnamurti addresses the need to approach our life problems in a manner does not perpetuate fragmentation. "Though we have many problems, and each problem seems to produce so many other problems, perhaps we can consider together whether the wisest thing to do is, not to seek the solution of any problem at all. It seems to me that our minds are incapable of dealing with life as a whole; we deal, apparently, with all problems fragmentarily, separately, not with an integrated outlook. Perhaps the first thing, if we have problems, is not to seek an immediate solution for them, but to have the patience to inquire deeply into them, and discover whether these problems can ever be solved by the exercise of will. What is important, I think, is to find out, not how to solve the problem, but how to approach it." An extensive compendium of Krishnamurti's talks and discussions in the USA, Europe, India, New Zealand, and South Africa from 1933 to 1967—the Collected Works have been carefully authenticated against existing transcripts and tapes. Each volume includes a frontispiece photograph of Krishnamurti , with question and subject indexes at the end. The content of each volume is not limited to the subject of the title, but rather offers a unique view of Krishnamurti's extraordinary teachings in selected years. The Collected Works offers the reader the opportunity to explore the early writings and dialogues in their most complete and authentic form.

Few men have endured the indignity of having their very existence challenged as thoroughly as William Shakespeare, late of Stratford-upon-Avon. From scholars to amateur enthusiasts, many cannot bring themselves to believe he wrote his own body of work. Playwright J. Ajlouny presents the arguments for and against, all statements and proofs drawn from the historical record. Everybody must decide for himself, but The Trial of William Shakespeare makes the controversy both intriguing and fun.

New adaptation of 'Hamlet' for a modern black theatrical production. Remember me… Denmark, a Black Empire of modern England, where an intelligent young student discovers the world he once knew has crumbled. Implored to defend what is left of his father’s decaying legacy, Hamlet now faces the greatest moral challenge – to kill or not to kill. Directed by Jeffery Kissoon (RSC, National Theatre, Robert Lepage, Peter Hall and in Peter Brook’s seminal production of The Mahabharata) and adapted with Shakespeare’s text by award-winning playwright Mark Norfolk, this fast-moving version gets straight to the heart of a young man’s dilemma. This first all-black production of Hamlet in Britain makes a striking contribution to the Shakespeare 400 anniversary celebration. For ages 12+

A life of fascination, obsession and deep scientific curiosity. William Cavendish-Scott-Bentinck is an eccentric Nottinghamshire aristocrat whose imagination and curiosity know no bounds. This deceptively simple man struggles to come to terms with a world that is teeming with new knowledge, ill-founded opinion and?gossip. Why does he hide himself away? What is his fascination with tunnels? Will he ever unearth the secrets hidden in his memory? In a sequence of events that are often curious and frequently hilarious he reveals moments of surprising perception and wisdom. Nottingham Playhouse and ajtc have combined their talents to co-produce Nick Wood’s stage adaptation of Mick Jackson’s Booker Prize shortlisted novel. The result is a free-flowing, innovative performance which features live music and a specially commissioned score. The Underground Man is a delectable blend of fact and fiction in which the intriguing details of a complex life are richly explored through the vibrant imagination of a gentle soul.

The Metamorphoses, or The Golden Ass, is the only Ancient Roman novel to survive in its entirety. The protagonist of the novel is called Lucius. At the end of the novel, he is revealed to be from Madaurus, in ancient Algeria, the hometown of Apuleius himself. The plot revolves around the protagonist's curiosity and insatiable desire to see and practice magic. While trying to perform a spell to transform into a bird, he is accidentally transformed into an ass. This leads to a long journey, literal and metaphorical, filled with in-set tales. He finally finds salvation through the intervention of the goddess Isis, whose cult he joins.

Il Principe (The Prince) is a political treatise by the Florentine public servant and political theorist Niccolò Machiavelli. Originally called De Principatibus (About Principalities), it was written in 1513, but not published until 1532, five years after Machiavelli's death. The treatise is not representative of the work published during his lifetime, but it is the most remembered, and the work responsible for bringing "Machiavellian" into wide usage as a pejorative term. It has also been suggested by some critics that the piece is, in fact, a satire.

The Law, original French title La Loi, is a 1849 book by Frédéric Bastiat. It was published one year after the third French Revolution of 1848 and one year before his death of tuberculosis at age 49. The essay was influenced by John Locke's Second Treatise on Government and in turn influenced Henry Hazlitt's Economics in One Lesson. It is the work for which Bastiat is most famous along with The candlemaker's petition and the Parable of the broken window. In The Law, Bastiat states that "each of us has a natural right — from God — to defend his person, his liberty, and his property". The State is a "substitution of a common force for individual forces" to defend this right. The law becomes perverted when it punishes one's right to self-defense in favor of another's acquired right to plunder.